BIOS Amy Crider (Playwright) studied comedy at Second City, and attended workshops with Chicago Dramatists, Jackalope Theatre, and LaMaMa. Her last production, WELLS AND WELLES, produced in Chicago in July/August 2024, was a nominee for the 2025 ATCA/Steinberg Award. Her plays have won the Tennessee Williams One Act Play Contest, Word Wave, and New Plays from the Heartland. Two of her plays have been published by TRW. She is also the author two novels published by the University of New Orleans Press. Her podcast Continuous Dream is on Spotify. You're welcome to find out more at www.amycrider.com Iris Sowlat (Director) is a Chicago-based director who holds an MFA in Theatre Directing from University of Massachusetts Amherst, where she directed Sarah Ruhl's ORLANDO and Lauren Gunderson's EMILIE: LA MARQUISE DU CHATELET DEFENDS HER LIFE TONIGHT. This year, she directed Gunderson's THE BOOK OF WILL for Triton College (as Adjunct Faculty) and will direct COME ALONG FOR THE RIDE by Rozina Kanchwala for Eco Logic (June 2025). Favorite Chicago directing credits include ROMEO AND JULIET (Accidental Shakespeare Company), JOAN OF ARC and UNDERWORLD ANTHEM (RhinoFest), THE DAYS ARE SHORTER (Pride Arts), ABCD (Piven Theatre) and NARRATIVES OF ACHROMATOPSIA and TURN THAT THING AROUND, (Chicago Fringe Festival), and three different sold-out fundraiser readings of Paula Kamen's JANE: ABORTION AND THE UNDERGROUND. She has also worked with Northlight Theatre, About Face Theatre, American Theatre Company, Chicago Dramatists, Collaboraction, Broken Nose, Stage Left Theatre (former Artistic Associate), Possibilities Theatre Company, NoPassport Theatre Alliance, and many others. Iris is one half of the leadership (with Allison Fradkin) of the DIY queer feminist theatre Violet Surprise. In 2018, she was named one of WINDY CITY TIMES "30 Under 30." Find her on the web at www.IrisSowlat.com. Kristie Berger (Paula) last appeared in THE MOUSETRAP at Citadel Theatre. Regional theater credits include Barbara Fordham in AUGUST: OSAGE COUNTY and Frankie in FRANKIE & JOHNNY IN THE CLAIR DE LUNE at The Human Race Theatre in Dayton; the long-running national tour of THE ODD COUPLE: FEMALE VERSION starring Barbara Eden; VANYA AND SONIA AND MASHA AND SPIKE, CIRCLE MIRROR TRANSFORMATION, BUS STOP, and RESIDENT ALIEN at Nebraska Repertory Theatre. Chicago area credits include Diane in THE BIRDS, Citadel Theatre; Jeanette in THE LAST OF THE RED HOT LOVERS, Illinois Theatre Center; THE VAGINA MONOLOGUES, ALWAYS...PATSY CLINE, and THE ODD COUPLE: FEMALE VERSION, Apollo Theater. Other theaters she has worked with include the Goodman, Steppenwolf, Victory Gardens, Equity Library Theater, City Lit, Lifeline, Strawdog, Mary-Arrchie, Touchstone, Center Theater, and Absolute. She also works in TV, voice-overs, commercials, films, and industrial films. Kristie is a proud member of Actors' Equity. Harriet Fardon (Jennifer) is an actor and writer living in Andersonville. Past roles include Grey in BINDERS by Erin Moughon in the Paragon Play Festival (Otherworld Theatre), Catherine in a reading of CANADIAN BOYFRIEND by Sam Springhorn (Worries if Not), Jewel/Dete/Clara in a reading of LIVE! AT THE PONY VILLAGE MALL by Joshua Fardon at Chicago Dramatists (Smoke & Mirrors Productions), and Catherine O'Leary in a reading of HOTBED by Connie Kuntz at Chicago Dramatists. She earned her bachelor's degree in Gender Studies and Fiction at Northwestern University ('23), where she had the pleasure of playing roles like Macduff in MACBETH and Betty 4 in COLLECTIVE RAGE. Christopher Hainsworth (Lawrence) is a Lifeline Theatre ensemble member, where he has performed in TREASURE ISLAND, NEVERWHERE, THE COUNT OF MONTE CRISTO, THE THREE MUSKETEERS, THE KILLER ANGELS, A TALE OF TWO CITIES, MISS HOLMES, FRANKENSTEIN and MISS HOLMES RETURNS; and penned the adaptations of HUNGER, MONSTROUS REGIMENT, MIDNIGHT COWBOY and FABLE-OUS! He has also worked for The Gift Theatre, Remy Bumppo, Chicago Shakespeare Theatre, The Factory, Strawdog Theatre Company, and The House Theatre of Chicago, among others. Kathleen Ruhl (Roberta) Over many years in Chicago, Kathleen Ruhl has been lucky enough to have performed on a lot of stages with many wonderful actors and directors. She started on the Chicago City Players stage (four shows) which later became the TimeLine stage (three shows), where she won Jeffs for best supporting actor (DOLLY WEST'S KITCHEN) and member of a Best Ensemble (THIS HAPPY BREED). Kathleen did Shakespeare at the outdoor Court Theatre at the University of Chicago (MACBETH, TWELFTH NIGHT, and AS YOU LIKE IT) and Noel Coward at the "new" Court Theatre (HAY FEVER). She studied with Joyce Piven and performed in seven shows directed by Joyce at the Piven Theatre. Some of the other stages she has trod in Chicago and the northern suburbs include those at Writer's Theatre (HEDDA GABLER), the Attic playhouse in Highwood (three shows), Shattered Globe (Peter Pan in FOR PETER PAN ON HER SEVENTIETH BIRTHDAY) and Music Theatre of Hyde Park (Sarah Brown in GUYS AND DOLLS). Kathleen is currently a company member at Redtwist, where she has done nine shows. ABOUT LUCID THEATER COMPANY Lucid Theater Company has been producing plays since 2017. Previous productions include LEDA (2017), CHARLIE JOHNSON READS ALL OF PROUST (2019), METADATA (2021), and A LEGACY (Rhinofest, 2023). The company also produces the podcast series of audio plays CONTINUOUS DREAM. Mission: Lucid Theater produces original plays with a broad range of subjects and styles. We center ideas and emotions to evoke thoughtful reflection, courageous choices, and compassion. Our goal is to fight against numbness and awaken our audiences to the richness and depth of emotional experience. Rather than replicate reality, we seek to reveal subjective experience for its dreamlike sensibility. Values: We honor the artist by paying everyone involved. We commit to a respectful work environment. We strive to hire female directors and leadership. We pledge to listen deeply and question authentically. We vow to uplift the human spirit.
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