Theatre

First Floor Theater is proud to announce their 2017/18 season, featuring one world premiere and two Chicago premieres. Their sixth season opens with the world premiere of Leah Nanako Winkler’s TWO MILE HOLLOW, an explosive satire of the classic white American family drama, directed by Artistic Director Hutch Pimentel. Next winter brings the much-anticipated Chicago premiere of DONTRELL, WHO KISSED THE SEA by Nathan Alan Davis, a moving, lyrical story of a young black man searching for a connection to his ancestors, directed by Chika Ike. Closing out the season is the Chicago premiere of Cory Finley’s THE FEAST, a pitch black comedy about what lies beneath our art, our relationships and our feet, directed by Artistic Director Hutch Pimentel. First Floor Theater is proud to continue as a resident company at The Den Theatre.
 
“These three plays demonstrate the potential of theatre to entertain, enthrall and educate us. We’re incredibly proud to be introducing these three playwrights to Chicago whose voices are utterly unique in their field,” says Artistic Director Hutch Pimentel.
 
First Floor Theater's 2017/18 Season:
 
The World Premiere of
TWO MILE HOLLOW
By Leah Nanako Winkler
Directed by Artistic Director Hutch Pimentel
October 8 - November 4, 2017
 
When the Donnellys gather to divide their belongings after the sale of their oceanfront mansion, both an internal and literal storm brew. As this brood of famous, longing-to-be-famous, and mess, of a Caucasian family comes together with their POC personal assistant, Charlotte, some really really really really really complicated and totally unique secrets are revealed over white wine.  A satirical takedown coupled with moments of disorienting sincerity, TWO MILE HOLLOW explores the age-old genre of plays about affluent white families retreating to their waterfront homes to battle it out with brutality, awe and compassion. Only this time, none of the white characters are played by white actors. TWO MILE HOLLOW was named one of the Top 15 Plays on the 2017 Kilroys List.
 
The Chicago Premiere of
DONTRELL, WHO KISSED THE SEA
By Nathan Alan Davis
Directed by Chika Ike
March 4 - March 31, 2018
 
Eighteen-year-old Dontrell Jones the Third decides it is his duty and destiny to venture into the Atlantic Ocean in search of an ancestor lost during the Middle Passage, but his family isn’t ready to abandon its prized son to the waters of a mysterious and haunting past. Blending poetry, humor, wordplay and ritual, DONTRELL, WHO KISSED THE SEA is a present-day hero’s quest exploring the lengths and depths we must go to redeem history’s wrongs. The play has been called “a mesmerizing blend of magical realism and poetic social comment” by the Los Angeles Times and “the most important play on DC stages” (DC Theatre Scene).
The Chicago Premiere of
THE FEAST
By Cory Finley
Directed by Hutch Pimentel
May 13 - June 9, 2018
 
Matt and Anna’s relationship is going swimmingly, until the sewers under their apartment open up and begin to speak. The plumber is angry, Matt’s paintings are getting stranger, and a storm is gathering. THE FEAST is an “agreeably scary and original” (New York Times) comedy that draws on the fiction of H.P. Lovecraft to ask, what’s real, what’s not, and who knows.

About First Floor Theater
First Floor Theater stages stories of individuals facing moments of radical change. Through a process of collaborative dramaturgy, FFT expands these stories to ask urgent social questions. FFT was named the "Best New Theater Company" in the Chicago Reader's Best of 2013 Reader's Pick edition. First Floor Theater is a Resident Company at The Den Theatre.
 
For more information on First Floor Theater, visit http://firstfloortheater.com/

Published in Upcoming Theatre

Black Button Eyes Productions is pleased to present the Chicago storefront premiere of SHOCKHEADED PETER, the silly and sinister musical based on Heinrich Hoffmann's popular German children’s book The Struwwelpeter. Directed by Producing Artistic Director Ed Rutherford with music direction by T.J. Anderson, SHOCKHEADED PETER was created for the stage by Julian Crouch and Phelim McDermott with original music and lyrics by The Tiger Lillies. SHOCKHEADED PETER will play August 11 – September 16, 2017 at The Athenaeum Theatre, 2936 N. Southport Ave., in Chicago. Tickets are currently available at athenaeumtheatre.org, by calling (773) 935-6875 or in person at The Athenaeum Theatre Box Office. The press opening is Saturday, August 12 at 7:30 pm. Note: recommended for ages 13+.
 
SHOCKHEADED PETER features Ellen DeSitter, Kat Evans, Jessica Lauren Fisher, Caitlin Jackson, Cody Jolly, Josh Kemper, Genevieve Lerner, Pavi Proczko, Stephanie Stockstill, Gwen Tulin, Kevin Webb and Anthony Whitaker.
 
A sinister but incompetent master of ceremonies leads the audience through the tale of a childless couple that has their fondest wish granted in the most delightfully dreadful way imaginable, accompanied by vignettes in which the hilariously horrible fates that befall naughty children everywhere are brought to darkly comedic life.
 
