Theatre

Buzz Center Stage

Buzz Center Stage


Steppenwolf’s LookOut Series is excited to announce a surprise summer performance of Standup Shakespeare: A Concert Reading with music by Ray Leslee, book by Kenneth Welsh and words by Shakespeare, of course. This event, which is a benefit concert reading for the theatre, showcases the extraordinary talent of Steppenwolf co-founder Jeff Perry alongside Broadway legends Norm Lewis and Alice Ripley. The show will be at 6:30pm in Steppenwolf’s Downstairs Theatre, 1650 N. Halsted St. Tickets ($79-99) go on sale Friday, June 23 at 11am through Audience Services at 312-335-1650 or steppenwolf.org.


Standup Shakespeare sets the timeless language of the Bard to the exciting rhythms of jazz, baroque, samba and gospel-rock original music. A fractured love story is performed by a modern-day Fool (Steppenwolf co-founder Jeff Perry) and Broadway legends Norm Lewis (The Phantom of the Opera, Les Misérables) and Alice Ripley (Next to Normal – Tony Award for Best Actress) in this concert reading. Accompanying the cast are Marshall Coid (Violin), Dave Dunaway (Bass), Ray Leslee (Piano) and Josh Plotner (Woodwinds).


Jeff Perry is a co-founder of Steppenwolf Theatre Company. He served as Steppenwolf Artistic Director from 1982 to 1985 and 1986 to 1987 and was integral to the founding of The School at Steppenwolf, where he continues to teach and direct. Jeff's many acting credits at Steppenwolf include August: Osage County (also Broadway and London), Balm in Gilead (also Off-Broadway), The Time of Your Life (also Seattle, San Francisco), Picasso at the Lapin Agile (World Premiere), The Grapes of Wrath (also Broadway and London), The Caretaker (also Broadway) and Streamers (also Kennedy Center). Jeff currently portrays Cyrus Beene on ABC’s Scandal and has also appeared in Nash BridgesThirtysomething and My So-Called Life.

This event will also feature Grammy and Clio Award-winning Opera singer Thomas Young, who was in the original Off-Broadway production directed by Mike Nichols and is featured on the Standup Shakespeare cabaret review album recorded in 1995. 

Alice Ripley received the 2009 Best Actress in a Musical Tony and Helen Hayes Awards for her work in the Pulitzer Prize-winning Next to Normal. She made her Broadway debut in the original cast of The Who’s Tommy, and went on to star in the original Broadway casts of Sunset Boulevard, Side Show (Tony and Drama Desk noms), James Joyce’s The Dead, and The Rocky Horror Show. She most recently played three roles in the Broadway musical, American Psycho. Ms. Ripley is also a songwriter, and she has produced three albums with her band, RIPLEY. She has starred in the feature films Muckland, SUGAR!, Bear With Us, The Way I Remember It and Isn’t It Delicious, and appeared on the small screen in Girlboss, Blue Bloods, 30 Rock, and Royal Pains


Tickets & Membership Info
Single tickets ($79-$99) go on sale Friday, June 23 at 11am at 312-335-1650 or steppenwolf.org. Student Rush Tickets: a limited number of $15 student tickets are available one hour before the show. Limit 2 tickets per student; must present a valid student ID for each ticket; steppenwolf.org/students. Flex Card Memberships: Anytime Black Card Members may purchase any ticket for one credit each, and Weekday Black Card Members may purchase balcony tickets only for one credit each. For more information about FlexCard Memberships, call  Audience Services at 312-335-1650 or visit steppenwolf.org.


Visitor Information
Steppenwolf is located at 1650 N Halsted St near all forms of public transportation and is wheelchair accessible. The parking facility consists of both a covered garage ($11 cash or card) and an open-air lot, located just south of our theater at 1624 N Halsted. Valet parking service ($14 cash) is available directly in front of the main entrance at 1650 N Halsted St starting at 5pm on weeknights, 1pm on weekends and at 12 noon before Wednesday matinees. Street and lot parking are also available. For last minute questions and concerns, patrons can call the Steppenwolf Parking Hotline at (312) 335-1774.


LookOut
LookOut is Steppenwolf’s performance series that presents the work of artists and companies across genre and form, emerging artists and performance legends, quintessential Chicago companies and young aspiring ensembles, familiar Steppenwolf faces and new friends. Tickets to all LookOut programming are available through Steppenwolf Audience Services. Prices vary for each show. The LookOut Series is presented year-round and announced on an ongoing basis. John Zinn, Greta Honold and Patrick Zakem are the producers for LookOut. For more information, visit steppenwolf.org/lookout.


Front Bar: Coffee and Drinks
Connected to the main lobby, Steppenwolf’s own Front Bar: Coffee and Drinks offers a warm, creative space to grab a drink, have a bite, or meet up with friends and collaborators, day or night. Open daily from 8am to midnight, Front Bar serves artisanal coffee and expresso is provided by La Colombe and has a new menu for this spring and summer with food prepared by Goddess and Grocer. The menu focuses on fresh, accessible fare, featuring grab-and-go salads and sandwiches for lunch and adding shareable small plates and desserts for evening and post show service. www.front-bar.com


Sponsor Information
Major support for Steppenwolf’s expanded 2016/17 programming is provided by the Lefkofsky Family Foundation, The Negaunee Foundation and the Zell Family Foundation. Major support for Steppenwolf’s New Play Development Initiative is provided by The Davee Foundation and the Zell Family Foundation.


United Airlines is the Corporate Presenting Sponsor of Hir. Chicago Community Trust is Production Sponsor of Hir. Community partners include Lurie Children’s Hospital and Chicago Women’s Health Center.


