Theatre

Buzz Center Stage

Buzz Center Stage

Lifeline Theatre presents the world premiere of Her Majesty’s Will, adapted by Lifeline Theatre ensemble member Robert Kauzlaric (Non-Equity Jeff Awards: New Adaptation, The Island of Dr. Moreau and Neverwhere), and directed by Lifeline Theatre ensemble member Chris Hainsworth, based on the 2013 novel by Chicago-based author/actor/fight choreographer (and Rogers Park resident) David Blixt, who will design the violence for the production.

Young William Shakespeare is hiding from the law in rural Lancashire, languishing as a simple school master. Christopher Marlowe is living the high life as a spy for the Crown. When a dastardly plot to assassinate the Queen draws these two unforgettable wits together, Will is swept up in a world of intrigue, treachery, and mayhem in an adventure that will define the rest of his life – if he can only manage to save Her Majesty. An irreverent comedy that imagines Shakespeare’s “lost years” as a rousing romp through the streets and across the stages of Elizabethan London. The production runs two and a half hours with one intermission. The novel will be on sale in the lobby.

Her Majesty’s Will runs May 26 – July 16 at Lifeline Theatre, 6912 N. Glenwood Ave. (free parking and shuttle; see below). Press opening is Sunday, June 4 at 4 p.m. Opening night is Tuesday, June 6 at 7:30 p.m. (Previews are Fridays, May 26 and June 2 at 7:30 p.m.; Saturdays, May 27 and June 3 at 8 p.m.; and Sunday, May 28 at 4 p.m.) Regular performance times (June 8 – July 16) are Thursdays and Fridays at 7:30 p.m., Saturdays at 4 and 8 p.m., and Sundays at 4 p.m. Ticket prices are $40 for regular single tickets, $30 for active and retired military personnel (with ID), $30 for seniors, $20 for students (with ID), $20 for rush tickets (available half hour before show time, subject to availability), and $20 for previews. Group rate for 12 or more is available upon request. Tickets may be purchased at the Lifeline Theatre Box Office, 773.761.4477, or by visiting www.lifelinetheatre.com.

Accessible Performances: The Saturday, June 17, 4 p.m. performance will feature open captioning for patrons who are deaf or hard-of-hearing. The Saturday, June 24, 4 p.m. performance will feature a pre-show touch tour of the set at 2:30 p.m. and live audio description for patrons who are blind or have low vision. For more information about Lifeline’s accessibility services, please contact Accessibility Coordinator Erica Foster at 773.761.4477 x703 or at This email address is being protected from spambots. You need JavaScript enabled to view it.

The complete cast and production team for Her Majesty’s Will includes:

CAST: Lifeline Theatre ensemble member Peter Greenberg (Robert Greene); with guest artists Don Bender (Sir Francis Walsingham), Bryan Bosque (Christopher Marlowe), Heather Chrisler (Chorus, Helena of Snakenborg, Emily Ball), Dan Cobbler (Dick Tarlton, Sir Thomas Lucy), Javier Ferreira (William Shakespeare), LaQuin Groves (John Savage), Martel Manning (John Lyly), and Mike Ooi (Cutting Ball). With understudies Justin Harner, Maggie Patchett, and Cole Simon. 

PRODUCTION TEAM: Lifeline Theatre ensemble members Aly Renee Amidei (Costume Designer), Chris Hainsworth (Director), and Robert Kauzlaric (Adaptor); with guest artists David Blixt (Fight Choreographer), Diane D. Fairchild (Lighting Designer), Morgan Gire (Assistant Stage Manager), Lavina Jadhwani (Casting Director), Eleanor Kahn (Scenic Designer), Jeffrey Levin (Original Music & Sound Designer), Alec Long (Properties Designer), Jennifer McClendon (Production Manager), Caitlin McManus (Assistant Director), Annaliese McSweeney (Dramaturg), Sam Moryoussef (Master Electrician/AV Supervisor), Kate Reed (Stage Manager), Sarah Scanlon (Assistant Director), and Joe Schermoly (Technical Director).

Lifeline Theatre presents Her Majesty’s Will, running May 26 – July 16 at Lifeline Theatre, 6912 N. Glenwood Ave. (free parking and shuttle; see below). Opening night is Tuesday, June 6 at 7:30 p.m. (Previews are Fridays, May 26 and June 2 at 7:30 p.m.; Saturdays, May 27 and June 3 at 8 p.m.; and Sunday, May 28 at 4 p.m.) Regular performance times (June 8 – July 16) are Thursdays and Fridays at 7:30 p.m., Saturdays at 4 and 8 p.m., and Sundays at 4 p.m. Ticket prices are $40 for regular single tickets, $30 for active and retired military personnel (with ID), $30 for seniors, $20 for students (with ID), $20 for rush tickets (available half hour before show time, subject to availability), and $20 for previews. Group rate for 12 or more is available upon request. Tickets may be purchased at the Lifeline Theatre Box Office, 773.761.4477, or by visiting www.lifelinetheatre.com.

Lifeline Theatre is accessible by CTA (Red Line Morse stop/busses) and free parking is available at the Field School parking lot (7019 N. Ashland St., entrance on Greenleaf between Ashland and Greenview) with free shuttle service before and after the show. Street parking is also available. Lifeline is accessible to wheelchair users and visitors who need to avoid stairs.

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Now in its 34th season, Lifeline Theatre is driven by a passion for story. Our ensemble process supports writers in the development of literary adaptations and new work, and our theatrical and educational programs foster a lifelong engagement with literature and the arts. A cultural anchor of Rogers Park, we are committed to deepening our connection to an ever-growing family of artists and audiences, both near and far. Lifeline Theatre – Big Stories, Up Close.

