While I’d yet to see Beautiful: The Carole King Musical since it premiered to much acclaim (and a U.S. tour) a couple years ago, I entered the Cadillac Palace Theatre for its latest Chicago debut a lifelong Carole King fanboy. I knew her songs. I knew her story. But for a couple hours on Wednesday night, the cast of this latest touring production made me feel like I knew her.
But first, those songs. The audience, young and old, knew them all. The older ones, the ones who’d been there the first time around, giggled with nostalgia. And the rest of us – who know them from parents, from oldies radio, from YouTube, from simply being alive – were every bit as thrilled. From John Michael Dias’ mugging Neil Sedaka singing “Oh Carol” on national TV to his former high school flame, Carole Klein, to the ensemble’s medley of Brill Building tunes love-potioning and splish-splashing and yakkity-yakking, we were all Boomer kids taken back to a not-simpler time.
The real standouts of this jukebox time machine were two vocal quartets. Playing the parts of The Shirelles, Little Eva and her backing singers, and Janelle Woods and her own group, McKynleigh Alden Abraham, Traci Elaine Lee, Marla Louissaint, and Alexis Tidwell were magic as they brought classic takes on King’s “Will You Love Me Tomorrow” and “One Fine Day.” The dresses, the elegant moves, the wedding chapel harmonies, and those songs. Wow. They were only equaled by their male counterparts – Josh Dawson, Jay McKenzie, Avery Smith, and Kristopher Stanley Ward – whose coiffed hairdos, satin suits, and smooth moves as The Drifters made it look so easy as they doo-wopped and stepped to “Some Kind of Wonderful” and “Up on the Roof.” But Ms. King’s songs weren’t the only ones on display. While The Drifters did a nifty walk down Weil and Mann’s “On Broadway,” the rival songwriting duo’s “You’ve Lost That Lovin’ Feeling” was retaken from Tom Cruise’s boozy Top Gun barroom ballad by Matt Faucher and Dias again as The Righteous Brothers. Faucher’s baritone filled the Cadillac, and Dias’ high harmonies brought it home. Again, wow. Wish I’d been there the first time around, but this cast showed off their chops while paying quite a tribute to the classic songs and their songwriters who the story’s about.
And about that story. Again, as a fan, I knew the outline: NYC kids slave away in a Times Square hit-making sweatshop, soundtrack a generation, and one of them makes it big herself later on. But the main cast fleshed out the story’s characters. They took them from characters to people. James Clow’s gum-chewing, contract-signing Don Kushner was intimidating but encouraging. Sarah Goecke’s witty, Cole-Porter-wannabe wordsmith, Cynthia Weil, was a woman ahead of her time. Jacob Heimer’s neurotic lady’s man, Barry Mann, made you root for him. And Andrew Brewer’s smoldering but sensitive Gerry Goffin made you swoon, even as you knew the dirty dog was sneaking around on his Carole.
And Carole. Oh, Carole. As Neil Sedaka sang, “there will never be another.” And throughout the show, lead Sarah Bockel not only proved Sedaka right, giving us Carole King’s look and playing and voice, she gave us Carole Klein, the person. Many talented performers could probably approximate King’s hair or her vocals. But Bockel went beyond that, giving us the perky and precocious 16-year-old writing those hits and falling for that hunk. She gave us the broken but devoted young mother finding out not just who she’s married to – Bockel and Brewer’s chemistry was very sweet and seemed very real – but who she herself is. And she gave us that self, finally confident to write her own words, to tell her own story, to sing it loud, for a crowd, for us. And that story, of a woman claiming her soul from the lost and found and using it to give voice to not just a generation, but many generations to come, was what wowed the Cadillac’s crowd the most. The voices will make you applaud. The songs will make you nostalgic. But the story this cast and their show tell of this natural woman, this national treasure, will make you feel. It made me feel.
For more show information visit www.broadwayinchicago.com.
