Theatre

Buzz Center Stage

Buzz Center Stage

Steppenwolf Theatre Company announced today additional casting for the highly anticipated world premiere of The Minutes by ensemble member, Pulitzer Prize and Tony Award winner Tracy Letts, directed by Artistic Director Anna D. Shapiro. Ensemble members Kevin Anderson (Mr. Breeding), James Vincent Meredith (Mr. Blake), Sally Murphy (Ms. Matz) and William Petersen (Mayor Superba) join previously announced ensemble members Francis Guinan (Mr. Oldfield) and Ian Barford (Mr. Carp) in the cast of this new political comedy. Also featured in the cast are Brittany Burch as Ms. Johnson, Cliff Chamberlain as Mr. Peel and Penny Slusher as Ms. Innes. Previously announced ensemble member Tim Hopper is no longer in the cast due to a scheduling conflict. Remaining roles to be announced at a later date.

Previews for The Minutes begin November 9; opening is November 19 and the show runs through December 31, 2017 in Steppenwolf’s Downstairs Theatre, 1650 N. Halsted St. Single tickets to The Minutes go on sale Friday, September 15, 2017 at 11am. Classic and Flex Memberships are currently available for the 2017/18 Season. To purchase a Membership and secure a seat now, contact Audience Services at 312-335-1650 or steppenwolf.org/memberships.

Tracy Letts, the writer of Linda Vista and August: Osage County, debuts a scathing new comedy about small-town politics and real-world power that exposes the ugliness behind some of our most closely-held American narratives while asking each of us what we would do to keep from becoming history’s losers.

The Minutes marks the fifth collaboration between Anna D. Shapiro and Tracy Letts and the seventh play by Letts to premiere at Steppenwolf.

Tracy Letts is a Pulitzer Prize and Tony Award-winning playwright, actor and Steppenwolf ensemble member. He is the author of the plays Linda Vista, Mary Page Marlowe, The Scavenger’s Daughter, Superior Donuts, August: Osage County (Pulitzer Prize, Tony Award), Man from Nebraska (Pulitzer Prize finalist), Bug and Killer Joe. Also an actor, he received the 2013 Tony Award for Best Actor in Edward Albee’s Who’s Afraid of Virginia Woolf?. TV and film credits include Lady Bird, The Lovers, Christine, Elvis and Nixon, The Big Short, HBO’s “Divorce" and two seasons as Andrew Lockhart on Showtime’s “Homeland.”

Anna D. Shapiro is a Tony award-winning director and Artistic Director of Steppenwolf. She has directed several notable productions at Steppenwolf, including Visiting Edna, Mary Page Marlowe, August: Osage County (2008 Tony, Drama Desk and Outer Critics Circle Awards), Man from Nebraska and The Motherf**ker with the Hat (also on Broadway, 2011 Tony nomination for Best Director). Broadway credits include Larry David’s Fish in the Dark, Of Mice and Men and the revival of Steppenwolf’s This Is Our Youth.

About the Cast & Creative Team

Ensemble member Kevin Anderson last performed at Steppenwolf in Lisa D’Amour’s Detroit in 2010; Ian Barford most recently starred in Steppenwolf’s world premiere of Linda Vista and Visiting Edna in the 2016/17 season, and he originated the role of Little Charles in August: Osage County; ensemble member Francis Guinan has appeared in more than 30 Steppenwolf shows, is currently in Taylor Mac’s Hir and next season’s The Rembrandt; ensemble member James Vincent Meredith most recently performed in 2015’s Between Riverside and Crazy and in a highly lauded production of Othello at the Chicago Shakespeare Theater; ensemble member Sally Murphy was most recently seen in Visiting Edna and Linda Vista and was nominated in 2015 for the Lucille Lortel Award for Outstanding Lead Actress in a Musical for her performance in Three Penny Opera; and ensemble member William Petersen was last seen onstage in both Steppenwolf’s and The Geffen Playhouse’s productions of Slow Girl (2013) and is well known for his Emmy Award-winning performance as Gil Grissom in the CBS drama series CSI: Crime Scene Investigation, for which he won a Screen Actors Guild Award and was nominated for a Golden Globe Award. Brittany Burch is a graduate of the School at Steppenwolf and an ensemble member of the Gift Theatre. This will be Cliff Chamberlain’s 10th production at Steppenwolf, where he was most recently seen in The Herd; and Penny Slusher is well known for her Chicago and regional theatre credits and was in Steppenwolf’s Australian production of August: Osage County.

The Minutes production team includes David Zinn (scenic design), Ana Kuzmanic (costume design), Brian MacDevitt (lighting design) and Andre Pluess (sound design and original music). Additional credits include Christine D. Freeburg (stage manager), Elise Hausken (assistant stage manager), JC Clementz (casting director) and Aaron Carter (artistic producer).
Single tickets will go on sale Friday, September 15, 2017 at 11am through Audience Services at 312-335-1650 or steppenwolf.org.

