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There are thousands of stories you’d love to see brought to the stage. Stories that slip into the lives of people who walk through the world either unseen or are barely considered by those possessing more standard existences.  People who, because of the way they look or talk or are intrinsically wired to move through life find themselves on the periphery.  Or who mask their true selves by pretending to be something they’re not.  With all the same desires, hopes and dreams of a common human being, something about them hinders them from freely striving for type of self-actualization we all crave.

How they see themselves, relate to others and fulfill their aspirations can produce illuminating and often engrossing stories about who and what we, as a species, inherently are.  They’re in the family of stories queer focused About Face Theatre has been telling boldly and honestly since 1995.  And it’s current production by playwright Preston May Allen, Modern Gentleman, fits snugly in the theater company’s oeuvre of truth.  

By stepping into and exploring the life of Adam, a trans man living in present day New York, About Face again provides a platform to enlighten through alternative storytelling.  Uniquely structured, and under Landree Fleming’s novel direction, Modern Gentleman presents ideas, beliefs and circumstances that provoke serious and stimulating contemplation.  Despite all the things it either suggests or leaves a mystery, it’s the common threads of life that stand out most distinctly.

Passion, drama and rewardingly precocious humor are the trinity that pervade this profile of a person trying to live their most complete life in the gender they feel most comfortable. 

Its passion that opens the play as Adam (Alec Phan) and his girlfriend Lily (Kaylah Marie Crosby) tumble through the front door of Adam’s apartment tearing at each other’s clothes in their rush to get busy between the sheets.  A young articulate couple, they’ve been together for five years and have that satisfyingly acclimated aura of a happily nested pair.  The only odd note is that after a certain point, they seem to be a little awkward about undressing in front of one another.

It isn’t long before the barely visible specter of foreboding that steals over them gets pulled from the shadows.  Sometime since they’ve been together, Adam’s found the courage to confess his desire to transition from being a woman and become male.  When they originally met, they were two women, lesbians whose relationship led to love.  It may have been a startling revelation for Lilly. But that depends on the amount of candor that defined their union.  Others in her position would have left immediately.  Lilly stayed, but two years into a regimen of testosterone treatments and the transformation of her once girlfriend’s physical appearance, and Lilly is experiencing a change of heart.  She eventually tells Adam she can’t go do it and leaves. 

Her departure though doesn’t prove final.  She keeps resurfacing, coming back to the apartment to house sit and care for Adam’s diabetic cat when he needs to travel for work.  Stopping by repeatedly to clarify her position and probe his.  Through their back and forth, we get an enlightening, indeed an enlivened picture of the complexity and far-reaching ripple effects a single very personal decision can produce.

Because they’re both so expressive, so fluent in disclosing their innermost feelings, we learn the rupture isn’t at heart due to superficialities.  It seems to center on personal perception of self and how they both want to experience intimacy beyond sex.  

Because he has allies, Adam enjoys the benefit of other insights.  His friend Samuel (Omer Abbas Salem), whose “gayese” is superb and whose piquant wit is lined with razors, has tons of excellent advice.  Adam’s sister Natalie (Ashlyn Lozano) is equally supportive and just savvy as Sam.  We never know why neither Samuel or Natalie seem to care for Lily who, despite the amount of time she has on stage and the good sense she consistently demonstrates, seems bereft of boosters in her corner. 

A woman Adam meets at a family social event and eventually hooks up with, Alycia, played with wonderfully brash assurance by Emma Fulmer, helps paint a bracing image of what dating looks like 2 ½ decades into the 21^st century.  Through her frankness, she lets Adam get a clearer picture of how a trans man who hasn’t had any below the belt alterations can fit into today’s sexual cosmos.

Milo Bue’s subdued polished set offers an unobtrusive and pleasing backdrop to this edifying drama of the heart.  Ethan Korvne’s sound design and original music bring unexpected texture to Adam’s story and shows how well composed sound elements can complement dramatic theater.  And thanks to Catherine Miller’s cosmopolitan approach to casting, we gain a promising view into the possible. 

Language that sometimes strays toward the ponderous, and occasionally less than fluid scene transitions, prove only mildly distracting.  They don’t lessen the suspense of how Adam will come to fully accept himself as the man he now is rather than some fantasized ideal.  Nor do they leave us less curious of about how that kind of epiphany will impact his relationship with Lily.  