Lifeline Theatre’s programs are partially supported by Alphawood Foundation; A.R.T League Inc.; Elizabeth F. Cheney Foundation; Chicago CityArts, a grant from the Chicago Department of Cultural Affairs and Special Events; The Chicago Community Trust: Persons with Disability Fund; The Common Cup; Gaylord and Dorothy Donnelley Foundation; FGMK LLC; Lloyd A. Fry Foundation; The Grover Hermann Foundation; Illinois Arts Council Agency; Illinois Humanities Council; Lagunitas Brewing Co. Community Grant Program; MacArthur Fund for Arts and Culture at Prince; The PAV Grant Fund; The Polk Bros. Foundation; Poubelle Fund, a Donor Advised Fund of Renaissance Charitable Foundation; Rogers Park Social; S&C Electric Company Fund; The Shubert Foundation; and the annual support of businesses and individuals.

 

 

Kaye Winks has been a token black for as long as she can remember.

 

In her new one-woman show Token, Winks shares her hilarious and often cringe worthy adventures in being that lone black person in a world of white.

 

Through her colorful portrayals of family, friends, strangers and foes, Winks offers a comic and ironic look at what it's like to be the token black person.

 

But white people aren't her only target. Winks also casts a smart, funny and sometimes sobering lens on class clashes within the black community.

 

"Token is unapologetically un-PC, but it's fair in its political incorrectness because I pick on everyone equally," says Winks. "The show actually brings people together by 'telling it like it is.'"

 

Don't miss Winks' hilarious, 60-minute takedown of the race discussion through the voices and stories of 30 characters we've all met at some point in our lives.

 

Token, directed by Schoen Smith, will be presented Fridays May 19-June 9, 2017 at 7:30 p.m. at Judy's Beat Lounge at the Second City Training Center, 230 W. North Avenue, 2nd Floor, Chicago. 

 

Tickets are $13. For tickets and information, visit secondcity.com or call

(312) 337-3992.

 

Token information

 

Kaye Winks has been a token black since the day she was born in Naperville, Illinois to black Republicans. Today she is a stage and screen actress, writer, part-time funny person and full-time cat person. Winks trained at the Moscow Art Theater's Stanislavsky School in association with the American Repertory Theater and Harvard University. Her improv training was at the Second City Chicago. She also studied physical comedy and clown with world-renowned French master teacher, Philippe Gaulier. She has been featured in national commercial and print campaigns for Honda, Sony and Hot Pockets among others. She has recently returned to Chicago following a six-year stint in LA.

 

Schoen Smith (director) is an actress, writer, producer and director. In March, she directed a sold-out, one-night only performance of Token as part of Collaboraction Theatre Company's Gender Breakdown Lounge series. She also premiered her original spoken word piece Hands Up at Collaboraction's 2016 PEACEBOOK Festival. Before moving to Chicago, she was Producing Director for DOMA Theatre Company in Los Angeles, and also produced the hit play Elevator in the inaugural Hollywood Fringe Festival. She is a co-producer on the award-winning documentary about homeless youth, American Street Kid, which won Best Social Impact Film at the Hollywood Film Festival and People's Choice Award and Power in Film Award at The Beloit International Film Festival this year. She is the Director of Development for Collaboraction and the VP of Development for Venture Hill Entertainment, LLC.

 

For more, visit kayewinks.com or follow Winks on Twitter and Instagram: @kayewinks #tokenblack.

 

Chicago Theatre Workshop, in association with Fletcher Jones Volkswagen, is proud to announce the regional premiere of Little Miss Sunshine, May 11 – June 4, at The Edge Theatre, 5451 N. Broadway. Little Miss Sunshine, music and lyrics by James Lapine and book by William Finn, is directed and choreographed by Maggie Portman and music directed by Nick Sula.  Previews are Thursday, May 11 and Friday, May 12 at 7:30 p.m., Saturday, May 13 at 8 p.m. and Sunday, May 14 at 3 p.m. Opening Night is Sunday, May 14 at 7 p.m. Tickets are $25 for previews and $32.50 – $42.50 for the regular run. Tickets are on sale now at www.chicagotheatreworkshop.org or by calling 773.999.9541.

 

From the Tony Award-winning team of James Lapine (Into the Woods, Sunday in the Park with George) and William Finn (25th Annual Putnam County Spelling Bee) comes Little Miss Sunshine, a musical comedy about one modern family's unexpected route to brighter days. Based on the Academy Award-winning film by Michael Arndt, Chicago Theatre Workshop will be the first company in the United States to present the show since its off-Broadway run at New York's Second Stage Theater.

 

The Hoover family has seen better days. Richard, the father, is a floundering motivational speaker, Grandpa's been kicked out of his retirement home and Uncle Frank's been dumped by his boyfriend. Moody teenager, Dwayne, has taken a vow of silence, and overextended mom, Sheryl, can do little more than slap on a smile. But, when the youngest Hoover... energetic Olive, enters a regional children's beauty pageant, the family thinks that their luck could change and embarks on a cross-country trek, chasing the coveted title of "Little Miss Sunshine.”

 

The cast of Little Miss Sunshine includes; Greg Foster as “Richard,” Sharyon Culberson as “Sheryl,” Ken Rubenstein as “Grandpa,” Kyle Klein II as “Dwane,” George Keating as “Uncle Frank,” David Besky as “Larry,” Jennifer Ledesma as “Linda,” Connor Baty as “Josh,” Chayce Davis as “Chelsea,” Jersie Joniak as “Tracee,” Tatum Pearlman as “Deborah” and introducing Sophie Kaegi as “Olive Hoover.”

 

The design team includes; Robert Groth and Jenniffer Thusing (set designers), Jennifer Kules and Collin Helou (lighting designers), Martha Shuford (costume designer) Robert Hornbostel (sound designer), Jessica McCoy (production stage manager) Charissa Armon (casting director) Maggie Portman (director and choreographer), Nick Sula (musical director) and Tom Mullen (artistic director).

 

About Chicago Theater Workshop

Chicago Theatre Workshop, (CTW) is a new AEA development theatre company in Chicago’s Edgewater neighborhood, CTW produces work that challenges our perception of art and music. With a hybrid development and production model, CTW acts as an incubator for emerging talent and their work and helps provide the resources needed for commercial success. CTW is not solely a musical theatre company. CTW produces work where music plays an integral part of the fabric of each play, play with music or performance piece. In addition artists’ work also reaches global audiences through a digital platform where select productions are made available for streaming.

