Marie Antoinette by David Adjmi opens with a spectacular video presentation of the massive gardens and castle of Versailles along with a full on catwalk style fashion show by the queen, her girlfriends and the rest of the royal cast. I loved the staging of this show by a six person design team including Clint Ramos (scenic design), Dede Ayite (costume design), Dave Bova (hair and wig design), Japhy Weideman (lighting design), Lindsay Jones (sound and composition) and Jeff Sugg (projection design). The mirrored stage, combined with giant Vegas style flowers above it and the ever changing video projections worked together wonderfully to give us a glimpse of the largesse and majesty of that time period. Truly, the fashion of the time was something that separated the rich from the poor but also enslaved those able to afford it because it was impossible to dress and style yourself without a huge staff.

Alana Arenas is stunning as Marie Antoinette and does a great job portraying the doomed queen with both biting sarcasm and the occasional childlike grasp of the violent events unfolding all around her and because of her but not within her control at all. She, like the rest of royalty, is completely out of touch with the real world. We really see this as they try to pass as farmers during their escape after revolutionaries have taken over yet they are completely incapable of holding a normal conversation with approaching peasants (worse yet, they actually try to flee in the royal carriage thinking no one will notice them!). It is also very interesting to see the many parallels from Marie Antoinette that exist today, such as the inappropriate distribution of wealth, power in the hands of people that should not have it and the lack of power in those that should.

I like that Adjmi mentions twice in the play that Marie was only 14 years old when she was married to the imbecile King Louis the Louis XVI (Tim Hopper) – because most people assume she was an adult when she entered the realm of marriage and politics which was not true. You can really see in his text how similar the situation is for celebrities and their children today that their every move is first exalted and then diminished and eventually degraded as the social and political climes about them change. It is also pointed out how gross the invasion of privacy is when a human being feels they cannot even leave the confines of their home or do anything normal in public at all without it being analyzed and ridiculed by thousands of strangers whose opinions should not matter at all.

In a way we all have a little Marie Antoinette in us, that confused and excited teenager who is thrust into adult circumstances and is forced to “conform and perform” or sink under the weight of disappointment of family and society around us if we do not produce the hoped for successes in finances and family life, i.e. having children.

I highly recommend this elegant, eye popping and thoroughly modern interpretation of the life of a woman who was born and bred not to have her own life but the life prescribed for her by her parents and their political advisors.

Tickets and information:

When: Now through May 10, 2015

Where: Steppenwolf Upstairs Theatre, 1650 N. Halsted St.

Contact: www.steppenwolf.org