Theatre in Review

Hell in a Handbag rings in its fifteenth-anniversary season with real magic in this hilarious spoof of the 60's and 70's TV shows we all grew up loving with its hocus-pocus focus on the show Bewitched

In this tale, Bewildered, by Aaron Benham (music and lyrics) and Ron Weaver (book and lyrics) Gladys Kravitz, the nosey neighbor of the magical family finally gets her due when she stops spying on the witch-filled household and is invited to have dinner with them. Caitlin Jackson as Gladys is splendid as she has both the musical chops to belt out every note with ease and turn the obnoxious neighbor into a sympathetic "every- woman" who feels unloved as a wife and disrespected as a person. As Gladys discovers in the surprise ending that she is magical too, her song "Leading Lady" reminds everyone in the audience to be true to themselves no matter who they are because in the end, we are ALL the leading ladies in our own lives. 

David Cerda, Hell in a Handbag, artistic director as Endora is truly at his best in this FABULOUSLY funny portrayal of Samantha's mother and steals every scene under his wig with a bat of his eyelashes and a twirl of the spectacular multi-faceted bejeweled caftans designed by Rachel Sypniewski with spot on funny as hell period wigs by Keith Ryan. Cerda as Endorra also reminds us of the ongoing plot line in the original series wherein she tries to get Samantha to leave her straight laced, sexually uninterested husband and choose from among thousands of eligible warlocks where she could live a life of magic and freedom! Instead Samantha chooses the daily humdrum dimension of the limited earth life with all its cold rules and regulations for women and men which don’t include the use of magic.

Elizabeth Morgan is adorable as Samantha and has a nice voice but needs to step out a little more with her nose twitching delightfully -  in order to keep up with the shine and glamour of wit coming full blast out of the regular cast members of Hell in a Handbag. 

As always, Ed Jones' highly anticipated presence in the show does not disappoint as Uncle Arthur and absolutely brings down the house while setting up the main story line with his wonderful rendition of "Let Yourself be a Little Gay!" Ed Jones and  David Cerda really seem to have studied their characters minute mannerisms and trademark funny bits to a tee and several times I squint my eyes and could have sworn they were channeling the original brilliant actors and actresses who played these roles on TV.  

The production handles the magic wielded by Samantha and company in a unique fashion that adds yet another jolt of humor to its audience. Bewildered also has fun with the mystery of the two Darrins who play Samantha's husbands on Bewitched in a very clever way that just has to be seen to be appreciated. 

The great thing about the superbly camp productions put on year after year by Hell in a Handbag is that no matter how bawdy they are, or how many lines of individuality they cross, they always have a positive moral underlying each show that makes you feel "pretty oh, so pretty!" in the skin that you are in!

I highly recommend seeing this fun-tastic, fast-flying production for everyone who needs a good jolt of laughter and positive affirmation about the life you are leading in these strange and hostile times.

Bewildered is being performed at Stage 773 through November 11th. For more show information visit www.handbagproductions.org.  

 

Published in Theatre in Review

From the bustling streets of New York City at the turn of the 20th century comes the Tony Award-winning new American musical, NEWSIES, making headlines at the Marriott Theatre just in time for the holidays, running October 25 through December 31 at 8 p.m. at 10 Marriott Drive, Lincolnshire. Featuring an electrifying score with music by eight-time Academy Award winner Alan Menkenand lyrics by Jack Feldman, and book by four-time Tony Award winner Harvey Fierstein, NEWSIES is the ultimate story of courage and overcoming one’s fears. Jeff Award nominee Alex Sanchez (Marriott Theatre: Evita, On the Town, Mary Poppins) brings his high-octane energy and brilliance to direct and choreograph the heartwarming piece, with Musical Direction by Jeff Award winner Ryan T. Nelson.
 
“We all get to a fork in our lives - which path do we choose? I want to inspire audiences to not be afraid to take the courageous path and strive for the unreachable,” says Director and Choreographer Alex Sanchez. “This story will be brought to life on stage with a plethora of energy bursting from our outstanding cast of dancers. Incredible set design will flow with the ensemble to provide a city landscape as vibrant as New York.”
 
