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Does not supporting Israel make you an anti-semite? This is the central theme of playwright Steven Levenson’s work ‘If I Forget’ now running at Victory Gardens under the direction of Devon De Mayo. Levenson is best known for providing the book to Broadway’s smash hit ‘Dear Evan Hansen’. “If I Forget” made its Broadway premiere in 2017 at the Roundabout Theatre Company.

“If I Forget” is a classic family drama that echoes of Arthur Miller. The set up is very simple, a DC-based family reunites for their father’s 75th birthday. Their father, Lou (David Darlow) is still mourning the recent death of his wife when his three adult kids come to visit. The action mainly concerns itself with a controversial book his son Michael (Daniel Cantor) is writing titled ‘Forgetting the Holocaust’. In two acts deep familial revelations are made as the family hotly debates what Jewish heritage means in our modern world.

While Michael is the main character, this is largely an ensemble piece. His older sister Holly (Gail Shapiro) is a socialite with few ethical cares, while his younger sister Sharon (Elizabeth Ledo) is the caretaker-type to whom Judaism is quite sacred. Michael’s wife Ellen (Heather Townshend) has no religious affiliation but serves to represent the respect for tradition some non-believers have. When it’s discussed what is to be done with their father’s valuable real estate, each character confronts their connection to their lineage.

The female ensemble gives very compelling performances. Elizabeth Ledo provides the moral backbone of the play even if her character has selfish intentions. She’s the voice of traditional values lost along the way to progress. Ledo’s performance is touching and complicated and even tragic by the play’s end. Gail Shapiro is a Karen Walker-flavored character that gives the play its levity. She saunters about naturally with the cool authority of the upper classes, seemingly untouchable by political tides.

“If I Forget” is an uncomfortable play to watch. As we move further from the recent memories of the Holocaust, we see generations become destigmatized by the horrors found at Dachau and Auschwitz. The scary part is that without the memory of it, there’s a chance it could happen again. This play also picks apart the nuances of the politics around Israel. Talking about this play will be difficult as some of the dialogue could be triggering for some audiences. This is exactly what good theatre should do. There are bits of dialogue so divisive your jaw might hang open. Levenson’s play hinges on a single hypothesis and rarely strays from that essential question. De Mayo gives this play an impressive Chicago premiere with a strong cast and a commitment to the intensity of the words.

Through July 7th at Victory Gardens Theater. 2433 N Lincoln Ave. 773-871-3000

Published in Theatre in Review

Opening night, February 21, 2019, at Drury Lane Theatre brought yet another colorful, energy- charged musical, this time in its latest production, "Mamma Mia!" Always a totally enjoyable night out, this production held tight the integrity of the original production and even threw in a few special surprises. Being a fan of both the movie and the stage musical, I noted early on how the producers of this particular play 'mixed it up' to bring the same story line while using their own style, effectively putting their own stamp on it.

If you are not familiar with the musical that features a wonderful Abba-filled soundtrack, the story takes place on a Greek island where Donna Sheridan, along with her daughter Sophie have made a life by opening a cozy, boutique hotel along the oceanfront. Business is good and their life doesn’t come without the usual problems, but it’s a good life.

The story really begins when twenty-year-old Sophie announces she is getting married. Donna wants to throw an amazing wedding and the planning begins. The only problem is that Sophie really wants her father to walk her down the aisle, but she has no idea who her father is. So…what does she do? She pries through her mother’s journal and narrows her father down to three men that Donna documented sleeping with just under a year before Sophie was born. Now knowing which one of the three is her father, Sophie invites all three – without her mother knowing. The hilarity really begins once the three show up on the island for the wedding and, thus, the guessing game commences.

Rebecca Hurd's performance as Sophie Sheridan, is wonderfully done, and her singing voice extremely good, as her range speaks for itself.  Donna, played by Susie McMonagle, also meets the challenge singing a variety of fun and emotional songs, while coming across nicely as Sophie’s caring and protective mother. Especially standing out was one of Donna's love from the past was Sam, portrayed by Jeff Parker. Unlike 'Pierce Bronson' who minimally sang in the movie, Jeff wows us with his powerful, engaging voice many times during the play.

The song 'Dancing Queen' done by the trio of friends, Donna, Rosie (Elizabeth Ledo) and Tanya (McKinely Carter), a.k.a. Donna and the Dynamos many years earlier, reminded the friends of a time in their life when there wasn't a care in the world – and it comes across throughout the theatre perfectly. The way they sang together couldn't help but make the audience smile. The trio together, and in their individual performances, adds an extra dose of fun to the performance!

Liam Quealy who played Sky, Sophie's fiancé had his friends rallying around him to celebrate the upcoming wedding. One very funny moment is when Sky and his friends dance on stage in full swim gear to ‘Under Attack’ causing the audience to laugh at the antics. The song and dance numbers are many, each time energy, coordination and amazing talent taking over the stage. Compliments to the creative folks behind that act, and so many others during the two-hour-thirty-minute performance.

The entire cast and ensemble are wonderful as the Abba hits keep rolling from beginning to end.  “Mama Mia” is a dreamy, uplifting production that is sure to please.

"SOS" - Get your tickets to see “Mamma Mia” at Drury Lane Theatre in Oakbrook Terrace.  Playing from February 21st – April 14th, tickets can be purchased at www.drurylanetheatre.com.

 

Published in Theatre in Review

 

 

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