 

Chicago Theatre Workshop is proud to announce that its second production of the season, Creatives will appear in the 2017 Edinburgh Fringe Festival, performing at the prestigious Pleasance Theatre of Scotland.

 

 

 

Due to extreme box office demand, Teatro Vista has added seats, more shows and a one-week extension for La Havana Madrid, Sandra Delgado's world premiere, live theater experience that reimagines the long-gone Caribbean nightclub that drew throngs of newly-arrived Latinos to Chicago's north side in the 1960's.  

 

Originally running through May 21, La Havana Madrid will now play through May 28 at Steppenwolf's 1700 Theatre, 1700 N. Halsted, Chicago.

Following its extended run at Steppenwolf's 1700 Theatre, La Havana Madrid will be presented at The Miracle Center, 2311 N. Pulaski Rd. in Chicago's Logan Square neighborhood, June 2-11, 2017 through the company's new program TEATRO VISTA, TEATRO VECINO (Spanish for "neighbor).

 

New seats for performances through May 28 go on sale Monday, April 24 at 11 a.m. Tickets are $15-$50. For tickets and information, visit Steppenwolf.org, teatrovista.org or call (312) 335-1650.

 

The updated performance schedule is:

 

Friday and Saturday, April 21 and 22 at 8 p.m.

 

Sunday, April 23 at 4 p.m.

 

Thursday through Saturday, April 27-29 at 8 p.m.

 

Sunday, April 30 at 4 p.m.

 

Wednesday* through Saturday, May 3-6 at 8 p.m.

 

Sunday, May 7 at 4 p.m.

 

Wednesday through Friday, May 10-12 at 8 p.m.

 

No show Saturday, May 13

 

Sunday, May 14 at 4 p.m.

 

Wednesday though Saturday, May 17-20 at 8 p.m.

 

Sunday, May 21 at 4 p.m.

 

Thursday and Friday, May 25 and 26 at 8 p.m.

 

Saturday, May 27 at 3:30 p.m. and 8 p.m.

 

Sunday, May 28 at 4 p.m.

 

*Note: On Wednesday, May 3, the role of La Havana Madrid will be played by Michelle J. Rodriguez, singer, songwriter and band leader of MICHA.

 

 

About La Havana Madrid

 

Step back in time to 1960's Chicago and into La Havana Madrid, the long-gone Caribbean nightclub that drew throngs of newly-arrived Latinos to the city's north side. A vibrant musical venue, La Havana Madrid became a cultural hub for these new Chicagoans. Inspired by real life stories of those who flocked to the club to celebrate and remember, this intimate recreation of the lively 1960's music club features live music and immerses you in the pulsing sounds of that decade from the mambo to the new sound of salsa.

                                               

La Havana Madrid is directed by Teatro Vista ensemble member Cheryl Lynn Bruce, who will be honored with a Lifetime Achievement Award from the League of Chicago Theatres on May 22.

 

In addition to conceiving and writing the play, Sandra Delgado also plays the title role of La Havana Madrid, a mystical woman who conjures vibrant songs and true stories that bring life back to the fabled North side nightclub. 

 

Chicago comedian and producer Mike Oquendo portrays Tony Quintana, the one-time owner of La Havana Madrid and host of the 1960s Chicago radio show "Tony's Latin A-Go-Go." 

 

Legendary Colombian-American musician Roberto "Carpacho" Marin, joined by his band of 30 years, Carpacho y Su Super Combo, perform live at every show. In fact, Carpacho's own story is one of the play's inspiring true vignettes. With Delgado as lead singer, Carpacho y Su Super Combo chronicles the history of Caribbean Latino music, live, from mambo to the birth of salsa. 

 

Rounding out the cast as Cuban, Colombian, Caribbean and Puerto Rican patrons, staff and musicians who all met, danced, loved and lost at La Havana Madrid are Teatro Vista ensemble members Cruz Gonzalez-Cadel, Tommy Rivera-Vega and Marvin Quijada, and, in their Teatro Vista debuts, Donovan Diaz, Phoebe González and Krystal Ortiz.

The design team that has crafted an intimate, immersive recreation of a lively 1960s music club - complete with cabaret seating, a bar, a dance floor and a small stage for the live band - are Ashley Woods (set), Elsa Hiltner (costumes),Heather Sparling (lights), Misha Fiksel (sound), Liviu Pasare (projections and video design) and William Carlos Angulo (choreography).

 

Following its run at Steppenwolf, Teatro Vista will present La Havana Madrid at The Miracle Center, 2311 N. Pulaski Rd., in Chicago's Logan Square neighborhood. Performances are June 2-4 and June 9-11: Friday and Saturday at 7 p.m.; Sunday at 4 p.m. All tickets are $20. For tickets and information, visit teatrovista.org.

The Chicago Latino Theater Alliance is Production Sponsor of La Havana Madrid. Delgado received support from The Chicago Community Trust, a 2015 Joyce Award and a 3Arts 3AP Project Grant to support the development of La Havana Madrid. She developed the script as a member of the 2015-16 Playwright's Unit at Goodman Theatre. The Miracle Center residency is funded by The Chicago Community Trust and is part of Teatro Vista's new program TEATRO VISTA, TEATRO VECINO (Spanish for "neighbor).

               

 

Some history about La Havana Madrid

In the late 1950's and throughout the 1960's, Latinos from Caribbean countries such as Puerto Rico and Cuba settled all along Chicago's lakefront, from North Avenue to Devon.

Although from different countries, music brought them together. Their shared rhythms -  African rhythms - became the guaguanco, the mambo and the merengue. Now in the United States, these rhythms merged with traditional big band sounds and eventually became salsa. 

On the North side of Chicago, a handful of Latino music clubs opened up: Coco Loco on Lincoln Avenue, The Mirror Lounge on North Avenue and La Havana Madrid on Belmont and Sheffield, in the second floor space now occupied by Milio's Hair Studio. While the history of La Havana Madrid may be fuzzy, what is known is Cubans opened it in the early 1960's and the club became a busy melting pot for newly arrived Latinos in Chicago. It's believed La Havana Madrid closed in the mid-1970's.