The production team for SHOCKHEADED PETER includes: Jeremiah Barr (scenic design, props design, puppetry and technical director), Beth Laske-Miller (costume design), Liz Cooper (lighting design), John Mathias (sound design), Derek Van Barham (movement director) and Alexa Berkowitz (stage manager).
 
PRODUCTION DETAILS:
 
Title: SHOCKHEADED PETER
Created for the stage by: Julian Crouch and Phelim McDermott
Original Music and Lyrics by: The Tiger Lillies
Adapted from: Heinrich Hoffmann's The Struwwelpeter
Director: Ed Rutherford
Music Director: T.J. Anderson
Cast: Ellen DeSitter, Kat Evans, Jessica Lauren Fisher, Caitlin Jackson, Cody Jolly, Josh Kemper, Genevieve Lerner, Pavi Proczko, Stephanie Stockstill, Gwen Tulin, Kevin Webb and Anthony Whitaker.
 
Location: The Athenaeum Theatre, 2936 N. Southport Ave., Chicago
Dates: Preview: Friday, August 11 at 7:30 pm
Regular run: Sunday, August 13 – Saturday, September 16, 2017
Curtain Times: Thursdays, Fridays & Saturdays at 7:30 pm; Sundays at 2 pm. 
Tickets: $32. Students $17 (includes $2 Athenaeum Theatre restoration fee). Tickets are currently available at athenaeumtheatre.org, by calling (773) 935-6875 or in person at The Athenaeum Theatre Box Office. Note: recommended for ages 13+.

 

Published in Upcoming Theatre

Linda Fortunato, Artistic Director of Theatre at the Center (TATC), Northwest Indiana’s only professional theater company, has announced the mainstage titles for TATC’s 2018 Season.  
 
Fortunato will direct three of the five productions, including Steel Magnolias, which will launch the 2018 season. Forever Plaid and The Lady with All the Answers are the spring and summer shows. In the fall, Fortunato will also direct Ghost The Musical, a stage adaptation of the 1990 Academy-Award winning film. Closing the 2018 season, she will direct and choreograph Meredith Willson’s Miracle on 34th Street: The Musical inspired by the 1947 classic film.
 
Steel Magnolias (February 22 – March 25, 2018) is a hilarious and heart-warming play set in a Louisiana beauty shop. It follows the hopes, dreams, triumphs and tragedies of six colorful characters and inspired the 1989 film which starred Julia Roberts, Sally Field, Shirley MacLaine and Dolly Parton. It’s a story exploring the bond between a mother and daughter, and friendships of those who feel like family.
 
Spring welcomes Forever Plaid (May 3 – June 3, 2018), one of the most popular and beloved of musical revues. “The Plaids” are a quirky quartet of high school chums in the spotlight for the biggest performance of their lives. Their spirited antics and comic banter weave together such hits as “Three Coins in the Fountain,” “Heart and Soul” and “Love is a Many Splendored Thing,” in this playful tribute to the close harmony of “guy groups” of the 1950’s.
 
An up-close and personal introduction to the real Ann Landers awaits audiences in The Lady with All the Answers (July 12 – August 12, 2018).  Popular advice columnist Ann Landers had a life which seemed letter-perfect. With more than 90 million readers each day, she had a quick wit which could be comical and creative, as well as sharp and shocking, all in the same sentence. The play unfolds in Landers’ Lakeshore Drive apartment in 1975 where she shares some of her most fascinating stories as she prepares to write the most difficult column of her career.
 
In the fall, Ghost The Musical (September 13 – October 14, 2018) is the musical adaptation of the 1990 Academy-Award winning film sharing the love story of Sam and Molly. After Sam’s untimely death, he tries to protect Molly from an unknown threat. In an attempt to communicate with her, he enlists the help of a storefront psychic to hilarious and harrowing effect. This tale about the power of love features a score by Grammy Award winning songwriters Dave Stewart and Glen Ballard, and includes the classic “Unchained Melody.”
 
The holidays are celebrated with Meredith Willson’s Miracle on 34th Street: The Musical (November 15 – December 23, 2018), from the composer of The Music Man. Inspired by the beloved 1947 film, audiences will enjoy the gift of music and laughter. After Santa encounters a skeptical little girl during the season of sharing and caring, a message about the importance of believing is made clear to all. “It’s Beginning to Look a Lot Like Christmas” became famous as one the memorable songs in this joyous favorite for all ages.
 
“In choosing Theatre at the Center’s 2018 season, I wanted to create a blend of different styles to engage our audience,” Fortunato said.
 
“Through intimate plays, a beloved musical revue, a new musical, and a holiday classic, we will explore the bonds of friendship and family, of loves lost and found, and meet strangers who feel like family. I hope our audiences will laugh heartily, maybe cry a little, and enjoy some favorite music and songs as they join us for both familiar stories and new ones, as well.” 
 
Founded in 1991, the 410 seat Theatre at the Center is a year-round professional theater at its home at The Center for Visual and Performing Arts, 1040 Ridge Road, Munster, Indiana. Theatre at the Center is the only professional theater company in Northwest Indiana, offering downtown caliber performance in an accessible venue with plenty of free parking. Theatre at the Center is located off I-80/94, just 35 minutes from downtown Chicago.
 
