There is an economic theory centered around shoes. The theory, in short, says that one should spend more money on the best pair of boots that will last you ten years, as opposed to buying cheap shoes that will need to be replaced every six months. The latter path inevitably leads to more expenditure but the higher up front cost for the better pair is a barrier to those who cannot afford it. The theory is a perfect commentary on economics, poverty, and accessibility among many other factors, and this very same theory is one of the prevailing themes of one of the newest plays to come to Chicagoland; Kinky Boots.

Based on the 2005 British film Kinky Boots, written by Geoff Deane and Tim Firth and mostly inspired by true events, the musical tells the story of Charlie Price. Having inherited a shoe factory from his father, Charlie forms an unlikely partnership with cabaret performer and drag queen Lola to produce a line of high-heeled boots and save the business. In the process, Charlie and Lola discover that they are not so different after all. Kinky Boots is the big-hearted musical extravaganza that won six Tonys including Best Musical, the Grammy for Best Musical Theatre album and London’s Olivier Award for Best Musical. Kinky Boots features a joyous, Tony-winning score by pop icon Cyndi Lauper, and a hilarious, uplifting book by four-time Tony winner, Harvey Fierstein.

The Highland Park Players performed Kinky Boots amongst the immaculate Loyola Academy McGrath Family Performing Arts Center in Wilmette. This production of Kinky Boots, like a good pair of boots, has an incredibly solid foundation. Headlined by the burgeoning talent of Anania Williams playing Lola, and Ben Frankart as Charlie, the two lead an ensemble cast of shoemakers and drag queens bouncing between London and Southampton. Williams was captivating as the incomparable Lola, bringing the tenderness and vulnerability to the role that demanded attention whenever on stage. Frankart was an endearing and charming Charlie, displaying the tenacity of the character in the wake of his father’s death and rallying to save his people’s jobs. At times the actors fell out of their English accents or delivered a key line or zinger without the right force or timing of delivery though the latter could have been caused due to some technical issues with their mics which also cut in and out on several actors. Despite some earlier issues, as the play progressed, the underlying themes of appreciation, respect of differences, and overcoming obstacles with help and support prevailed. There is real talent in the Highland Park Players ensemble cast, couple that with great set design and staging, and Kinky Boots has all the makings of great production off Broadway in Chicago.

If this Kinky Boots production were a shoe, it would have an incredibly solid foundation and be quite comfortable, and could be worn by many different people, old and young, and have the added benefit of being worn for multiple occasions. With a good scrubbing a bit of polish it will be a performance with lasting stay power. Kinky Boots tickets can be purchased at: www.highlandparkplayers.com. The production runs from August 18-27th