 

 

About Teatro Vista

 

Teatro Vista (teatrovista.org) produces, develops and commissions plays that explore the wealth and variety of the human experience from a Latinx perspective. The company provides work and professional advancement opportunities for Latinx theatre artists, with special emphasis on the company's ensemble members, and seeks to enhance the curricular goals of Chicago students through theatre. 

 

Teatro Vista was recently celebrated as one of "Chicago's Cultural Leaders" by the Arts & Business Council of Chicago and received the League of Chicago Theatre's Artistic Leadership Award.                                                                        

Teatro Vista's primary focus is producing new works by Latinx theatre artists and presenting classic plays featuring artists of color. Its artistic vision is shaped by the company's ensemble members, a group of multi-generational, multi-ethnic and multi-disciplinary artists. They inform Teatro Vista's artistic aesthetic by devising original works as well as by selecting plays with themes that are engaging and relevant to Chicago's diverse population.

 

Teatro Vista founded in 1990 by Edward Torres and Henry Godinez. As Teatro Vista's first Artistic Director, Godinez guided the company during the formative years. He helped stage successful productions and establish vital relationships with other theatre companies and artists. When Godinez stepped down, Torres was appointed Artistic Director. Under Torres' direction, Teatro Vista used the stage to engage, connect and challenge audience members using the company's mission as his guide. In 2012, Torres moved to New York and the Board of Directors promoted longtime Associate Artistic Director Ricardo Gutiérrez to the position of Executive Artistic Director.  

 

In 2017, Sylvia Hevia joined Teatro Vista as Managing and Development Director. Previously, Hevia was Director of Marketing and Development of the International Latino Cultural Center and had her own multicultural event production company dedicated to bringing Latinx cultural events, performances and recording artists to Chicago.

 

Teatro Vista ensemble includes Charín Álvarez, Max Arciniega, Desmín Borges, Cheryl Lynn Bruce, Ramón Camín, Ivonne Coll, Laura Dahl, Sandra Delgado, Liza Fernández, Khanisha Foster, Isaac Gomez, Cruz Gonzalez-Cadel, Ricardo Gutiérrez, Erik Juárez, Jon Lyon, Sandra Márquez, Eddie Martinez, J. Salomé Martinez Jr., Joe Minoso, Ayssette Muñoz, Christina Nieves, Marvin Quijada, Tommy Rivera-Vega, Gabriel Ruíz, Nate Santana, Cecilia Suarez and co-founder Edward Torres. 

 

Teatro Vista's Board of Directors includes Ezequiel "Zeek" Agosto, President; Rodrigo García and Rosanna Márquez, Vice Presidents; Joan Pantsios, Secretary; Tom Vega-Byrnes, Treasurer; and Bhuvana Badrinathan, José Antonio Cruz, Edgar Delgado, Ricardo Gutiérrez, Yolanda Hardy and Kareem Mohamednur.

 

Teatro Vista is supported by The Joyce Foundation, Alphawood Foundation, Paul M. Angell Family Foundation, The MacArthur Fund for Arts & Culture at the Richard H. Driehaus Foundation, Bloomberg Philanthropies, the Department of Cultural Affairs and Special Events of the City of Chicago, The Shubert Foundation, TheGaylord and Dorothy Donnelly Foundation and The Saints.

 

Purple Group and Cumberland Irving are Teatro Vista's Headline Season Sponsors. Teatro Vista is a Victory Gardens Resident Theater.

 

Griffin Theatre Company is pleased to announce casting for its newly-orchestrated chamber version of the Tony Award-winning musical RAGTIME, reimagined by director Scott Weinstein with new orchestrations by Matt Deitchman, music direction by Jermaine Hill and Ellen Morris and choreography by William Carlos Angulo. With 20 actors, two pianos and a wind instrument, RAGTIME features a book by Terrence McNally, lyrics by Lynn Ahrens and music by Stephen Flaherty. RAGTIME will play May 27 – July 16, 2017 at The Den Theatre's Heath Main Stage, 1333 N. Milwaukee Ave. in Chicago. Tickets for RAGTIME are currently available at www.griffintheatre.com or by calling (866) 811-4111. 

 

RAGTIME will feature Laura McClain as Mother, Denzel Tsopnang as Coalhouse Walker, Jr., Jason Richards as Tateh, Katherine Thomas as Sarah, Ben Miller as The Little Boy, Autumn Hlava as The Little Girl, Matt Edmonds as Younger Brother, Frederick Harris as Booker T. Washington, Scott Allen Luke as Father, Neala Barron as Emma Goldman, Caitlin Collins as Evelyn Nesbit, Jonathan Schwart as Henry Ford, Joe Capstick as Harry Houdini, Larry Baldacci as Grandfather, Danielle Davis as Sarah’s Friend, Courtney Jones as Kathleen/Brigit and others, with an ensemble including Marcellus Burt, Arielle Leverett, Alanna Lovely and Juwon Perry.

 

Based on the 1975 novel by E.L. Doctorow, RAGTIME is set at the dawn of a new century where the lives of three distinct American families from different backgrounds intersect in their search for the American dream. Part history lesson—part family saga, this stirring musical asks us think about racism, immigration, social justice, wage inequality and the role of women in society in a changing America. 

 

The production team for RAGTIME includes: William Boles (scenic design), Rachel Sypniewski (costume design), Alex Ridgers (lighting design), Stephen Ptacek (sound design), Catherine Allen (production manager), KZ Wilkerson (asst. director/asst. choreographer) and Katie Messmore (stage manager).

 

PRODUCTION DETAILS:

 

Title: RAGTIME

Book: Terrence McNally

Lyrics: Lynn Ahrens

Music: Stephen Flaherty

Director: Scott Weinstein

New Orchestrations/Music Supervisor: Matt Deitchman

Music Direction: Jermaine Hill and Ellen Morris

Choreography: William Carlos Angulo.