Based on the 1992 motion picture of the same name and inspired by the real-life ‘Newsboy Strike of 1899’ that shook the ivory towers of publishing titans William Randolph Hearst and Joseph Pulitzer, NEWSIES follows orphan Jack Kelly and his band of teenaged ‘newsies,’ who dream of a better life far from the hardships of the streets. While they’ve had the talent and moxie to survive the challenges of inner city New York, the newsboys are pushed to the limit when media moguls Hearst and Pulitzer raise distribution prices at the boys’ expense. Timely and fresh, the fictionalized adaptation of NEWSIES addresses age-old themes of social injustice, exploitative labor practices and struggles as the young learn to harness their power against a corrupt establishment. Featuring soul stirring music, NEWSIES introduces eight brand-new songs by the original dynamic duo team of Menken and Feldman while keeping many of the beloved songs from the film, including “Carrying the Banner,” “Seize the Day,” “King of New York” and “Santa Fe.”
 
NEWSIES stars Patrick Rooney as “Jack Kelly” (Marriott Theatre: World Premiere of October Sky, Spring Awakening), Eliza Palasz as “Katherine Plumber” (Marriott Theatre: World Premiere of October Sky, Evita, Spring Awakening), Kevin Gudahl as “Joseph Pulitzer” (Marriott Theatre: Spring Awakening, Elf, My Fair Lady, 1776, The King and I) and Stephanie Pope at “Medda Larkin” (Broadway: Chicago, Pippin, Fosse). NEWSIES also stars Nick Graffagna as “Davey,” Matthew Uzarraga as “Crutchie,” and Carter Graf and Zachary Uzarraga alternating as “Les,” with Bill Bannon, Eean Cochran, Shea Coffman, Nicholas Dantes, Alejandro Fonseca, Sam Griffin, Garrett Lutz, Jeff Pierpoint, Zachary Porter, Liam Quealy, James Rank, Laura Savage, Peter Sipla, Adrienne Storrs, Steven Strafford, Richard Strimer, Martin Ortiz Tapia, Tiffany Tatreau, Andy Tofa and David Wright, Jr.
 
The production will feature set design by Kevin Depinet, lighting design by Jesse Klug, sound design by Robert E. Gilmartin, properties design by Sally Weiss, and musical supervision and orchestra conducted by Patti Garwood.
 
The performance schedule for NEWSIES is Wednesdays at 1:00 p.m. and 8:00 p.m., Thursdays and Fridays at 8:00 p.m., Saturdays at 4:30 p.m. and 8:00 p.m., Sundays at 1:00 p.m. and 5:00 p.m., with select Thursday 1:00 p.m. shows. Holiday weeks may have adjusted schedules. Ticket prices range from $50 to $60, including tax and handling fees. Call for student, senior and military discounts. On Wednesday and Thursday evenings there are a limited number of FREE dinners available with the purchase of a full-priced theatre ticket, which can only be purchased through the Marriott Theatre Box Office. To make a restaurant reservation, please call 847.634.0100. Free parking is available at all performances. To reserve tickets, please call The Marriott Theatre Box Office at 847.634.0200 or go to www.ticketmaster.com. Visit www.MarriottTheatre.com for more information.

 

Published in Upcoming Theatre

Today, the producers of “Spamilton,” the critically acclaimed parody of “Hamilton,” announced an October 8 closing date for the Chicago run at the Royal George Theatre (1641 N. Halsted). Created by Tony Award honoree Gerard Alessandrini, the mastermind behind “Forbidden Broadway,” “Spamilton” officially opened in Chicago on March 12 to rave reviews, with Hedy Weiss of the Chicago Sun-Times calling “Spamilton” an “altogether brilliant, hilarious, cliché-demolishing send-up of ‘Hamilton,’” Chris Jones of Chicago Tribune noting “You really don’t want to miss ‘Spamilton,’” and Barbara Vitello of the Daily Herald exclaiming the show is “deliciously silly. The laughs come fast and furious!” The all-Chicago “Broadway ready” (Chicago Sun-Times) cast includes Becca Brown, Aaron Holland, Adam LaSalle, Yando Lopez, Gabriel Mudd and David Robbins. Original cast members include Donterrio Johnson, Michelle Lauto and Eric Andrew Lewis.
 
The final tickets for “Spamilton” are available now. The final performance takes place Sunday, October 8 at 5 p.m. Tickets ($59 – $99) can be purchased at the Royal George Theatre’s box office online, at Ticketmaster.com or by calling 312.988.9000.  
 
“After seven great months in Chicago here at the Royal George with our talented local cast, we feel very lucky to have been so well-received for so long,” said Alessandrini. “While it’s bittersweet to be leaving the Windy City, we’re thrilled about the next steps for ‘Spamilton,’ including continuing our open run in New York and opening the Los Angeles production in November.”
 
