Dance in Review

Wednesday, 03 July 2024 13:38

Review: CAN YOU HEAR US NOW? THE QUEER TAP DANCE REVOLUTION at The Edge Theatre Featured

With CAN YOU HEAR US NOW? Chicago Tap Theatre presents an original show directed by Molly Smith. CAN YOU HEAR US NOW? featured a series of original choreography from CTT dancers inspired by, referencing, and in honor of historical figures in tap dance and jazz music history from the LGBTQIA+ community. Part archival research project, part live show, this show combined tap history with the state of tap dance today, with a focus on LGBTQIA+ perspectives. The production was a celebration of queer culture and history through the eyes (and shoes) of the dancers themselves.

CAN YOU HEAR US NOW? THE QUEER TAP DANCE REVOLUTION, performed at the Edge Theatre, is Molly Smith's directorial debut, and a fine job she made of it! Each production was choreographed by a Chicago Tap Theatre (CTT) member or apprentice, including Molly herself. Her solo performance, to Lesley Gore’s You Don’t Own Me, was stunning and clearly heartfelt. She further discussed the connection she sees between tap dance and queerness.

Mark Yonally (he/him) is the founder and Artistic Director of Chicago Tap Theatre, one of the most critically well-regarded dance companies in Chicago. They perform an annual three-show season in Chicago and tour throughout both America and Europe. Their performances have been chosen as the Top Ten Dance events of the year by the Chicago Tribune, the Chicago Sun-Times, SeeChicagoDance and Windy City Media. CTT’s stated mission is to share the creativity, the history, and the pure joy of tap dance; these were clearly illustrated in CAN YOU HEAR US NOW?

The set was purposefully and effectively nearly neutral; not so the lighting! which was refashioned to enhance each piece.

The intervals between pieces were very short, which was useful for the most part. However, their duration might have been adjusted to coordinate with the mood of the dances, particularly near the end, with more emotionally charged pieces: Molly Smith’s solo, and the dance commemorating our martyrs to the AIDS epidemic. Here the rapid interruptions felt hurried and forced.

 

 

         17 Years and counting!

Register

     

Latest Articles

  • Review: Titus Andronicus at Redtwist Theatre
    Written by
    Do not bring the kids to TITUS ANDRONICUS; it has 14 killings, 9 of them on stage, 6 severed members, 1 rape (or 2 or 3, depending on how you count), 1 live burial, 1 case of insanity and 1…
  • See Chicago Dances Launches New Website March 10
    See Chicago Dance (SCD), celebrating 20 years as the most comprehensive resource for dance information in Chicago and one of the largest websites in the United States dedicated to the art form, is proud to announce the launch of its new…
  • HELL'S KITCHEN is Coming to Chicago
    Get ready, Chicago! AKW Productions and Broadway In Chicago are thrilled to announce that the 13-time Tony Award® nominated Broadway sensation, HELL’S KITCHEN, is set to bring the heat to the Windy City when it arrives for a limited three-week engagement at the Nederlander Theatre (24 W. Randolph St.)…
  • Court Theatre announces casting for the world premiere of Berlin
    Under the continuing leadership of Executive Director Angel Ysaguirre, with interim artistic leadership from Senior Artistic Producer Gabrielle Randle-Bent and Senior Managing Producer Heidi Thompson Saunders, Court Theatre is thrilled to present the world premiere of Berlin, Mickle Maher's exhilarating adaptation of Jason Lutes's celebrated…

Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it.

*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.