What Modern Gentleman does most gratifyingly is shed thoughtful and intelligently humane light on one of the unseen and unheralded in our midst to give us a fuller understanding of ourselves.

Modern Gentleman

Through April 18, 2026

About Face Theatre

Venue:  Raven Theater

6157 N. Clark Street

Chicago, IL  60660

For more information and tickets:   https://aboutfacetheatre.com

This review is proudly shared with our friends at www.TheatreInChicago.com. 

Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to conclude its 50th Anniversary Season with the Chicago premiere of Mia Chung's theatrical tour-de-force Catch as Catch Can, directed by ensemble member Amy Morton, playing June 4 – July 12, 2026 in Steppenwolf's Downstairs Theater, 1650 N. Halsted St. in Chicago. Single tickets are now on sale at steppenwolf.org or the Box Office at (312) 335-1650. 

Longtime ensemble member Gary Cole (NCIS, Veep, The West Wing) returns to the Chicago stage for the first time in over 25 years, joined by fellow ensemble members Audrey Francis (The Thanksgiving Play, Noises Off, The Doppelgänger) and Tim Hopper (Mr. Wolf, Fool for Love, Downstate).

About the Production:

When a prodigal son returns to blue collar New England, his homecoming sets off a spiraling crisis for two families, threatening not only their relationships but their very identities. In Mia Chung's wildly inventive Catch as Catch Can, three actors take on six roles, bridging generation and gender, in a theatrical tour-de-force that upends the kitchen sink drama and asks what happens when we refuse to play the roles we're prescribed. Spanning hilarity, stunning virtuosity and outright horror, this ferocious Chicago premiere must be witnessed to be believed.

The creative team includes Andrew Boyce (Scenic Design), Izumi Inaba (Costume Design), Yuki Nakase Link (Lighting Design), Mikhail Fiksel (Sound Design), Kate DeVore (Dialect and Voice Coach), Jonathan L. Green (Dramaturg), Patrick Zakem (Creative Producer), Elise Hausken (Production Manager), JC Clementz, CSA (Casting), Laura D. Glenn (Production Stage Manager) and Jaclynn Joslin (Assistant Stage Manager). For full cast and creative team bios, click here.

Production Details:

Title: Catch as Catch Can
Playwright: Mia Chung
Director: ensemble member Amy Morton
Cast: ensemble members Gary Cole (Roberta Lavecchia/Robbie Lavecchia), Audrey Francis (Lon Lavecchia/Daniela Lavecchia) and Tim Hopper (Theresa Phelan/Tim Phelan).

Location: Steppenwolf's Downstairs Theater, 1650 N. Halsted St., Chicago
Dates: Previews: Thursday, June 4 – Saturday, June 13, 2026
Opening: Sunday, June 14, 2026 at 6 pm
Regular run: Tuesday, June 16 – Sunday, July 12, 2026
Curtain Times: Tuesdays, Wednesdays, Thursdays and Fridays at 7:30 pm; Saturdays at 3 pm & 7:30 pm; and Sundays at 3 pm. Please note: there will not be 7:30 pm performances on Tuesday, June 9, Friday, June 19 (Juneteenth); Saturday, July 4 (Independence Day) or Tuesday, July 7; there will not be a 3 pm performance on Saturday, July 4 (Independence Day); there will be an added 2 pm matinee on Wednesday, July 1; there will be an added 7:30 performance on Sunday, July 5.

Tickets: Single tickets for Catch as Catch Can ($20 – $120*) are now on sale at steppenwolf.org and the Box Office at (312) 335-1650. Steppenwolf Flex Memberships are currently on sale at steppenwolf.org/memberships: Black Card Memberships with six tickets for use any time for any production and RED Card Memberships for theatergoers under 30. *Pricing includes an $8.50 handling fee

Steppenwolf offers 20 tickets for $20 (no added fees) for each performance of every membership series production. Use promo code 20FOR20 to redeem this offer online, available in advance until they're sold out for every main series show. Limit 2 tickets per person. You can also purchase by phone at (312) 335-1650 on the day-of show at 12 pm for main series performances. Limit 2 tickets per person.