“Spamilton,” which was initially scheduled in New York as an exclusive 18-performance off-Broadway engagement, has extended three times and is now playing its seventeenth smash month of an open engagement at the 47th Street Theatre in the heart of New York’s Theatre District. The New York production earned rave reviews across-the-board, with Ben Brantley of The New York Times calling it “smart, silly and convulsively funny!” and Lin-Manuel Miranda exclaiming “I laughed my brains out!” In its Chicago premiere, the local cast received additional acclaim, with critics hailing the production “endlessly entertaining” (Performink), “A Must-See!” (BroadwayWorld.com), and “razor sharp and filled with wit and humor” (Chicago Theatre Review). On opening night, cast members from the Chicago production of “Hamilton” were in the audience, and following the performance Wayne Brady called the production “Amazing! It’s the perfect blend of funny and parody. Go see ‘Spamilton!’ This fall, “Spamilton” makes its West Coast debut at the Kirk Douglas Theatre with Center Theatre Group November 5 – December 31, 2017.
 
In addition to Alessandrini, the creative team includes Gerry McIntyre (Choreography), Dustin Cross(Costume Design), Milo Blue (Scenic Design), Andy Kloubec (Lighting Design), Matt Reich (Sound Design), Jamie Karas (Prop Design), Leah Munsey-Konops (Wig Design), Fred Barton (Musical Director), and Richard Danley and Fred Barton (Musical Arrangements).
 
“Spamilton” is produced in Chicago by John Freedson, David Zippel, Gerard Alessandrini, Margaret Cotter and Liberty Theatricals, in association with JAM Theatricals. Brandon Kinley and Keirsten Hodgens are the understudies for the production.
 
The performance schedule for “Spamilton” is as follows: Tuesdays through Fridays at 7:30 p.m., Saturdays at 5 p.m. and 8 p.m. and Sundays at 2 p.m. and 5 p.m. For additional details, visit Ticketmaster.com or TheRoyalGeorgeTheatre.com.

Published in Upcoming Theatre

For Chicagoans that grew up in the 1980’s music scene, we remember favorite rock clubs such as The Thirsty Whale, Chances R and Dirty Nellies where spandex and rayon were the materials of choice and eye-liner on Aqua-net sprayed, long-haired guys was all the rage. For the glam rock scene, Chicago was always the minor league affiliate (Single A) to its Los Angeles big brother, where new bands seemingly broke out nearly every week. Almost grinding hair bands out akin to a factory assembly line, Los Angeles set the bar for rock bands all across the world, its clubs The Whiskey a Go Go, Troubadour and The Roxy stepping stones for the next big thing. In “Rock of Ages” the hilarious 1980's musical, we are taken to Los Angeles where the fictional Bourbon Room, one of the last rock hold outs, is under the threat of eminent domain as big money developers have other plans for the property.

Club owner Dennis (riotously played by Chicago favorite Gene Weygandt) runs The Bourbon Room with his sidekick and fellow rocker Lonny (Nick Druzbanski), who also serves as the play’s narrator. Realizing the club’s days are numbered, the two decide to go all out by bringing back Arsenal, a major band that got the start from The Bourbon Room, to play their final show with lead singer and egomaniac, Stacee Jaxx, who is off to pursue a solo career.

And what would an 80’s musical be without a cheesy love story? Bar back and aspiring musician, Drew, is instantly love struck when Dennis hires Sherrie (of course a hopeful actress) to be the club’s new waitress. From there we root for The Bourbon club, along with those protesting the new corporate development, and also for Drew and Sherrie to find love.

“Rock of Ages” is a fun time capsule filled with 80’s rock classics that includes Warrant’s “Heaven”, Journey’s “Don’t stop Believin’”, Twisted Sister’s “We’re Not Gonna Take It”, “Extreme’s “More than Words” and many, many more. Though a parody of the era, “Rock of Ages” is an entertaining tribute to an age in music that, though considered kitschy by some, left a major impact in the world of music. The musical makes several 80’s refences that can’t help but make us forty-to-fifty-somethings laugh, such as Drew’s date with Sherrie where he tries to romance her with a four-pack of Bartles & James wine coolers.

The show boasts as good of a cast as one could ask for. Adam Michaels as self-aggrandizer and vulgar lead singer, Stacee Jaxx, is absolutely hysterical in the role. His moments are plenty as he puts on full display his great knack for physical comedy along with some pretty raging vocals. And as one who has seen this production more times than I remember, I can say quite confidently that Nick Druzbanski may just be the best Lonny I have seen yet. Druzbanski really fires on all cylinders and is a comedic whirlwind, also contributing nicely with strong vocals, certainly deserving a Fogmaster 5000 for a performance nothing short of outstanding.