Renewal for existing Season Subscriptions begins Aug. 20 and continues through Sept. 24, with sales for new Season Subscription patrons beginning Oct. 10. Individual tickets for any of the five mainstage shows of the new 2018 Season are on sale beginning Dec. 12.
 
Theatre at the Center mainstage show performances are 2 p.m. Wednesdays and Thursdays, 7:30 p.m. Fridays, 3:00 and 7:30 p.m. Saturdays; 2:30 p.m. Sundays and select Thursday and Sunday evenings.  Individual ticket prices range from $42 - $46.  To purchase individual tickets, including the remaining shows of the 2017 Season, call the Box Office at 219-836-3255 or Tickets.com at 800-511-1552.   Group discounts are available for groups of 11 or more and gift certificates are also available. For more information about Theatre at the Center, visit www.TheatreAtTheCenter.com.

Published in Upcoming Theatre

Playwright Sean Grennan’s latest work is based on a true story about a successful heart transplant that occurs between two very different people who meet briefly and then go on to complete each other's lives without meeting in this world again.

Joy, played realistically and with dry humor by the playwright's sister, Erin Noel Grennan, has just received a heart transplant and is struggling with depression about why she is still alive and what happiness she can find by continuing to work, make money, spend money and work some more. Joy is a cynical loner, abandoned by her parents with one great friend named Dara, played with great humor by Jeri Marshall.

Joy finds out from her nurse, also played by Marshall (who is great at character studies), that she can write a thank you note to the donors family and does so with wonderful but challenging emotional consequences. 

It turns out her donor, Jack, played with sensitivity by Doogan Brown, a 36-year-old aspiring photographer that she once met in a coffee shop and flirted with, still has a family of three that miss him very much and are devastated by his sudden death caused by a car accident. 

Jacks' mother, father and sister - Hank (Steve Pickering),  Alice (Annabel Armouray) and  Sammy (Kayla Kennedy) are all characters brought to life with precision and care. Outside of a reluctant Hank, the family welcomes Joy into their home, hoping to find some answers or comfort for their loss in this stranger who is  carrying the heart of their child in her chest. 

One of the most touching and poignant moments in the play is when each family member listens to Joy's chest and realize that there is their son and brother, his heart still beating out his particular rhythm into this world.

Jack is shown in flashbacks and as a spirit who is sticking around in this world to oversee the healing process begun by the family meeting and bonding with his donor. 

The Tin Woman is directed with great ease into a thoughtful yet quickly moving pace by Linda Fortunato and is complimented with an all-female tech crew including a great set by Sarah Ross. The play includes set lighting by Shelley Strasser-Holland, sound by Victorio Deiorio (who also composed the original music) and costumes by Brenda Winstead, along with props by Brittney O’Keefe. The Tin Woman is a fabulous example of the success that comes with employing women at every level of theater and allowing them free reign to do their jobs. 

Although I have come to expect the fun and excitement of the large, musical theater type productions from Theatre at the Center, this serious, yet darkly funny play was a refreshing offering. 

The simplicity and universality of the story regarding surviving life after the death of a loved one fell on the audience like a soft, summer rain. 

Grennan's writing combined with his own sister's excellent portrayal of a cynical single woman at a crossroads in her life, cleanses the mind and soul with both tears and laughter so that the hope of emotional healing comes shining through the rain.

The Tin Woman is being performed at Theatre at the Center in Munster, IN through August 13th. For more show information or to purchase tickets, visit www.theatreatthecenter.com.

 

Published in Theatre in Review

A rainy summer night and this party was a guarantee to go on no matter what. The indoor concert venue The Arcada Theater in St. Charles, was the place to be Friday night. The people packed into the ninety-one year old building for a rock show and Femmes of Rock starring Bella Electric Strings gave them just that.

The upscale concert hall was the perfect setting for a rock concert. The walls are decorated with artists that have performed at the Arcada and other music related items. A drum-set chandelier helped to illuminate the main entrance.

From the moment the show started these young ladies strutted their stuff around the stage and played with precision. Each move was well rehearsed. With a pumped up audience to play for, this incredible band performed some of the coolest classic rock songs ever written.

“Kashmir” seems to be a perfect song for this band to play. The Middle Eastern feel is such a natural fit for the violin. These top notch players made a version of Led Zeppelin’s masterpiece that was a perfect opener. Only thought was, how can they possibly keep that energy of the first song? Somehow they managed to do so.

The Femmes of Rock is led by Nina DiGregorio. She dresses in a heavy metal manner similar to that as the Kelly Bundy character, but can play a heavy metal violin. She shreds on the instrument and moves in such a powerful way. This wild child is much more than a pretty face. Her abilities are amazing to see and hear especially with such an amazing band behind her.

Four beautiful women playing violin with a rock band is just something to see. The idea brings classic rock music and a burlesque style show to the stage. The amazing talent and collection of songs selected was all just a perfect combination.