Shattered Globe Theatre is pleased to announce its 2017-18 Season, featuring three Chicago premiere productions! The season kicks off this fall with Pulitzer Prize nominee James Still’s fevered, emotional epic THE HEAVENS ARE HUNG IN BLACK, a theatrical rendering of Abraham Lincoln's struggle as a man of conscience to lead a divided country. Directed by SGT Ensemble Member Louis Contey*, the Chicago premiere will feature Lawrence Grimm as Abraham Lincoln and SGT Ensemble Member Linda Reiter* as Mary Todd Lincoln.
 
Shattered Globe’s season continues this winter with Rachel Bonds’ new play FIVE MILE LAKE directed by Cody Estle. In this Chicago premiere, five friends approaching their 30s try to seize the moment and take a step toward adulthood.
 
The season concludes next spring with the Chicago premiere of Will Snider’s HOW TO USE A KNIFE, directed by SGT Producing Artistic Director Sandy Shinner*. In this fast-paced, gritty drama, a once-renowned chef strikes up an unlikely friendship with a reticent immigrant dishwasher while trying to manage his unruly and hilarious kitchen staff. 
 
Comments Sandy Shinner, "Shattered Globe is excited to present three Chicago premieres with all three playwrights – Rachel Bonds, Will Snider and James Still – involved in the productions. This is a first for SGT! The central characters in their plays are all caught in a particularly critical moment in time – political, personal or professional: Abraham Lincoln still mourning his young son, a small town woman with larger dreams, and a chef climbing back from addiction are all ready to make a change. Their worlds are about to undergo seismic shifts. Will the past hold them back?"
 
The full 2017-18 Season will be presented at Shattered Globe’s resident home, Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets for THE HEAVENS ARE HUNG IN BLACK go on sale Saturday, August 1, 2017 at www.shatteredglobe.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. Discounted group sales for all three productions are currently available at This email address is being protected from spambots. You need JavaScript enabled to view it. or by calling (773) 770-0333.
 
Shattered Globe Theatre’s 2017-18 Season includes:

September 7 – October 21, 2017
THE HEAVENS ARE HUNG IN BLACK
By James Still
Directed SGT Ensemble Member Louis Contey*
Featuring feature SGT Ensemble Members Kelsey Melvin*, Linda Reiter*, Drew Schad*, Brad Woodard* and SGT Artistic Associate Darren Jones+, with Don Bender, Zach Bloomfield, Jennifer Cheung, Lawrence Grimm, Kate Harris, Tim Kough and Tim Newell. Additional casting to be announced.
Press opening: Sunday, September 10, 2017 at 3 pm
 
Presented for the first time in the “Land of Lincoln,” THE HEAVENS ARE HUNG IN BLACK is James Still’s personal interpretation on the months leading up to Abraham Lincoln’s signing of The Emancipation Proclamation. This theatrical epic explores Lincoln’s humanity, conscience and leadership through the troubled times of 1862 – as dreams of his famous adversaries and unnamed soldiers walk through his waking life. Sprinkled with text pulled from Lincoln’s prolific letters and speeches, this play explores the heart of the man who led America in a war that we're still fighting today.
 
January 11 – February 24, 2018
FIVE MILE LAKE
By Rachel Bonds
Directed by Cody Estle
Press opening: Sunday, January 14 2018 at 3 pm
 
In a style reminiscent of Chekhov, five friends approaching thirty try to navigate the emotional undercurrents of unrequited love, loss and possibility. The unexpected return of a sibling sets in motion an inadvertent winter reunion in their small Pennsylvania town. This is the kind of claustrophobic town that kids grow up to leave, but not everyone feels the same way. These old high school friends each aspire to make the right choice, and come face-to-face with the choices they have already made.
 
April 26 – June 9, 2018
HOW TO USE A KNIFE
By Will Snider
Directed by SGT Producing Artistic Director Sandy Shinner*
Press opening: Sunday, April 29 at 3 pm

In the chaotic kitchen of a Wall Street restaurant, Chef George is trying to stay sober and keep the trash talking cross-cultural kitchen staff churning out orders on time. While managing two Guatemalan line cooks, a pot smoking white busboy and dealing with a jerk of a boss, George strikes up a surprising friendship with a reserved Ugandan dishwasher. Raw, fast paced and suspenseful, HOW TO USE A KNIFE boils over when personal and moral issues from their pasts are exposed. This high energy drama is fresh off a rolling world premiere shared by four theaters in the National New Play Network.  

* Denotes SGT Ensemble Member
+ Denotes SGT Artistic Associate

 

About Face Theatre is pleased to announce its 2017-18 Season, featuring three Midwest premieres! The season kicks off this fall/winter with the romantic comedy SIGNIFICANT OTHER by Joshua Harmon, playwright of the hit comedy Bad Jews. Co-produced with Theater Wit, the Midwest premiere is directed by AFT Artistic Associate Keira Fromm and features AFT Artistic Associate Alex Weisman. 
 
The 22nd season continues next winter with the Midwest premiere of R. Eric Thomas’ gleeful mystery TIME IS ON OUR SIDE. Megan Carney directs this hilarious and heartfelt story of two podcasters and LGBTQ history buffs who may have uncovered more than they bargained for. 
 