Accessible Performance Dates:

Audio-Described and Touch Tour:  Sunday, June 28 at 3 pm (1:30 pm Touch Tour)
Open-Captioned: Thursday, June 25 at 7:30 pm & Saturday, July 11 at 3 pm
ASL-Interpreted: Friday, July 10 at 7:30 pm

Education and Engagement:

Throughout the 2025/26 season, Steppenwolf continues its commitment to the next generation of theatre learners, makers and appreciators with robust education and engagement programming. During the school year, programming includes dedicated student matinee performances for four of the five Membership Series productions, in-school residencies in partnership with Chicago Public schools, a series of on-site workshops in artmaking and theater production, events specifically geared towards teens, as well as professional development trainings and resources for educators. Additionally, Steppenwolf is reimagining their community engagement and will pilot new public programming, continue accessibility programming and offer opportunities for deeper explorations for audiences throughout the season. For additional information about Steppenwolf's Education and Engagement programming and to register your school for a field trip visit steppenwolf.org/education-and-engagement/steppenwolf-field-trip-series.

Artist Biographies:

Mia Chung (Playwright) received a 2024 MacDowell Fellow, 2023 Whiting Award for Drama and a 2022 MAP grant for a new music-theatre work. Her play Catch as Catch Can premiered at Playwrights Horizons in Fall 2022 (2018 World Premiere, Off-Off-Broadway, Page 73). Additional work: Ball in the Air (NAATCO/Public Theater 2022), Double Take (PH Almanac 2021), This Exquisite Corpse (multiple awards), You For Me For You (Royal Court, National Theatre Company of Korea, Woolly Mammoth, multiple regionals. Published: Bloomsbury Methuen). Awards, commissions, residencies include: Clubbed Thumb, Helen Merrill, Loewe Award for Music-Theatre, MTC/Sloan, NYTW, Playwrights' Center/Jerome, Playwrights Horizons/Steinberg, Playwrights Realm, South Coast Rep, SPACE/Ryder Farm. Alum: Huntington Playwriting Fellows, Ma-Yi Writers Lab, New Dramatists.

Amy Morton (Director) is an actor and director. She has performed in or directed many plays at Steppenwolf including: Edward Albee's Who's Afraid of Virginia Woolf? (Tony nomination), August: Osage County (Tony nomination), One Flew Over The Cuckoo's Nest (also on Broadway), Hir, Cherry Orchard, The Berlin Circle, Three Days of Rain, The Unmentionables, Space, The Royal Family and many others. She has directed Guards at the Taj (both Atlantic Theatre and Steppenwolf), Glengarry Glen Ross, Clybourne Park, American Buffalo, The Dresser, The Pillowman, Topdog/Underdog, Edward Albee's Who's Afraid of Virginia Woolf? (Alliance Theatre), Awake and Sing (Northlight Theatre), and many others. Film: Rookie of the Year, 8MM, Falling Down, Backdraft, Up in the Air, Bluebird, It Ends With Us. Television: The Bear, Bluebloods, Girls, Homeland, currently a regular on Chicago P.D. as Sgt. Trudy Platt. Before joining Steppenwolf, Amy was a member of the Remains Theatre for 15 years.

Gary Cole (Roberta Lavecchia/Robbie Lavecchia) has been a member of the Steppenwolf Theatre Company Ensemble since 1986. Past Steppenwolf credits include: Balm in Gilead, Tracers, Frank's Wild Years, Closer and August: Osage County. Off-Broadway: True West, Orphans (both of which originated at Steppenwolf), and the premiere of Sam Shepard's Heartless. Television: West Wing, Entourage, Chicago Fire, The Good Wife, The Good Fight, Suits, Veep and NCIS. Voiceover work includes: Family Guy, Big Mouth and Archer. Film: In the Line of Fire, A Simple Plan, Dodgeball, Office Space, Talladega Nights: The Ballad of Ricky Bobby and Pineapple Express.

Audrey Francis (Lon Lavecchia/Daniela Lavecchia) currently serves as Artistic Director of Steppenwolf Theatre, alongside Glenn Davis, where she has been an Ensemble member since 2017. Audrey directed You Will Get Sick in Steppenwolf's 2024/25 season and POTUS in the 2023/24 season. She has performed on stage in Noises Off, The Thanksgiving Play, The Herd, Between Riverside and Crazy, The Fundamentals, The Doppelgänger (an international farce) and Dance Nation. TV and film credits include Justified: City Primeval, Chicago Med, Chicago Fire, Empire, Perpetrator, Knives and Skin and Later Days. Audrey is an acting coach for NBC, Fox, Showtime and Amazon. She is also the co-founder of Black Box Acting and the co-creator of Steppenwolf's corporate training program, Steppenwolf IMPACT.