Earlier in the day they were on WGN’s channel nine in Chicago. They played their cover of “Eleanor Rigby” and it was just a version that was remarkable. The choppy swipes at the strings were done so with good mechanics in an almost robotic sort of way. Of course, they played this one at the show as well.

A major highlight of the evening was their cover of the Queen song “Bohemian Rhapsody.” The girls sat down and sang out the song. It was a very beautiful vocal moment that led into violins playing one of the most popular songs ever.

The long jam at the end goes through some of the best guitar solos from the classic rock era. One guitar god after another was displayed out on violin. Music from Deep Purple, The Eagles, AC DC, Pink Floyd, Led Zepplin and many more!! They played a full show, but it ended too soon; left the audience wanting more. Everyone wants to see more of a good show.

The incredible venue of The Arcada Theater does it again by bringing some of the best shows to downtown St. Charles, Illinois. The monumental size of a show that Femmes of Rock with Bella Electric Strings can bring to the stage is amazing. The pure talent is packed into a fun filled night of fast paced violin runs that was a pleasure to see.

Published in In Concert

Paramount Theatre is excited to tune up for its rollicking 2017-18 Broadway Series opener Million Dollar Quartet, the wildly popular rock and roll musical that played more than 2,500 performances in Chicago.

Travel back in time to Memphis’s Sun Records recording studio on December 4, 1956, when Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins played together their first and only time and created an explosive album that has yet to be matched. Million Dollar Quartet tells that story with all the raw energy and monumental talent everyone has come to expect from these music giants.

Paramount Artistic Director Jim Corti, the man responsible for the past two Jeff Award-winning Best Musicals (Large), Les Misérables and West Side Story, will stage Paramount’s rockin’ opener.

Playing the Quartet are Adam Wesley Brown as Carl Perkins, Kavan Hashemian as Elvis Presley, Gavin Rohrer as Jerry Lee Lewis and Bill Scott Sheets as Johnny Cash, with Nicholas Harazin as Sam Phillips, Zach Lentino as Brother Jay, Courtney Mack as Dyanne and Scott Simon as Fluke.

The production team is Kory Danielson, music director; Trent Stork, associate director; Ethan Deppe, associate music director; Kevin Depinet, scenic design; Sally Dolembo, costume design; Jesse Klug, lighting design; Adam Rosenthal, sound designer; Katie Cordts, wig, hair and makeup design; Amanda Relaford, properties design; Susan Gosdick, dialect coach; Maggie O’Donnell, stage manager; and Matthew McMullen, assistant stage manager. 

Don’t miss Paramount’s high-spirited, nostalgic new take on the three-time Tony Award nominated musical, featuring some of the biggest and best songs of all time like “Peace in the Valley,” “Blue Suede Shoes,” “Folsom Prison Blues,” “I Walk the Line,” “Hound Dog” and “Great Balls of Fire.”

Previews start September 13. Performances continue through October 29: Wednesday at 1:30 p.m. and 7 p.m.; Thursday at 7 p.m.; Friday at 8 p.m.; Saturday at 3 p.m. and 8 p.m.; and Sunday at 1 p.m. and 5:30 p.m. Single tickets are $36 to $64. Million Dollar Quartet is rated PG.

But hold on, there’s still time to include Million Dollar Quartet in Paramount’s “Buy Two Shows, Get Two Shows Free” 2017-18 Broadway subscription offer. For less than the cost of a ticket to one show downtown, patrons can see three more Broadway-quality musicals: Elf The Musical (November 22-January 7), Cabaret (February 7–March 18) and Once (April 25-June 3). Four-play packages start as low as $72. The rewards are ample – four amazing, Broadway-quality musicals, at one of the most majestic theaters in the Midwest.

The Paramount Theatre, 23 E. Galena Blvd. in downtown Aurora, is surrounded by affordable parking and a variety of restaurants for pre- or post-show dining. For subscriptions and single tickets, visit ParamountAurora.com, call (630) 896-6666, or stop by the Paramount box office Monday through Saturday, 10 a.m. to 6 p.m., and two hours prior to evening performances.

Behind the scenes: Paramount’s Million Dollar Quartet

There was no plan for Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins to record together on December 4, 1956. But as fate would have it, their impromptu jam session left behind a historic and mind-blowing album. The evening begins in the Sun Records recording studio in Memphis. Up and comer Jerry Lee Lewis is recording songs with rockabilly king Carl Perkins when the iconic Elvis Presley stops by with his girlfriend. The not-quite-yet-guitar-god Johnny Cash is there to pay a visit to music manager Sam Phillips. Throw them all together, and you have one of the most unexpected, unprecedented and unforgettable musical moments in history. It was the first and only time they played together and, through their musical genius, created an explosive album that has yet to be matched.   

Colin Escott and Floyd Mutrux wrote the book for Million Dollar Quartet based on Mutrux’s original concept and direction. The Chicago production ran from 2008 to 2016 and became the third longest-running show in Chicago theater history. Critics called it “the most exuberant theatrical event,” “dazzling from first beat to last” and “the best live rock ‘n’ roll show I have ever seen.”