Steppenwolf Theatre Company is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble has grown to 49 members who represent a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead to August: Osage County—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programing includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include the nationally recognized work of Steppenwolf for Young Adults, which engages 15,000 participants annually from Chicago’s diverse communities; the esteemed School at Steppenwolf; and Professional Leadership Programs for arts administration training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees. For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

Friday, 09 June 2017 20:27

MAC Announces 2017-2018 Season

McAninch Arts Center (MAC) located at 425 Fawell Blvd. on the campus of College of DuPage is pleased to announce its 2017-2018 Season Performance Series. Subscriptions are on sale now for an exciting selection of music, dance, theater, comedy and literary events showcasing a roster of world-class artists. Single tickets go on sale in person at the MAC Box Office Saturday, Aug. 5, beginning at 10 a.m.
 
“This season we’ve put together a very exciting and culturally intriguing array of artists and ensembles for our Performance Series. Add to that the incredible new seasons our resident companies Buffalo Theatre Ensemble and New Philharmonic have created and you have nine full months of must-see events with something for everyone,” says MAC director Diana Martinez.
 
A few of the highlights of MAC’s 2017-2018 Performance Series include “Tuesdays with Morrie” starring “M*A*S*H” star Jamie Farr (Sept. 30); “LIV ON,” an exciting new project by Grammy Award-winner Olivia Newton-John, with Nashville based singer-songwriter Beth Nielsen Chapman & Canadian pop singer-songwriter Amy Sky (Oct. 14); “Take Me to the River LIVE: a Memphis Soul and Rhythm & Blues Revue” featuring Grammy Award-winners William Bell, Charlie Musselwhite and Bobby Rush (Nov. 5); a talk by PBS celebrity chef and acclaimed author Lidia Bastianich (Nov. 9), the Chicago premiere of a new show by tap dance legend Savion Glover (Nov. 26) and concerts by Grammy Award-winning trumpeter and composer Chris Botti (Jan. 20), “¡Cubanismo!” featuring Cuban jazz great Jesús Alemañy with his all-star orchestra (Feb. 18), and Grammy Award-winning singer-songwriter, Rosanne Cash (April 14).
 
New Philharmonic opens its 2017-2018 Season with “Mahler 5” featuring Mahler’s most famous work, (Sept. 23-24). Then, four guest vocalists and the 100 voices of the Northwest Indiana Symphony Orchestra Chorus join New Philharmonic and Maestro Muspratt for three performances of “The Best of Broadway: Rodgers & Hammerstein and Andrew Lloyd Webber” (Oct. 21 and Oct. 22). For the holidays, audiences will have the opportunity to once again enjoy Von Heidecke Chicago Festival Ballet’s “The Nutcracker” with Tchaikovsky’s beloved score performed live by New Philharmonic (Dec. 16-17). Lyric Opera of Chicago’s Ryan Opera Center alumnus Corey Crider (baritone) joins New Philharmonic for three celebratory New Year’s Eve Concert performances (Dec. 31) and January brings Giuseppe Verdi’s popular opera “La Traviata” (Jan. 27-28) starring critically acclaimed soprano Emily Birsan as Violetta. “Beethoven: Five Piano Concertos – One Pianist” New Philharmonic’s final concert of the season will be a rare opportunity to experience all five of Beethoven’s piano concertos in a single three-hour concert program (April 7-8).
 
Buffalo Theatre Ensemble’s 2017-2018 three-play season will open with the Tony and Drama Desk Award-winning play “The 39 Steps,” by John Buchan and adapted by Patrick Barlow from Alfred Hitchcock’s popular film, directed by BTE ensemble member, Kurt Naebig (Sept. 7-Oct. 8). Then BTE opens 2018 with the thought provoking play “Time Stands Still” by Donald Margulies, directed by BTE artistic director Connie Canaday Howard (Feb. 1-March 4). The romantic comedy/drama “Outside Mullingar” by John Patrick Shanley, directed by Steve Scott completes the season. (May 3 - June 3). All performances take place in the Playhouse Theatre.
 
Other programming at the MAC includes the return of encore broadcasts of the critically acclaimed National Theatre Live film series, Sept 14-March 8 (see schedule attached), plus the return of the popular Global Flicks free international film series, educational SchoolStage performances for pre-school through high school age students, more than 30 College performances in music, dance and theater, seven exhibitions of visual art at the Cleve Carney Art Gallery and new this year—a series of National Geographic Live events.  Additional details will be announced at a later date.
 
Select 2017-2018 events will be accompanied by a free pre or post-performance MAC Chat, providing the opportunity to engage with artists and learn more about their work; and for many shows theatergoers can enhance their evening by adding on a “VIP Experience,” a private pre-show cocktail and hors d’oeuvres reception followed by coffee and dessert at intermission. Parking for MAC events is always free.
 
Subscriptions are on sale now. To subscribe by purchasing tickets to three or more shows, call the MAC Box Office at 630.942.4000. Single tickets go on sale to the public in person at the MAC Box Office Saturday, Aug. 5 at 10 a.m.; online at AtTheMAC.org Sunday, Aug. 6 at 12 a.m..  by phone at 630.942.4000 on Sunday, Aug. 6 beginning at 12 p.m. and A chronological listing of shows follows the release.
 
In advance of the 2017-2018 season, the MAC presents its 2017 Lakeside Pavilion Free Outdoor Summer Series. Programming runs July 6-Aug. 11 and includes a Friday evening Pop Music Series, a Thursday evening Jazz Concert Series and Thursday evening Family Movie Series. For updates and more information, visit AtTheMAC.org.