Notable vocal performances are aplenty in this production with both Cherry Torres as Sherrie and Russell Mernaugh as Drew impressing with their singing prowess in number after number. Both skilled singers as they are actors, Torres and Mernaugh also spark a wonderful chemistry and are able to deliver plenty of funny moments. Though many, other performances of note are Donica Lynn, who sings beautifully when called upon and Nick Cosgrove who nails the role of Franz, the flamboyant German son of developer Hertz, who draws a laugh in just about every scene he occupies.

“Rock of Ages” is silly fun. It’s a campy drive down memory lane. It’s highly recommended. It’s also part concert, as a live band plays from a stage upon the stage throughout the show, tasty guitar licks and all. For some, they will relive the highly memorable era, for others they will receive a tongue-in-cheek glimpse of a time when the Los Angeles rock scene churned out hair bands like Motley Crue, Poison and Ratt.

With Falls theatrical productions in full bloom, this is a must see.

“Rock of Ages” is being performed at Drury Lane Theatre in Oakbrook through October 15th. For tickets and/or more show information, visit www.DruryLaneTheatre.com.

Published in Theatre in Review

“This world will remember me,” Bonnie and Clyde sing to each other in Kokandy Productions’ presentation of “Bonnie & Clyde” – a musical. Directed by Spencer Neiman, this odd-ball musical makes its area premiere after an unsuccessful Broadway run in 2011. This production also marks the fifth anniversary of Kokandy Productions, now a regular staple of Chicago’s storefront theater scene.

“Bonnie & Clyde” was developed in 2009 by La Jolla Playhouse in California, a frequent incubator for new Broadway work. The show opened officially on Broadway in 2011, but closed after 36 performances. Critics were not especially kind.

Even though it’s not a direct adaptation, it’s nearly impossible not to compare this musical to Arthur Penn’s stylish 1967 film. It’s an American film classic with iconic performances by Faye Dunaway and Warren Beatty. It’s widely considered a turning point in American cinema. The film was focused less on historical accuracy and more on drawing comparisons between the young outlaws and the political awakening of the late 60s. The musical tends to tread on the same territory as Penn’s film but in a less dynamic way.

The issue is camp. Penn’s film is mostly devoid of camp even some fifty years later. “Bonnie & Clyde” the musical feels like two hours of pure kitsch. There’s no discernable reason this story needed to be told to music and unfortunately the empty songs prove that. Neiman’s cast seems to forget that these characters were indeed real people and not cartoon characters to be parodied. The nature of the material isn’t especially satirical, but this cast has decided it is.

Missy Wise as Blanche Barrow pretty much steals the show with her number ‘You’re Goin’ Back to Jail’, but the whole thing feels a bit Disney-fied, considering that the real Blanche Barrow served time for armed robbery.

The two leads Desiree Gonzales and Max Detogne are both incredible performers. Detogne’s voice is perfectly suited for the country-tinged folk rock of Frank Wildhorn’s music. Gonzalas also has a strong voice and makes some genuine choices for Bonnie Parker, adding a real dimension to her that isn’t otherwise in the script. The generic “I-wish” song feels sincere with Gonzalas singing. You will remember her, just like Clara Bow. Detogne also makes it his own. There’s a chemistry between the two that really translates.

If you were just dying to see “Bonnie & Clyde” during its Broadway run in 2011, Kokandy offers up a serviceable production. If you were hoping to gain more knowledge about the infamous star-crossed outlaws, you may be impressed at what playwright Ivan Menchel spins into his version of “Bonnie & Clyde.”

Through October 15 at Kokandy Productions. Theatre Wit 1229 West Belmont Ave.

 

Published in Theatre Reviews

If you like Vegas like I like Vegas, you will love Marriott Theatre’s energetic and top notch, romantic musical comedy production of "Honeymoon in Vegas"!

Jack Singer (Michael Mahler) is in love with his girlfriend of five years Betsy Nolan (played with terrific spunk and formidable singing chops by Samantha Pauly), but was traumatized by the deathbed wish his mother imposed on him never to marry, because no one can love him like she did.  Bea (Marya Grandy) plays his mother with great physical comedy skills and her hospital deathbed scene where she strikes down a passing nurse in order to show jack what she can do to his future brides to be, gets some of the biggest laughs in the show. 

Jack and Betsy get through this flashback scene and resulting panic attack while shopping at Tiffany's for her ring and head straight to Vegas to tie the knot - before he loses his nerve for the umpteenth time. 