Fast forward to the kick off of Chicago’s 2017-18 theater season, featuring Paramount’s talented lead cast for Million Dollar Quartet. Adam Wesley Brown (Carl Perkins) played Eamon in Once on Broadway, has numerous regional credits and has been seen on local stages including Lookingglass and Chicago Shakespeare Theater. Kavan Hashemian (Elvis Presley) began performing his Elvis tribute at age three. Today he performs all over the world, including in London where he won the title of "The World's #1 Rock N Roll Elvis” on BBC-TV. Gavin Rohrer (Jerry Lee Lewis) is fresh from playing the role at Lyric Theatre in Oklahoma City, where Broadwayworld.com raved “his piano skills are unrivaled, and his brash certainty provides some of the funniest moments of the night.” Bill Scott Sheets (Johnny Cash) just played the “Man in Black” at Berkshire Theatre Group in Massachusetts. Berkshire Fine Arts wrote “particularly strong was Bill Sheets, whose voice and delivery were sublime.” 

"Icons Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash were southern, rockabilly country boys before they were discovered by Sam Phillips, the young, upstart record producer and owner of Sun Studio in Memphis, Tennessee. Their purely by chance meeting for the first and only time on Dec. 4, 1956, is a seminal moment in the birth of Rock ‘N’ Roll,” said Paramount Artistic Director Jim Corti.

“The show, exploring the connections of these four to their music and each other, is full of intriguing surprises and is not only a fascinating, short history but a full scale, no holds barred, in-your-face jam session of the kind of music that grabbed hold of our youth culture back then and hasn’t let go ever since,” Corti added. “From our Chicago and national talent pool, we’ve assembled a dynamite cast; you won’t believe your eyes and ears! There’ll be a whole lot of shakin’ goin’ on, all live, all on the Paramount stage, all made in Aurora!”

Jim Corti (director) was hired in 2011 to be the first-ever artistic director in the Paramount’s 80+ year history. He was instrumental in launching Paramount’s inaugural Broadway Series and directed and choreographed Paramount’s first self-produced Broadway Series show My Fair Lady, which played to rave reviews. Corti’s 2013 Paramount production of Fiddler on the Roof was a smash hit, and his Miss Saigon was the only musical to make the Chicago Tribune’s Top Ten Shows of 2013. Rentin 2014 was a critical and box office success, followed by consecutive productions of The Who’s Tommy and Les Misérables, which collectively garnered five Jeff Awards for Paramount in its first year of eligibility, including Best Production – Musical - Large for Les Misérables and Best Director - Musical for Corti. He also staged Paramount’s 2015-16 opener Oklahoma! and closer West Side Story, Paramount’s second-consecutive Jeff Award winning Best Musical. Last season, Corti directed memorable productions of Mamma Mia! and Sweeney Todd. Before Paramount, Corti was a seasoned Broadway veteran, appearing in the New York casts of Ragtime, A Chorus Line and Candide and national tours of Urinetown, Cabaret and Bob Fosse’s Dancin’. Career highlights over three decades include being the only director in Chicago to have two productions at the same time in the Chicago Tribune’s list of 10 Best Shows in 2009 – Drury Lane’s Cabaret and Writers Theatre’s Oh, Coward!. He remains the sole honoree to have garnered a Jeff Award as an actor (in Marriott’s Grand Hotel), a choreographer (Drury Lane’s Singin’ in the Rain) and director (Paramount’s Les Misérables, Drury Lane’s Sweet Charity and Northlight’s Blues in the Night).

Kory Danielson (music director) is coming back for his 11th consecutive musical at the Paramount, after serving as co-music director and associate conductor with Tom Vendafreddo on Jesus Christ Superstar, and assistant music director and associate conductor for Sweeney Todd-The Demon Barber of Fleet Street, Disney’s The Little Mermaid, Mamma Mia!, West Side Story, Hairspray – The Broadway Musical, A Christmas Story - The Musical, Oklahoma!, Les Misérables and The Who's Tommy. Other Chicago credits include Assassins, The Full Monty, Loving Repeating, Heathers, Tomorrow Morning (Kokandy Productions); Passion (2014 Jeff Award for Outstanding Music Direction), Smokey Joe's Cafe (Theo Ubique); How to Succeed in Business Without Really Trying (Porchlight Music Theatre); Hedwig, Wedding Singer (Haven Theatre); and Zanna, Don't!, Lucky Stiff, Triumph of Love (The Music Theatre Company). Danielson has also worked with Drury Lane, Broadway in Chicago, Chicago Children's Theatre, Bailiwick and Hell in a Handbag.

Paramount’s 2017-18 Broadway Series is sponsored by BMO Harris Bank and The Dunham Fund. Broadway Series Orchestra Sponsor is Rush-Copley Medical Center. Broadway Series Lighting Sponsor is ComEd. Broadway Series Costume Sponsor is Gerald Kia. Million Dollar Quartet is also sponsored by Asbury Gardens.