Michael Washington Brown, in association with Athenaeum Theatre Productions, present “BLACK!,” July 20 – 30, in Studio 2 at the Athenaeum Theatre, 2936 N. Southport Ave. Opening night is Thursday, July 20 at 7:30 p.m. The performance schedule is Thursdays and Fridays at 7:30 p.m., Saturdays at 2 and 7:30 p.m. and Sundays at 2 p.m. The running time is 100 minutes including a 10-minute intermission. Tickets are $25 and available at AthenaeumTheatre.org or 773.935.6875.
 
Brown, was born in England and created “BLACK!” in 2016. The production has been included in the Asheville Fringe Festival, the FRIGID Fringe Festival in New York City and the Seattle Fringe. It will be performed at the Tempe Center for the Arts and the San Francisco Fringe Festival in September 2017.
 
In “BLACK!,” Brown inhabits an array of characters from Africa, the United States, England and Jamaica, performing each person’s individual perspective and sharing his experiences. The production highlights the nuances and life perspectives of various people who are from the Black global community.  Many stereotypes currently exist which seem to ‘mesh’ all black people and their stories together.  The truth is that there are distinct differences and very definite similarities between Black people from all walks of life.  In addition, each carries their own distorted and often exaggerated opinions about the other, which is a way to distinguish a separation, even though in truth, they are more alike than they believe. “BLACK!” uses the power of language and performance to delve into these characters to reflect on this communities’ history and their future as well as what they do and do not share of the global Black experience.
 
“I am thrilled to have the opportunity to share this show, its voices and a global ‘Black’ perspective with the Chicago community,” Brown said.  “Chicago is embedded in a rich history filled with a melting pot of cultures, along with its extensive support of the theatre and arts. It is my mission and purpose to share this show as far and wide as I can.  Chicago is an obvious choice in my journey…I am grateful to have the Athenaeum Theatre, supporting my debut of “BLACK!” in this vibrant and intoxicating city, ” he concluded. 
 
ABOUT MICHAEL WASHINGTON BROWN
Michael Washington Brown was born in London, England. He is the first generation born outside of his family’s direct heritage of the Caribbean (Jamaica & Barbados). In 1992 at 19, he left London for the shores of California, a place he fell in love with from his initial visit as a child at age 10. He knew even at this young age that he would ‘one day’ make America his home.
 
In 1994, he began studying scene classes in San Francisco and knew instantly what he wanted to do and be…an actor. He gradually found himself working his way up the local scene and then eventually performing in productions at: The Magic Theatre, San Jose Repertory Theatre, Marin Theatre Company and Berkeley Repertory Theatre. He moved to New York City to continue his journey and landed a variety of New York City productions that began at the Ensemble Studio Theatre. Theatre has always been Brown’s passion, but deep down he always felt there was ‘more to give’. Brown wanted to tell stories that were not being told. It was at the Cherry Lane Theatre in 2012 when he saw a one-man show and was inspired beyond anything he had previously experienced. He realized in this moment what his ‘more to give’ would be: “To write and share my own stories and perspective.” Brown discovered that his love of reading had laid the foundation and allowed the ease of his own voice, to reveal itself to him. 

ABOUT ATHENAEUM THEATRE PRODUCTIONS
Athenaeum Theatre Productions, a not-for-profit 501c3 arts organization, is firmly committed to providing the Chicago non-profit performing arts community a welcoming shared space to incubate new projects and collaborations by providing high quality and below cost performance, rehearsal, office and reception space supported by a staff of theatre professionals. Founded in 1911, the Athenaeum Theatre is Chicago’s oldest, continuously operating off-loop theatre.  Home to 15 not-for-profit performing arts groups and four stages including its 984-seat main stage.
 
Michael Washington Brown, in association with Athenaeum Theatre Productions, present “BLACK!,” July 20 – 30, in Studio 2 at the Athenaeum Theatre, 2936 N. Southport Ave. Opening night is Thursday, July 20 at 7:30 p.m. The performance schedule is Thursdays and Fridays at 7:30 p.m., Saturdays at 2 and 7:30 p.m. and Sundays at 2 p.m. The running time is 100 minutes including a 10-minute intermission. Tickets are $25 and available at AthenaeumTheatre.org or 773.935.6875.

 

AstonRep Theatre Company is pleased to announce its 2017-18 Season, kicking off this fall with 1984, a chilling view of a world controlled by a totalitarian government, based on George Orwell’s classic novel, adapted for the stage by Robert Owens, Wilton E. Hall Jr. and William A. Miles and directed by Artistic Director Robert Tobin. This winter, the season continues with a FESTIVAL OF ONE ACTS BY TENNESSEE WILLIAMS, celebrating one of the 20th century's greatest writers. AstonRep's season concludes next summer with THE LARAMIE PROJECT, a community's deeply-moving response to the 1998 murder of gay University of Wyoming student Matthew Shepard, written by Moisés Kaufman and the Members of Tectonic Theater Project and directed by Associate Artistic Director Derek Bertelsen. The 2017-18 season will also include the 9th ANNUAL WRITERS’ SERIES, a daylong festival of workshops from talented local and regional writers. 
 
1984 and THE LARAMIE PROJECT will be staged at AstonRep’s artistic home, The Raven Theatre (West Stage), 6157 N. Clark St. in Chicago. Venues for the FESTIVAL ONE ACTS BY TENNESSEE WILLIAMS and WRITER’S SERIES will be announced shortly. Tickets for all productions will go on sale at a later date. For additional information, visit www.astonrep.com.
 
