Theatre

Buzz Center Stage

Buzz Center Stage

Hell in a Handbag Productions is pleased to continue its 15th Anniversary Season with the world premiere of BEWILDERED, a musical parody of the classic TV sitcom Bewitched, told from the perspective of Gladys Kravitz, Samantha Stephens’ iconic nosy neighbor. Featuring a book by Ron Weaver, music and lyrics by Aaron Benham and Ron Weaver and direction and choreography by Brigitte Ditmars, BEWILDERED will play September 27 – November 11, 2017 at Stage 773, 1225 W. Belmont Ave. in Chicago. Tickets are currently available at www.handbagproductions.org and stage773.com, by calling (773) 327-5252 or in person at the Stage 773 box office. 
 
A parody and reimagining of the beloved ‘60s/‘70s television sitcom Bewitched, this spellbinding throwback is told from the point of view of Gladys Kravitz, the poor, misunderstood neighbor who keeps seeing crazy things at the home of Samantha Stephens, a beautiful witch, and her ‘ordinary family.’ Gladys’ husband Abner has had enough and is about to take drastic measures. Can Gladys prove her visions are real without destroying the Stephens family – or is she doomed to a life of pills and institutions? Gladys finally gets her due in this fun and magical musical parody.
 
BEWILDERED features ensemble members David Cerda as Endora, Caitlin Jackson as Gladys Kravitz, Ed Jones as Uncle Arthur, Michael S. Miller as Mr. Tumer and AJ Wright as Darrin G. The production also features Steve Kimbrough as Larry Tate, Matt Miles as Abner, Elizabeth Morgan as Samantha, Scott Sawa as Darrin S. and Robert Williams as Tabitha/Louise. Rounding out the cast are Kira Gaudynski, Jennifer Ledesma, Travis Monroe Neese and Sarah Taylor as Magic Stage Hands.
 
The production team for BEWILDERED includes: Roger Wykes (scenic design), Rachel Sypniewski (costume design), Cat Wilson (lighting design), Sydney Genco (make-up design), Mealah Heidenreich (props design) Becca Holloway (assistant director) and Keith Ryan (wig design). 
 
PRODUCTION DETAILS:
 
Title: BEWILDERED
Book: Ron Weaver
Music and Lyrics: Aaron Benham and Ron Weaver
Director/Choreographer: Brigitte Ditmars
Cast: David Cerda (Endora), Kira Gaudynski (Magic Stage Hand), Caitlin Jackson (Gladys), Ed Jones (Uncle Arthur), Steve Kimbrough (Larry Tate), Jennifer Ledesma (Magic Stage Hand), Matt Miles (Abner), Michael S. Miller (Mr. Tumer), Elizabeth Morgan (Samantha), Travis Monroe Neese (Magic Stage Hand), Scott Sawa (Darrin S.), Sarah Taylor (Magic Stage Hand), Robert Williams (Tabitha/Louise) and AJ Wright (Darrin G.).
 
Location: Stage 773 (Box Theater), 1225 W. Belmont Ave. in Chicago
Dates: Previews: Wednesday, September 27 at 7:30 pm, Thursday, September 28 at 7:30 pm, Friday, September 29 at 7:30 pm and Saturday, September 30 at 7:30 pm
Regular run: Thursday, October 5 – Saturday, November 11, 2017
Curtain Times: Thursday, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. Please note: there will not be a performance on Sunday, October 15 due to Handbag’s Annual Benefit.
Special Halloween Show: Tuesday, October 31 at 7:30 pm
Tickets: Previews $22 in advance ($25 at door). Regular run $34 in advance ($39 at door). Tickets are currently available at www.handbagproductions.org and stage773.com, by calling 773-327-5252, or in person at the Stage 773 box office. 

 

Other Theatre, in association with Chicago Dramatists’ Grafting Project, is pleased to launch its 4th season with the world premiere of Martín Zimmerman’s comedic graphic novel for the stage THE MAKING OF A MODERN FOLK HERO, directed by Kelly Howe, playing September 29 – October 29, 2017 at Chicago Dramatists, 1105 W. Chicago Ave. in Chicago. Casting will be announced shortly. Single tickets and season subscriptions are currently available at theothertheatrecompany.com
 
THE MAKING OF A MODERN FOLK HERO will feature Aida Delaz, Adelina Feldman-Schultz, Robert N. Isaac, Christopher Meister, Becca Sheehan and Hannah Toriumi. 
 
A congressman entices an old friend (and washed-up actor) to portray a superhero in a publicity stunt designed to stop the unjust bulldozing of a public housing complex. They leave the crowd enthralled, but what happens when the character the politician created goes rogue? This graphic novel for the stage employs a seamless blend of live actors and shadow puppets to interrogate the hopes, fears and social forces that push people to yearn for and believe in the possibility of superheroes.
 