More about Paramount Theatre’s 2017-18 Season

In addition to Paramount’s Broadway Series, Paramount’s 2017-18 season also includes Tim Allen (August 18), 60s music favorite The Happy Together Tour (August 25), Unforgettable: Falling in Love with Nat King Cole (November 5) featuring Evan Tyrone Martin (Jesus in Paramount’s 2017 smash hit Jesus Christ Superstar), comedian and impersonator Frank Caliendo (November 10), The Second City’s Non-Denominational Christmas Show (December 1-23 in the Copley Theatre), Las Vegas’s #1 ventriloquist Terry Fator (January 20), the incredible magic of Penn & Teller (March 23), Chicago’s own Jersey boys Under the Streetlamp (March 24), country star and American Idol winner Scotty McCreery (March 25), late night comedy legend Jay Leno (April 13), Judy Garland: Come Rain or Come Shinef eaturing Angela Ingersoll (June 10) and the world’s #1 Bee Gees tribute band Stayin’ Alive (June 15).

For subscriptions, single tickets or more information, go to ParamountAurora.com, call (630) 896-6666, or stop by the Paramount Theatre, 23 E. Galena Blvd. in Aurora.

 

 

Published in Upcoming Theatre

Barry Harris is not exactly a household name unless you are a Jazz musician. He is a gifted piano player who goes back far enough to have played with Charlie Parker. However, I think his personal greatest achievements are actually as an educator. Barry Harris is the authority from which to learn Jazz.

I was able to attend the Straight Ahead Jazz Camp at Jazz Institute of Chicago located within Columbia College. They day I attended, I sat through four different classes. Three featured Mr. Harris.

The first session of the day was appropriately called “The Truth About Jazz”. Barry lays down the law concerning music profoundly citing, “Jazz is the continuation of Classical.” I say Jazz is just The Blues with an education - the education coming from Classical music. Harris spoke of how much of the rules of music are not taught correctly. I agree with that. He even joked around a bit saying, “I shouldn’t teach students, only teachers.” Most music teachers I have met in my years as a growing musician could certainly learn a thing or two from Barry Harris.

“The Truth About Jazz” was followed with story time between Harris and Joe Segal, the owner of Jazz Showcase. The two musicians, aged eighty-eight and ninety-one years old, offered captivating accounts from there many years in the industry, as well as some really strong opinions about Jazz. One would be fortunate to learn from a great such as Harris and Segal. It’s also fascinating from a historical standpoint when you realize that these gentlemen are some of the last links to the era. With only a handful left in Chicago, I was amazed to hear about how many Jazz clubs there were at one time. Hearing the two Jazz great talk was not only eye-opening, it could easily make one long to have lived and participated in the days when Jazz was still so fresh and widespread.

After the highly stimulating two-man panel had ended, I sat in on a Jazz Improvisation class. That was interesting. It is always nice to be reminded that there still are people out there studying music. It’s so easy to let machines make music these days. I’m sure Mr. Harris would agree with me when I say art and music classes are very important. It is beneficial to learn things in school other than the basics. Fact is, kids who learn music do better in their other subjects. I am very appreciative that there are centers like the Jazz Institute of Chicago out there for people to hone their musical ability and where creativity is encouraged.

The last class I attended was a jam session hosted by Mr. Harris. I had hoped Mr. Harris would be playing but such was not the case. Rather, it was a mix of students and attendees performing with Mr. Harris directing traffic. It was a thrill to see the renowned keeper of the flame of bebop pianism leading such fine musicianship!

I would like to thank the people there running the workshop. It was an awesome experience that got better and better as the day progressed. Jazz Institute of Chicago is a wonderful environment for all musicians alike. Some of the students were “scary” good if you understand what I mean. It kind of blows my mind seeing young people who like Jazz. It’s unlikely the genre of music fell into their lap. No. These are people that had to look for it, which somehow adds a greater appreciation for its students. And the fact that Barry Harris is still teaching helps keep the form alive. Hopefully, some of these talented young people will continue and master the practice so that years from now they become the next teachers.

Barry Harris was recognized as a Jazz Master by the National Endowment for the Arts in 1989.

For more information on the Jazz Institute of Chicago or to see their upcoming list of events, visit www.jazzinchicago.org. You can also learn more about Barry Harris at www.barryharris.com.

Published in BCS Spotlight

Gentle breezes, crickets chirping (or whatever that sound is they make), and comfortably warm summer nights. We're here. And knowing it won't last forever, Chicagoans certainly relish the summer months, making the most of each balmy evening. And, you know it’s July when Shakespeare comes alive under the stars at Mayslake Peabody Estate in Oakbrook. Continuing their long run of Shakespeare classics, A Winter’s Tale and A Midsummer Nights Dream taking stage over the past two years, First Folio brings to life As You Like It, the rustic comedy that follows young Rosalind as she escapes to the Forest of Arden to avoid her uncle’s wrath. Rosalind is joined by her cousin Celia and the two, like in all great stories, meet many intriguing characters along their journey. Then there's Orlando, who also seeks refuge in the forest after being persecuted by his older brother, Oliver. But our hero, Orlando, is in love – with Rosalind whom he had briefly met after impressing her during a bout of strength, out wrestling her uncle’s champion, loving her at first glance.