September 14 – October 8, 2017
1984
Adapted by Robert Owens, Wilton E. Hall Jr. & William A. Miles Jr. 
From the novel by George Orwell
Directed by Artistic Director Robert Tobin 
at The Raven Theatre (West Stage), 6157 N. Clark St. in Chicago
 
Based on the novel by George Orwell, 1984 is a terrifying and breathtaking view of a world controlled by a totalitarian government. Orwell asks what is left when freedom of speech, the press, love, and even the past are subject to authoritarian whims? Big Brother is watching. A theatrical event that is both powerful and disturbingly provocative.
 
Fall 2017
9TH ANNUAL WRITERS’ SERIES
Location to be announced.
 
A festival of talented local and regional writers who have an opportunity to workshop near-finished plays and works in development. Over the course of a day, five to seven new works are read by professional actors followed by focused talkback sessions – a time-honored celebration of artistic collaboration.
 
Winter 2018
FESTIVAL OF ONE ACTS BY TENNESSEE WILLIAMS
Location to be announced.
 
AstonRep presents classic favorites and rarely seen works by one of the 20th Century’s greatest writers.
 
June 7 – July 8, 2018
THE LARAMIE PROJECT
at The Raven Theatre (West Stage), 6157 N. Clark St. in Chicago
 
The Laramie Project presents a deeply complex portrait of a community’s response to the 1998 murder of Matthew Shepard, a young gay man living in Laramie, Wyoming. In a series of poignant reflections, the residents of Laramie react to the hate crime and surrounding media storm with anger, bewilderment and sorrow. The play portrays the seismic and deeply personal impact Matthew’s death had on this small town while also demonstrating the power of the human spirit to triumph over bigotry and violence. As we near the twentieth anniversary, Matthew Shepard’s story still reverberates, urging us on with its clarion call to confront the destructive power of bullying and hate, in all forms.
 
About the Directors
 
Robert Tobin (1984) is the Artistic Director of AstonRep Theatre Company and has been involved in some capacity with every one of AstonRep’s 19 productions. Recent directing credits with AstonRep include the Chicago Premieres of The Women of Lockerbie and The Water’s Edge, The Dumbwaiter/In The Moment, The Lover and The Erpingham Camp. In Chicago, Robert has worked as an actor, playwright and/or director with companies including Steppenwolf, Chicago Shakespeare, First Folio, Oak Park Festival Theatre and Redtwist, among many others. Regionally, he has worked with the Utah, Colorado and Montana Shakespeare Festivals, Festival 56, The MET Theatre (Los Angeles) and the Geffen Playhouse (Los Angeles), among others. As a playwright, he has had several critically acclaimed plays produced in Chicago, Los Angeles and regionally and recently won Best Literary Adaptation as part of the City Lit Theatre’s “Art of Adaptation” Festival.
 
Derek Bertelsen (The Laramie Project) currently serves as Associate Artistic Director for AstonRep Theatre Company. Previous directing credits with AstonRep include Eleemosynary (co-director with Jeremiah Barr), The Black Slot, The Lyons, Lieutenant of Inishmore, Wit, Next Fall and Doubt. Other Chicago directing credits include Prelude To A Kiss, Mary-Kate Olsen Is In Love (The Comrades, where is serves as Artistic Director), Design for Living, The Children’s Hour (Pride Films & Plays), God of Carnage, The Dinner Party (BrightSide Theater). Regional credits include Brighton Beach Memoirs (Festival 56), The Wizard of Oz (Shawnee Summer Theater), and five seasons at Timber Lake Playhouse including Rumors, Boeing-Boeing, and Monty Python’s Spamalot. Assistant directing credits include RACE (Goodman), Angry Fags (Steppenwolf Garage), and Bloody Bloody Andrew Jackson (Bailiwick Chicago).
 
About AstonRep Theatre Company:
AstonRep Theatre Company was formed in the summer of 2008. Since then, the company has produced 19 full-length productions and sevn annual Writers’ Series. AstonRep Theatre Company is an ensemble of artists committed to creating exciting, intimate theatrical experiences that go beyond the front door to challenge audiences and spark discussion where the show is not the end of the experience: it is just the beginning.

 

Drury Lane Theatre continues its 2017-2018 season with the Pulitzer-winning play The Gin Game written by D.L. Coburn, featuring Jeff Award winners Paula Scrofano and John Reeger, and directed by Ross Lehman. The Gin Game runs June 22 – August 13, 2017 at Drury Lane Theatre, 100 Drury Lane in Oakbrook Terrace.
 
Winner of the 1978 Pulitzer Prize for Drama and nominated for four Tony Awards, The Gin Game symbolizes life in the form of a card game in a two-act, two-character play starring Chicago theater legends Paula Scrofano and John Reeger. In The Gin Game, Weller Martin and Fonsia Dorsey strike up an acquaintance and begin to play gin. As the game progresses, intimate secrets of their lives are revealed and they begin to search for each other’s weaknesses in both the game and life itself.
 
With this production, married couple Paula Scrofano and John Reeger join an elite history of famous duos who have previously battled in The Gin Game, including original stars Jessica Tandy and Hume Cronyn (the 1977 Broadway production and 1981 TV movie), Mary Tyler Moore and Dick Van Dyke (the 2003 PBS television special), and Cicely Tyson and James Earl Jones (the 2015 Broadway Revival). Jeff Award winner Ross Lehman directs the renowned acting couple.
 
“We have wanted to produce The Gin Game for years, specifically with Paula Scrofano and John Reeger in the roles of Fonsia and Weller,” says Kyle DeSantis, President of Drury Lane Productions. “This marks Drury Lane’s twelfth collaboration with this legendary pair of Chicago actors, and we’re so excited to welcome them back to our stage.”
 