Comments Artistic Director Carin Silkaitis, “Martín’s play touches on some important ideas – particularly what happens when our politicians are too entrenched in the political ecosystem to be able to enact real change, even if their intentions are in the right place? I am so interested in the fact that the congressman must hire an actor to save this housing complex. He knows the right choice is siding with the disenfranchised, the poverty-stricken, but he is too embedded in the political mess to be able to vocally side with the very people he represents. After conversations with the playwright (and because of Donald Trump's campaign strategy) I am also struck by the way this play grapples with the idea of a person – one who has deep and intense psychological needs for admiration and adoration – hijacking a political movement.”
 
THE MAKING OF A MODERN FOLK HERO was developed in part through readings and workshops at Chicago Dramatists.
 
The production team for THE MAKING OF A MODERN FOLK HERO includes: Milo Bue (scenic design), Olivia Crary (costume design), Will Coeur (lighting design), Colin Trevor (sound design), Nick Thornton (puppet design & puppet choreography) and Kasey Trouba (stage manager).
 
PRODUCTION DETAILS:
 
Title: THE MAKING OF A MODERN FOLK HERO
Playwright: Martín Zimmerman
Director: Kelly Howe
Cast: Aida Delaz (Vanessa), Adelina Feldman-Schultz (Puppeteer), Robert N. Isaac (David), Christopher Meister (Renzo), Becca Sheehan (Puppeteer) and Hannah Toriumi (Woman).
 
Location: Chicago Dramatists, 1105 W. Chicago Ave., Chicago
Dates: Previews: Friday, September 29 at 8 pm, Saturday, September 30 at 8 pm and Sunday, October 1 at 3 pm
Regular run: Friday, October 6 – Sunday, October 29, 2017
Curtain Times: Thursday, Fridays and Saturdays at 8 pm; Sundays at 3 pm Please note: there will be added performances on Wednesday, October 18 at 8 pm and Wednesday, October 25 at 8 pm.
Tickets: Previews: $20 with code “PREVIEW.” Regular run: $25. Students $15 with code “STUDENT.” Industry $15 with code “INDUSTRY.” Single tickets and season subscriptions are currently available at theothertheatrecompany.com.

Chicago Dramatists Benefit Performances: The performances on Saturday, September 30 at 8 pm and Thursday, October 12 at 8 pm will benefit Chicago Dramatists. Tickets for these performances are available only through chicagodramatists.org.

 

Just in time to get you in the Halloween spirit, Akvavit Theatre is pleased to present GHOSTS & zombies, by Henrik Ibsen and Gustav Tegby, in a new American translation by Chad Eric Bergman*, directed by Co-Artistic Director Breahan Pautsch*. This dark and hilarious contemporary Swedish twist on Ibsen’s Norwegian classic Ghosts, will play September 28 - October 29, 2017 at the new Strawdog Theatre Company, 1802 W. Berenice in Chicago. Tickets go on sale Friday, September 1, 2017 at chicagonordic.org
 
GHOSTS & zombies will feature Marsha Harman as Mrs. Helene Alving, Victor Bayona as Chamberlain Alving, Jeremy Trager as Pastor Manders, Joshua K. Harris as Carpenter Engstrand, Micah Kronlokken* as Osvald and Almanya Narula as Regine with and ensemble including Jessica Kearney, Dylan M. Lainez, Madelyn Loehr*, Christiane Schaldemose, Erik Schiller and Tyler Skafgaard.
 
GHOSTS & zombies puts a blood-curdling spin on Ibsen's classic drama, Ghosts. As in the original, Mrs. Alving is preparing to open an orphanage in her husband's memory, while welcoming her son home from a long absence. However, things soon take a turn for the weird and scary as their country estate becomes overrun by the un-dead. Haunted by the ghosts of her past, Mrs. Alving now finds herself confronted by zombies that she is forced to stand and fight. GHOSTS & zombies shows us that we can try to bury the parts of our life we would rather forget, but we cannot control whether they walk again – slowly, hungrily – in our direction.
 
The production team for GHOSTS & zombies includes: Chad Eric Bergman* (set design), Rachel Sypniewski (costume design), David Goodman-Edberg (lighting design), Nigel Harsch* (sound designer), Leticha Guillaud (properties design), Kirstin Franklin* (casting director), Bethany Weise (asst. costume designer), R&D Choreography (violence design), Christiane Schaldemose (music direction), Chris Waldron (asst. director), Amy Hopkins (production manager), Harrison Ornelas (technical director), Hannah Harper-Smith (stage manager) and Katy Grabarski (asst. stage manager).
 
PRODUCTION DETAILS:
 
Title: GHOSTS & zombies 
Written by: Henrik Ibsen & Gustav Tenby
Translated by: Chad Eric Bergman
Directed by: Co-Artistic Director Breahan Pautsch*
Cast: Victor Bayona (Chamberlain Alving), Marsha Harman (Mrs. Helene Alving), Joshua K. Harris (Carpenter Engstrand), Jessica Kearney (Youth Ensemble, Zombie Mob), Micah Kronlokken* (Osvald), Dylan M. Lainez, (Youth Ensemble, Zombie Mob), Madelyn Loehr* (Youth Ensemble, Zombie Mob), Almanya Narula (Regine), Christiane Schaldemose (Youth Ensemble, Zombie Mob), Erik Schiller (Youth Ensemble, Zombie Mob), Tyler Skafgaard (Youth Ensemble, Zombie Mob) and Jeremy Trager (Pastor Manders).
 