Next spring, About Face presents the Midwest premiere of Bryna Turner’s comedy BULL IN A CHINA SHOP, based on the true story of revolutionary academics and lovers Mary Woolley and Jeanette Marks. Directed by Keira Fromm, the all-female cast includes AFT Artistic Associate Kelli Simpkins. 
 
About Face Theatre’s 2017-18 Season concludes next summer with a yet-to-be-titled production by the About Face Youth Theatre Ensemble. 
 
About Face Theatre is in residence at Theater Wit, 1229 W. Belmont Ave. in Chicago. AFT’s On Demand Memberships – a flexible, year-round membership ticket are currently available at aboutfacetheatre.com. Single tickets for additional programming will go on sale at a later date.
 
About Face Theatre’s 2017-18 Season:
 
November 2 – December 10, 2017
SIGNIFICANT OTHER – Midwest Premiere!
By Joshua Harmon
Directed by AFT Artistic Associate Keira Fromm
Featuring AFT Artistic Associate Alex Weisman. Additional casting to be announced.
 
Jordan Berman is a single gay man in New York City. Mr. Right is nowhere on his horizons. As he's nearing his 30s, his close group of girlfriends begin getting married en masse. What happens when you feel like life is leaving you behind but you're still expected to be at the forefront cheering on your friends on their perfect wedding day? Significant Other is a bittersweet comedy about friendship, single-hood and hoping you're not the one choking on car exhaust as the "Just Married" sign disappears from view. 
 
In 2015, Joshua Harmon's play Bad Jews hit Theater Wit and performed to capacity crowds for over five months. A breakaway playwright of his generation, Harmon's work offered a unique and searingly funny look at a new generation of American Jews. Now, with Significant Other he turns his compassion and considerable wit to marriage.
 
"I am very excited to join About Face Theatre in presenting the Midwest premiere of Joshua Harmon’s newest work,” comments Theater Wit Artistic Director Jeremy Wechsler. “I think Josh is a remarkably original writer with a gift for showing us the utterly real and utterly unexpected. His plays are always about deeply human characters with a writerly perspective we've not seen previously dramatized, and Significant Other is no exception. Bad Jews was a legitimate theatrical event of 2015 – and Signicant Other promises, in its writing and casting, to be another for 2017."
 
March 1 – April 8, 2018
TIME IS ON OUR SIDE – Midwest Premiere!
By R. Eric Thomas
Directed by Megan Carney
 
Annie loves the past. Curtis lives for the future. Together they host a wildly unpopular podcast from Annie's living room in which they "queer” history, reinterpreting Philadelphia’s lore through a modern, intersectional lens. When Annie finds a family heirloom that reveals a buried connection to the early LGBT rights movement, the political suddenly gets explosively personal. Time is on Our Side’s shape-shifting plot bounds gleefully from the Underground Railroad to pop culture futurity, as Annie and Curtis search for answers to the questions “How do we let go of the past? And when will it let go of us?”
 
“R. Eric Thomas has written this magnificent play that absolutely fizzles with life – I fell in love with it on first read,” comments director Megan Carney. “Time Is On Our Side introduces rich characters – meeting across generations and identities – and forging ahead together. The play is intimate and grand – diving deep to offer a clearer understanding of our shared past and courage for the challenges of the moment – all whipped together with big doses of queer magic. Eric has such a fresh voice and I can't wait to share this play with Chicago audiences.”
 
May 24 – July 1, 2018
BULL IN A CHINA SHOP – Midwest Premiere!
By Bryna Turner
Directed by AFT Artistic Associate Keira Fromm
Featuring AFT Artistic Associate Kelli Simpkins. Additional casting to be announced.
 
Bull in a China Shop is a play about Mary Woolley and her partner, Jeanette Marks, two brilliant women who reimagined and revolutionized women's education at the turn of the twentieth century. This fast-moving feminist comedy chronicles the growth of the women's suffrage movement, as well as Mary and Jeanette's romantic relationship. It examines the strength it takes to find your voice, be brave and feel less at odds with the world. 
 
“As a queer female director, I'm always excited by plays that represent gay narratives,” comments Keira Fromm. “Plays that deal specifically with gay female stories aren't terribly common, so when I came across Bryna Turner's radical play, I was immediately taken with it. Bryna is an incredibly smart and savvy playwright. She has a way of writing words and characters who live in both the past and the present concurrently. Mary and Jeanette's struggle to reform women's education and advocate for the suffrage movement echoes of the fights that women still wage today – whether that fight be for equal pay, fair representation or women's health initiatives. Ultimately the play is a unique meditation on bravery.”