Tim Hopper (Theresa Phelan/Tim Phelan) is a member of the Steppenwolf Theatre Company ensemble. Recent roles at Steppenwolf include Mr. Wolf in Mr. Wolf and Andy in Downstate, which traveled to the National Theatre in London, and to Playwrights Horizons in New York. Television appearances include Chicago Fire, Emperor of Ocean Park, the Amazon series Utopia, Fargo, The Americans, and Empire. Film appearances include the upcoming A24 film Enemies, as well as Perpetrator; Knives and Skin, School of Rock and To Die For, among others. Off-Broadway: New York Theatre Workshop, Vineyard Theatre and the Atlantic Theater. Internationally, the Edinburgh Festival and Antwerp's De Singel Theatre.

Accessibility: 

As a commitment to make the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each STC production. Assistive listening devices (ALDs), large-print programs and Braille programs are available for every performance and all our spaces are equipped with an induction hearing loop. Our building features wheelchair accessible seating and restrooms, push-button entrances, a courtesy wheelchair and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/access or e-mail This email address is being protected from spambots. You need JavaScript enabled to view it..

Sponsor Information:

Catch as Catch Can is supported in part by Jenner & Block. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Bloomberg Philanthropies, Crown Family Philanthropies, Caroline and Keating Crown, Julius Frankel Foundation, Lefkofsky Family Foundation, Northern Trust, Anne and Don Phillips, John Hart and Carol Prins, Shubert Foundation, Inc, Walder Foundation, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors Anonymous, Andrew and Amy Bluhm, Michael and Cathy Brennan, Ann and Richard Carr, Chicago Community Trust, Conagra Brands Foundation, Rich and Margery Feitler, FROST CHICAGO, John D. and Catherine T. MacArthur Foundation, The Orlebeke Foundation, Polk Bros. Foundation, Sacks Family Foundation, Harold and Mimi Steinberg Charitable Trust, Thoma Bravo, Bryan Traubert and Penny Pritzker, and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council and the City of Chicago Department of Cultural Affairs and Special Events.

About Steppenwolf Theatre Company:

Steppenwolf Theatre Company is the nation's premier Ensemble Theater with 50 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions have made this theatre legendary. From the 1980 phenomenon of Balm in Gilead, to The Grapes of Wrath, August: Osage County, Downstate, The Brother/Sister Plays, and now, the 2025 Pulitzer Prize and Tony Award-winning Purpose, Steppenwolf Theatre has had a long-running and undeniable impact on American Theatre and Chicago's cultural landscape. Founded in 1975 by Terry Kinney, Jeff Perry and Gary Sinise, Steppenwolf started as a group of young people in their teens and early 20s performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 14 Tony Awards, two Pulitzer Prize-winning commissions and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director E. Brooke Flanagan and Board of Trustees Chair Keating Crown — Steppenwolf continually redefines the boundaries of live theater and pushes the limits of acting and performance.

Steppenwolf's Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

Cerqua Rivera Dance Theatre (CRDT) is pleased to announce its Spring 2026 Concert Series, URGENT MOTION/SHARED GROUND, presented by the Dance Center of Columbia College Chicago, 1306 S. Michigan Ave. Thursday, April 30, at 7:30 p.m., Friday, May 1 at 7:30 p.m. and Saturday, May 2 at 12 p.m. Tickets are $10 - $30, (free for Columbia College students) and available now at CerquaRivera.org. The approximate runtime is 75 minutes.

CRDT's URGENT MOTION/SHARED GROUND features performances of original dance and music by the company's professional dance ensemble and jazz orchestra. The program will feature two new world premieres: Immense World by Shannon Alvis and Joe Cerqua and We Intersect by Monique Haley and Joe Cerqua. Also featured, and back by popular demand, A Place Between Earth & Sky by Shannon Alvis and Clarice Assad.  In this program, the company meets a world in turmoil with movement and music that listens, reflects. This performance is an exploration of who we are, where we've been and where we're headed, together.

