Like Christina Anderson, the Tony award nominated playwright of “the ripple, the wave that carried me home” I too was naively unaware of the history of segregation of public pools.

Growing up in Brooklyn, NY, at the same time as the play’s timeline, public pools were more likely segregated by class than by race. Besides, beaches were the preferred pastime on a hot summer day in NYC. The play gave me a new perspective and made me think outside my sheltered world. It is highly recommended.

As water fills the space it finds itself in, this play has many themes and ideas filling the hour and forty-five-minute running time. Themes of patriarchy, access, racial justice, family dynamics, legacy and forgiveness are all marinating together. If it doesn’t come out in the wash, it will come out in the rinse.

The play opens in 1991 with unanswered phone calls to Janice, (Christiana Clark) a recruitment officer at an Ohio University. The calls are from a Young Chipper Ambitious Black Woman (Brianna Buckley) who is representing an African American Recognition Committee in Beacon, Kansas, her hometown. They are renaming a pool in honor of her father, who was instrumental in desegregating the public pools in Beacon. They would like her to attend and participate. She takes issue, her mother was just as involved in this fight as her father. Why is she not honored?

“ripple..” is a memory play and according to Janice, some of those memories are best left at the bottom of a deep pool. Janice narrates her time growing up starting in the early 60’s as the daughter of Edwin (Ronald Connor) and Helen (Aneisa Hicks). We learn Janice’s father is from the necessity class and her mother, the thinking class. These distinctions meant very little to the white majority, but these distinctions helped the audience understand how her parents approached life.

Between scenes of narration, we see this family in action. We see a teenage Edwin demonstrate how he covertly integrated a public pool and the resulting fallout. We see the sacrifices made by Helen, so her daughter and other children can learn the mechanics of swimming.

Todd Rosenthal’s set consist of the inside of a public pool building complete pool and trophy case. To change scenes the trophy case slides out and a household scene slides in. It is a nice and clean set change. While Janice doesn’t change costumes in the 30 years of the play, the other characters change from late 50’s to the 90’s. Montana Levi Blanco caught the essence of the time period with his costume choices. Cookie Jordan did an excellent job in hair and wig design. Until I read the program, I didn’t know Aunt Gayle and Young Ambitious Black Woman were played by the same actress (Brianna Buckley). It was clearly a testament to costume, hair, wig and performance.

Jackson Gay captured the feel and energy of family life in the 60’s and 70’s. The play moved smoothly from narration to action, from joy to tears and back again.

It is interesting Anderson chose to place her play in 1991 and work backwards. 1991 was the year of the “Rodney King Riots” when the officers that beat King within an inch of his life were acquitted. King survived the beating only to die in 2012 of …. you guessed it, drowning.

When: Through February 12th

Where: Goodman Owen Theatre, 170 N. Dearborn

Tickets: $15-$45

Info: www.goodmantheatre.org