Rosalind, disguised as a boy and Celia, dressed as a poor woman continue to trek through the forest, while at the same time Orlando, traveling with his elderly servant Adam who insisted to travel at his master’s side, does the same while obsessively carving poems of love on seemingly any tree he can find. It is when the Orlando and Adam run into the good Duke Sr. (ousted from the kingdom by the nefarious Duke Frederick) as their desperation for food brings them to her doorstep, that they are warmly taken in and soon realize that they have stumbled onto a hidden community that lives in harmony. Jaques, who plays somewhat of a confidant/friend to Duke Sr., gives us some of Shakespeare’s most famous lines when the forest is referred to as a theatre playing out its own story.

“All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.” 

As the play progresses, multiple relationships are revealed and created around Orlando’s search for his true love, Rosalind and, in the end, everything ties together just beautifully, as Shakespeare’s pen so often did.

The many performances in this humorous adventure are done with passion and zest. Nicholas Harizin as Orlando and Leslie Ann Sheppard as Rosalind lead the play’s talented cast with a fire-infused appetite, it’s outcome an honest, raw passion to which we can truly relate. The two as comfortable in their roles as I am in my favorite pajama pants. And it would be difficult to find an actor who does Shakespeare better than Kevin McKillip, whose seamless delivery as Jaques so effectively pulls out the humor in Shakespeare’s writing. Luke Daigle stands out as Orlando’s hate-filled brother, Oliver, while Belinda Bremner as Duke Sr. is nothing less than mesmerizing. The cast in its entirety is strong and one would be hard-pressed to find any shortcomings in any of the performances by its talented individuals. In the role of Amiens, Amanda Raquel Martinez even shows off her guitar and vocal skills in a handful of haunting numbers. Standing out as Hermia in last year’s A Midsummer Nights Dream, Sarah Wisterman returns this time as Phebe again impressing while Vahishta Vafadari is very funny as runaway cousin, Celia and Courtney Abbott shines as the highly energetic Touchstone.

Well directed by Skyler Schrempp, the play is yet another ode to the excitement of falling in love and the adventures that come with such a happening and the toils one will undertake in order to find his or her soulmate.

As You Like It comes highly recommended as one of this year’s best outdoor summer experiences.

Surrounded by trees and a beautiful landscape, As You Like It is being performed on the grounds of the Mayslake Peabody Estate in Oakbrook through August 20th. Guests are invited to bring chairs, blankets and picnic baskets. And just to add a final touch of comfort, bug spray is provided along with bug repellent candles. As You Like It has a running time of two hours and twenty-five minutes with one intermission. For tickets and/or more show information visit www.firstfolio.org. Enjoy!

Published in Theatre in Review

Kokandy Productions is pleased to present the Chicago premiere of Michael John LaChiusa's LITTLE FISH, directed by Producing Artistic Director Allison Hendrix with music direction by Kory Danielson and choreography by Kasey Alfonso, playing July 9 – August 20, 2017 at Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets for LITTLE FISH are currently available at www.kokandyproductions.com, by calling (773) 975-8150 or in person at the Theater Wit Box Office. 
 
LITTLE FISH features Curtis Bannister as John Paul, Kyrie Courter as Anne Frank, Adam Fane as Marco, Casey Hayes as Robert (August 1 – 20, 2017), Carl Herzog as Mr Bunder, Teressa LaGamba as Cinder, Nicole Laurenzi as Charlotte, Jeff Meyer as Robert (July 9 – 30, 2017) and Aja Wiltshire as Kathy. 
 
Thirty-something writer Charlotte decides to give up smoking and tries to compensate with swimming and jogging – but to no avail. With the help of her friends Kathy and Marco, she embarks on a modern-day odyssey to face the eclectic demons of her past. Loosely based on Deborah Eisenberg’s short stories Days and Flotsam, LITTLE FISH’s score is infused with Latin, jazz, rock, and what’s been described as "pure urban noise within Charlotte's mind."
 
LITTLE FISH premiered off-Broadway at the Second Stage Theatre in 2003.
 
"What I love the most about this musical is that it has these huge ideas attached to it – isolation versus connection… addiction… trauma… but they exist within a bright, fast-paced, hilariously wry musical comedy,” comments Director Allison Hendrix. “We see three friends in the midst of their ‘Saturn Returns,’ figuring out how to be better people, better friends and ultimately, better citizens of the world. These characters' journeys will feel familiar and close to home to our audiences." 
 
The production team for LITTLE FISH includes: Arnel Sancianco (scenic design), Kate Kamphausen (costume design), Alexander Ridgers (lighting design), Michael J. Patrick (sound design), Mealah Heidenreich (props design), Shawn Rodriguez (master electrician), Keegan Bradac (sound engineer), Lindsay Brown (production manager), Alan Weusthoff and Zach Schley (techinical directors), Emily Boyd (paint charge), Ethan Deppe (keyboard programmer), Kait Samuels (stage manager) and Alison McLeod (asst. stage manager). 
 