Location: Strawdog Theatre Company,1802 W. Berenice, Chicago
Dates: Preview: Thursday, September 28 at 8 pm
Regular run: Saturday, September 30 – Sunday, October 29, 2017
Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 4 pm. 
Tickets: Previews: $10. Regular Run: $25. Students/seniors/industry $15. Tickets go on sale Friday, September 1, 2017 available at chicagonordic.org.
 
*Denotes Akvavit Theatre company members.
 
Akvavit Theatre is also pleased to announce the addition of new company member Madelyn Loehr and associate company member Maggie Fullilove-Nugent.

 

Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, presents the Chicago Premiere of The Legend of Georgia McBride, written by Matthew Lopez, directed by Lauren Shouse. The Legend of Georgia McBride runs September 14-October 22 at Northlight Theatre, 9501 Skokie Blvd in Skokie. 

A down-on-his-luck Elvis impersonator has an overdrawn checking account and a baby on the way. When a drag show takes over the entertainment at the Florida Panhandle bar where he performs, he’ll also be out of a job…unless he’s willing to step into some high heels. This heartwarming, music-filled comedy celebrates the unexpected path to finding your true voice.
 
“When Lauren Shouse brought The Legend of Georgia McBride to my attention, I could immediately see that it was fun, uplifting, musical, and written by one of our favorite authors, Matthew Lopez, who also wrote The Whipping Man,” comments BJ Jones. “It's a piece about outsiders who gradually bring us into their family—a family who celebrates our identities, our freedom, our uniqueness and our commonality. And this central notion is the vital message we need to hear right now in an atmosphere of dissonance, intolerance and hate.”
 
The cast of The Legend of Georgia McBride includes Sean Blake (Miss Tracy Mills), Keith Kupferer (Eddie), Jeff Kurysz (Rexy/Jason), Nate Santana (Casey) and Leslie Ann Sheppard (Jo). 
 
The creative team includes Chris Carter (Choreography), Richard and Jacqueline Penrod (Scenic Design), Rachel Laritz (Costume Design), JR Lederle (Lighting Design), Kevin O’Donnell (Sound Design). The production stage manager is Rita Vreeland.
 
Northlight’s production of The Legend of Georgia McBride is supported in part by Bob and Lisa Silverman.
 

The Box Office is located at the North Shore Center for the Performing Arts, 9501 Skokie Boulevard, in Skokie.  Box Office hours are Monday-Friday 10:00am-5:00pm, and Saturdays 12:00pm-5:00pm. On performance days, the box office hours are extended through showtime. The Box Office is closed on Sundays, except on performance days when it is open two hours prior to showtime.
 
Curtain times are: Tuesdays: 7:30pm (September 19 and October 17 only); Wednesdays: 1:00pm (except October 11) and 7:30pm; Thursdays: 7:30pm; Fridays: 8:00pm; Saturdays: 2:30pm (except September 16) and 8:00pm; and Sundays: 2:30pm and 7:00pm (September 17 and October 8 only).
 
 
Northlight is continuing its popular special event series in conjunction with each production.  All events are free. 
 
Backstage with BJ: The Legend of Georgia McBride
September 8 at 12:00pm 
at Northlight Theatre
9501 Skokie Boulevard, Skokie, IL
Backstage with BJ is a mid-day discussion with Artistic Director BJ Jones, featuring special guest artists, actors, directors and designers, offering behind-the-scenes insight into each production while it is still in rehearsal.  Backstage with BJ for The Legend of Georgia McBride will be held on September 8 at 12:00pm and will last approximately one hour. Event is free but reservations are required. Visit https://northlight.org/events/backstage-with-bj/ to reserve your spot.
 
Inside Look: The Legend of Georgia McBride
October 5 at 2:00-3:00pm
at Evanston Public Library
1703 Orrington Avenue, Evanston, IL
Explore the context of the play, The Legend of Georgia McBride, through a discussion and a Q&A session with panelists related to the production.
 
Northlight Theatre aspires to promote change of perspective and encourage compassion by exploring the depth of our humanity across a bold spectrum of theatrical experiences, reflecting our community to the world and the world to our community. 
 
Now entering its 43rd season, the organization has mounted over 200 productions, including nearly 40 world premieres. Northlight has earned 202 Joseph Jefferson Award nominations and 34 Awards. As one of the area’s premier theatre companies, Northlight is a regional magnet for critical and professional acclaim, as well as talent of the highest quality. 
 

Fact Sheet / The Legend of Georgia McBride
 
Title:                      The Legend of Georgia McBride
Written by:              Matthew Lopez
Directed by:            Lauren Shouse
Featuring:               Sean Blake (Miss Tracy Mills), Keith Kupferer (Eddie), Jeff Kurysz(Rexy/Jason), Nate Santana (Casey) and Leslie Ann Sheppard (Jo). 
 
 
Creative Team:         Chris Carter (Choreography), Richard and Jacqueline Penrod (Scenic Design), Rachel Laritz (Costume Design), JR Lederle (Lighting Design), Kevin O’Donnell (Sound Design). The production stage manager is Rita Vreeland.
 
