Theatre in Review

Tuesday, 18 April 2023 13:06

Steppenwolf’s “Last Night and the Night Before” is just life Featured

Written by
(left to right) Sydney Charles and Ayanna Bria Bakari in Steppenwolf Theatre Company’s Chicago premiere of Last Night and the Night Before by Donnetta Lavinia Grays, directed by Valerie Curtis-Newton, running now through May 14, 2023. (left to right) Sydney Charles and Ayanna Bria Bakari in Steppenwolf Theatre Company’s Chicago premiere of Last Night and the Night Before by Donnetta Lavinia Grays, directed by Valerie Curtis-Newton, running now through May 14, 2023. Photo by Michael Brosilow

In the dark of night, a man is digging a hole. Once the hole is deep enough he drops a bundle into it and covers it with dirt. Behind him a little girl looks on. After re-filling the hole, he walks off.

Scene.

It is early morning. We are in a well-appointed home. In fact, it is an updated Brooklyn brownstone. Brooklyn is my home. I would know it anywhere. The exterior stands stately and proud. The interior is right out of Architectural Digest magazine. There is a floor thru kitchen leading to a dining area. Behind the dining area is a slide away door leading to an office.  Scenic Designer Regina Garcia did a fantastic job conveying not only this apartment, but also the street where it lives. This is the home of Nadima (Jessica Dean Turner) and her lover Rachel (Sydney Charles). Theirs is a happy, solid home, at least it is staged that way. Rachel is a New York City school teacher and Nadima, is a real estate agent, she’s used to staging homes for sale.

When Nadima answers the front door and sees Monique (Ayanna Bria Bakari), her lover’s sister, she practically shuts the door in her face. There is history between these two and it creates much needed tension in this play. It is Rachel who invites her sister Monique and Sam (Kylah Renee Jones, Aliyana Nicole alternately), her niece, into the house. After negotiating with her lover, Rachel allows Monique and Sam to stay, only for Monique to create a convoluted story and leave without Sam a few days later in the middle of the night. 

“Last Night….” takes us back to those nights before life spiraled out of control for this family. We meet Reggie (Namir Smallwood), Monique’s boyfriend, and Sam’s father. We see the love between Reggie and Monique before Sam’s birth.  We see Reggie and Sam playing hand games, games meant to calm as well as teach Sam about life. Whose memories these flashbacks are isn’t quite clear. Through conversations with Nadima we learn of Rachel and Monique’s upbringing. We learn of generational traumas they had to bear, and the guilt Rachel has for her escape... We also start to see this once solid relationship show signs of weakness.

Director Valerie Curtis-Newton has assembled an excellent cast whose major job is supporting the child character of Sam. Sam is the raison d’ étre of “Last Night….”   It is a lot to put on a child, but Jones (on opening night) shows she has the acting chops to not only play this role but to shine in it.

In my opinion, Donnetta Lavinia Grays’ “Last Night….” suffers from a lack of a clear antagonist. There are some beautiful lines and certain scenes are precious, but it lacks a certain dramatic immediacy. Other than Sam, we never spend enough time to truly care for these characters. They seem to have it all figured out anyway, after all, the real problem is buried. The rest is just life.

When: Through May 14

Where: Steppenwolf Theatre, 1650 N. Halsted St.

Tickets: $48 - $88

Info:  steppenwolf.org

 

 

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