Upon arriving in Vegas, Betsy is instantly spotted by Tommy Korman, a rich, handsome but slightly shady businessman played to perfection by Chicago born actor Sean Allan Krill. Betsy reminds Korman of his past wife and then he goes all out to steal her from tentative Singer. His pursuit really begins when he invites Singer to a “low stakes” poker game, letting him win a few hands – a total set up. Singer has a hand next to impossible to beat and the pot becomes so large there is no way he can pay up if he loses. That’s when the fun really begins. Sean Allen Krill was the standby in this role for Tony Danza on Broadway. Krill was just fantastic and I'm not the only critic in Chicago to say Sean Allen Krill should be a huge Broadway star right now. Krill is so smooth in the role of Tommy Korman, so fluid and graceful in his immediate desire for, and courtship of, Betsy that women and men throughout the theater were so wowed by Krill's amazing singing voice and comedic acting chops that they actually wished Betsy would stay with him in Hawaii and not marry the non-committal, bumbling, but kind, Jack Singer. 

Another character actress deserving of special notice is Christine Bunuan, as the funny and fabulous Hawaiian tour guide who helps Jack find Betsy and Korman (yes, the story moves to Hawaii), but not without first trying desperately to make “Friki-Friki with Jack before delivering him to his destination. 

While talented Alex Goodrich is very funny to watch in multiple roles, Steven Strafford also shows off his comedic talent as Korman's sidekick, Johnny Sandwich.  

Several of the leading creators of its 2015 Broadway production were brought in by the Marriott Theater including director Gary Griffin, choreographer Denis Jones, and costume designer Brian Hemesath. The effect of all these highly skilled players coming together is a full-service production that grabs you right from the start with well-paced scenes and challenging, yet humorous, dance numbers that dazzle the audience with beautiful, leggy showgirls - Vegas style. 

I highly recommend this adorably sexy and funny, Elvis-filled production for young and old alike. This production is so well-played and fun to watch that you will feel you have had a honeymoon in Vegas - with a stop-over in beautiful Hawaii to boot!  

Honeymoon in Vegas is being performed at Marriott Theatre through October 15th. For more show information visit www.marriotttheatre.com.

 

Published in Theatre in Review

Hell in a Handbag Productions is pleased to continue its 15th Anniversary Season with the world premiere of BEWILDERED, a musical parody of the classic TV sitcom Bewitched, told from the perspective of Gladys Kravitz, Samantha Stephens’ iconic nosy neighbor. Featuring a book by Ron Weaver, music and lyrics by Aaron Benham and Ron Weaver and direction and choreography by Brigitte Ditmars, BEWILDERED will play September 27 – November 11, 2017 at Stage 773, 1225 W. Belmont Ave. in Chicago. Tickets are currently available at www.handbagproductions.org and stage773.com, by calling (773) 327-5252 or in person at the Stage 773 box office. 
 
A parody and reimagining of the beloved ‘60s/‘70s television sitcom Bewitched, this spellbinding throwback is told from the point of view of Gladys Kravitz, the poor, misunderstood neighbor who keeps seeing crazy things at the home of Samantha Stephens, a beautiful witch, and her ‘ordinary family.’ Gladys’ husband Abner has had enough and is about to take drastic measures. Can Gladys prove her visions are real without destroying the Stephens family – or is she doomed to a life of pills and institutions? Gladys finally gets her due in this fun and magical musical parody.
 
BEWILDERED features ensemble members David Cerda as Endora, Caitlin Jackson as Gladys Kravitz, Ed Jones as Uncle Arthur, Michael S. Miller as Mr. Tumer and AJ Wright as Darrin G. The production also features Steve Kimbrough as Larry Tate, Matt Miles as Abner, Elizabeth Morgan as Samantha, Scott Sawa as Darrin S. and Robert Williams as Tabitha/Louise. Rounding out the cast are Kira Gaudynski, Jennifer Ledesma, Travis Monroe Neese and Sarah Taylor as Magic Stage Hands.
 
The production team for BEWILDERED includes: Roger Wykes (scenic design), Rachel Sypniewski (costume design), Cat Wilson (lighting design), Sydney Genco (make-up design), Mealah Heidenreich (props design) Becca Holloway (assistant director) and Keith Ryan (wig design). 
 