Dates:                     

Previews: September 14 – 21, 2017
                                          

Regular Run: September 23- October 22
 

Schedule:                

Tuesdays: 7:30pm (September 19 and October 17 only)

Wednesdays: 1:00pm (except October 11) and 7:30pm                   

Thursdays: 7:30pm
                                      

Fridays: 8:00pm
                                      

Saturdays: 2:30pm (except September 16) and 8:00pm

Sundays: 2:30pm and 7:00pm (September 17 and October 8 only).

 
Location:                Northlight Theatre is located at the North Shore
                             Center for the Performing Arts, 9501 Skokie Blvd,
                             Skokie
 
Tickets:                  Previews: $30-$57
                             Regular run: $30-$81
                             Student tickets are $15, any performance (subject to availability)
 
Box Office:              The Box Office is located at 9501 Skokie Blvd, Skokie.
                              847.673.6300; northlight.org
 
Notes of Interest:
 
⦁ This production of The Legend of Georgia McBride marks the second collaboration with playwright Matthew Lopez and Northlight Theatre. His first play, The Whipping Man, was produced by Northlight in their 2012-2013 season.
 
The Legend of Georgia McBride received its world premiere at Denver Center Theatre, with subsequent productions at the MCC Lucille Lortel Theatre and the Geffen Theater in LA.
 
⦁ About his diverse body of work, playwright Matthew Lopez comments, “They’re all about home, creating home and family — either blood family or manufactured family. 'Georgia McBride’ is about a group of people who don’t really fit in anywhere else. I call them my misfit toys, and they build a home together at the bar.
 
⦁ Director Lauren Shouse is ​the Artistic Associate and Literary Manager at Northlight Theatre. Her local directing credits include Betrayal at Raven and work at Steppenwolf Theatre, Goodman Theatre, Lookingglass Theatre, Rivendell Theatre, Sideshow Theatre, Route 66, Chicago Dramatists, and Stage Left Theatre. Prior to moving to Evanston, Lauren was Artistic Associate at Nashville Rep.
 
 

 

AstonRep Theatre Company is pleased to launch its 2017-18 season with 1984, a chilling view of a world controlled by a totalitarian government, based on George Orwell’s classic novel, adapted for the stage by Robert Owens, Wilton E. Hall Jr. and William A. Miles and directed by Artistic Director Robert Tobin*. 1984 will play September 14 – October 8, 2017 at The Raven Theatre (West Stage), 6157 N. Clark St. in Chicago. Tickets are currently available at www.astonrep.com or by calling (773) 828-9129. 
 
1984 features Ray Kasper* as Winston Smith, Sarah Lo as Julia, Amy Kasper* as O’Brien, Alexandra Bennett* as Parsons and Tim Larson* as Syme with Lauren Demerath, Lorraine Freund, Rory Jobst and Nora Lise Ulrey.
 
Based on the novel by George Orwell, 1984 is a terrifying and breathtaking view of a world controlled by a totalitarian government. Orwell asks what is left when freedom of speech, the press, love, and even the past are subject to authoritarian whims? Big Brother is watching. A theatrical event that is both powerful and disturbingly provocative.
 
The production team for 1984 includes: Jeremiah Barr* (scenic design, props design, technical director), Aja Wiltshire* (costume design), Samantha Barr* (lighting design, sound design, production manager), Robert Tobin* (projection/video design), Ian Harris and Sara Pavlak McGuire* (voice overs), Matthew Hahn (dramaturg), Dana Anderson* (asst. director) and Heather Branham Green (stage manager).
 
*Denotes AstonRep Company Members.
 
PRODUCTION DETAILS:
Title: 1984
Adapted by: Robert Owens, Wilton E. Hall Jr. and William A. Miles
From the novel by: George Orwell
Directed by: Artistic Director Robert Tobin
Cast: Alexandra Bennett* (Parsons), Lauren Demerath (Ensemble), Lorraine Freund (Landlady), Rory Jobst (Martin, Ensemble), Amy Kasper* (O’Brien), Ray Kasper* (Winston Smith), Tim Larson* (Syme), Sarah Lo (Julia) and Nora Lise Ulrey (Ensemble).
 
Location: The Raven Theatre (West Stage), 6157 N. Clark St., Chicago
Dates: Preview: Thursday, September 14 at 8 pm
Regular run: Saturday, September 16 – Sunday, October 8, 2017
Curtain Times: Mondays, Thursdays, Fridays and Saturdays at 8 pm; Sundays at 3:30 pm
Tickets: Regular run: $20. Student/seniors $15. Tickets are currently available at www.astonrep.com or by calling (773) 828-9129.

 

 

Friday, 18 August 2017 19:10

Red Tape Theatre announces new home

Red Tape Theatre announces their move to a new home, which will be shared with their artistic partner Theatre Y. Located in the heart of Lincoln Square, the new 3,300 square foot venue at 4546 N Western is steps off of the Brown Line and houses a flexible black box performance area, with an audience capacity of up to 75 seats, a spacious lobby, and rehearsal spaces. This move comes amidst a period of significant growth for the 14-year-old company, including a forthcoming transition to our Free Theatre Movement in 2018. Having a permanent artistic home enables Red Tape to focus on expanding their award-winning, immersive programming with additional main-stage productions, staged readings, off-night and late-night shows, and other events for the community at large.


