The play is set in the late 1970s during Argentina’s notorious Guerra Sucia, otherwise known as the “Dirty War.” Three story follows three generations of women - a grandmother, a mother and a daughter – as they stand together against a corrupt government that has been known make its opposers disappear.

As “The Madres” opens we see a grandmother, Josefina (played in Chicago by Ivonne Coll from TV's hit show “Jane the Virgin”), getting an unexpected visit from her church's priest, Padre Juan (Ramon Camin). Padre Juan seems to be trying to help Josefina protect her daughter, Carolina (Lorena Diaz), who has been openly demonstrating against a vicious military dictatorship by wearing the white head scarf of "The Madres,” a group of courageous mothers who took to the streets of Argentina in front of the Plaza de Mayo in Buenos Aires to protest the kidnapping , torture and murder of not only their children but hundreds of thousands of citizens , artists, journalists and activists. 

From 1976 to 1983, during the "Dirty War," this military regime enlisted members of the catholic church who kept a close eye on their congregations to scare the families of the "disappeared" into not searching for them. The whole situation strongly resembles the Nazi tactics which forced Jews and non- Jews alike from all walks of life to decide between keeping their own lives and remaining family members safe and pressuring the police and clergy to release the living but captive family members from torturous conditions of imprisonment. 

At one point the enormity of this genocide is put across by the description of "hundreds of packages falling from the sky onto farm land" - packages which were filled not with supplies but with the dismembered bodies of the thousands of kidnapped citizens. 

It is a shockingly relevant play given how recently this violence all occurred and the hostile stance that President Trump is actively taking, encouraging against demonstrators and journalists alike who speak out and/or attend protests of his various "actions" like the Muslim ban and the building of the pipeline on Native American land which resulted in severe injuries to protesters. 

During the play, a soldier for the government pays a visit to the family who was a childhood friend of Carolina and an ardent admirer of her daughter who has been kidnapped along with her husband even though she is pregnant. Felipe Carrasco plays the soldier, Diego, with a scary and realistic edginess of a madman who clearly wants to use the kidnapping as an opportunity to be with Carolina's daughter- even though she hates him and is under extreme physical and emotional  distress. 

Ivonne Call and Lorena Diaz really convey the daily struggle and psychological toll that living under these horrific circumstances cause and there were many tears shed with these talented actresses monologues in the catharsis of this short but very informational and moving piece.    

Although the subject matter is difficult and depressing, playwright, Stephanie A. Walker, succeeds at showing the audience both the horror of the genocide and the beauty and pleasures of the Argentinian family lifestyle that the "Dirty War" interrupted and ended for at least 100,000 innocent civilians.  

The play, which opened in Los Angeles last year could not be better, clearly shows how impossible it is for civilians to survive or even to publicly protest the advancing hatred of a violent ideology once a dictator-like regime has taken physical control of the populace including their clergymen, police and legislators. 

Highly Recommended. 

Teatro Vista’s “The Madres” is being performed at Victory Gardens Biograph Theater through May 27th. For more information visit TeatroVista.org.