The Spring 2026 Concert Program Includes:

Immense World: A World Premiere 

by Shannon Alvis (Hubbard Street Dance Chicago) and Composition by Co-Founder Joe Cerqua, Additional Composition: Richard M. Jones with arrangement by Joe Cerqua

Lyrical and sensitive, a new work of dance theatre exploring the relationship between humans and nature

Victims of Comfort

Music by Keb' Mo'

Featuring Joe Cerqua (vocalist) & Stu Greenspan (guitar & CRDT music director)

We Intersect: A World Premiere

by Monique Haley (River North Chicago Dance) and Composition by Kendrick Scott (Founder, World Culture Music), arrangement by Joe Cerqua

Rooted in jazz and blues, this is a consideration of loops of prejudice and the promise of community

Bridge Over Troubled Water

Music by Paul Simon, Arrangement by Joe Cerqua

Featuring Joe Cerqua and Margaret Murphy-Webb (vocalists)

A Place Between Earth & Sky (2019): Revival

By Shannon Alvis (Hubbard Street Dance Chicago) and Composition by Clarice Assad (2009 Latin Grammy and 2022 Grammy nominee)

A propulsive and ethereal work that uses the framework of a day to consider the arc of a life

ABOUT CERQUA RIVERA DANCE THEATRE

Cerqua Rivera Dance Theatre gathers people to contemplate our unique distinctions and common humanity. We offer recognition and respect to the full breadth of our community and nurture empathy and understanding to improve the quality of life everywhere we go. We are proudly and visibly multicultural, exploring the intersection of heritage, culture, and identity through high quality, original dance and music rooted in diverse and authentic personal narratives.

Cerqua Rivera Dance Theatre presents URGENT MOTION/SHARED GROUND, presented by the Dance Center of Columbia College Chicago, 1306 S. Michigan Ave. Thursday, April 30, at 7:30 p.m., Friday, May 1 at 7:30 p.m. and Saturday, May 2 at 12 p.m. Tickets are $10 - $30, (free for Columbia College students) and available now at CerquaRivera.org. The approximate runtime is 75 minutes.

Rivendell Theatre Ensemble, Chicago's only professional theater that seeks to advance women through the power of storytelling, announces the cast for the world premiere of Do Something Pretty by Melissa Ross (The Luckiest, Thinner Than Water, Nice Girl,  A Life Extra Ordinary), directed by Rivendell favorite, Jessica Fisch (The Firebirds Take the Field, I Wanna F**king Tear You Apart). Do Something Pretty runs May 2 – June 7, 2026, as part of Rivendell's 30^th Anniversary Season of new plays. 

The 30^th Anniversary Season takes place at Rivendell's home, 5779 N. Ridge Avenue in Chicago. Tickets are priced at $28 for previews and $38 for regular performances. Angel and Sponsor tickets are priced $58 and $88 and include a donation. Discounts are available for seniors, students, and military. Tickets go on sale March 23 at rivendelltheatre.org/dosomethingpretty and (773) 334-7728.

Summer of 1992. The United States is in a recession. Arkansas Governor Bill Clinton is about to run for president. Kurt is married to Courtney. Yo MTV Raps is on the TV.  And Zach Morris is the only kid with a cell phone.

On a hot August night in a small Massachusetts town the last few weeks before school starts. Three teens try to navigate their way through the murky path to adulthood. Phoebe wants to grow up. Jason wants Evie. And Evie just wants to get as far away from everyone as she possibly can.

Artistic Director Tara Mallen comments, "A few years ago, I was inducted into to the world of Melissa Ross when I was cast in one of her (stunning) plays The Luckiest at Raven Theatre. What struck me most was these complicated, messy, outrageously human women that Melissa centers in all her plays are all portrayed as subjects rather than objects. In 2026, it shouldn't be the case that this is a rarity—but I promise you that it is. So, when Melissa reached out asking if Rivendell might be interested in her brand-new play depicting two sisters—one on the brink of teendom and the other on the edge of adulthood—I jumped at the chance. I am so delighted to welcome Chicago audiences to hearken back to 1992 and bring Do Something Pretty to our stage at Rivendell."

This world premiere production of Do Something Pretty marks ensemble member Katherine Mallen Kupferer's (Phoebe) Rivendell debut. ​The cast also features Jasper Johnson (Matt), Reilly Oh (Jason) and Jocelyn Zamudio (Evie).