This move also marks the start of an artistic partnership with Theatre Y. Opening in late October 2017, the two companies will co-produce the shared venue's inaugural production YERMA, by Frederico Garcia Lorca, directed by Red Tape's Artistic Director Max Truax and translated by Theatre Y's Hector Alvarez. YERMA will be followed by Red Tape's production of I SAW MYSELF, written by Howard Barker and directed by Jennifer Markowitz. The season will include a third show directed by Artistic Director Max Truax. The full season will be released later in August.

For more information about free ticket reservations, or to make a donation and become a member of #TEAMREDTAPE, please visit www.redtapetheatre.org.

 

Steppenwolf Theatre Company opens its 42nd Season with the Chicago premiere of The Rembrandt, written by Jessica Dickey and directed by Hallie Gordon. Currently in rehearsals, this subtle and elegant play features ensemble members Francis Guinan as Henry/Rembrandt and John Mahoney as Simon/Homer with Ty Olwin (Dodger/Titus), Karen Rodriguez (Madeline/Henny) and Gabriel Ruiz (Jonny/Martin). Previews begin September 7, opening is September 17 and the show has already been extended through November 5 due to popular demand. The Rembrandt takes place in Steppenwolf’s Upstairs Theatre, 1650 N Halsted St. Single tickets ($20 - $99) are available through Audience Services at 312-335-1650 or steppenwolf.org.

When a museum guard decides to touch a famous Rembrandt painting, a remarkable journey across the ages ensues. Spanning centuries of human experience, Jessica Dickey’s The Rembrandt movingly explores the power of creative expression and the sacrifices we make in the pursuit of love and beauty, reminding us that though our beliefs may die with the sound of our voice, it’s the love we share—and the art that love inspires—that finds eternity.

Director Hallie Gordon shares, “The Rembrandt asks you step into the painting and its different worlds. What we find is beauty and meaning in the understanding that no matter where we are, art allows us to unravel the mysteries of being. It could be in a temple or it could be in a dark apartment. We are all attracted to and seeking after that elemental spark of genius, and ultimately that which we leave behind.”

In regards to her process playwright Jessica Dickey shares, “Researching the world of museum guards was a fascinating window into a very particular subculture. The result is an examination of the eternal and the ephemeral that is funny, surprising and filled with yearning. The Rembrandt explores how encountering a work of art can be practice for the real thing—really seeing one another.”  
Jessica Dickey is an award-winning actor and playwright most known for her play, The Amish Project, which opened Off-Broadway at the Rattlestick Playwrights Theater (Helen Hayes Award, Barrymore Award, among others). The Rembrandt was commissioned and produced (then titled The Guard) by the Ford’s Theatre as part of the Women’s Voices Festival and was awarded the Stavis Award for Playwriting.

Hallie Gordon is an Artistic Producer at Steppenwolf and the Artistic Director for Steppenwolf for Young Adults, where she has directed many productions for the program including Monster by Walter Dean Myers; George Orwell’s 1984 and Animal Farm; The Book Thief; To Kill a Mockingbird; and the world premiere of Toni Morrison’s The Bluest Eye. She’s also directed for Northlight Theatre and is an ensemble member for Rivendell Theatre where she directed the critically acclaimed Dry land and Eat Your Heart Out. Most recently for Steppenwolf, she directed Taylor Mac’s Hir, now playing through August 20, 2017.

About the Cast & Creative Team

Ensemble member Francis Guinan has appeared in more than 30 shows, currently in Taylor Mac’s Hir. Ensemble member John Mahoney also has appeared in more than 30 Steppenwolf productions, most recently The Herd, The Birthday Party and The Seafarer. Mahoney won a Tony Award for his performance in The House of Blue Leaves and is well-known for his role on the hit TV series, Frasier. Ty Olwin is a graduate of the School at Steppenwolf, currently in Taylor Mac’s Hir and was in Steppenwolf for Young Adults’ productions of The Burials and Lord of the Flies. Olwin was featured in the 2016 film Personal Shopper starring Kristen Stewart. Karen Rodriguez is making her Steppenwolf debut, and was recently featured in the solo show The Way She Spoke: A Docu-Mythologia at the Greenhouse Theatre and Hookman at Steep Theatre. Gabriel Ruiz is a graduate of the DePaul Theatre School and an ensemble member of Teatro Vista. Previous Steppenwolf Theatre Company credits include How Long Will I Cry?, Motherfucker with the Hat and The Way West. He has appeared in the TV series Boss, Chicago Fire and Chicago Justice.
The Rembrandt production team includes Regina Garcia (scenic design), Jenny Mannis (costume design), Ann G. Wrightson (lighting design), Elisheba Ittoop (sound design and original music) and Gigi Buffington (company vocal coach). Other credits include Aaron Carter (artistic producer), JC Clementz (casting director), Laura D. Glenn (stage manager) and Brian Maschka (assistant stage manager).