The creative team for The Gin Game includes Katherine Ross (scenic design), Mathieu H. Ray (costume design), Lindsey Lyddan (lighting design), Ray Nardelli (sound design), Mike Tutaj (projection design), Cassy Schillo (props design) and Claire Moores (wig and hair design). The production stage manager is Lucia Lombardi.
 
The Gin Game is recommended for ages 13 and up.

For more show information or to purchase tickets, or visit DruryLaneTheatre.com.

A Red Orchid Theatre announces its 25th Anniversary Season, including Evening at the Talk House by Wallace Shawn, directed by Ensemble Member Shade Murray, and featuring Ensemble Members Lance Baker, Kirsten Fitzgerald and Natalie West; the World Premiere of Traitor, an adaption of Ibsen's Enemy of the People by Brett Neveu, directed by Ensemble Member Michael Shannon, and featuring Ensemble Members Dado, Larry Grimm, Danny McCarthy, Guy Van Swearingen and Natalie West, with lighting designed by Ensemble Member Mike Durst; and 33 to Nothing by Grant Varjas, featuring Ensemble Member Steve Haggard. In summer 2018 A Red Orchid will also present a bonus presentation of Victims of Duty by Eugene Ionesco, directed by Shira Piven, and featuring original cast members Michael Shannon and Guy Van Swearingen.
 
In addition to the company’s Chicago productions, A Red Orchid's 2013 production of Simpatico will open the season at the prestigious McCarter Center in Princeton, New Jersey. Simpatico will feature the original cast and creative team, directed by Dado and featuring Kristin Ellis, Jennifer Engstrom, Mierka Girten, Michael Shannon, Guy Van Swearingen and Doug Vickers, with designs by Grant Sabin, Christine Pascual, Mike Durst, Joe Court and stage manager by Christa van Baale. 
 
“Our 25th anniversary season is full of landmark events for A Red Orchid,” comments Artistic Director Kirsten Fitzgerald. “In 2017-2018 we will see our first collaboration with an iconic playwright, our tenth world premiere with an ensemble member playwright, and a second collaboration with a local playwright. Ensemble is at the heart of everything we do, and we’re thrilled to present a 25th anniversary season packed with ensemble members both onstage and off. With an eye toward reaching out we are also over-the-moon to collaborate with Emily Mann and Debbie Bisno to bring A Red Orchid to the McCarter Center, as well as with Ike Holter, Tony Santiago and The Roustabouts in incubating new work right here at home."
 
A Red Orchid Theatre’s 2017-2018 Season includes:

Evening at the Talk House
by Wallace Shawn
Directed by Ensemble Member Shade Murray
Featuring Ensemble Members Lance Baker, Kirsten Fitzgerald and Natalie West
October 5 - November 19, 2017
Previews: October 5 - 8, 2017
Red Night Opening: Friday, October 13, 2017 at 8pm
 
Remember when you felt you could do anything, when there was still nothing to fear? Evening at the Talk House is a reunion at your favorite club, where old friends cozy up, raise a glass and remember gentler times when culture had value and terror wasn't the every day. This ultra-dark comedy invites us all to celebrate the 10th anniversary of the opening night of Robert's under-appreciated masterpiece, Midnight in a Clearing with Moon and Stars.  Please come. We need each other. 
 
The World Premiere of
Traitor
an adaption of Ibsen's An Enemy of the People
by Brett Neveu
Directed by Ensemble Member Michael Shannon
Featuring Ensemble Members Dado, Larry Grimm, Danny McCarthy, Guy Van Swearingen and Natalie West, with lighting designed by ensemble member Mike Durst
January 11 - February 25, 2018
Previews: January 11 - 14, 2018
Red Night Opening: Friday, January 19, 2018 at 8pm
 
In this world premiere adaptation of Heinrich Ibsen's An Enemy of the People, a small, North Chicago suburb finds the town's restart button with an investment in a newly opened charter school. After issues with the school grounds are discovered by its head of sciences, Dr. Stock, a quest to inform and correct is met with support.  But suspicion and rancor mount as truths bubble to the surface.  A play that mirrors our vital, absurd and often hilarious political times.
 
33 to Nothing
by Grant Varjas
Featuring Ensemble Member Steve Haggard
April 12 - May 27, 2018
Previews: April 12 - 15, 2018
Red Night Opening: Friday, April 20, 2018 at 8pm
 
Taking place during a real-time band practice, 33 to Nothing is a play that rocks hard and breaks hearts.  Feeling the incessant call of adulthood, individuals begin to question their role in the ensemble. Ultimately begging the question: to break up or to build stronger?  An anthem of forgiveness, loyalty and resilience when your world is being torn by the seams.
 
Summer Bonus 
Victims of Duty 
by Eugene Ionesco
Directed by Shira Piven
Featuring original cast members Michael Shannon and Guy Van Swearingen 
July-August 2018
 
Much of the original 1995 team come together to revisit Ionesco's absurd masterpiece. Choubert, the archetypal bourgeois everyman, and his wife Madeleine are spending a quiet evening at home when the Detective arrives to enlist their help in finding the previous tenant.  A roller-coaster ride of high comedy and horrific tragedy as Choubert examines his past present and future in a quest to find out where Mallot could be hiding.
 
Incubator
Also in 2017 A Red Orchid's Incubator hosts The Roustabouts inaugural production/pop-up. Founded by Ike Holter and Tony Santiago, The Roustabouts are responsible for Ike Holter's Stay Lit at Oracle and Steppenwolf theatres, and the Winehouse concert at Oracle. They will produce a new play by Ike Holter as part of A Red Orchid's Incubator series. Cast, production team and plot information are under wraps, but the project will premiere before the end of the year.
 