PRODUCTION DETAILS:
 
Title: BEWILDERED
Book: Ron Weaver
Music and Lyrics: Aaron Benham and Ron Weaver
Director/Choreographer: Brigitte Ditmars
Cast: David Cerda (Endora), Kira Gaudynski (Magic Stage Hand), Caitlin Jackson (Gladys), Ed Jones (Uncle Arthur), Steve Kimbrough (Larry Tate), Jennifer Ledesma (Magic Stage Hand), Matt Miles (Abner), Michael S. Miller (Mr. Tumer), Elizabeth Morgan (Samantha), Travis Monroe Neese (Magic Stage Hand), Scott Sawa (Darrin S.), Sarah Taylor (Magic Stage Hand), Robert Williams (Tabitha/Louise) and AJ Wright (Darrin G.).
 
Location: Stage 773 (Box Theater), 1225 W. Belmont Ave. in Chicago
Dates: Previews: Wednesday, September 27 at 7:30 pm, Thursday, September 28 at 7:30 pm, Friday, September 29 at 7:30 pm and Saturday, September 30 at 7:30 pm
Regular run: Thursday, October 5 – Saturday, November 11, 2017
Curtain Times: Thursday, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. Please note: there will not be a performance on Sunday, October 15 due to Handbag’s Annual Benefit.
Special Halloween Show: Tuesday, October 31 at 7:30 pm
Tickets: Previews $22 in advance ($25 at door). Regular run $34 in advance ($39 at door). Tickets are currently available at www.handbagproductions.org and stage773.com, by calling 773-327-5252, or in person at the Stage 773 box office. 

 

Published in Upcoming Theatre

"Trevor the Musical" tells the tale of a beautiful young boy in the 1970's who is just discovering his love of choreography and dance. He is also lovesick for an older boy in his school during a time when same sex relationships were not as socially acceptable or acknowledged as the world at the time was much less gay friendly.

I predict that this play will have a very good effect on young people who view it and anyone who has ever felt put down or shamed by others for their own creativity or uniqueness.

Although I agree with some of the other critics that there was a slightly "after school special" feel to this production, there is nothing wrong with that. It moved where it needed to be moving and celebrated those who feel different than others because of who they are.

The young star of the show Eli Tokash (also played in split performances by and Graydon Peter Yosowitz) is delightful and really does a great job with all of his numbers both musically and in terms of dance and comedy movement. The music is well written, often fun and catchy, and also includes various Diana Ross hits. "Trevor" has all the ingredients to become a smash hit.

Because most of the cast is in their teens this show will definitely be produced in high schools and colleges for years to come which is a great thing especially given the current climate reviving negativity towards the LGBTQ community.

“Trevor” comes with a slew of entertaining performances, including Declan Desmond’s as “Pinky”, the object of Trevor’s boy crush. I thoroughly enjoyed the costumes and creative set design as well.

The only note I have for this cast of very talented young people is to avoid becoming robotic in their quest for perfection. The emergence of such shows like American Idol and "So You Think You Can Dance" have both encouraged young people more than ever to follow their dreams in the arts, however I feel that they have put so much pressure on young people to hit every note perfectly and to strike every pose with almost robotic precision in order to win First Prize that many of their performances now seem stiff and over analyzed and micromanaged by their directors. So much so, that they make the audience feel nervous because they as young performers seem nervous and afraid to mess up or even let their characters messy emotions show through the facade of artistic perfection because they are trying so hard to live up to this Broadway standard placed on even the very youngest performers of today. Another perfect example of this public and private pressure can be seen clearly on the popular reality show for young performers called "Dance Moms,"as they scream and yell at their own eight-year-old daughters that they are not dancing well enough.

Other than the slightly uptight feeling which I think will be worked out over the course of this run and as the book of this show is revised and edited and cut for Broadway, I highly recommend this inspiring production. Everyone left the theater in a great mood feeling that they had seen the world premiere of a play with something timely, special and energetic to say to the world. “Trevor” is a play which encourages adults and children alike to be true to themselves in every way - no matter what the other kids say, even under scary opposition from groups of mean and ignorant "haters" who do not understand what it is like to be different from the pack, whether a dreamer or a believer in Unicorns or the healing power of Diana Ross.

“Trevor the Musical” is being performed at Writers Theatre in Glencoe through its newly extended date of October 8th. For tickets and further show information visit www.writerstheatre.org. 

