Home

"Trevor the Musical" tells the tale of a beautiful young boy in the 1970's who is just discovering his love of choreography and dance. He is also lovesick for an older boy in his school during a time when same sex relationships were not as socially acceptable or acknowledged as the world at the time was much less gay friendly.

I predict that this play will have a very good effect on young people who view it and anyone who has ever felt put down or shamed by others for their own creativity or uniqueness.

Although I agree with some of the other critics that there was a slightly "after school special" feel to this production, there is nothing wrong with that. It moved where it needed to be moving and celebrated those who feel different than others because of who they are.

The young star of the show Eli Tokash (also played in split performances by and Graydon Peter Yosowitz) is delightful and really does a great job with all of his numbers both musically and in terms of dance and comedy movement. The music is well written, often fun and catchy, and also includes various Diana Ross hits. "Trevor" has all the ingredients to become a smash hit.

Because most of the cast is in their teens this show will definitely be produced in high schools and colleges for years to come which is a great thing especially given the current climate reviving negativity towards the LGBTQ community.

“Trevor” comes with a slew of entertaining performances, including Declan Desmond’s as “Pinky”, the object of Trevor’s boy crush. I thoroughly enjoyed the costumes and creative set design as well.

The only note I have for this cast of very talented young people is to avoid becoming robotic in their quest for perfection. The emergence of such shows like American Idol and "So You Think You Can Dance" have both encouraged young people more than ever to follow their dreams in the arts, however I feel that they have put so much pressure on young people to hit every note perfectly and to strike every pose with almost robotic precision in order to win First Prize that many of their performances now seem stiff and over analyzed and micromanaged by their directors. So much so, that they make the audience feel nervous because they as young performers seem nervous and afraid to mess up or even let their characters messy emotions show through the facade of artistic perfection because they are trying so hard to live up to this Broadway standard placed on even the very youngest performers of today. Another perfect example of this public and private pressure can be seen clearly on the popular reality show for young performers called "Dance Moms,"as they scream and yell at their own eight-year-old daughters that they are not dancing well enough.

Other than the slightly uptight feeling which I think will be worked out over the course of this run and as the book of this show is revised and edited and cut for Broadway, I highly recommend this inspiring production. Everyone left the theater in a great mood feeling that they had seen the world premiere of a play with something timely, special and energetic to say to the world. “Trevor” is a play which encourages adults and children alike to be true to themselves in every way - no matter what the other kids say, even under scary opposition from groups of mean and ignorant "haters" who do not understand what it is like to be different from the pack, whether a dreamer or a believer in Unicorns or the healing power of Diana Ross.

“Trevor the Musical” is being performed at Writers Theatre in Glencoe through its newly extended date of October 8th. For tickets and further show information visit www.writerstheatre.org. 

Published in Theatre in Review
Wednesday, 22 February 2017 13:13

Writers Theatre Announces 2017-18 Season

Writers Theatre Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma announce the company’s 2017-2018 six-show season, opening with the World Premiere of Trevor the musical in the Alexandra C. and John D. Nichols Theatre. The production will be directed by Marc Bruni (Beautiful: The Carole King Musical on Broadway), with book and lyrics by Dan Collins, music by Julianne Wick Davis, music direction by Alexander Rovang and choreography by Josh Prince, by special arrangement with U Rock Theatricals. The season will continue with Oscar Wilde’s clever comedy of manners The Importance of Being Earnest directed by Michael Halberstam; Eugene O’Neill’s masterpiece A Moon for the Misbegotten directed by William Brown; and Sam Shepard’s Pulitzer Prize-winning Buried Child, directed by Kimberly Senior in the Alexandra C. and John D. Nichols Theatre, with a production yet to be announced opening the season in the Gillian Theatre, followed by the Chicago Premiere of Lydia Diamond’s Smart People, directed by Hallie Gordon.

 

The 2017-2018 Season marks Writers Theatre’s second full season in the company’s award-winning new home at 325 Tudor Court in Glencoe, designed by Studio Gang Architects. Productions will be presented in two spaces in the theater complex including the 255-seat Alexandra C. and John D. Nichols Theatre as well as the Gillian Theatre, a 50 to 99-seat flexible theatre space.

 

From its very first year, Writers Theatre has brought quality and excellence to the stage while maintaining the company’s hallmark intimacy. The last 25 years have seen unprecedented growth in both the artistic and business arenas as the company has garnered national acclaim and recognition, marked by the celebrated opening of the Theatre’s new facility in February of 2016. With a longstanding reputation for consistent artistic excellence and with strong ties to the community, Writers Theatre has built an award-winning repertoire and serves as a vital and highly regarded company in the Chicagoland theatre community.