 

Strawdog Theatre Company and Artistic Directors Michael Dailey, Heath Hays and Anderson Lawfer are proud to announce the first production in their 2017 – 2018 season, Barbecue by Robert O’Hara, August 17 – September 30, with direction by Damon Kiely at Steppenwolf Theatre Company’s 1700 Theatre, 1700 N. Halsted Street as a LookOut Visiting Company.  Opening night performance is Monday Aug. 28 at 8 p.m. Previews are Thursday, Aug. 17 and Aug. 24, Friday, Aug. 18 and Aug. 25, Saturday, Aug. 19 and Aug. 26 at 8 p.m. and Sunday, August 27 at 3:30 p.m. Regular run performances are Fridays at 8 p.m., Saturdays at 3:30 and 8 p.m. and Sundays at 3:30 p.m. Preview tickets are $35, regular run tickets are $45. Strawdog subscribers enjoy 25% off all ticket prices. This production is also available to Steppenwolf’s Red and Black Card holders. Group, senior, student, industry, and rush discounts are also available. To purchase subscriptions to Strawdog’s 2017-18 Season, visit www.strawdog.org. To purchase single tickets to Barbecue, please visit https://www.steppenwolf.org/tickets--events/seasons/2017-18/barbecue/?id=24118 or call 312-335-1650.
 
A modern American family uses a summer barbecue as a pretext to ambush sister Barbara with an intervention.  If you think “all families are crazy” is just a cliché, you’ve not spent time under the influence of the O'Mallerys.  An afternoon in the park with these raucous siblings and you'll be challenging your own assumptions about family, race, and reality. The Chicago premiere of Barbecue by Obie and Helen Hayes Award winner Robert O’Hara will have you laughing out loud and questioning how it’s true that in America, you sometimes taze the ones you love.

Since its world premiere, Barbecue has received critically acclaim. The Los Angeles Times said, “Ferociously funny! Barbecue raucously sends up the sociological pantomime — life as an award-seeking existential burlesque,” and “Wickedly delightful!” by TheaterMania.com. Variety’s review included, “Barbecue, shrewdly turns the formula for the American domestic comedy on its head.”
The Barbecue cast includes Strawdog Ensemble Members John Henry Roberts and Kamille Dawkins with guest artists Kristin Collins, Celeste Cooper, Anita Deely, Barbara Figgins, Deanna Reed Foster, Abby Pierce, Terence Simms and Ginneh Thomas.
 
The Barbecue design team includes Strawdog Ensemble Members Costume Designer Aly Greaves Amidei and Sound Designer Heath Hayes with guest artists: Director Damon Kiely, Assistant Director Michael Burke, Set Designer Joanna Iwanicka, Lighting Designer Jared Gooding, Props Designer Leah Hummel and Dramaturg Taylor Barfield. 

Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the first mainstage production it its 2017 – 2018 season Billy Elliot the Musical, music by Elton John and book and lyrics by Lee Hall, with direction and choreography by Porchilght Artistic Associate Brenda Didier, with Associate Choreographer Craig V. Miller and music direction by Porchlight Artistic Associate Linda Madonia at Porchlght’s new home, the Ruth Page Center for the Arts, 1016 N. Dearborn Street. Previews are Friday, Oct. 6 and Oct. 13 at 8 p.m., Saturday, Oct. 7 and Oct. 14 at 8 p.m., Sunday, Oct. 8 at 2 p.m., Monday, Oct. 9 at 7:30 p.m., Thursday, Oct. 12 at 7:30 p.m. Opening night is Sunday, Oct. 15 at 6 p.m. The regular run performance schedule is Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m. and Sundays at 6 p.m. (October 22, October 29 and November 5) and at 2 p.m. (November 12 and 19) with an open captioned performance, Saturday, Oct. 28 at 4 p.m. and a weekday matinee Thursday, Nov. 16 at 1:30 p.m. Please note: there is no 7:30 p.m. performance Thursday, Nov. 16. Tickets are $33 - $60 and available at PorchlightMusicTheatre.org or by calling the Porchlight Music Theatre  box office, 773.777.9884.

Billy Elliot the Musical is based on the 2000 film “Billy Elliot” and features music by Elton John with book and lyrics by the film’s screenplay writer Lee Hall. Winner of both the Tony Award and Olivier Award for Best Musical, Billy Elliot the Musical is an inspirational story set in an English mining town during the miners’ strike of 1984-85. Billy Elliot takes a journey from the boxing ring to a ballet class to make his dreams come true while challenging the long held beliefs of his hometown. Along the way, he discovers a passion for dance that unites his family, inspires his community and changes his life forever. 

