Described as a play-pageant-ritual-celebration, WHAT TO SEND UP WHEN IT GOES DOWN is both scripted and improvised, participatory and performed – for the purpose of empowering Black People’s response to WHAT GOES DOWN: past, present, and future violence against Black People.
“IT? You know what IT is. IT is that terrible thing that happened, and that is going to keep happening. IT always happened just yesterday and IT just keeps happening again tomorrow”
This review is really hard to write, mainly because I don’t feel qualified to judge the work. WHAT TO SEND UP WHEN IT GOES DOWN is a participatory event, its purpose to generate a place for catharsis, cleansing, and healing … for Black People. The audience is informed, gently but unapologetically, that WHAT TO SEND UP WHEN IT GOES DOWN is by Black People, about Black People, and for Black People – although all who approach with respect are welcome.
And amazingly that’s absolutely true! There were lines / jokes / vignettes that I couldn’t appreciate, that I simply didn’t get, but at no point did I feel excluded. The moments of disconnection were my problem: I, as a white person, couldn’t understand the significance of those lines / jokes / vignettes. The moments of exclusion were deficits in my comprehension; they were in no way generated by the Black People.
BTW, I capitalize Black People because those two words are spoken – shouted, proclaimed, cried, announced, groaned, exclaimed – frequently throughout, and the spoken words are always unmistakably capitalized.
WHAT TO SEND UP WHEN IT GOES DOWN is written by Aleshea Harris, produced by Congo Square Theatre in partnership with LookingGlass Theatre, and directed by Daniel Bryant (Congo Square) and Erika Ratcliff (LookingGlass).
The ensemble includes Jos N. Banks, Chanell Bell, McKenzie Chinn, Alexandria Moorman, Willie “Prince Roc” Round, Joey Stone, and Penelope Walker. Each and every one of this cast are extraordinarily talented at acting, singing, and dancing. Though many of the vignettes are scripted, every word is unmistakably authentic. I can’t begin to imagine how emotionally exhausting each performance must be. I feel honored by their willingness to share it with us.
On the Creative Team are Sarah Grace Goldman (Dramaturg), Sydney Lynne Thomas (Set & Props Designer), Alexis Chaney (Costume/Wig/Makeup Designer), Levi Wilkins (Lighting Designer), and Charlique C. Rolle (Movement Coordinator). Victor Hugo Jaimes is Stage Manager, Estrellita Beatriz Production Manager, and Alexis Carrie designed the costumes.
Together, this team – production and cast – create an awesome and enduring experience. Six days later, I’m still having regular moments of recollection and new insight; I predict these perceptions and inspirations will continue for some time.
WHAT TO SEND UP WHEN IT GOES DOWN is Highly Recommended for all audiences; for people who identify as BIPOC, it’s downright ESSENTIAL.