The creative team includes Daira Rodriguez (Assistant Director), Lindsay Mummert (Scenic Design), Saawan Tiwari (Costume Design), Sierra Walker (Lighting Design), Eric Backus (Sound Design), and RTE Ensemble Members Sarah Slight (Dramaturg), and Caroline Michele Uy (Associate Dramaturg). The Production Stage Manager is Rita Vreeland and the Artistic Producer is RTE Member Pat Fries (Artistic Producer).

Rivendell is offering a special mid-season RivPass good for the remainder of its 30th Anniversary Season. The $65 subscription includes a ticket to the 2^nd and 3^rd mainstage shows.  Purchase this offer atrivendelltheatre.org/tickets or by emailing General Manager Trisha Hooper at This email address is being protected from spambots. You need JavaScript enabled to view it..

The Do Something Pretty lead production sponsors are Maureen and Anna Miller. Rivendell's 30th Anniversary Season is sponsored by Sharon I. Furiya.

FACTS / Do Something Pretty

Do Something Pretty

A world premiere by Melissa Ross

Directed by Jessica Fisch

May 2 – June 7, 2026

Cast: RTE member Katherine Mallen Kupferer (Phoebe) with Jasper Johnson (Matt), Reilly Oh (Jason) and Jocelyn Zamudio (Evie).

Creative Team: Daira Rodriguez (Assistant Director), Lindsay Mummert (Scenic Design), Saawan Tiwari (Costume Design), Sierra Walker (Lighting Design), Eric Backus (Sound Design), and RTE Ensemble Members Sarah Slight (Co-Dramaturg), and Caroline Michele Uy (Co-Dramaturg). The Production Stage Manager is Rita Vreeland and the Artistic Producer is RTE Member Pat Fries.

Dates:

Previews: May 2-8, 2026

Saturday, May 2 at 8pm

Sunday, May 3 at 3 pm

Tuesday, May 5 at 8pm

Wednesday, May 6 at 8pm

Thursday, May 7 at 8pm

Friday, May 8, at 8pm

Gala Opening: Sunday, May 10 at 6pm

Press Opening: Monday, May 11 at 7pm

Regular Run: May 15 – June 7, 2026

Thursday-Saturday at 8pm; Saturday at 4pm

Added Performances: Sundays, May 24 and May 31 at 3pm

Open Caption: Thurs May 21 at 8pm; Saturday May 30 at 4pm

Town Halls: Friday May 8, Young Industry Professionals; Saturday May 23 after 4pm performance

Chicago’s Shattered Globe Theatre presents the hilarious and surreal fantasia on Midwestern masculinity you’ve all been waiting for: the World Premiere of Eelpout! by Paul W. Kruse, directed by Jeremy Ohringer, April 17-May 30, 2026.

Meet Sven Svensen and Ole Olsen, best buds since kindergarten. When they gather to celebrate Ole’s wedding to Lena with an ice-fishing bachelor party, an unexpected confession begins to crack their plans wide open. As the beer flows and temperatures drop, Sven and Ole hook into deeper truths, along with a talking fish.

Cast your rod and catch Eelpout!, both a bottom-feeding fish native to the upper Midwest AND Chicago’s must-see world premiere comedy this spring. Previews start April 17. Performances run through May 30 at Theater Wit, 1229 W. Belmont Ave. in Chicago’s Lakeview neighborhood. Tickets are $20-$60. For tickets and information, visit sgtheatre.org. 

“I am grateful to direct at Shattered Globe for the first time with this world premiere that epitomizes why I love theater: it’s wild, wondrous, and makes me laugh until it hurts,” said director Jeremy Ohringer. “The play also interrogates the fragility of masculinity and invites us to ask, ‘what must we shed in order to live authentically?’ I cannot wait to share Paul’s incredible play! I bet audiences fall for it hook, line, and sinker.”

Shattered Globe Theatre’s cast for Eelpout! features SGT Ensemble Member Rebecca Jordan (she/her) as Holly with Jesús Barajas (he/they) as Eelpout, Dinah Berkeley (they/them) as Lars, Carl Hallberg (he/they) as Ole, Taigé Lauren (she/her) as Heidi, Lydia Moss (she/her) as Lena, and Jeff Rodriguez (she/her) as Sven.

The production team is Paul W. Kruse (playwright), Jeremy Ohringer (director), Eleanor Kahn (set), Delena Bradley (costume designer), Sierra Walker (lighting designer), Saskia Bakker (props designer), Christopher Kriz (original music and sound designer), Kristina Fluty (intimacy director), Benjamin Murphy (assistant director), Tina Jach (stage manager) and Alexa Berkowitz (production manager).