PRODUCTION DETAILS:
 
Title: LITTLE FISH
Book, Music & Lyrics: Michael John LaChiusa
Director: Producing Artistic Director Allison Hendrix
Music Director: Kory Danielson
Choreographer: Kasey Alfonso
Cast: Curtis Bannister (John Paul), Kyrie Courter (Anne Frank), Adam Fane (Marco), Casey Hayes (Robert, August 1 – 20, 2017), Carl Herzog (Mr Bunder), Teressa LaGamba (Cinder), Nicole Laurenzi (Charlotte), Jeff Meyer (Robert, July 9 – 30, 2017) and Aja Wiltshire (Kathy). 
 
Musicians: Korey Danielson (conductor/keyboard), Charlotte Rivard-Hoster (keyboard 2), Mike Matlock (reeds), Kyle McCullough (guitar), Jake Saleh (bass) and Scott Simon (percussion).
 
Location: Theater Wit, 1229 W. Belmont Ave. in Chicago
Dates: Previews: Sunday, July 9 at 7 pm, Monday, July 10 at 7 pm, Thursday, July 13 at 8 pm and Friday, July 14 at 8 pm
Regular run: Sunday, July 16 – Sunday, August 20, 2017
Curtain Times: Thursdays, Fridays & Saturdays at 8 pm; Sundays at 3 pm. Please note: there will be added 3 pm performances on Saturday, August 12 and Saturday, August 19.
Tickets: Previews $25. Regular run $33 - $38. Tickets are currently available at www.kokandyproductions.com, by calling (773) 975-8150 or in person at the Theater Wit Box Office.
 
For additional information, visit www.kokandyproductions.com.

 

Published in Upcoming Theatre

Greenhouse Theater Center is pleased to launch its 2017-18 season with Artistic Director Jacob Harvey and Elizabeth Margolius’ bold reimagining of Sophie Treadwell's most celebrated play, MACHINAL. Inspired by the surreal life and trial of famed murderess Ruth Snyder, MACHINAL will play August 11 – September 24, 2017 at The Greenhouse Theater Center (Upstairs Main Stage), 2257 N. Lincoln Ave. in Chicago. Single tickets and season subscription packages are currently available at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. 
 
The cast of MACHINAL includes Heather Chrisler, Maddie DePorter, Sean Gallagher, Arti Ishak, Cody Proctor, Sarah Rachel Schol, Scott Shimizu, Carin Silkaitis, Paul Michael Thomson and Jonah Winston.
 
MACHINAL will be presented through an educational partnership with North Central College, allowing students to shadow professional actors as the production’s understudy cast. Students will be immersed in every facet of the production, serving not only as understudies but as assistant designers and assisting members of the production team, in a program that serves as an extension of classroom work and a springboard into the Chicago theatre community. The student understudy cast will have two guaranteed performances at the Greenhouse, one for a high school audience and one for the public.
 
One young woman must break out in this exhilarating reimagining of MACHINAL, the American classic inspired by the sensational, true story of murderess Ruth Snyder. Trapped in an unhappy marriage, the young woman finds a thrill in the arms of a flyby lover. But when reality returns, how far will her fight for freedom take her? And who will pay the ultimate price? How do you escape the machine?
 
“Our team is thrilled to bring this intimate exploration of one woman's choice between captivity and freedom to our Chicago audience,” commented Artistic Director Jacob Harvey. “As we put the show together,” added Movement Director Elizabeth Margolius, “I am thrilled to bring this cast's diverse perspectives into focus to illuminate the world of Machinal – a world from our past that still speaks to the struggles facing all of us, especially women.”
The production team for MACHINAL to date includes: Nick Thornton (associate director/movement coordinator), Eleanor Kahn (scenic/props design), Eric Watkins (lighting design), Jeffrey Levin (sound design), Christina Leinicke (costume design), Adrian Shelton (dramaturg), Darek Lane (stage manager), Ron Rude (production manager) and Stephen Kossak (asst. stage manager).
PRODUCTION DETAILS:
 
Title: MACHINAL
Playwright: Sophie Treadwell
Director: Jacob Harvey
Movement Director: Elizabeth Margolius
Cast: Heather Chrisler (Young Woman), Maddie DePorter (Track 7), Sean Gallagher (Track 6, Husband), Arti Ishak (Track 5, Telephone Girl), Cody Proctor (Lover), Sarah Rachel Schol (Track 4), Scott Shimizu (Track 8), Carin Silkaitis (Track 3, Mother), Paul Michael Thomson (Track 2) and Jonah Winston (Track 1).
 
Location The Greenhouse Theater Center (Upstairs Main Stage) 2257 N. Lincoln Ave, Chicago
Dates: Previews: Friday, August 11 at 7:30 pm, Saturday, August 12 at 7:30 pm and Sunday, August 13 at 7:30 pm
Regular run: Friday, August 18 – Sunday, September 24, 2017
Curtain times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm. Please note: there will not be a performance on Thursday, August 17.
Tickets: Preview: $20. Regular run: $35. Students: $15. Tickets are currently at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. Season subscription packages are also available.

 

Published in Upcoming Theatre
Page 9 of 21

 

 

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