 

“This is a particularly ambitious season for us,” says Artistic Director Michael Halberstam. “We are starting to really stretch things in our new home! We are particularly delighted to be in collaboration with such a wonderful array of directors, actors and playwrights. Of particular note, this season marks our first collaboration with a team of New York producers in presenting a powerful world premiere musical, which will launch what is a classic Writers Theatre season. We have our trademark mix of classic revivals and new plays presented with fresh perspective in our two intimate venues. When we set about to build a new home, we wanted to create a theatre that would allow us to continue to pursue our mission, but with much greater sophistication.  This season takes advantage of our new facility by honoring our past while very much looking forward to our future. Stand by for additional news to come! There is one more exhilarating production still to announce!”

 

Season Packages are available at the Box Office, 325 Tudor Court, Glencoe, 847-242-6000 and www.writerstheatre.org.

 

Writers Theatre is pleased to welcome back BMO Harris Bank as the distinguished 2017/18 Season Sponsor, marking the Bank’s seventh consecutive year as season sponsor.

 

 

The Writers Theatre 2017-2018 Season includes:

 

World Premiere

TREVOR THE MUSICAL

Book and Lyrics by Dan Collins

Music by Julianne Wick Davis

Based on the Academy Award-winning film Trevor

Choreography by Josh Prince

Music Direction by Alexander Rovang

Directed by Marc Bruni

August 9 – September 17, 2017

Alexandra C. and John D. Nichols Theatre | 325 Tudor Court, Glencoe

 

Meet Trevor, a 13-year-old boy in 1981 whose vibrant imagination drives a turbulent journey of self-discovery. As he deals with adolescence and all that goes with it, Trevor begins to explore what it means to be himself, influenced by his friends, parents . . . and Diana Ross. 

 

Based on the story that inspired the Oscar-winning film, the charity and the national movement, TREVOR the musical is a coming-of-age story about identity, emerging sexuality and the struggles of growing up in a world that may not be ready for you.  This world premiere musical is directed by Marc Bruni, who helmed the Tony Award-winning production of Beautiful: The Carole King Musical on Broadway.

 

The Trevor Project was created as a result of the Academy Award-winning film that also inspired TREVOR the musical. The Trevor Project is the nation’s only accredited crisis intervention and suicide prevention organization focused on saving young LGBTQ lives. www.TheTrevorProject.org 

 

 

TO BE ANNOUNCED

September 27 – December 17, 2017

The Gillian Theatre | 325 Tudor Court, Glencoe

 

We’re still finalizing details for the first production in the Gillian Theatre next season, and aren’t quite ready to make the project public yet. However, we can tell you that it fits the Writers Theatre style—intimate, engaging and full of captivating performances by top-flight talent.

 

 

THE IMPORTANCE OF BEING EARNEST

Written by Oscar Wilde

Directed by Artistic Director Michael Halberstam

November 8 – December 23, 2017

Alexandra C. and John D. Nichols Theatre | 325 Tudor Court, Glencoe

 

One of the cleverest comedies by one of the greatest writers in the English language, THE IMPORTANCE OF BEING EARNEST introduces us to Jack and Algernon, two charming bachelors who are each living a double life, aided by a fictional alter ego called “Ernest.” But when they fall truly in love with a pair of proper young women, will they be able to bring an end to the charade and convince the formidable Lady Bracknell that they are suitable candidates for marriage? After all, “the one charm about marriage is that it makes a life of deception absolutely necessary for both parties.”

 

Artistic Director Michael Halberstam brings his talent for refreshing the classics to this effervescent comedy of manners. Filled with Wilde’s sparkling wit, piercing social satire and trademark wordplay, this well-loved classic is certain to delight this holiday season!

 

 

A MOON FOR THE MISBEGOTTEN

Written by Eugene O’Neill

Directed by William Brown

February 7 – March 18, 2018

Alexandra C. and John D. Nichols Theatre | 325 Tudor Court, Glencoe

 

In 1920s rural Connecticut, Phil Hogan cobbles together a living on rented farmland that he hopes to someday own outright, when his landlord Jim Tyrone comes into his inheritance. Hogan has driven away his three sons, but his towering daughter Josie understands her father and can hold her own. When the two learn that the land may be sold out from under them, they concoct a plan to save it that ultimately reveals the secret desires that two lonely souls have kept hidden for years.