The cast of Billy Elliot the Musical will be the largest in Porchlight’s history and includes Jacob Kaiser and Lincoln Seymour sharing the title role of “Billy Elliot;” Shanésia Davis*, “Mrs. Wilkinson;” Sean Fortunato*, “Dad;” Iris Lieberman*, “Grandma;” Adam Fane, “Tony Elliot;” Peyton Owen, “Michael Caffrey;” Nicole Cready, “Mum;” ”Princess Isis Z. Lang, “Debbie Wilkinson;” with Jordan DeBose, “George/Ensemble;” Gabriel Robert, “Small Boy;” John Gurdian, “Big Davey/Ensemble;” Michelle McKenzie-Voigt, “Lesley/Ensemble;” Jeff Bouthiette, “Scab/Posh Dad/Ensemble;” Tommy Novak, “Mr. Braithwaite/Ensemble;” Ivan Bruns-Trukhin,“Older Billy/Ensemble;” Bernell Lassai III, “Pit Supervisor/Ensemble;” Logan Baffico, “Posh Boy;” Alejandro Medina, “Tall Boy;” Jessica Vann, “Clipboard Woman/Ensemble;” Graham Hawley, “Accordion Player/Grandma Dancer/Ensemble;” Jacob Voigt, “Ensemble;” Roy Brown, “Ensemble;” Jenny McPherson, “Ensemble/Grandma Dancer;” Kayla Boye, “Ensemble;” and Darby Leetch, “Alison Summers;” Moriah Mitchell, “Keeley Gibson; Paula Hlava, “Angela Robson;” Anna L. Bramlett, “Julie Hope;” McKenna Rogers, “Karen Davidson;” Emerson Tait, “Sharon Percy;” Katelyn Montgomery, “Margaret Gormley;” Kendall Sorkin, “Tina Harmer;” Ayla Gray, “Tracy Atkinson” and Bernadette Olivia Schwegel, “Susan Parks.”
 
Additional members of the creative/production team of Billy Elliot the Musical include Porchlight Artistic Associate Bill Morey, costume designer; Denise Karczewski, lighting designer; Christopher Rhoton, scenic designer, Robert Hornbostel, sound designer; Mealah Heidenreich, props designer; Adrian Abel Azevedo, assistant director; Kayla Boye, assistant choreographer/dance captain; Sara Haverty, assistant to the choreographers/associate child supervisor; Sammi Grant, dialect coach; Jaq Seifert, fight choreography; Sean McStravick, stage manager*; Corey Boughton, assistant stage manager*; Matt Nadler, assistant stage manager; Shannon Desmond, assistant stage manager; Joaquin Gomez, child supervisor/ASM swing and Samantha Treible, wardrobe supervisor.
 
Musical Director Madonia conducts and is the pianist with musicans Justin Kono, drums/percussion; Cara Hartz, reeds; Sarah Younker, french horn; Greg Strauss, trumpet; Justin LaForte, guitar and Dan Kristan, electric bass.
*Denotes member of Actors’ Equity Association

 

Kokandy Productions is pleased to announce casting for its Chicago premiere of BONNIE & CLYDE, the musical story of two small-town nobodies searching for meaning at the height of the Great Depression from the creative team of Frank Wildhorn, Ivan Menchell and Don Black. 
 
BONNIE & CLYDE will feature Desiree Gonzalez as Bonnie, Max DeTogne as Clyde, Missy Wise as Blanche and Cisco Lopez as Buck. The cast also includes Patrick Tierney as Ted, Nathan Carroll as Preacher, Tia L. Pinson as Young Bonnie, Jeff Pierpoint as Young Clyde and Sarah Hayes as Emma, with an ensemble including Brittney Brown, Erin Creighton, Ann Delaney, Jacob Fjare, Jon Patrick Penick, Maisie Rose and Jonathan Schwart.
 
Directed by Spencer Neiman, with music direction by Allison Hendrix and choreography by Aubrey Adams, BONNIE & CLYDE will play August 27 – October 15, 2017 at Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets are currently available at www.kokandyproductions.com, by calling (773) 975-8150 or in person at the Theater Wit Box Office. The press opening is Saturday, September 2 at 8 pm.
 
BONNIE & CLYDE centers on real-life Bonnie Parker and Clyde Barrow, the ill-fated lovers and outlaws whose story has been infamous since they achieved folk hero status at the height of the Great Depression. Fearless, shameless and alluring, the Tony Award-nominated musical from the legendary Frank Wildhorn (Jekyll & Hyde, Civil War, Dracula) is the electrifying story of love, adventure and crime that captured the attention of an entire country, with a non-traditional score featuring blues, gospel and rockabilly music.
 
The world premiere of BONNIE & CLYDE was presented at La Jolla Playhouse in 2009, and transferred to Broadway in 2011. There, it was nominated for three Outer Critics Circle Awards and five Drama Desk Awards (both including Best New Musical), as well as two 2012 Tony Awards nominations.
 
The production team for BONNIE & CLYDE includes: Ashley Ann Woods (scenic design), Robert S. Kuhn (costume design), Alexander Ridgers (lighting design), Michael J. Patrick (sound design), Jaq Seifert (violence/intimacy design), Lindsay Brown (production manager) and Kait Samuels (stage manager).
 
PRODUCTION DETAILS:
 
Title: BONNIE & CLYDE
Book: Ivan Menchel
Music: Frank Wildhorn
Lyrics: Don Black
Director: Spencer Neiman
Music Director: Allison Hendrix
Choreographer: Aubrey Adams
Cast: Brittney Brown (Stella), Nathan Carroll (Preacher), Erin Creighton (Cumie), Ann Delaney (Trish), Max DeTogne (Clyde), Jacob Fjare (Bud), Desiree Gonzalez (Bonnie), Sarah Hayes (Emma), Cisco Lopez (Buck), Jon Patrick Penick (Henry), Jeff Pierpoint (Young Clyde), Tia L. Pinson (Young Bonnie), Maisie Rose (Eleanor), Jonathan Schwart (Sheriff), Patrick Tierney (Ted) and Missy Wise (Blanche).
 