Ticket Information
A Red Orchid continues the FLASHPASS. As always, FLASHPASS holders get reserved seats, ticket and date flexibility, no-fee ticket exchanges, discounts for friends & family tickets, and early access to events such as readings, panel discussions, and more. The Three-show FLASHPASS is $80 and includes one ticket to each of the 3 shows in our 25th Season, excluding Press Opening and Red Nights. The Three-show Red Night FLASHPASS is $150 and includes a ticket to each of the 3 show's Red Night Opening and post-show reception with the cast and creative team.  The Preview Saver FLASHPASS is $50 and includes one ticket to a preview performance of each of the 3 shows in our 25th season. Add a ticket for the Summer Bonus, Victims of Duty, to any FLASHPASS at the time of purchase.  
 
Flashpasses may be purchased from the Box Office at 1531 N. Wells Street, Monday through Friday from 12 pm to 5 pm, by telephone during office hours by dialing (312) 943-8722, or online at www.aredorchidtheatre.org. Individual tickets will go on sale at a later date.
 
With our 25th season of ambitious and powerful storytelling, we are thrilled to announce the launch of A Red Orchid Theatre’s Red League.  At $1k or more, The Red League represents a donor community of our most committed and impactful cultural investors. Every profound and shocking moment on our stage is made possible through their critical annual contributions. Their philanthropic leadership fosters the development of raw and relevant work, creates a platform for our talented ensemble to reach new audiences, and ensures that A Red Orchid Theatre remains a source for honest, compassionate, and aesthetically rigorous theatre.
 
About A Red Orchid
A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993 and was honored this year with a 2016 MacArthur Award for Creative and Effective Institutions. Over the past 24 years, its Resident Ensemble has welcomed into its fold an impressive array of award-winning actors, playwrights and theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories. In addition to its professional season, the company is also committed to an OrKids (youth) project and hosts The Incubator (providing artists with space and time to explore new work, new forms and new artistic collaborations).
 
A Red Orchid Theatre is: Lance Baker, Kamal Angelo Bolden, Dado, Mike Durst, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Shade Murray, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West.

 

Lookingglass Theatre Company announces a partnership with TodayTix—the free mobile app that provides on-demand access to theater tickets—to offer exclusive $25 Lottery tickets to the return of its award-winning production of Moby DickMoby Dick, adapted and directed by Ensemble Member David Catlin, from the book by Herman Melville, in association with The Actors Gymnasium, runs June 7 – September 3, 2017 at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson.
 
A limited number of $25 tickets will be available through the TodayTix mobile Lottery for all evening performances of Moby Dick beginning June 7, 2017. The lottery will open every performance day at midnight and all winners and non-winners will be notified 2 - 4 hours before the performance. Lottery winners may pick up their tickets at the Lookingglass box office one hour prior to show time.
 
“We had incredible audiences and sold-out performances during the first run of Moby Dick in 2015,” notes Director of Marketing, Anna Marie Wilharm. “Tickets were in high demand and often gone weeks in advance. We’re excited that our daily ticket lottery partnership with TodayTix will provide our patrons and TodayTix users a chance at securing great seats at a great price, and increase accessibility to this blockbuster show.”
 
Winner of four Jeff Awards, including Best Production, and fresh off a national tour, the critically-acclaimed Moby Dick returns to the Lookingglass stage in this harrowing and intoxicating exploration of revenge, obsession, and destiny.  Madness rages like the angry sea when man pits himself against leviathan in Herman Melville’s epic and poetic tale, furiously reimagined by director David Catlin (Lookingglass Alice). Climb aboard the Pequod with Ishmael, Starbuck, and the intrepid crew on a voyage into the darkest reaches of the human psyche with an insatiably driven Captain Ahab at the helm in reckless pursuit of the legendary white whale.
 
The cast of Moby Dick includes Ensemble Members Kareem Bandealy, Anthony Fleming III and Raymond Fox who return to reprise their roles as Starbuck, Queequeg and Stubb from the critically-acclaimed 2015 production. Also returning to the production are Jamie Abelson (Ishmael – evening performances), Micah Figueroa (Cabaco) and Javen Ulambayar (Mungun). Joining the cast are Kelly Abell (Fate #1), Walter Owen Briggs (Ishmael – matinee performances), Cordelia Dewdney (Fate #3), Mattie Hawkinson (Fate #2) and Nathan Hosner (Ahab).
 
Moby Dick, adapted and directed by Ensemble Member David Catlin, from the book by Herman Melville, in association with The Actors Gymnasium, runs June 7 – September 3, 2017 at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson. The press opening is Saturday, June 17 at 7:30 pm. The performance schedule is as follows: Wednesdays at 7:30 p.m.; Thursdays at 2:00 p.m. (except June 8 & 15 and August 3) and 7:30 p.m.; Fridays at 7:30 p.m.; Saturdays at 2:00 p.m. (except June 10 & 17) at 7:30 p.m.; and Sundays at 2:00 p.m. (except June 18) and 7:30 p.m. (except June 11 & 18). There is an additional performance on Tuesday, August 1 at 7:30 p.m. Tickets, priced $35 - $80 are available at the box office, by phone at (312) 337-0655, or online at lookingglasstheatre.org.

Friday, 02 June 2017 17:10

Goodman Theatre Cancels "Pamplona" Run

Goodman Theatre announced today that it will cancel all remaining performances of Pamplona starring Stacy Keach as Ernest Hemingway—a world premiere by Jim McGrath, directed by Artistic Director Robert Falls. The decision comes after Keach underwent medical testing following his opening night performance, which was halted by Falls midway through when it became clear that Keach was struggling. According to Keach’s family, doctors treating the stage and screen star have advised a period of rest and recuperation; as such, the Goodman has made the decision to cancel the remainder of the run. Out of respect for Keach and his family’s wishes for privacy, there are no additional comments at this time.
 
