The epic sweep of Ragtime is captured in its opening prologue, a nine-minute kaleidoscope of fictional characters mingling with historical figures from the early 20th century as originally captured in E.L. Doctorow’s novel. As the story continues, we meet pianist Coalhouse Walker Jr. and his child's mother, Sarah who has been taken in by a respectable family...
The epic sweep of Ragtime is captured in its opening prologue, a nine-minute kaleidoscope of fictional characters mingling with historical figures from the early 20th century as originally captured in E.L. Doctorow’s novel. As the story continues, we meet pianist Coalhouse Walker Jr. and his child's mother, Sarah who has been taken in by a respectable family. Parallel story lines of the Latvian immigrant Tateh, the entertainer Evelyn Nesbit, and even Harry Houdini and Emma Goldman eventually mingle and merge.
I really enjoyed the Apollo Theatre’s production of Ragtime. The original broadway production was criticized for having too many special effects that demonstrated how blown away the people of the period were by new technological advances like the locomotive and automobile, but Chicago’s down to earth theatre companies have a way of making their talents shine more than the prop master as did Artistic Director Walter Stearns and Musical Director Eugene Dizon. This well-chosen cast all had exceptional singing voices and wonderful dancing skills. The story of three separate groups of immigrants merging together in a melting pot that isn’t really stirred very well still has a lot of political relevance today.
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