Have you ever wondered what would happen if a group of washed up superheroes decided to put their powers to use in a new way – a non-profit organization dedicated to helping the world in a slightly less fantastic way? And, what if they were modern dancers? Well so did Julia Rhoads, the artistic director of Lucky Plush Productions (LPP).  Along with her ensemble cast, they combine dance, theater, comic book style video graphics and tons of creativity to tell us the story of seven oddball super heroes, with powers ranging from audio control to lactation, who are working with a marketing company to define the brand and mission statement for their do-gooder non-profit organization. In each of their working sessions, they open with an invocation of the space, go on a training mission and complete individual introductions, each time getting closer to a purpose and forming as a team.

LPP strives to create works that are both dynamic and complex, as well as accessible to a wide audience. Both of those were achieved in this show and despite some slow moments, it was overall an enjoyable twist on a modern dance performance. In all of their works, LPP focuses on experiences that can be shared in the moment between the audience and the performers. In this performance, all of the dancers/actors are mic-ed and as they dance, they also chat with each other or add in the unexpected element of singing, having the effect of bringing the audience into the performance and making it feel more casual – as if they audience were sitting in on the sessions. By breaking down the wall between the performers and the audience, and introducing breaks in the dancing for theatrical moments, it allows the audience to feel more connected to the story and the characters, something often challenging for audience members who are new to the modern dance scene.

The choreography was expressive, moving and energetic. As each character introduces themselves, the choreography style changes to match their personality and super power. All of the styles merged into one representing the strength of the group as they combined forces by the end of the show. The entire ensemble brought vibrant energy to the dancing. The performances of Michel Rodriguez Cintra and Benjamin Holliday Wardell stood out the most. Michel, whose character acquired the powers of the frog after ingesting a frog smoothie, seemed to spring off the floor with powerful and distinctive jumps. Michael is performing in his third season with LPP. Benjamin, a five-season LPP veteran, brought graceful and classical movement to his character inspired by beauty and art. 

The theater element allowed them to make some clear and strong statements about environmentalism, racism, feminism and privilege, and also brought some lightheartedness and humor to the performance as well. As the crew went through session after session, the patterns became a bit repeatable which created moments that dragged due to predictability. On the upside, as they returned for each new session, their costumes evolved into more proper superhero costumes – starting out as basic t-shirts and pants and progressing to full outfits embellished to match their characters. It was a subtle but fun addition to the costuming for the show.

Bringing it all together was the clean and simple set design, comprised of 10 white square panels set up along the back of the stage. The bottom row of panels was on wheels and could be moved to accommodate the needs of the performance. Both live video and pre-arranged graphics were projected onto the screens throughout the show, bringing some excitement to an otherwise simple set. In the scene where we become introduced to Glitch, who has the power to control sound, the combination of perfectly coordinated video projections, sound and movement demonstrated the strong impact that can be achieved with all the elements working together.

Overall, the show was an imaginative combination of dance, theater and video that lowers the barrier for entry to modern dance. The story is clear and easy to follow; the dancing is clean, rich and artistic; the set design and costumes as well integrated into the overall show and it invites the audience in to the journey of the making of Super Strip! 

Trip the Light Fantastic: The Making of Superstrip is being performed at the Harris Theater for Music and Dance. For more information visit www.LuckyPlush.com or www.HarrisTheaterChicago.org.