Location: Theater Wit, 1229 W. Belmont Ave. in Chicago
Dates: Previews: Sunday, August 27 at 7 pm, Monday, August 28 at 7 pm, Thursday, August 31 at 8 pm and Friday, September 1 at 8 pm
Regular run: Sunday, September 3 – Sunday, October 15, 2017
Curtain Times: Thursdays, Fridays & Saturdays at 8 pm; Sundays at 3 pm. Please note: there will be added matinee performances on Saturday, September 30 at 3 pm, Saturday, October 7 at 3 pm and Saturday, October 14 at 3 pm.
Tickets: Previews $25. Regular run $33 - $38. Tickets are currently available at www.kokandyproductions.com, by calling (773) 975-8150 or in person at the Theater Wit Box Office.

 

In one of the comedy industry’s most anticipated traditions, iconic Chicago comedy institution The Second City is proud to announce the cast of their upcoming 106th Mainstage revue, set to open in October, 2017.
 
The all-new show will be written and performed by second-time cast member Kelsey Kinney and new cast members Ryan Asher, Tyler Davis, Jeffrey Murdoch, Tien Tran, and Nate Varrone, Jeff Award winner Ryan Bernier returns to direct his sixth resident show. Vinnie Pillarella will follow up his turn as music director for the current Mainstage production, as will longtime stage manager Craig Taylor, who has been at the technical helm of shows featuring legendary alumni including Chris Farley, Tina Fey, and Stephen Colbert over the course of his storied career at The Second City.
 
The title of the 106th Mainstage revue will be announced in September, 2017. The producing team includes Andrew Alexander (CEO & Executive Producer), Steve Johnston (President), D'Arcy Stuart (Chief Operations Officer), Brian Loevner (Managing Producer), Alison Riley (Producer), Jeremy Smith (Line Producer), and Lesley Stone (Associate Producer).
 
Tickets for The Second City’s 106th Mainstage Revue start at $19.00 and are available by phone at 312-337-3992 or online at www.SecondCity.com.

The show schedule is as follows:
Tuesday - Thursday @ 8:00 p.m.
Friday - Saturday @ 8:00 p.m. and 11:00 p.m.
Sunday @ 7:00 p.m.
 
The Second City is located at 1616 N. Wells Street, Chicago.
 
About the Artists
 
RYAN ASHER (Ensemble) is from Charlottesville VA, and received her BFA in theater performance at Virginia Commonwealth University. Ryan was a member of The Second City Touring Company and appears this summer in The Second City's Almost Accurate Guide to America: Divided We Stand at the Kennedy Center in Washington, D.C. She also performs with improv groups around Chicago, including Trigger Happy and SHEBEAST.
 
TYLER DAVIS (Ensemble) is a Columbus, Ohio, native and has performed with The Second City Touring Company, as well in in The Second City's Almost Accurate Guide to America: Divided We Stand at the Kennedy Center. He also performs with improv groups around Chicago, including Devil’s Daughter and Trigger Happy.
 
KELSEY KINNEY (Ensemble) is a Cleveland native and current cast member in The Second City’s 105th Mainstage revue, The Winner…of Our Discontent. She is a former member of The Second City Touring Company and appeared in The Second City’s Summer Blockbuster: Now in 4-D! at UP Comedy Club.
 
JEFFREY MURDOCH (Ensemble) was born and raised in the Metro Detroit area and attended the University of Michigan. Over the last eight years, he has performed at the Upstairs Gallery, iO, The Annoyance, and was a member of The Second City Touring Company.
 
TIEN TRAN (Ensemble) is graduate of Boston College, a 2016 Second City Bob Curry Fellow, and has most recently been performing in The Second City’s 41st e.t.c. revue, Fantastic Super Great Nation Numero Uno.Prior to her time on Second City’s resident stage, she toured with The Second City and Slate’s Unelectable You. As a stand-up, she’s performed throughout the city and was featured at the 2016 Second City NBCUniversal Break Out Comedy Festival and SCOUT Festival.
 
NATE VARRONE (Ensemble) is from Columbus, Ohio, and attended The Ohio State University. He has performed with The Second City Touring Company, at iO, with Crab Atlanta, and is a cast member of Holy F*** Comedy Hour at The Annoyance.
 
RYAN BERNIER (Director)’srecent directing credits at The Second City include Fantastic Super Great Nation Numero Un, Jeff Award-nominated revues Panic on Cloud 9 and A Clown Car Named Desire (Best Revue, Best Director), the Jeff Award-winning We’re All in This Room Together (Best Revue, Best Director), and Second City: America All Better!! at Woolly Mammoth Theatre (Helen Hayes Award-nominated). He was recently awarded Suffolk University’s 10 Under 10 honor. Ryan directs at the Improv Asylum in Boston and teaches at Columbia College Chicago.
 
