I’ve probably said this before — the sheer volume of shows we here in Chicago have on offer makes me count my lucky stars whenever I enter a theater, be it for an opulent touring production or for a more intimate local performance. But it’s always the latter for which I feel even more blessed — that I am, that we all are, privileged to witness the variety and virtuosity of talented artists who ply their trade around town. And no show has left me smiling more widely, tapping my toe as hard, humming along as loud, and feeling more blessed to be a witness to Chicagoland’s theater scene as Theo Ubique’s current production of John Cameron Mitchell and Stephen Trask’s now-classic Hedwig and the Angry Inch.

Entering the Theo Ubique Cabaret for this show, you enter the show’s world immediately — a bar and a black box, both — as the tools of a rock band’s trade sit onstage and colorful and off-color and culturally significant graffiti decorates the walls around it. Along with the earplugs offered at the door, Colt Frank’s simple but striking set lets you know you’re in for an evening of rock ‘n’ roll, and the best kind, to boot — the kind that’ll piss off those it’s supposed to and provoke those it’s meant for.

And an evening of rock ‘n’ roll it was! Will Lidke, headlining the show and fronting its band The Angry Inch, turns what was an Off-Broadway and Broadway musical about a rock frontwoman’s concert into said concert. Lidke’s got the posture, the preening, and the pipes to pull it off, too. Strutting on heels, flashing his fishnets, and flaunting wig after wig (all of them designed by Keith Ryan), Lidke’s Hedwig is transfixing from start to finish, equal parts Transformers-era Lou, Ziggy-era Bowie, and East German derelict and diva. He tears things apart on numbers like “Tear Me Down” and “Sugar Daddy,” breaks our hearts with “Wicked Little Town,” and makes us all a part in the singalong “Wig in a Box.” I kept thinking to myself, what I’d give to see Lidke front a band in a small rock club, and then I’d realize, I’m getting to see that right here at Theo Ubique!

Equally stage-worthy is Jacob Gilchrist (AKA Mikki Miraj), who plays Hedwig’s first husband as well as her backup singer on our side of the Berlin Wall/cabaret stage. Each time we were graced with Gilchrist’s enthusiastic song and dance, I’d think they’d be someone I’d love to see fronting a band, too. And wouldn’t you know it — by show’s end my wish came true when Gilchrist came out as Hedwig’s one-time understudy in life, rock star Tommy Gnosis.Lidke and Gilchrist are joined by a ridiculously talented cast and band. As Hedwig’s spouse and sidekick Yitzhak, Brittney Brown shows she’s got perhaps the best voice of the bunch. And as Hedwig’s Berlin mutter and his backup singer East, Adriana Tronco keeps up with her castmates throughout.

And the whole shebang wouldn’t be a banging rock show without a killer rock band, The Angry Inch. Led by pianist and musical director Jeremy Ramey, these guys KILL. Guitarist Perry Cowdery gets things started by shredding “America the Beautiful.” Jakob Smith, also on guitar, switches between electric and acoustic as the mood requires. Joseph Drzemiecki brings the bong-rattling bass. And drummer Carlos Mendoza brings the beat.

So, if you want an intimate rock show, see Theo Ubique’s Hedwig. If you want to see a production of a musical that’s now hung around long enough to reach classic status, see Theo Ubique’s Hedwig. And if, like me, you just love being reminded what terrific talent our wicked little town’s blessed with, see Theo Ubique’s Hedwig and the Angry Inch from now through the end of July.