Published in Theatre in Review

Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the first mainstage production it its 2017 – 2018 season Billy Elliot the Musical, music by Elton John and book and lyrics by Lee Hall, with direction and choreography by Porchilght Artistic Associate Brenda Didier, with Associate Choreographer Craig V. Miller and music direction by Porchlight Artistic Associate Linda Madonia at Porchlght’s new home, the Ruth Page Center for the Arts, 1016 N. Dearborn Street. Previews are Friday, Oct. 6 and Oct. 13 at 8 p.m., Saturday, Oct. 7 and Oct. 14 at 8 p.m., Sunday, Oct. 8 at 2 p.m., Monday, Oct. 9 at 7:30 p.m., Thursday, Oct. 12 at 7:30 p.m. Opening night is Sunday, Oct. 15 at 6 p.m. The regular run performance schedule is Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m. and Sundays at 6 p.m. (October 22, October 29 and November 5) and at 2 p.m. (November 12 and 19) with an open captioned performance, Saturday, Oct. 28 at 4 p.m. and a weekday matinee Thursday, Nov. 16 at 1:30 p.m. Please note: there is no 7:30 p.m. performance Thursday, Nov. 16. Tickets are $33 - $60 and available at PorchlightMusicTheatre.org or by calling the Porchlight Music Theatre  box office, 773.777.9884.

Billy Elliot the Musical is based on the 2000 film “Billy Elliot” and features music by Elton John with book and lyrics by the film’s screenplay writer Lee Hall. Winner of both the Tony Award and Olivier Award for Best Musical, Billy Elliot the Musical is an inspirational story set in an English mining town during the miners’ strike of 1984-85. Billy Elliot takes a journey from the boxing ring to a ballet class to make his dreams come true while challenging the long held beliefs of his hometown. Along the way, he discovers a passion for dance that unites his family, inspires his community and changes his life forever. 

The cast of Billy Elliot the Musical will be the largest in Porchlight’s history and includes Jacob Kaiser and Lincoln Seymour sharing the title role of “Billy Elliot;” Shanésia Davis*, “Mrs. Wilkinson;” Sean Fortunato*, “Dad;” Iris Lieberman*, “Grandma;” Adam Fane, “Tony Elliot;” Peyton Owen, “Michael Caffrey;” Nicole Cready, “Mum;” ”Princess Isis Z. Lang, “Debbie Wilkinson;” with Jordan DeBose, “George/Ensemble;” Gabriel Robert, “Small Boy;” John Gurdian, “Big Davey/Ensemble;” Michelle McKenzie-Voigt, “Lesley/Ensemble;” Jeff Bouthiette, “Scab/Posh Dad/Ensemble;” Tommy Novak, “Mr. Braithwaite/Ensemble;” Ivan Bruns-Trukhin,“Older Billy/Ensemble;” Bernell Lassai III, “Pit Supervisor/Ensemble;” Logan Baffico, “Posh Boy;” Alejandro Medina, “Tall Boy;” Jessica Vann, “Clipboard Woman/Ensemble;” Graham Hawley, “Accordion Player/Grandma Dancer/Ensemble;” Jacob Voigt, “Ensemble;” Roy Brown, “Ensemble;” Jenny McPherson, “Ensemble/Grandma Dancer;” Kayla Boye, “Ensemble;” and Darby Leetch, “Alison Summers;” Moriah Mitchell, “Keeley Gibson; Paula Hlava, “Angela Robson;” Anna L. Bramlett, “Julie Hope;” McKenna Rogers, “Karen Davidson;” Emerson Tait, “Sharon Percy;” Katelyn Montgomery, “Margaret Gormley;” Kendall Sorkin, “Tina Harmer;” Ayla Gray, “Tracy Atkinson” and Bernadette Olivia Schwegel, “Susan Parks.”
 
Additional members of the creative/production team of Billy Elliot the Musical include Porchlight Artistic Associate Bill Morey, costume designer; Denise Karczewski, lighting designer; Christopher Rhoton, scenic designer, Robert Hornbostel, sound designer; Mealah Heidenreich, props designer; Adrian Abel Azevedo, assistant director; Kayla Boye, assistant choreographer/dance captain; Sara Haverty, assistant to the choreographers/associate child supervisor; Sammi Grant, dialect coach; Jaq Seifert, fight choreography; Sean McStravick, stage manager*; Corey Boughton, assistant stage manager*; Matt Nadler, assistant stage manager; Shannon Desmond, assistant stage manager; Joaquin Gomez, child supervisor/ASM swing and Samantha Treible, wardrobe supervisor.
 