 

This bittersweet elegy from four-time Pulitzer Prize-winning playwright and Nobel laureateEugene O’Neill offers a moving and powerful exploration of humanity at its basest and most beautiful.  Directed by WT Resident Director William Brown (Company, Doubt: A Parable, The Liar, A Little Night Music and many more), this soaring powerhouse of a play is simultaneously intimate and epic, touching on themes of desire, family and the things we sacrifice for those we love.

 

 

SMART PEOPLE

Written by Lydia Diamond

Directed by Hallie Gordon

March 21 – June 10, 2018

The Gillian Theatre | 325 Tudor Court, Glencoe

 

Four intelligent, attractive and opinionated young urban professionals—a doctor, an actress, a psychologist, and a neurobiologist studying the human brain’s response to race—search for love, success, and identity while also attempting to navigate the intricacies of racial and sexual politics. This whip-smart new play taps into current cultural conversation in an enthralling and provocative way, taking on deep questions of the nature of prejudice with razor sharp wit.

 

Staged in our intimate Gillian Theatre, this sexy, serious and fiercely funny new play explores the inescapable nature of racism and other tricky topics with rapid fire dialogue, shattering assumptions about our culture’s ingrained attitudes of racism, sexism and classism. You’re sure to be captivated by one of the smartest new plays of its time!

 

 

 

BURIED CHILD

Written by Sam Shephard

Directed by Kimberly Senior

May 9 – June 17, 2018 

Alexandra C. and John D. Nichols Theatre | 325 Tudor Court, Glencoe

 

On a cross-country trip from New York to the west coast, Vince and his girlfriend Shelly decide to make a stop at his grandparents’ rural Illinois home. But when they arrive, neither his grandparents, Dodge and Halie, nor his father Tilden and uncle Bradley seem to recognize or remember him. As Vince searches for answers, truths begin to emerge that reveal a deep corrosion of this fragmented family living in a forgotten America.

 

This Pulitzer Prize-winning masterpiece will be newly invigorated for the WT stage by Resident Director Kimberly Senior (Hedda Gabler, The Diary Of Anne Frank, Marjorie Prime, The Scene), drawing audiences deeply into the story of a family fighting to come to grips with an America that may have left them behind.

 

 

SEASON PACKAGES

Writers Theatre season ticket packages provide a convenient theater going experience and guarantee access to all of WT’s highly anticipated productions throughout the season. Six-play subscription packages are available, ranging in price from $249 to $389.

 

Three-play “Pick Your Own” Flex packages that include two productions in the Nichols Theatre and one production in the Gillian Theatre start at $199.

 

Season package subscribers receive exclusive benefits including complimentary ticket exchanges by phone and mail (upgrade fees may apply), a one-year subscription to The Brief Chronicle newsmagazine and more. For a complete list of benefits visit writerstheatre.org.

 

Season Packages are available at the Box Office, 325 Tudor Court, Glencoe, 847-242-6000 and writerstheatre.org.

 

AUDIENCE ENGAGEMENT OPPORTUNITIES:

For additional information about the WT Audience Enrichment programs listed below, visit writerstheatre.org/events.

 

Pre-Show Conversation: Up Close

Join us at 6:45pm before every Thursday evening performance (excluding previews and extension dates) of Trevor the musical, The Importance of Being Earnest, A Moon for the Misbegotten and Buried Child for a 15-minute primer on the context and content of the play facilitated by a member of the WT Artistic Team.

 

Post Show Conversation: The Word

Join us after every Tuesday evening performance (excluding previews and extension dates) for a 15-minute discussion of the play, facilitated by a member of the WT Artistic Team.

 

Post Show Conversation: The Artist

Join us after every Wednesday evening performance (excluding previews and extension dates) for a 15-minute talk-back featuring actors from the production, facilitated by a member of the WT Artistic Team.

 

Sunday Spotlight

This one-hour event extends the conversation on our stages by featuring an expert in a field related to the themes or setting of each play, moderated by a member of the WT Artistic Team. Seating is limited. RSVP is required.

 

The Making of… Series

Writers Theatre will once again host its popular The Making of… Series, providing insight into a different aspect of creating the productions seen on our stages. This one-hour event will feature WT Literary Manager Bobby Kennedy in conversation with an artist associated with each production, discussing their part in bringing the play to life. The Making of… events are FREE and open to the public. Seating is limited. RSVP is required.

 

From Page to Stage Series

Writers Theatre and select North Shore libraries present the 13th annual From Page to Stage Series. This comprehensive series of special events, lectures, readings and film viewings are designed to enhance and enrich the audience experience of WT productions each season.  All events are FREE of charge and open to the public. For more information about the From Page to Stage Series, visit writerstheatre.org/from-page-to-stage-series. From Page to Stage is generously sponsored by Randy L. and Melvin R. Berlin, who have been supporting the program since its inception 13 years ago.