As a lifelong aficionado of the ill-fated ocean liner RMS Titanic, I’ve always gravitated toward any experience that would leave…
The Artistic Home Studio will present the 2025 edition of its annual CUT TO THE CHASE festival of new one…
In an era that often defies reason, Chopin Theatre and Gwydion Theatre launch the first annual Theatre of the Absurd…
Pegasus Theatre Chicago and Director ILesa Duncan proudly announce the casting for the revival of playwright Shay Youngblood's Shakin' the Mess Outta Misery, which follows…
The Opera Festival of Chicago announces the cast and creative team for The Love of Three Kings (L’Amore dei tre Re), with…
See Chicago Dance, the dance industry's nonprofit service organization celebrating its 20th anniversary in 2025, is proud to announce that its popular…
Steppenwolf's LookOut Series is pleased to announce its action-packed summer lineup of comedy, magic, storytelling, drag and more! The Summer 2025 Season…
Brian Friel’s “Translations,” now playing at Writers Theatre in Glencoe, IL, shows off the renowned Irish playwright’s signature skill in…
Chicago Shakespeare Theater (CST) announces today the cast of the North American premiere of the new musical 42 Balloons. From the multi-award-winning producers Kevin McCollum (Oh,…
Chicago Shakespeare Theater (CST) Artistic Director Edward Hall and Executive Director Kimberly Motes announce today the 2025/26 Season. As the nation's largest year-round theater dedicated…
Tickets go on sale Friday, April 11 at 10 a.m. Central time for the world-premiere performances of A Night of Mellon…
GEA Live and Broadway In Chicago in association with Lionsgate, today announced the highly-anticipated 60-city national tour of the first-ever TWILIGHT IN CONCERT ( www.twilightinconcert.com) will visit in…
In a masterful stroke of programming, Steppenwolf Theatre Company presents the Chicago premiere of "The Book of Grace," Suzan-Lori Parks'…
CPA Theatricals and Theo Ubique Cabaret Theatre today announced a co-production of the play with music SENTINELS, which imagines a…
Broadway In Chicago is thrilled to announce individual tickets for KIMBERLY AKIMBO, winner of five 2023 Tony Awards including BEST MUSICAL and the most…
Dance performances can often be moving events but rarely do they hold the density, breadth and depth of emotions Giordano…
“It’s not us… all this mucking about with our sound.” Sunny Afternoon is about many things. This is in…
Walking into the Harris Theater for the “Trial of Themistocles,” I was expecting something translated from ancient Greek, togas, masks,…
All hands on deck Titanic fans! Get ready for a lavishly produced musical that boldly reimagines the Titanic story, navigating…
Welcome back to the Moulin Rouge! Broadway In Chicago is thrilled to announce the Tony Award® winning production, MOULIN ROUGE! THE MUSICAL is now playing…
By popular demand, Disney’s The Lion King will return to Chicago for the first time since 2023, where the production played a sold-out…
THE LISTENERS has undergone several incarnations since the 2021 novel by Jordan Tannahill. It’s been a full-length movie, a TV…
IDENTITY PERFORMING ARTS Presents Spring Concert 2025 “Instinct” A captivating performance of four distinct works on April 26 & 27…
The Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly welcomes back the eclectic energy of hometown favorite South…
Open Space Arts (OSA), who recently won some of the top honors in the Joseph Jefferson Awards for 2024 productions,…
I’ve reviewed a number of shows at Open Space Arts (OSA) – I love the place – so I’m familiar…
Hell in a Handbag Productions is pleased to continue its 2024/25 Season with the world premiere of Scary Town, Artistic Director David Cerda's semi-autobiographical…
In Definition Theatre's production of "Splash Hatch on the E Going Down," Kia Corthron's 1997 work feels unnervingly relevant in…
Kokandy Productions is pleased to announce the official selections for the annual Chicago Musical Theatre Festival, a celebration and showcase of the…
I’m not holding back—Copley Theatre’s latest offering, The 25th Annual Putnam County Spelling Bee, is an absolute winner! I’ve seen…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.