Musical Director Madonia conducts and is the pianist with musicans Justin Kono, drums/percussion; Cara Hartz, reeds; Sarah Younker, french horn; Greg Strauss, trumpet; Justin LaForte, guitar and Dan Kristan, electric bass.
*Denotes member of Actors’ Equity Association

 

Published in Upcoming Theatre

Led by the original Broadway powerhouse team, including ten-time Jeff Award-winning director Gary Griffin, Tony Award-nominated choreographer Denis Jones, and Emmy Award-winning costume designer Brian Hemesath (PBS’s “Sesame Street”, NBC’s “SNL”), HONEYMOON IN VEGAS, a loving throwback to the classic American musical, makes its Regional Premiere at Marriott Theatre, 10 Marriott Drive in Lincolnshire with previews August 23, opening August 30 at 8 pm, and running through October 15. With music and lyrics by three-time Tony Award-winning composer Jason Robert Brown and book by highly-acclaimed American screenwriter Andrew Bergman, HONEYMOON IN VEGAS is a hysterical romantic comedy, based off the hit 1992 film. The veteran team also includes Jeff Award-winning musical director Ryan T. Nelson and Jeff Award-winning associate choreographer William Carlos Angulo.
 
“HONEYMOON IN VEGAS brings a modern twist to the beloved classic American musical, written by a contemporary writer for today’s audiences,” says Director Gary Griffin. “And there’s just something about Chicago. I am excited to give The Marriott Theatre audiences unprecedented access to this particular show, with so many touch points coming straight from the Broadway stage.”
 
A delightful and bouncy mix of old-time Vegas and contemporary musical theatre, HONEYMOON IN VEGAS tells the story of Brooklyn couple Jack Singer and Betsy Nolan, who have escaped to Las Vegas to tie the knot. Everything changes when the couple encounters Tommy Korman, a dashing Vegas gambler who believes Betsy is a spitting image of his deceased wife. With Tommy’s determination and Jack’s hopeful heart, HONEYMOON IN VEGAS throws the audience on a hilarious rollercoaster ride of love, humor, and competition for true romance.
 
HONEYMOON IN VEGASstars Jeff Award Winner Michael Mahler as “Jack Singer” (Broadway: Miss Saigon; Marriott Theatre: October Sky, Hero,City of Angels); Samantha Pauly as “Betsy Nolan” (Marriott Theatre: Evita, Elf the Musical); Jeff Award Winner Sean Allan Krill as “Tommy Korman” (Broadway: Mamma Mia!, Honeymoon in Vegas, and On a Clear Day; National Tour: Thoroughly Modern Millie; Marriott Theatre: Brigadoon, 1776, and Pirates of Penzance); Cole Burden as “Buddy Rocky/Roy Bacon” (National Tours: Les Misérables, The Bridges of Madison County; Marriott Theatre: Legally Blonde); Marya Grandy as “Bea Singer” (Broadway: Les Misérables; Marriott Theatre: How to Succeed In Business Without Really Trying, Sister Act, and On the Town); and Steven Strafford as “Johnny Sandwich” (National Tours: Spamalot, Peter Pan, Cinderella, and Grease; Marriott Theatre: She Loves Me and Madagascar). Also starring in HONEYMOON IN VEGAS are DeShawn Bowens, Christine Bunuan, Aaron Choi, Shana Dagny, Devin DeSantis, Alejandro Fonseca, Alex Goodrich, Anne Gunn, Kristina Larson, Tyler John Logan, Richard Manera, James Rank, Jessica Wolfrum Raun, Drew Redington, Laura Savage, Allison Sill, and Ambria Sylvain.
 
The production will feature set design by Kevin Depinet, lighting design by Jesse Klug, sound design by Robert E. Gilmartin, properties design by Sally Weiss, projections design by Anthony Churchill, and musical supervision and orchestra conducted by Patti Garwood.
 
The performance schedule for HONEYMOON IN VEGAS is Wednesdays at 1:00 p.m. and 8:00 p.m., Thursdays and Fridays at 8:00 p.m., Saturdays at 4:30 p.m. and 8:00 p.m., Sundays at 1:00 p.m. and 5:00 p.m., with select Thursday 1:00 p.m. shows. Ticket prices range from $50 to $60, including tax and handling fees. Call for student, senior and military discounts. On Wednesday and Thursday evenings there are a limited number of FREE dinners available with the purchase of a full-priced theatre ticket, which can only be purchased through the Marriott Theatre Box Office. To make a restaurant reservation, please call 847.634.0100. Free parking is available at all performances. To reserve tickets, please call The Marriott Theatre Box Office at 847.634.0200 or go to www.ticketmaster.com. Visit www.MarriottTheatre.com for more information.

 

Published in Upcoming Theatre
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