 

Writers Theatre also offers Access Performances, including ASL-interpretation and Open Captioning on select dates for each production.  Please visit writerstheatre.org/accessibility for more information.

 

 

ABOUT WRITERS THEATRE

For more than 25 years, Writers Theatre has captivated Chicagoland audiences with inventive interpretations of classic work, a bold approach to contemporary theatre and a dedication to creating the most intimate theatrical experience possible.

 

Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers Theatre has grown to become a major Chicagoland cultural destination with a national reputation for excellence, being called the top regional theatre in the nation by The Wall Street Journal. The company, which plays to a sold-out and discerning audience of more than 60,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry—providing the finest interpretations of both classic and contemporary theatre in its two intensely intimate venues. 

 

In February 2016, Writers Theatre opened a new, state-of-the-art facility. This established the company's first permanent home—a new theatre center in downtown Glencoe, designed by the award-winning, internationally renowned Studio Gang Architects, led by Founder and Design Principal Jeanne Gang, FAIA, in collaboration with Theatre Consultant Auerbach Pollock Friedlander. The new facility, which was recently recognized with LEED Gold Certification for sustainability initiatives, has allowed the Theatre to continue to grow to accommodate its audience, while maintaining its trademark intimacy, resonating with and complementing the Theatre’s neighboring Glencoe community, adding tremendous value to Chicagoland and helping to establish the North Shore as a premier cultural destination.

 

Find Writers Theatre on Facebook at Facebook.com/WritersTheatre or follow @WritersTheatre on Twitter. For more information, visit www.writerstheatre.org.

 

Published in Buzz Extra

The House Theatre’s "The Nutcracker" is a wonderful holiday treat

13 November 2017 in Theatre in Review

It’s that magical time of the year when The House Theatre of Chicago brings the inhabitants of Clara’s toy box…

"This Wonderful Life" is just that - wonderful

11 November 2017 in Theatre in Review

Most of us have seen Frank Capra’s “It’s a Wonderful Life” at some point in their lives. Whether a Holiday…

"42nd Street!" wows audiences with thrilling, energetic dance and song!

08 November 2017 in Theatre in Review

The current production of 42nd Street at Drury Lane Theater left me breathless! With book by Michael Stewart and Mark…

School of Rock at Cadillac Palace will rock your socks off

05 November 2017 in Theatre in Review

Here comes the feel-good show that both adults and kids will enjoy. Based on the 2003 movie by the same…

Newsies at The Marriott Theatre: Pomp and Papes

03 November 2017 in Theatre in Review

Newsies, the Disney film from 1992 by Alan Menken (whose run around the same time of Little Mermaid, Beauty and…

Review: Wagner’s “Die Walküre” at Lyric Opera

03 November 2017 in Theatre in Review

“I’ve always favored unbridled passions,” sings Wotan in the Lyric Opera’s new production of Richard Wagner’s “Die Walküre” This is…

Yasmina's Necklace touches the heart

01 November 2017 in Theatre in Review

Playwright Rohina Malik and director Ann Filmer have reunited and have collaborated on something special. Goodman Theatre’s current run of…

Review: Welcome to Jesus at American Theatre Company

01 November 2017 in Theatre in Review

Celebrating nearly 35 years in their factory space around the North Center neighborhood, American Theater Company has a knack for…

Other Theatre's Holiday Hit "Barney the Elf" - November 17 - December 30 at Greenhouse Theater Center

28 October 2017 in Upcoming Theatre

Other Theatre is pleased to continue its 4th season with the third revival of its holiday hit BARNEY THE ELF,…

NRBQ Makes Big Splash at Fitzgerald's

28 October 2017 in In Concert

NRBQ is a fun band. “New Rhythm and Blues Quartet”. I find the name slightly misleading. When I think of…

Review: In the Next Room, or the Vibrator Play at Timeline Theatre

27 October 2017 in Theatre in Review

Sarah Ruhl’s ‘In the Next Room, or the Vibrator Play’ returns to Chicago at Timeline Theatre. Directed by Mechelle Moe,…

Carrie 2: The Rage (An Unauthorized Musical) A Funny Halloween Treat That Urges People "Not to Suck So Much"

22 October 2017 in Theatre in Review

Most people are aware of the movie Carrie, starring the haunting Sissy Spacek as the picked on teenaged outsider who…

 

 

10 Years! Fave Issue Covers

Register

Latest Articles

Guests Online

We have 101 guests and no members online

Buzz Chicago on Facebook Buzz Chicago on Twitter