VINNIE PILLARELLA (Musical Direction, Original Music, Sound Design)is a Chicago native and is the current musical force behind The Second City’s 105th Mainstage revue, The Winner…of Our Discontent. A veteran of The Second City Touring Company, Vinnie has also created music in theaters around the city, including The Annoyance, iO, Public House, and Silk Road Rising.
 
CRAIG TAYLOR (Stage Manager)has stage managed more than 35 revues for The Second City and has been asked to provide the impossible for numerous Second City directors.

 

Red Theater Chicago announces the start of their 6th season with their upcoming production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz, directed by Jeremy Aluma. Performances run August 15 through September 16, 2017. Opening is Friday, August 18, 2017 at 8:00 PM at Strawdog Theatre, 1802 W Berenice Ave, Chicago, IL 60613.

THE PLAY
How does one pursue the “American Dream” in a country that refuses to offer opportunity indiscriminately? That is the question at the heart of The Elaborate Entrance of Chad Deity, a flashy American satire set in the professional entertainment wrestling world. We follow Macedonio Guerra, an excellent Puerto Rican wrestler, as he rises from the bottom of the pecking order. In this interactive physical comedy, Mace talks directly to the audience as fans in his arena, drawing the viewer into the struggle, joy, and heart of the story. The play dissects race, xenophobia, ego, and our moral compass – topics even more relevant now than when it premiered eight years ago. Winner of the 2011 Obie Award for Best New American Play, a 2009 Pulitzer Prize Finalist, and the 2008 National Latino Playwriting Award.

CALENDAR LISTING
WHO: Red Theater Chicago
WHAT: The Elaborate Entrance of Chad Deity by Kristoffer Diaz, directed by Jeremy Aluma.
WHERE: Strawdog Theatre, 1802 W Berenice Ave, Chicago, IL 60613
WHEN:
Friday, August 18 at 8pm 
Saturday, August 19 at 8pm 
Sunday, August 20 at 4pm 
Thursday, August 24 at 8pm
Friday, August 25 at 8pm
Saturday, August 26 at 8pm 
Sunday, August 27 at 4pm (touch tour)
Monday, August 28 at 8pm (captions)
Thursday, August 31 at 8pm (captions)
Friday, September 1 at 8pm
Saturday, September 2 at 8pm 
Sunday, September 3 at 4pm 
Thursday, September 7 at 8pm
Friday, September 8 at 8pm
Saturday, September 9 at 8pm 
Sunday, September 10 at 8pm (understudy show)
Thursday, September 14 at 8pm
Friday, September 15 at 8pm
Saturday, September 16 at 8pm (closing)

TICKETS: Tickets go on sale online July 24, 2017 at redtheater.org

TICKETS, DATES & INFORMATION
The Elaborate Entrance of Chad Deity runs Thursdays through Saturdays at 8:00 PM, and Sundays at 4:00 PM August 15, through September 16, 2017, with an additional Monday performance on August 28 with captions. Captions will also be provided on Thursday, August 31 at 8:00 PM. A touch tour will be offered on Sunday, August 27 at 4:00 PM. Tickets go on sale online July 24, 2017 at redtheater.org. **Previews are Tuesday, August 15 through Thursday, August 17 at 8:00 PM. The Elaborate Entrance of Chad Deity will be performed at Strawdog Theatre’s new home at 1802 W Berenice Ave, Chicago, IL 60613. The theater is fully accessible and CTA accessible via the Irving Park Brown Line train or the #11 Lincoln bus.

“Spamilton,” the critically acclaimed parody of “Hamilton,” welcomes Chicago actor Becca Brown to the production as the new female star. Brown has performed with theater companies including The Second City and The Hypocrites, and her TV and film credits include the 2003 feature film “School of Rock” and the second season of “Easy” on Netflix. ”Spamilton” is playing an open-ended run at the Royal George Theatre (1641 N. Halsted).with tickets on sale through October 1 and new tickets added weekly. Tickets ($35 – $99) can be purchased at the Royal George Theatre’s box office online, at Ticketmaster.comor by calling 312.988.9000.
 
“Becca originally joined the ‘Spamilton’ family as our understudy in this spring, and has consistently impressed us with her comedic timing, voice and impeccable impersonations,” said ‘Spamilton’ creator and director Gerard Alessandrini. “It was undeniable that she would be the immediate choice to become the next female performer in Chicago, and she’s seamlessly blended into the show next to our talented ensemble.” 
 
Created by Tony Award honoree Alessandrini, the mastermind behind “Forbidden Broadway,” “Spamilton” officially opened in Chicago on March 12 to rave reviews, with Hedy Weiss of the Chicago Sun-Times calling “Spamilton” an “altogether brilliant, hilarious, cliché-demolishing send-up of ‘Hamilton,’” Chris Jones of Chicago Tribune noting “You really don’t want to miss ‘Spamilton,’” and Barbara Vitello of the Daily Herald exclaiming the show is “deliciously silly. The laughs come fast and furious!” The all-Chicago “Broadway ready” (Chicago Sun-Times) cast includes Donterrio Johnson, Adam LaSalle, Becca Brown, Eric Andrew Lewis, Yando Lopez and David Robbins, as well as Sydney Charles and Brandon Kinley.
 