Associate Director/Associate Choreographer: KZ Wilkerson

 

Cast: Larry Baldacci (Grandfather), Neala Barron (Emma Goldman), Marcellus Burt (Ensemble), Joe Capstick (Harry Houdini), Caitlin Collins (Evelyn Nesbit), Danielle Davis (Sarah’s Friend), Matt Edmonds (Younger Brother), Frederick Harris (Booker T. Washington), Autumn Hlava (The Little Girl), Courtney Jones (Kathleen/Brigit and others), Arielle Leverett (Ensemble), Alanna Lovely (Ensemble), Scott Allen Luke (Father), Laura McClain (Mother), Ben Miller (The Little Boy), Juwon Perry (Ensemble), Jason Richards (Tateh), Jonathan Schwart (Henry Ford), Katherine Thomas (Sarah) and Denzel Tsopnang (Coalhouse Walker, Jr.).

 

Location: The Den Theatre’s Heath Main Stage, 1333 N. Milwaukee Ave., Chicago

Dates: Previews: Saturday, May 27 at 7:30 pm, Sunday, May 28 at 3 pm, Thursday, June 1 at 7:30 pm, Friday, June 2 at 7:30 pm and Saturday, June 3 at 7:30 pm

Regular run: Thursday, June 8 – Sunday, July 16, 2017

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. 

Tickets: Previews $30. Regular run $39. Students, seniors & veterans $34 ($25 previews). Group discount are available for groups of ten or more. Tickets are currently available at www.griffintheatre.com or by calling (866) 811-4111.

 

About the Creative Team

 

Scott Weinstein (Director) previously directed Griffin’s Bat Boy: The Musical, Titanic and The 25th Annual Putnam County Spelling Bee. Scott is the Co-Artistic Director of Buzz22 Chicago, where he most recently directed She Kills Monsters as part of Steppenwolf Theatre's Garage Rep Series. Other credits include Seussical and Bolcom’s Fairy Tales (Chicago Shakespeare Theatre); A Doll’s House (Buzz22 Chicago); All American (Red Twist); Baristas (NY International Fringe Festival); Ampersand (Bloomington Playwrights Project); and the first full productions of Murder For Two (Adirondack Theatre Festival, Hangar Theatre, 42nd Street Moon). Scott is the recipient of a Berkshire Theatre Festival Directing Fellowship and a Stage Directors and Choreographers Society Observership. He is currently the Associate Director for the National Tour, Las Vegas and Chicago productions of Million Dollar Quartet. He is an associate member of the Stage Directors and Choreographers Society and proud graduate of Northwestern University. Weinstein recently won a Jeff Award for his direction of the musical Rent for Theo Ubique Theatre.

 

Matt Deitchman (New Orchestrations/Music Supervisor) is a Chicago based actor, music director and composer and multi-instrumentalist originally from Allendale, New Jersey. Music credits include: Tug Of War, Road Show, Seussical, Shrek (Chicago Shakespeare Theatre); Adding Machine, Into the Woods (The Hypocrites); The Man Who Murdered Sherlock Holmes (Mercury Theater); Hero (Asolo Repertory Theatre & Marriott Theatre); King & I, The Wizard Of Oz, Sleeping Beauty, Cinderella, For The Boys (Marriott Theatre); She Kills Monsters (Steppenwolf Garage-Original Score); Do Over (MIC - Original Music/Lyrics Co-Write); Spelling Bee (Griffin Theatre); Do I Hear a Waltz?, The Baker’s Wife, The Pajama Game (Music Theatre Company); and Found (American Music Theater Project). Matt graduated from the Northwestern University Theatre Department where he twice music directed, composed, and orchestrated for the annual Waa-Mu and was the recipient of the Peggy Dow and Frank Gamble Fitzpatrick Scholarships, as well as the prestigious Sarah Siddons Scholarship Award for excellence in Musical Theatre.

 

Jermaine Hill (Music Director) is thrilled to be working on his first production with Griffin Theatre Company. An actor, singer, music director, arranger/orchestrator, pianist and vocal coach originally from New York City, he recently music directed The Gefilte Fish Chronicles (Chicago Music Theatre Festival), Godspell and Bonnie and Clyde (Actors Training Center), and was music arranger for Barney: The Elf (The Other Theatre Company). Upcoming music directing credits include Madagascar (Chicago Shakespeare Theatre) and two productions in the 2017-2018 Porchlight Music Theatre season. Performance highlights include Weill Recital Hall (Carnegie Hall), the Aldeburgh Festival (U.K.), The Lost Colony (Manteo, N.C.), two seasons at the Capitol Theatre (Rome, N.Y.), and a commercial with the Onion Labs/NBC. He is currently an assistant professor of theatre at North Central College, where he coordinates the musical theatre and dance programs. He is a proud graduate of Ithaca College and the New England Conservatory of Music, and is proudly represented by Gray Talent Group. jermainehillmusic.com

 

Ellen Morris (Music Director) is a Chicagoland music director and teaching artist. Recent professional theater credits include Next to Normal, Dogfight (Boho Theatre), Adding Machine, (The Hypocrites), The Velveteen Rabbit (The Marriott Theatre) and Northanger Abbey (Lifeline Theatre). She is the resident music director and a voice teacher at the Wilmette Park District and also teaches at the Music Institute of Chicago and Northwestern. Ellen is a proud Northwestern graduate. 

 

The Griffin Theatre's 2016/2017 Premiere Season Sponsor is Brenda & James Grusecki with additional season sponsor support from Jeff Graves Realtor @properties, Kassie Davis & Bruce Beatus, Mary Grover, Randy & Lloyd Gussis, Claire Conley & Joan Mazzonelli.

 

The Griffin Theatre Company is a Blue Star Theater and is proud to support our military enlisted and veterans. 

 

About Griffin Theatre Company

Established in 1988 and celebrating its 29th season, the mission of the Griffin Theatre Company is to create extraordinary and meaningful theatrical experiences for both children and adults by building bridges of understanding between generations that instill in its audience an appreciation of the performing arts. Through artistic collaboration the Griffin Theatre Company produces literary adaptations, original work and classic plays that challenge and inspire, with wit, style and compassion for the audience.

