Fifteen years ago, boy band flavored ‘Spring Awakening’ took Broadway by storm. Promises of on-stage teen sex had lines wrapped around the block. Broadway blockbusters can be hard to predict, but typically breakout hits are shows that transcend the boundaries of traditional musical theatre. With a pop rock soundtrack by Duncan Sheik and sultry staging, ‘Spring Awakening’ connected to a broader audience.

Porchlight Music Theatre concludes their season with ‘Spring Awakening’ directed and choreographed by Brenda Didier. ‘Spring Awakening’ has become one of the most produced shows in the US, but Porchlight’s production feels like a discovery. While the staging and costumes are faithful to the original production, this version is full of bright young energy.

‘Spring Awakening’ is based on the 1891 German play by Frank Wedekind. The play shocked audiences and was quickly banned. The musical written by Steven Sater is a conceptual reinterpretation that combines modern elements of rock music with the classic story of sexual realization in repressive times.

The main story follows school children, Wendla (Maya Lou Hlava), Melchoir (Jack Decesare) and Moritz (Quinn Kelch). Each are naturally preoccupied with sex as they go through puberty. They implore their teachers and parents to be honest with them about sex, but the adults are uncomfortable speaking frankly about sex. Romance blooms between Melchoir and Wendla but Moritz struggles with his mixed-up feelings about sexuality. Through kicky ensemble-driven songs, many other angsty ideas are unpacked including themes of abuse and homosexuality.

‘Spring Awakening’ is an ensemble musical. With music direction by Justin Akira Kono, the music is the focal point. Hair-raising harmonies paired with inventive choreography make even the most unpleasant lyrical content as digestible as candy. The live band on stage gives this show a gritty rock sound that makes it impossible not to nod along.

There are many dark topics covered in this rock musical, but the staging and ensemble work make this show a lot of fun. Lighting design by Patrick Chan and scenic design by Christopher Rhoton lend themselves to the disco-ish vibe of the music. Chic costumes by Bill Morey help make this production sleek and stylish.

This is a strong cast. Though most of the characters aren’t fully developed on the page, company members make their characters distinct. Perhaps the most vivid performance comes from Tiffany T. Taylor as Ilse. Her voice rises to the top of the stirring finale, ‘The Song of Purple Summer’.

Not every popular musical ages well. ‘Spring Awakening’ can be one of those shows that when done badly is hard to sit through. Conversely when it’s done well, as is the case with Porchlight’s production, it’s not hard to see why this show swept the Tonys. Those who are returning to ‘Spring Awakening’ will be just as titillated by the staging. What shines through this production is the genuine sense of not only pathos, but enthusiasm from this talented young cast. Very little feels trite or cliché in this exciting new production.

Through June 2 at Porchlight Music Theatre at Ruth Page Center for the Arts. 1016 N Dearborn St. www.porchlightmusictheatre.org