Becca Brown is a native Chicagoan actor, comedian and musician with training from University of Illinois at Chicago, The Second City Training Center and iO Training Center. Brown has performed music and stand up all over the country and is a regular performer at The Second City, iO, Laugh Factory and Salonathon. Recent theatre credits include “American Idiot” (The Hypocrites) and the title role in “Jenna Roxy” and the “Church of Modern Love” (The Hideout). Movie fans may recognize Brown as the female bassist in the 2003 film “School of Rock,” and she can be seen in the upcoming second season of “Easy” on Netflix. Brown is represented by Shirley Hamilton Talent.

“Spamilton,” which was initially scheduled in New York as an exclusive 18-performance off-Broadway engagement, has extended three times and is now playing its fourteenth smash month of an open engagement at the 47th Street Theatre in the heart of New York’s Theatre District. The New York production earned rave reviews across-the-board, with Ben Brantley of The New York Times calling it “smart, silly and convulsively funny!” and Lin-Manuel Miranda exclaiming “I laughed my brains out!” In its Chicago premiere, the local cast received additional acclaim, with critics hailing the production “endlessly entertaining” (Performink), “A Must-See!” (BroadwayWorld.com), and “razor sharp and filled with wit and humor” (Chicago Theatre Review). On opening night, cast members from the Chicago production of “Hamilton” were in the audience, and following the performance Wayne Brady called the production “Amazing! It’s the perfect blend of funny and parody. Go see ‘Spamilton!’
 
In addition to Alessandrini, the creative team includes Gerry McIntyre (Choreography), Dustin Cross (Costume Design), Milo Blue (Scenic Design), Andy Kloubec (Lighting Design), Matt Reich (Sound Design), Jamie Karas (Prop Design), Leah Munsey-Konops (Wig Design), Fred Barton (Musical Director), and Richard Danley and Fred Barton (Musical Arrangements).
 
“Spamilton” is produced in Chicago by John Freedson, David Zippel, Gerard Alessandrini, Margaret Cotter and Liberty Theatricals, in association with JAM Theatricals. 
 
The performance schedule for “Spamilton” is as follows: Tuesdays through Fridays at 7:30 p.m., Saturdays at 5 p.m. and 8 p.m. and Sundays at 2 p.m. and 7 p.m. For additional details, visit Ticketmaster.com or TheRoyalGeorgeTheatre.com. For more information, visit Spamilton.com.

The Second City is excited to announce “I Can’t Believe They Wendt There: The Roast of George Wendt” a night guaranteed to destroy one of the world’s most beloved comedy legends, George Wendt--all in the name of charity.
 
Roastmaster Jason Sudeikis, along with Roasters Bob Odenkirk, Betty Thomas, David Koechner, and a growing list of the biggest and brightest names in comedy will gather for this once-in-a-lifetime evening of comedy and camaraderie to benefit Gilda’s Club Chicago and The Second City Alumni Fund, hosted at Chicago’s iconic Mainstage at The Second City.
 
The one-night-only performance will take place on Saturday, September 9th, 2017 in the Second City Mainstage Theater (1616 N. Wells, Chicago, IL 60614) The show will begin at 7:00pm.
 
“The Second City has been a phenomenal friend of Gilda’s Club Chicago since we opened in 1998, and we are grateful for the opportunity to partner with them on this exciting event,” stated LauraJane Hyde, CEO of Gilda’s Club Chicago. “Support like this helps us continue to ensure that anyone impacted by cancer is empowered by knowledge, strengthened by action and sustained by community.”
 
“We’re looking forward to an incredibly special evening that brings back the long-lost art of the Dean Martin-era celebrity roast. It’s been a few years since George has returned to his old stomping grounds here at Second City, and he’s saint of a guy for letting us put him in the hot seat for two incredible causes. We are thrilled to be able to partner with Gilda’s Club Chicago again for this tremendous opportunity to impact the lives of those who are battling cancer, their support circles, and also the members of our own Second City family who are up against the most challenging of circumstances.” Andrew Alexander, CEO/Executive Producer of The Second City.
 
Tax-deductible tickets for the “I Can’t Believe They Wendt There: The Roast of George Wendt” are on sale now and are organized into three ticketing tiers.
 
Top-Shelf VIP Tickets ($3,000 each) include a pre-show VIP reception inside Second City’s historic complex at 1959 Kitchen & Bar. Includes a photo opportunity with George & Jason. Appetizers and top shelf open bar service provided.
 
The 1959 Package ($1,959 each) features a backstage experience led by Second City’s Behind the Bentwood tour guides including special surprise guests. Open bar & dinner in Mainstage Theater provided by the best of Chicago's classic cuisine is also included.
 
General Admission is also available ($1,000 each) and includes open bar & dinner in Mainstage Theater provided by the best of Chicago's classic cuisine.
 
Tickets are tax-deductible and can be purchased online at www.secondcity.com or by phone at 312-664-4032.

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