Ticket information for Eelpout!

The first preview of Eelpout! on Friday, April 17 at 7:30 p.m. is Pay-What-You-Can. Previews continue Saturday, April 18 at 7:30 p.m., Sunday, April 19 at 3 p.m., and Wednesday, April 22 at 7:30 p.m. Performances run through May 30: Thursday, Friday and Saturday at 7:30 p.m., Sunday at 3 p.m. No show Friday, April 24. There’s an added 3 p.m. matinee on closing day, Saturday, May 30. Run time is 90 minutes with no intermission.

For tickets and information, visit sgtheatre.org, call the Theater Wit box office, (773) 975-8150, or purchase in person at Theater Wit. Take advantage of early-bird discounts. Otherwise, previews are $25. Performances are $20-$60 ($20 for students, veterans, active military, teachers, and under 30; $40 general admission; $60 for those who want to support accessible theater). For group discounts, email This email address is being protected from spambots. You need JavaScript enabled to view it. or call (773) 770-0333.

Visit SGTheatre.org for more show information, including photos and video clips, news of special events, accessible and waived ticket programs and show content warnings. For the latest updates, follow @shatteredglobe on Facebook and Instagram.

Access Services

Audio Description and a Touch Tour for patrons who are blind or have low vision will be offered on Friday, May 22. The Touch Tour begins at 6:15 p.m. Show at 7:30 p.m. 

Shattered Globe will offer a captioned performance on Sunday, May 24 at
3 p.m. for patrons with hearing loss. Assisted Listening Devices are available for all performances.

Theater Wit is wheelchair accessible. All patrons with disability needs are invited to purchase $20 access tickets with the code “ACCESS20” at Theater Wit’s checkout page. Please email This email address is being protected from spambots. You need JavaScript enabled to view it. to ensure the theater can reserve the right seat for your needs.

Chicago's Raven Theatre Company today announced the cast and production team for Dave Malloy's OCTET, directed by Keira Fromm and running April 30 - June 7, 2026 (previews April 30 - May 3). Tickets ($30 - $45) on sale at www.raventheatre.com. 

In an anonymous meeting room, a group of people —always eight—gather to sing. Best known for the Broadway hit NATASHA, PIERRE, & THE GREAT COMET OF 1812, Dave Malloy's  OCTET uses chamber-inspired a cappella music to explore the total impact of life online. Hailed by the New York Times as "the most original and topical musical of the year" for its 2019 Off-Broadway premiere, this inventive and acutely relevant piece reflects the perils of the digital age.

"OCTET is the perfect first musical for Raven," says Executive Artistic Director Sarah Slight. "It tackles the urgent topic of technology addiction in a way that feels right at home on our stage. With an entirely a capella score, OCTET offers something our audience has never experienced here before. It is an extraordinary show to bring to Chicago."

The cast features Joryhebel Ginorio (Velma), Neala Barron (Jessica), Grace Steckler (Karly), Teressa LaGamba (Paula), Elliot Esquivel (Toby), Jordan Golding (Marvin), Sam Shankman (Henry), and Jonah D. Winston (Ed). Understudies are Dani Pike (u/s Jessica), Collin Quinn Rice (u/s Henry), Diana Marilyn Alvarez (u/s Paula), Caitlyn Cerza (u/s Karly), Danny Bennett (u/s Ed), Jonah Cochin (u/s Toby), Joe Giovannetti (u/s Marvin), and Mizha Lee Overn (u/s Velma).

The production team, led by director Keira Fromm, includes JC Widman (Stage Manager),  Nick Sula (Music Director), Laura Savage (Choreographer), Milo Bue (Scenic Designer), Paloma Locsin (Props Coordinator), Maegan Pate (Costume Designer), Maximo Grano de Oro (Lighting Designer), Christopher Kriz (Sound Designer), Ruby Lowe (Master Electrician), Lucy Whipp (Production Manager), Mads Wren (Assistant Director), Faith Locke (Assistant Stage Manager), Hannah Kwak (Assistant Sound Designer), Emmitt Socey (Assistant Master Electrician), Wynn Lee (Associate Scenic Designer), and Catherine Miller (Dramaturg, Casting Director).