 

The Griffin Theatre Company is the recipient of 105 Joseph Jefferson Award nominations for theater excellence in Chicago. The Griffin was the repeat winner of the 2016 Jeff Award for “Best Production of a Play” for London Wall having won the same award in 2015 for its production of Men Should Weep.

 

The Griffin Theatre Company is partially supported by the Illinois Arts Council, a state agency.

 

For additional information, visit www.griffintheatre.com.

 

AstonRep Theatre Company will conclude its 2016-17 mainstage season with the Tony-nominated drama TIME STANDS STILL by Pulitzer Prize-winner Donald Margulies, directed by Georgette Verdin, playing May 11 – June 11, 2017 at The Raven Theatre (West Stage), 6157 N. Clark St. in Chicago. Tickets go on sale Saturday, April 1, 2017 at www.astonrep.com or by calling (773) 828-9129. 

 

TIME STANDS STILL will feature Rob Frankel, Sara Pavlak McGuire, Kirra Silver and Robert Tobin.

 

TIME STANDS STILL focuses on Sarah and James, a photojournalist and a foreign correspondent trying to find happiness in a world that seems to have gone crazy. Theirs is a partnership based on telling the toughest stories, and together, making a difference. But when their own story takes a sudden turn, the adventurous couple confronts the prospect of a more conventional life. TIME STANDS STILL is a witty, intelligent look at what happens when ordinary life is refracted through the lens of war.

 

The production team for TIME STANDS STILL includes: Jeremiah Barr* (scenic design), Arielle Valene (costume design), Samantha Barr* (lighting design), Ray Kasper* (sound design), Matthew Nerber (asst. director) and Melanie Kulas (stage manager).

 

*Denotes AstonRep Company Members.

 

PRODUCTION DETAILS:

Title: TIME STANDS STILL

Playwright: Donald Margulies

Director: Georgette Verdin

Cast: Rob Frankel (Richard Ehrlich), Sara Pavlak McGuire (Sarah Goodwin), Kirra Silver (Mandy Bloom) and Robert Tobin (James Dodd).

 

Location: The Raven Theatre (West Stage), 6157 N. Clark St., Chicago

Dates: Previews: Thursday, May 11 at 8 pm and Friday, May 12 at 8 pm

Press performance: Saturday, May 13 at 8 pm

Regular run: Sunday, May 14 – Sunday, June 11, 2017

Curtain Times: Thursdays, Fridays and Saturdays at 8 pm; Sundays at 3:30 pm

Tickets: Previews: $10. Regular run: $20. Student/seniors $15. Tickets go on sale Saturday, April 1, 2017 at www.astonrep.com or by calling (773) 828-9129.

 

About the Artists

 

Donald Margulies' (Playwright) plays include Brooklyn Boy, Dinner with Friends, Sight Unseen, Collected Stories, The Loman Family Picnic, God Of Vengeance, The Model Apartment, What's Wrong with this Picture? and Found a Peanut. He has won a Lucille Lortel Award, an American Theatre Critics Award, two Los Angeles Drama Critics Awards, two OBIE Awards, two Dramatists Guild Hull-Warriner Awards, five Drama Desk Award nominations, two Pulitzer Prize nominations and one Pulitzer Prize. His works have been performed on and off Broadway; at major theatres across the U.S. including South Coast Repertory, Manhattan Theatre Club, Primary Stages, Actors Theatre of Louisville, Long Wharf Theatre, Williamstown Theatre Festival, Old Globe Theatre, La Jolla Playhouse and Joseph Papp's New York Shakespeare Festival; and in Paris, London, Rome, Madrid, Tel Aviv, Amsterdam, Copenhagen, Sydney, Berlin, Vienna and many other cities around the world. Mr. Margulies is an alumnus of New Dramatists and serves on the council of The Dramatists Guild of America. He is an adjunct professor of English and Theatre Studies at Yale University.

 

Georgette Verdin (Director) is thrilled to be working with Aston Rep for the first time. She is the Co-Artistic Director of Interrobang Theatre Project, as well as the founding theatre teacher at Polaris Charter Academy, an Expeditionary Learning School in West Humboldt Park. Recent directing credits include: Interrobang's Jeff Recommended Recent Tragic Events and their production of the 2013 Yale Drama Series Winner Still. Georgette holds a Masters in Directing from Roosevelt University and a B.A. in Theatre Performance from McNeese State University in Lake Charles, LA. 

 

About AstonRep Theatre Company:

 

AstonRep Theatre Company was formed in the summer of 2008. Since then, the company has produced 18 full-length productions and eight annual Writer’s Series.  AstonRep is an ensemble of artists creating theatre to move and engage our audiences and spark discussion through new works and re-imagined classics in an intimate setting.

 

Pulitzer Prize-winner, Annie Baker, dissects human behavior through the microscope of an acting class with Circle Mirror Transformation, the title of which is taken from a classroom theatre game intended to generate trust, teamwork, and connection. Instead, tiny wars of epic proportions are waged, and the six-week class transforms into a cascade of epiphanies and dashed hopes.

THE CAST (in alphabetical order) 

Adam Bitterman (James), Talia Payomo (Lauren), Lynda Shadrake (Marty), Michael Sherwin (Schultz), Emily Tate (Theresa)

 

Understudies: Nick Dorado (Schultz), Julia Kessler (Theresa), Emma Maltby (Lauren), Robin Margolis (Marty), Jim Scholle (James) Understudy Performance: Tue, May 9, 7:30pm

 

THE STAFF 

Scott Weinstein (Director), Hannah Dawe (Assistant Director), Mary Brennan (Stage Manager), Kaitlin Smrcina (Assistant Stage Manager), Elyse Balogh (Set Designer), Daniel Friedman (Lighting Designer), Karli Blalock (Sound Designer), Kotryna Hilko (Costume Designer), Parker Blackston Ryan (Props Designer), Jan Ellen Graves (Graphics & Marketing), Manuel Juan Ortiz (Technical Director), Catherine Miller (Dramaturg & Casting Director), E. Malcolm Martinez (Box Office Manager), Charles Bonilla (Box Office Associate), Johnny Garcia (Box Office Associate), James Fleming, Jan Ellen Graves, & Michael Colucci (Producers)

 

THE SCHEDULE 

Opens: Sat, April 15, 3pm (note: there is no evening performance on opening day)

Showtimes: Thu, Fri, Sat, 7:30pm; Sun, 3pm

Closes: Sun, May 14, 3pm

Running Time: Approximately 110 minutes, no intermission

Previews: $15; Wed, Thu, Fri, Apr 12, 13, 14, at 7:30pm 

Understudy performance: Tue, May 9, 7:30pm.  $20 (seniors & students $5 off)

Tickets: Thursdays, $30; Fridays, Saturdays, Sundays, $35 (seniors & students $5 off)

        

RESERVATIONS 

Call: 773-728-7529  

Tickets: www.redtwist.org

 

Redtwist is located at 1044 W Bryn Mawr, 2 blks W of LSD, 2 blks E of the Red Line EL station.