Tickets & Production Info

Single tickets ($20-$99) available at 312-335-1650 or steppenwolf.org. Previews: $20 – $54 and Regular Run: $20 – $99. Prices subject to change. Note: There is limited availability Sept 7-Oct 22, but open availability during extension weeks Oct 24 – Nov 5. Rush Tickets: half-price rush tickets are available one hour before each show. Student Discounts: a limited number of $15 student tickets are available online. Limit 2 tickets per student; must present a valid student ID for each ticket; steppenwolf.org/students. Group Tickets: all groups of 10 or more receive a discounted rate for any performance throughout the season; steppenwolf.org/groups. Classic Subscription Memberships offer 7-Play Packages securing dates and seats for the full Steppenwolf experience, as well as Create-Your-Own Packages with 5 or 6 plays. Perks include discount prices, easy and free exchanges and more. Black Card Memberships are for audiences interested in extreme flexibility with six tickets for use any time for any production. Black Card ticket credits are valid for one year with the option to add additional tickets as needed. Perks include easy and free exchanges, access to seats before the general public, savings on single ticket prices and bar and restaurant discounts for pre- and post-show socializing. Red Card memberships are available for theatergoers under 30.  To purchase a Card Membership, visit Audience Services at 1650 N Halsted St, call 312-335-1650 or visit steppenwolf.org.

Accessible performances include an American Sign Language interpretation on Sunday, October 1 at 7:30pm, Open Captioning on Saturday, October 7 at 3pm and a Touch Tour on Sunday, October 15 at 1:30pm. For more information, visit steppenwolf.org/access. Assistive listening devices and large-print programs are available for every performance. An induction loop is installed in the Downstairs Theatre and the 1700 Theatre.

Front Bar: Coffee and Drinks

Connected to the main lobby is Steppenwolf’s own Front Bar: Coffee and Drinks, offering a warm, creative space to grab a drink, have a bite, or meet up with friends and collaborators, day or night. Open daily from 8am to midnight, Front Bar serves artisanal coffee and espresso is provided by La Colombe and food prepared by Goddess and Grocer. The menu focuses on fresh, accessible fare, featuring grab-and-go salads and sandwiches for lunch and adding shareable small plates and desserts for evening and post show service. www.front-bar.com

Sponsor Information

Northern Trust is a sponsor on The Rembrandt. United Airlines is the Exclusive Airline of Steppenwolf and ComEd is the Official Lighting Sponsor for the 17/18 season.

Shattered Globe Theatre is pleased to launch its 2017-18 Season with the Chicago premiere of Pulitzer Prize nominee James Still’s fevered, emotional epic THE HEAVENS ARE HUNG IN BLACK, a theatrical rendering of Abraham Lincoln's struggle as a man of conscience to lead a divided country, directed by SGT Ensemble Member Louis Contey*. THE HEAVENS ARE HUNG IN BLACK will play September 7 – October 21, 2017 at SGT’s resident home Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets are currently available at www.shatteredglobe.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. 
 
THE HEAVENS ARE HUNG IN BLACK will feature Lawrence Grimm and SGT Ensemble member Linda Reiter* as Abraham Lincoln and Mary Todd Lincoln, respectively. The cast also includes SGT Ensemble Members Kelsey Melvin*, Drew Schad*, Brad Woodard* and SGT Artistic Associate Darren Jones+, with Don Bender, Zach Bloomfield, Jennifer Cheung, Kate Harris, Tim Kough, Tim Newell, Leo Sharkey and Gus Zaruba.
 
Presented for the first time in the “Land of Lincoln,” THE HEAVENS ARE HUNG IN BLACK is James Still’s personal interpretation on the months leading up to Abraham Lincoln’s signing of The Emancipation Proclamation. This theatrical epic explores Lincoln’s humanity, conscience and leadership through the troubled times of 1862 – as dreams of his famous adversaries and unnamed soldiers walk through his waking life. Sprinkled with text pulled from Lincoln’s prolific letters and speeches, this play explores the heart of the man who led America in a war that we're still fighting today.
 
“The Heavens are Hung in Black portrays a transformational moment in Abraham Lincoln’s life and worldview,” comments Director Louis Contey. “In 1862, after nearly a year of bloody civil war, Lincoln must find a way of elevating the purpose of the conflict and save the Union. It is said that the office of President changes the individual who occupies it. With his conscience gnawing at him Lincoln begins to evolve as he considers the virtues and controversy of emancipation. The play, for me, embodies the essence of moral leadership and the idea of doing the right thing for the right reason, or as Lincoln himself states, listening ‘to the better angels of our nature’.”
 
THE HEAVENS ARE HUNG IN BLACK was commissioned by and premiered at Ford’s Theatre in 2009, where Lincoln was famously shot.
 
The production team includes Angie Miller (scenic design), Hailey Rakowiecki (costume design), Madison Briede (assistant costume design), Michael Stanfill (lighting and projection design), Chris Kriz+ (sound design), Vivian Knouse* (props design), Judy Anderson* (executive production manager), Jason Shivers (stage manager) and Ayanna Wimberly (assistant stage manager).
 