Ticket holders will be offered a full refund, or one of the following options: a Goodman Gift Certificate equal to the value of the tickets; tickets to the upcoming Ah, Wilderness! by Eugene O’Neill, directed by Steve Scott; or a tax deductible donation to benefit the theater’s Education and Engagement programs. A Goodman Theatre Ticket Services representative will be in touch with patrons to make arrangements.
 
Pamplona has been the rare, joyous process working with a friend and colleague to realize a passion project. Stacy Keach is one of America’s finest actors, and he and playwright Jim McGrath have rendered a beautiful and complex new piece of theater about an American icon that audiences in 11 preview performances had the opportunity to witness and reward with tremendous enthusiasm and standing ovations,” said Artistic Director Robert Falls. “I am in awe of the work Stacy has done, and especially of the courage he’s displayed in the face of adversity, and I look forward to our future collaborations. We also wish to thank our Chicago audiences and members of the media for their gracious support during this unusual circumstance.”
 
Pamplona, an 80-minute, one-man show starring Keach as the great American author Ernest Hemingway, was scheduled to run May 19 through June 25 in the Goodman’s 350-seat Owen Theatre. Keach, who has no understudy given the unique nature of the play and his extensive involvement in the project’s development, completed every preview performance from May 19-28. The May 30 opening night was halted mid-performance, and the following three performances were cancelled as Keach underwent medical testing.
 
The Goodman is grateful for its Pamplona sponsors, including The Elizabeth F. Cheney Foundation (Major Support) and Hinshaw & Culbertson LLP (Contributing Sponsor) with additional support from the Director’s Society.
 
About Goodman Theatre
 
America’s “Best Regional Theatre” (Time magazine) and “Chicago’s flagship resident stage” (Chicago Tribune), Goodman Theatre is a not-for-profit organization distinguished by the quality and scope of its artistic programming and civic engagement. Founded in 1925, the Goodman is led by Robert Falls—“Chicago’s most essential director” (Chicago Tribune), who marks 30 years as Artistic Director this season—and Executive Director Roche Schulfer, who is celebrated for his vision and leadership over nearly four decades. Dedicated to new plays, reimagined classics and large-scale musical theater works, Goodman Theatre artists and productions have earned hundreds of awards for artistic excellence, including: two Pulitzer Prizes, 22 Tony Awards, nearly 160 Jeff Awards and more. Over the past three decades, audiences have experienced more than 150 world or American premieres, 30 major musical productions, as well as nationally and internationally celebrated productions of classic works (including Falls’ productions of Death of a Salesman, Long Day’s Journey into Night, King Lear and The Iceman Cometh, many in collaboration with actor Brian Dennehy). In addition, the Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” For nearly four decades, the annual holiday tradition of A Christmas Carol has created a new generation of theatergoers. 
 
The 2016 opening of the Alice Rapoport Center for Education and Engagement (“the Alice”) launched the next phase in the Goodman’s decades-long commitment as an arts and community organization dedicated to educating Chicago youth and promoting lifelong learning. Programs are offered year-round and free of charge. Eighty-five percent of the Goodman’s youth program participants come from underserved communities.
 
Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.
 
Today, Goodman Theatre leadership includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Joan Clifford is Chair of Goodman Theatre’s Board of Trustees, Cynthia K. Scholl is Women’s Board President and Justin A. Kulovsek is President of the Scenemakers Board for young professionals. 
 
Visit the Goodman virtually at GoodmanTheatre.org—including OnStage+ for insider information—and on Twitter (@GoodmanTheatre), Facebook and Instagram.

 

From the picturesque covered bridges of 1965 Winterset, Iowa, comes the Tony Award-winning Broadway musical, THE BRIDGES OF MADISON COUNTY, continuing Marriott Theatre’s spectacular 2017 Season, running June 21 through August 13, 2017 at 10 Marriott Drive, Lincolnshire. Featuring one of Broadway’s most accomplished creative teams with music and lyrics by three-time Tony Award-winning composer Jason Robert Brown and book by Pulitzer Prize-winning writer Marsha Norman, THE BRIDGES OF MADISON COUNTY first captured the nation’s heart as a best-selling novel by Robert James Waller and remains one of the most romantic stories ever written. Seven-time Jeff Award Winner Nick Bowling (Man of La Mancha, The King and I) returns to The Marriott Theatre to direct, with musical direction by Jeff Award Winner Ryan T. Nelson.
 
“When I first came across this piece, I was immediately drawn to the spectacular score. It’s the kind of music you fall in love with the first time you hear it, which can’t be said for all musicals,” says Director Nick Bowling. “I feel a strong personal connection to the story having grown up in a small town in Iowa similar to Winterset. Seeing my mother face the same challenges Francesca is going through in terms of navigating a world that is foreign to her, my focus is to keep the story as true to Iowa as can be. Every detail from the set design to the costumes will be inspired by Madison County’s beauty to capture the true essence of the story’s setting.”
 
A true sweeping romance, THE BRIDGES OF MADISON COUNTY is the heartbreaking and touching story of two people caught between duty and desire. A beautiful Italian war-bride who longs for the dreams of travel and excitement she once had as a girl, Francesca Johnson is a dedicated Iowa housewife living a simple, yet dispassionate life. When her family goes on a trip to the 1965 State Fair and leaves her behind to take care of the house, Francesca’s world is shattered as a ruggedly handsome National Geographic photographer, Robert Kincaid, pulls into her driveway seeking directions. A quick ride to photograph one of the famed covered bridges of Madison County sparks a soul-stirring, passionate affair for the couple, whose lives are forever altered by this chance encounter. Audiences will be swept away by Jason Robert Brown’s soulful score, drawing upon the rich textures of Americana and folk. 
 