 

Valet parking for Redtwist is available across the street in front of Francesca's Bryn Mawr for most performances-hours vary. Dining is not required. 

 

Limited FREE street parking is available on side streets. There is metered street parking via ParkChicago.com app or 3-hour Paybox on Bryn Mawr Av and 2-hour Paybox on side streets. Free on Sundays, and after 10pm Mon thru Sat. 

 

Not cool enough to join “Tinder Select”? Gorilla Tango Originals has got you covered with its late-night offering that gets hot and heavy about the good, the bad, and the down-right dirty sides of dating apps: “Love Me Tinder: Swipe Right.”

“Love Me Tinder: Swipe Right,” by J. Joseph Cox and directed by Taylor Pasche, performs Wednesdays at 8:00pm in April and 9:30pm in May, April 5-May 24, 2017 at Gorilla Tango Theatre (1919 N. Milwaukee Avenue, Chicago IL 60647). Tickets are $20. Please visit www.gorillatango.com or call 773-598-4549 for tickets and more information. 

Scruff, Grindr, Tinder, OkCupid... one goal: find a connection, whether that be through a good f&*k or a sweet date.  “Love Me Tinder: Swipe Right” follows a group of well-seasoned dating app-ers educating a newbie on the finer points of app-based dating. Raunchy hook-ups? Fee-for-service sexual favors? Flirting on CB radio? Check, check, and check. Who needs “love at first sight?” Just be wary of kitten-of-the-month calendars. This series of salaciously hilarious vignettes, based on real life stories, explores the good, the bad, and the creepy in what has become dating life’s new normal. Definitely for mature audiences!

Playwright J. Joseph Cox has had work produced across the U.S. as well as in the U.K. and Canada. He is a member of the Dramatist Guild of America and has been named a Finalist for both the O’Neill National Playwrights Conference as well as the Princess Grace Playwriting Fellowship. In speaking about the origin of the show, Cox says, “All of the stories are based on real life situations gathered from friends, acquaintances, and co-workers, as well as a few gems from Reddit subgroups. Truth is stranger than fiction, especially in the world of app-based dating. We’re all creeps - embrace it.”

Director Taylor Pasche continues, “The show is bawdy, candid, and up-close-and-personal about sex. You’ll laugh at the absurdity. You’ll laugh at the relatability. You'll leave contemplating what it means to have a relationship face-to-face versus screen-to-screen.”

Gorilla Tango Theatre (GTT) exists to provide entertainment people actually want to see. GTT believes that every theatre person is a business person; it seeks to educate, foster, and provide resources to theatre practitioners so that each theatre production is treated as an entrepreneurial venture. GTT is conveniently located at the intersection of Western and Milwaukee in Chicago’s Bucktown neighborhood and is easily accessible by public transportation (just steps away from the Western Blue Line stop and the #49 Western, #73 Armitage and #56 Milwaukee buses). Street parking is also readily available. GTT offers a variety of affordable beer and wine for purchase. Consult the website for show rating information, tickets, and details.

www.gorillatango.com | 1919 N. Milwaukee Ave., Chicago, IL 60647 | 773-598-4549

 

Haven Theatre Company announces We’re Gonna Die, the final production in its fourth season, written by Young Jean Lee and directed by Josh Sobel, at the company’s home, The Janet Bookspan Theatre at the Den Theatre,,1335 Milwaukee Ave., May 4 – June 4. Previews are Thursday, May 4 – Saturday, May 6 at 8 p.m. Opening night is Sunday, May 7 at 7 p.m. The regular performance schedule is Thursdays – Saturdays at 8 p.m. and Sundays at 3 p.m. Previews are Pay-What-You-Can, and regular run tickets are $18. You may purchase tickets and get more information at www.haventheatrechicago.com.

 

A singer takes the stage, backed by her rock-band compatriots, to share Young Jean Lee’s life-affirming show about the one thing we all have in common: “we're gonna die.” Drawing from true stories of people's experiences with tragedy, despair and loneliness, this personal and rejuvenating play with live music reminds us that in our darkest, most isolated moments, we are not alone.

 

Cast for We’re Gonna Die includes: Isa Arciniegas (singers), Sarah Giovannetti (band), Jordan Harris (band), Elle Walker (band), Spencer Meeks (band) and Kamille Dawkins (singer u/s). The production team for We’re Gonna Die includes: Josh Sobel (director), Abhi Shrestha (assistant director), Julie Leghorn (stage manager), Krista Mickelson (production manager), Spencer Meeks (music director), Claire Chrzan (light designer), Izumi Inaba (costume designer), Mike Mroch (scenic designer), and Jon Martinez (choreographer).

 

ABOUT PLAYWRIGHT YOUNG JEAN LEE

 

Young Jean Lee has been called “hands down, the most adventurous downtown playwright of her generation” by The New York Times and “one of the best experimental playwrights in America” by Time Out New York. She has written and directed nine shows in New York with Young Jean Lee's Theater Company and toured her work to over thirty cities around the world. Her plays have been published by TCG (Songs of the Dragons Flying to Heaven and Other Plays, The Shipment and Lear) and by Samuel French (Three Plays by Young Jean Lee). She is currently under commission from Plan B/Paramount Pictures, Lincoln Center Theater, Playwrights Horizons and Oregon Shakespeare Festival. She is a member of New Dramatists and 13P, and has an MFA from Mac Wellman's playwriting program at Brooklyn College. She has received grants from the Foundation for Contemporary Arts, Creative Capital, NYFA, NEA, NYSCA, the Jerome Foundation, The Fox Samuels Foundation, the Greenwall Foundation, and the Rockefeller MAP Foundation. She is also the recipient of two OBIE Awards, the Festival Prize of the Zürcher Theater Spektakel, a 2010 Prize in Literature from the American Academy of Arts and Letters, a 2011 Guggenheim Fellowship, and a 2012 Doris Duke Artist Award.