PRODUCTION DETAILS:
 
Title: THE HEAVENS ARE HUNG IN BLACK
Playwright: James Still
Director: Louis Contey*
Cast: Don Bender (William Seward, Jefferson Davis, Edwin Booth, Ensemble), Zach Bloomfield (John Brown, Billy Brown, Canterbury, Ensemble), Jennifer Cheung (Young Woman, Ensemble), Lawrence Grimm (Abraham Lincoln), Kate Harris (Mrs. Winston, Westmoreland, Ensemble), Darren Jones+ (Dred Scott, Theophilus Hammond, Uncle Tom, Ensemble), Tim Kough (Ward Hill Lamon, Bates, Ensemble), Kelsey Melvin* (Thomas Haley), Tim Newell (Walt Whitman), Linda Reiter* (Mary Todd Lincoln), Drew Schad* (John Hay), Leo Sharkey (Tad Lincoln), Brad Woodard* (Edwin Stanton, Stephen Douglas, Ensemble) and Gus Zaruba (Willie Lincoln, Newsboy).
 
Location: Theater Wit, 1229 W. Belmont Ave, Chicago
Dates: Previews: Thursday, September 7 at 8 pm, Friday, September 8 at 8 pm and Saturday, September 9 at 8 pm
Regular Run: Thursday, September 14 – Saturday, October 21, 2017 
Curtain Times: Thursdays, Fridays, Saturdays at 8 pm; Sundays at 3 pm. Please note: there will be no performance on Saturday, October 7 at 8 pm and an added matinee on Saturday, October 21 at 3 pm.
Touch Tour/Audio Description Performance: Friday, October 6 – 6:30 pm touch tour, 8 pm performance with audio description. $20 tickets available with code “ACCESS.”
Global Perspectives: SGT will be hosting post-show discussions immediately following 3 pm performances on Sundays, September 17 -October 15.
Tickets: Previews: $20 general admission, $10 students, $10 industry tickets with code “FRIEND”. Regular Run: $35 general admission. Discounts: $15 students, $28 seniors, $20 under 30. $15 industry tickets on Thursdays with code “INDUSTRY.” Tickets are currently available at www.theaterwit.org, in person at the Theater Wit Box Office or by calling (773) 975-8150. Group discounts are currently available by contacting This email address is being protected from spambots. You need JavaScript enabled to view it. or by calling (773) 770-0333. 
 
* Denotes SGT Ensemble Member
+ Denotes SGT Artistic Associate

 

Greenhouse Theater Center and Poor Box Theater, in association with D.C’s award winning Taffety Punk Theatre Company, is pleased to present THE AMERICAN MERCY TOUR: MERCY KILLERS and SIDE EFFECTS, two one-act plays steeped in America’s controversial relationship with healthcare. Written and performed by Michael Milligan and directed by Tom Oppenheim, these moving and unapologetic pieces will be presented as a single theatrical event, immersing the audience in the stories of patients and physicians, coming out of the waiting room and into the fray. 
 
MERCY KILLERS and SIDE EFFECTS will play September 7 – October 8, 2017 at The Greenhouse Theater Center (Upstairs Studio), 2257 N. Lincoln Ave. in Chicago. Tickets (pay-what-you-want) are currently available at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. 
 
In MERCY KILLERS, Joe, a blue-collar red state auto mechanic faced with his wife’s failing health, must grapple with the stark divide between his values and his reality. Pushed to the breaking point by debt, disease and a busted system, Joe must decide what compromises he will make to keep his wife alive. MERCY KILLERS is all at once a tender love story and an unblinking look at those the system leaves behind.
 
Flipping to the other side of the stethoscope, SIDE EFFECTS follows William, a family practice physician on the brink of burnout. Caught between his ambition to become the healer his father once exemplified and the corporatization of his chosen profession, William must reconcile the art and business of medicine, or be forced to lose his practice. In this Chicago premiere, we see the human side of those who heal us, throwing light onto the turmoil that remain out of sight from the examination table.

“Michael Milligan is one of those rare theatre artists who can combine his craft, intellect and activism in a perfect storm of unapologetically political performance,” comments Greenhouse Theater Center Artistic Director Jacob Harvey. “These pieces and the issues they explore are increasingly important in our political moment, but what truly sets them apart is their unwillingness to simplify. Milligan’s pieces are bi-partisan and in their splendid, terrifying honesty put faces to the statistics and figures we so easily grow numb to.”

History of “The American Mercy Tour”

“I wrote Mercy Killers in response to a number of personal encounters with the healthcare system,” comments Michael Milligan. “A good friend of mine showed up at the Folger Theatre stage door after a show, carrying a small duffle bag, in which he had all of his belongings. He’d been living on the streets for a couple years. I invited him back to my place, where I discovered he also had a number of medical problems, a slipped disk in his neck from a fall and a golf ball size lump on his arm. I took it on myself to try to get him in to see someone. The difficulty of that blew my mind. It was overwhelming. If I lived in any number of other nations, I could have made an appointment and walked my friend to a doctor’s office, and the first question would not have been ‘what insurance do you have.’” 

