Theatre in Review

Saturday, 03 June 2017 19:21

"King Liz" Shows It's Not Always Good to be King Featured

Written by
(left to right) Eric Gerard, Lanise Antoine Shelly and Jackie Alamillo in "King Liz" (left to right) Eric Gerard, Lanise Antoine Shelly and Jackie Alamillo in "King Liz"

From the minute I stepped into Windy City Playhouse’s colorful, elegant the stage area designed by Courtney O’Neill with fantastic lights and sounds by Thomas Dixon, I knew I was in for a treat. 

King Liz is named for the beautiful, sexy and high-powered sports agent Liz Rico played superbly with real gusto and stage presence galore by Lanise Antoine Shelley. 

Liz Rico is a woman who grew up in the projects, overcame great poverty and rose to the top of a male dominated industry. Rico, one of the best sports agents in the business, is about to be promoted to the head of her firm by her retiring boss Mr. Candy (Frank Nall).

Mr. Candy's last offer to her to make her his new head of firm is based on her ability to sign a new and talented high school basketball player Freddie Luna (Eric Gerard). Luna is a true talent likened to Kobe Bryant but comes with a history of violence and temper tantrums as he too has been brought up in the projects and was doing his best to survive as he knew how. 

Eric Gerard is also great in his role, showing how deeply he feels about needing to escape his checkered past and the projects by riding his basketball gifts into the big time. Gerard also plays the role well in that the audience sees and feels great compassion for him as he uses his limited social skills to try and fit into the fast-paced media swirl he is placed in, sometimes causing his own downfall, his sometimes feral temper getting the best of him. Though Luna can often be charming and polite, prying journalists after the next big sports story target his unbridled emotions and get the best of him when digging into his past that he so desperately wants to put behind him.

Gabby (Jackie Alamillo) is Liz Rico’s assistant and though grateful for her highly valued mentorship has been made to "eat crow" so many times, every day at work, by Liz. Gabby is also eager for Liz to get the promotion, if only because she will then fill Rico’s job. Alamillo is perfect as the once meek but now hardened assistant who has given up everything including her own sense of self-worth at times in order to succeed in this male dominated field. 

In the meantime, Knick’s Coach Jones does his best with Luna hoping this new prodigy will cement his long time career. Coach Jones, played with great compassion of soul and accuracy by Phillip Edward Van Lear, really drives the play’s message home and is totally believable in the role of a big league coach who also has been beaten down somewhat by an industry which cares more about profit margins than human lives and protecting the players who make the game possible.  

We learn along the way that "King Liz" had a sexual relationship with the coach in the past when over dinner he states he “would like to make love to her again”, that “she needs affection” and "was making animal sounds" the last time they were together but Liz will only accept his offer if he realizes she wants no commitment involved or even romance. 

Liz, over the course of the show, begins to realize that she has isolated herself from the world of love and relationships for so long that even though she is rich and on all the most important people lists like Forbes Fortune 500, she has also given up her chances to have children and a husband among other things and is faced with the biggest decision of her life to try and salvage her soul and dignity as a human being.

The play is delivered fast and furiously with many exciting twists and turns and light and scene design changes. It reminded me of the film “Draft Day” starring Kevin Costner that shows just how much constant pressure and money is riding on these agents and their young, often inexperienced and naive clients – the promises made and the slugfests that occur between agencies and teams to sign elite talent. We learn how much athlete image control weighs into a successful sports career for those that have a hard time staying out of trouble.

King Liz is also the story of two completely different paths taken from two people, both African Americans, who grew up in the same projects. Ambitious, disciplined and determined, Liz carved a trail for herself to succeed in the business world by obtaining a Yale education and learning the social graces and toughness that positions herself to rise up the corporate ladder. She’s hard-nosed and no-nonsense and does not make excuses. At the same time, Luna, though mega-talented, struggles to mature or find a sense of responsibility. He blows up with little provocation and misses key business appointments to go shopping with his friends. We want so desperately to shake him and say, “Wake up! You have been given a golden opportunity to shine and become an example to others.”

Lanise Antoine Shelly is a powerhouse as Liz Rico and is surrounded by an impressive cast in this fast-paced, knockout punch production. I highly recommend Fernanda Coppel’s King Liz, directed with real style and exciting action and catharsis by Chuck Smith.

King Liz is being performed at Windy City Playhouse. For tickets visit www.WindyCityPlayhouse.com.

 

 

 

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