 

ABOUT DIRECTOR JOSH SOBEL

 

Josh Sobel is artistic director of Haven Theatre Company, as well as a former ensemble member and literary manager with Strawdog Theatre Company. Recent directing credits include Bobbie Clearly at Steep Theatre, The Long Christmas Ride Home along with the world premieres of The Hunting of the Snark (also Chicago's "Night Out In The Parks" and the Edinburgh Festival Fringe in Scotland), Best Beloved: The Just So Stories and The Pied Piper at Strawdog Theatre, and Rosencrantz & Guildenstern are Dead at Metropolis Performing Arts Centre. Additional credits include work at Chicago Dramatists, A Red Orchid Theatre, Victory Gardens, LiveWire, Collaboraction's Sketchbook, WildClaw, The Ruckus, Tympanic Theatre, Polarity Ensemble Theatre, The Fine Print Theatre Company, the side project, The Greenhouse Theater Center, Abbie-Fest and New Leaf Theatre. From 2010 - 2013 he served as associate director of the National Theater Institute summer "Theatermakers" program at the Eugene O'Neill Theater Center. Sobel is the recipient of a Stage Directors and Choreographers (SDC) Observership on Hamlet at Writers' Theatre and is an associate member of SDC.

 

ABOUT HAVEN THEATRE COMPANY

 

Haven Theatre Company is one of Chicago's fastest rising companies. In 2015, Haven's sold-out run of Arlene Hutton's Last Train to Nibroc received a coveted four-star review from Chris Jones of the Chicago Tribune, who proclaimed the production "deserves to be the sleeper hit of the summer." Nibroc also received three Joseph Jefferson Award nominations (the company’s first Jeff-eligible production) and received the prize for Best Principal Actress in a Play. Also in 2015, Haven launched “The Director's Haven,” a unique initiative built to better support the career development and community visibility of directors at the very earliest stages of their professional journeys. Additionally, Haven has produced highly lauded productions of Idris Goodwin’s How We Got On, Deborah Bruce's The Distance (U.S. Premiere), Theresa Rebeck's Seminar (Chicago Premiere), Catherine Treischmann's Hot Georgia Sunday (Chicago Premiere), Stephen Belber's Don't Go Gentle (Chicago Premiere) and Hedwig and the Angry Inch.

 

After hosting over 10,000 wedding crashers since opening in September 2016, one of Chicago’s longest-running smash-hit shows, Tony n’ Tina’s Wedding, has announced new cast members joining the wedding party, including Concetta Rose as “Tina.”  Rose has been a member of the Tony n’ Tina’s family for the past twelve years, both in New York City as well as on the National Tour. To celebrate, Chicago’s favorite soon-to-be-married couple, Tony Nunzio and Tina Vitale, are inviting the press to their wedding a second time on Sunday, May 7. Tony n’ Tina’s Wedding played an incredible 16 years during its original run in Chicago, and during that time entertained more than one million audience members of all ages.

“It’s back, and it’s a blast!” raves the Chicago Tribune. “A guaranteed good time” according to the Chicago Reader, this production of Tony n’ Tina’s Wedding is presented by the original New York producers, in conjunction with Chicago Theater Works, and directed by Paul Stroili, a cast member in the original Chicago production.

Tony n’ Tina’s Wedding is a hilariously interactive production that is guaranteed to make guests feel like they are truly friends and family of the bride and groom. The evening starts with the wedding at Resurrection Church, 3309 North Seminary Ave., and immediately following the ceremony, guests are invited to Vinnie Black’s Coliseum (Chicago Theater Works), 1113 W. Belmont Ave, for a flashback, high-energy 80’s reception. 

The Tony n’ Tina’s Wedding cast stars a mix of new and familiar faces, including Mitchell Conti as “Anthony Angelo Nunzio Jr (Tony),” Concetta Rose as “Valentina Lynne Vitale (Tina),” Rob Johnson as “Barry Wheeler,” Jessica Rzucidlo as “Connie Macogni,” Rory Zacher as “Dominick Fabrizzi,” Robin M. Bousel as “Donna Marsala,” Serena Pomerantz as “Marina Gulino,” Andrew Mancini as “Joey Vitale,” Alisha Fabbi as “Sister Albert Maria aka Terry Vitale,” Tommy Taylor as “Tony Nunzio, Sr.,” Carrie Campana as “Madeline Monroe,” Billy Minshall as “Father Mark,” Jean Bonavita as “Michael Just,” Eustace Allen as “Sal Antonucci,” Brian Noonan as “Vinnie Black,” Micah Spayer as “Donny Dulce,” Jennifer Pompa as “Josephina Vitale,” Susan Gaspar as “Aunt Rose,” Laureen Siciliano as “Loretta Black,” Jack Gallagher as “Mikey Black,” Hillary Jiminez as “Nikki Black,” and Frank Ondorf as “Jimmy Black.  Rounding out the cast in a variety of swing roles are Jack Gallagher and Alexis Allotta.

Tickets range from $75-$79 for the two-part event, which includes the ceremony and reception, featuring an Italian-style buffet dinner and dancing to 80’s hits. Tickets for premium seating closest to the stage and dance floor are $85.  Additionally, for 2017, a new opportunity is available to sit in the VIP section with members of the family for $99 per ticket. Discounts are available for groups of 16 or more by visiting GroupTheaterTix.com or by calling 312.423.6612. Seating is limited so make your plans now.  For more information or to purchase tickets visit http://tonylovestina.com/.

 

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