“The situation for many healthcare workers is also desperate.” Milligan says, “there’s even diagnostic terminology now for it, it’s called ‘moral distress.’ It’s crippling doctors and nurses; many of them are burning out and leaving the profession. The medical literature says that ‘moral distress occurs when one knows the ethically correct action to take but feels powerless to take that action.’ The healthcare system becomes more bureaucratized and corporatized every year, medical decisions are increasingly influenced by claims analysts, hospital administrators, and entitlement bureaucrats, Side Effects is a meditation on the conflicts of interest that arise as a result.” 

The impulse to create Side Effects was similarly visceral. When Milligan was on the road performing Mercy Killers, he started interviewing doctors and nurses in each community. Side Effects has already been well received by the medical community, including a special presentation by the Mayo Clinic. 

"Michael Milligan has captured the sum total of pressures that confront today's physicians in Side Effects. A realistic, engaging and very dramatic portrayal of the life of an average doctor trying to meet the demands of a busy practice as he nearly succumbs to a breakdown and considers leaving the profession he loves so much. Anyone involved in medicine, from the caregivers to the patients we serve, would benefit from seeing this performance." –Robert E McAfee MD, Former President, American Medical Association.

PRODUCTION DETAILS:
 
Titles: MERCY KILLERS and SIDE EFFECTS
Written and performed by: Michael Milligan
Director: Tom Oppenheim 
 
Location The Greenhouse Theater Center (Upstairs Studio) 2257 N. Lincoln Ave, Chicago
Dates: Previews: Thursday, September 7 at 8 pm
Press Performance: Friday, September 8 at 8 pm
Regular run:  Saturday, September 9 – Sunday, October 8, 2017
Curtain times: Thursdays, Fridays and Saturdays at 8 pm; Sundays at 3 pm. 
Tickets: Pay-what-you-want. Tickets are currently available at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. 

 
   

 

Anyone can be a star – for a price! The annual CASTING PARTY is a unique opportunity for amateur theatre lovers to experience the thrill of being on stage in a professionally produced Chicago stage production – no experience or training required! The Casting Auction, in association with Kokandy Productions, will be auctioning off more than 30 roles for this season’s musical production, The ADDAMS FAMILY, on Friday, November 3, 2017 at Michelle’s Ballroom, 2800 W. Belmont Ave. in Chicago. 
 
The evening of theatrical fun features all-you-can-eat buffet, an open bar, live entertainment from Kokandy Productions’ performers and a front-row seat to the most interesting auditions you’ve ever seen! Doors open at 6:30 pm and the Live Auction begins at 7:30 pm. Advance tickets for the CASTING PARTY, priced at $55, are currently available at castingauction.com ($75 at the door). 
 
The Live & Silent Auctions
After food, drinks and mingling, a professional auctioneer starts the bidding for leading and major supporting roles in THE ADDAMS FAMILY. Throughout the evening, friends, family and supporters bid to win the role for who they want to play the part, and anyone can walk away with a role — no experience necessary! Supporting and ensemble roles are bid on in a silent auction throughout the night, and attendees may purchase a chorus or walk-on role at any time (or simply enjoy the party). 
 
The Production
Once casting is complete, there are no worries for the winners — The Casting Auction provides professional directors, choreographers, and musicians to help guide them through rehearsals to star in their role! THE ADDAMS FAMILY will enjoy four public performances in April of 2018 at a popular Chicago theatre venue (to be announced). 
 
The weird and wonderful family comes to devilishly delightful life in THE ADDAMS FAMILY, the magnificently macabre musical comedy created by Jersey Boys authors Marshall Brickman and Rick Elice and Drama Desk Award winner Andrew Lippa (The Wild Party).
 
THE ADDAMS FAMILY features an original story, and it’s every father’s nightmare. Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family. A man her parents have never met. And if that weren’t upsetting enough, she confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before — keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents.
 
A portion of proceeds from the CASTING PARTY and public performances of THE ADDAMS FAMILY will benefit Kokandy Productions, supporting not-for-profit theatre programming in Chicago.
 
The Partner Theater: Kokandy Productions
 
Kokandy Productions seeks to leverage the heightened reality of musical theater to tell complex and challenging stories with a focus on contributing to the development of Chicago-based musical theater works while raising the profile of Chicago’s storefront musical theater community. In its relatively brief history, Kokandy has received high critical acclaim and has been nominated for 36 Joseph Jefferson Awards, winning one for Sweet Smell of Success in 2014 and two for Heathers in 2016. 
 
Allison Hendrix – Producing Artistic Director
John D. Glover – Artistic Producer
Scot T. Kokandy – Executive Producer
 
The Casting Auction
 
The Casting Auction is a not-for-profit organization that produces professional theatrical productions starring amateur theater lovers, and uses the profits from the production to benefit deserving theaters. Each year, the company chooses one local theater to partner with to create the experience known as the THE CASTING AUCTION. Over the past six years, The Casting Auction has raised over $300,000 for Chicago theatrical programming.
 
Kate Garassino O’Driscoll - Co-Artistic Director
Eric Martin - Co-Artistic Director
Heather Larkin - Company Manager

 

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