THE BRIDGES OF MADISON COUNTY stars Jeff Award Winner Kathy Voytko as “Francesca” (The Marriott Theatre: Les Misérables; Chicago Shakespeare Theatre: Passion; Broadway: Oklahoma!, Nine, The Frogs, The Pirate Queen and Next to Normal); Jeff Award Winner Nathaniel Stampley as “Robert” (The Marriott Theatre: Man of La Mancha; Broadway/National Tour: The Gershwins’ Porgy and Bess; Broadway: The Color Purple and The Lion King; London: The Lion King; Apple Tree Theatre: Big River; Milwaukee Rep: Dreamgirls and Man of La Mancha); Bart Shatto as “Bud” (Broadway: Les Misérables, The Civil War, Dracula, Hands on a Hardbody; National Tours: Cats, The Civil War, Les Misérables); Wydetta Carter as “Marge” (The Marriott Theatre: Little Shop of Horrors); Terry Hamilton as “Charlie” (The Marriott Theatre: She Loves Me, How to Succeed in Business Without Really Trying, October Sky); Tanner Hake as “Michael”; Brooke MacDougal as “Carolyn”; and Emily Berman as “Marian” (World Premiere: Miss Bennet: Christmas at Pemberley at Northlight Theatre; Chicago Shakespeare Theatre: Sense and Sensibility). Also starring in THE BRIDGES OF MADISON COUNTY are Shea Coffman, Nick Cosgrove, Phoebe González, Allyson Graves, Johanna McKenzie Miller, Danni Smith and Brandon Springman.
 
The production will feature set design by Jeff Kmiec, costume design by Sally Dolembo, lighting design by Jesse Klug, sound design by Bob Gilmartin, projections design by Anthony Churchill, properties design by Sally Weiss, and musical supervision and orchestra conducted by Patti Garwood.
 
The performance schedule for THE BRIDGES OF MADISON COUNTY is Wednesdays at 1:00 p.m. and 8:00 p.m., Thursdays and Fridays at 8:00 p.m., Saturdays at 4:30 p.m. and 8:00 p.m., Sundays at 1:00 p.m. and 5:00 p.m., with select Thursday 1:00 p.m. shows. Ticket prices range from $50 to $60, including tax and handling fees. Call for student, senior and military discounts. On Wednesday and Thursday evenings there are a limited number of FREE dinners available with the purchase of a full-priced theatre ticket, which can only be purchased through the Marriott Theatre Box Office. To make a restaurant reservation, please call 847.634.0100. Free parking is available at all performances. To reserve tickets, please call The Marriott Theatre Box Office at 847.634.0200 or go to www.ticketmaster.com. Visit www.MarriottTheatre.com for more information.

 

Chicago’s Akvavit Theatre is pleased to present the U.S. premiere of Rhea Leman’s wild black comedy HITLER ON THE ROOF, a play for two clowns starring Amy Gorelow and Jay Torrence. Co-directed by Co-Artistic Director Kirstin Franklin* and Associate Amber Robinson*, HITLER ON THE ROOF will play a limited engagement June 21 – July 9, 2017 at the new Strawdog Theatre Company, 1802 W. Berenice in Chicago. Tickets are currently available at chicagonordic.org. The press opening is Thursday, June 22 at 7:30 pm.
 
This prescient 2011 Danish play finds the Nazi propagandist Dr. Joseph Goebbels (Amy Gorelow) and filmmaker Leni Riefenstahl (Jay Torrence) doomed to a perpetual afterlife in which to confront their pasts. Locked deep down inside the present day Führerbunker, the two engage in cunning feats of denial, manipulation and pure slapstick. 
 
Written during an alarming rise of Danish Nationalism in 2011, this play is a timely reminder of the consequences of selling lies as truth and propaganda as art. A favorite of audiences and critics alike, HITLER ON THE ROOF’s original production toured Denmark for two years with the company Folketeatret, winning the prestigious Reumert award for Best Leading Actress. The English language version is scheduled to tour Europe in 2017.
 
Talkback with Playwright Rhea Leman

Akvavit will host a talkback with playwright Rhea Leman following the performance on Friday, June 23 at 7:30 pm.
 
The production team for HITLER ON THE ROOF includes: Chad Eric Bergman* (set design), Piper Hubbell Robinson (costume design), Emma Deane (lighting design), Nigel Harsch* (sound designer), Letitia Guillaud (properties design), Madelyn Loehr (production manager), Mark Litwicki* (technical director), Bernadette Hagen (technician) and Margaret Bystrek (stage manager).
 
PRODUCTION DETAILS:
 
Title: HITLER ON THE ROOF
Playwright: Rhea Leman
Directors: Co-Artistic Director Kirstin Franklin* and Associate Amber Robinson*
Cast: Amy Gorelow (Dr. Joseph Goebbels) and Jay Torrence (Leni Reifenstahl).
 
Location: Strawdog Theatre Company,1802 W. Berenice, Chicago
Dates: Preview: Wednesday, June 21 a 7:30 pm
Regular run: Friday, June 23 – Sunday, July 9, 2017
Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 4 pm. 
Tickets: Previews: $10. Regular Run: $25. Students/seniors/industry $15. Tickets are currently available at chicagonordic.org.
 

*Denotes Akvavit Theatre company members.

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