Raven Theatre's OCTET runs April 30 - June 7, 2026, with previews April 30 - May 3. Performances are held Thursdays, Fridays, and Saturdays at 7:30 p.m., and Sundays at 3 p.m. on the Johnson Stage at Raven Theatre, 6157 N. Clark St. Tickets are $45, with discounts available for students, military, and industry ($30 previews); to purchase tickets and for more information about Raven Theatre's 43rd season, visit www.raventheatre.com. 

OCTET

Written By: Dave Malloy

Directed By: Keira Fromm

Cast: Joryhebel Ginorio (Velma), Neala Barron (Jessica), Grace Steckler (Karly), Teressa LaGamba (Paula), Elliot Esquivel (Toby), Jordan Golding (Marvin), Sam Shankman (Henry), and Jonah D. Winston (Ed). Understudies are Dani Pike (u/s Jessica), Collin Quinn Rice (u/s Henry), Diana Marilyn Alvarez (u/s Paula), Caitlyn Cerza (u/s Karly), Danny Bennett (u/s Ed), Jonah Cochin (u/s Toby), Joe Giovannetti (u/s Marvin), and Mizha Lee Overn (u/s Velma).

Production Team: JC Widman (Stage Manager),  Nick Sula (Music Director), Laura Savage (Choreographer), Milo Bue (Scenic Designer), Paloma Locsin (Props Coordinator), Maegan Pate (Costume Designer), Maximo Grano de Oro (Lighting Designer), Christopher Kriz (Sound Designer), Ruby Lowe (Master Electrician), Lucy Whipp (Production Manager), Mads Wren (Assistant Director), Faith Locke (Assistant Stage Manager), Hannah Kwak (Assistant Sound Designer), Emmitt Socey (Assistant Master Electrician), Wynn Lee (Associate Scenic Designer), and Catherine Miller (Dramaturg, Casting Director).

Dates: April 30 - June 7, 2026 (Previews TBD)

Schedule: Thursdays, Fridays, and Saturdays at 7:30 p.m.; Sundays at 3 p.m.

Location: Raven Theatre (6157 N. Clark St.)

Tickets: General Admission: $45; Student, Military, and Industry tickets $20. Previews $30.

Box Office: www.raventheatre.com 

Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to announce full casting for its world premiere of Windfall, a gripping new work by Academy Award-winning ensemble member Tarell Alvin McCraney, directed by Awoye Timpo.

Windfall reunites ensemble members Alana Arenas, Glenn Davis and Jon Michael Hill, who starred in Steppenwolf's Tony and Pulitzer Prize-winning drama Purpose, joined by ensemble member Namir Smallwood, direct from his Broadway turn in Bug. Rounding out the cast, Steppenwolf welcomes Esco Jouléy (Dying for Sex) and Michael Potts (The Wire, The Piano Lesson–Broadway), both in their Steppenwolf debuts.

Continuing Steppenwolf's 50^th Anniversary Season, Windfall will play April 9 – May 31, 2026 in Steppenwolf's Ensemble Theater, 1646 N. Halsted St. in Chicago. Single tickets are now on sale at steppenwolf.org or the Box Office at (312) 335-1650. 

About the Production:

This is a story about money. Don't let them fool you otherwise. When a father loses his child in a clash with the police, he is visited by three strangers who advise him to take the city's cash settlement, relocate and forget his grief – or else remain, haunted by memories of the world his child fought so hard to protect. This lyrical world premiere is a vital and timely look at the spirit of activism set against the most indifferent system of them all: the almighty dollar.

Steppenwolf Artistic Directors Glenn Davis and Audrey Francis comment, "When we commissioned ensemble member Tarell Alvin McCraney to write a new play specifically built for our in-the-round Ensemble Theater as a centerpiece of Steppenwolf's 50th season, we weren't sure what he'd create. But, given that Tarell is one of the most talented writers of his generation, we were not at all surprised that he delivered a stunning, lyrical and undeniably bold script. This is a play for our moment, for our city, tailor-made for an ensemble cast and this unique venue. We eagerly anticipate sharing this vital Chicago story with our community."

The creative team includes Andrew Boyce (Scenic Design), Qween Jean (Costume Design), Jason Lynch (Lighting Design), Willow James (Sound Design), Marie Ramirez Downing (Dialect and Voice Coach), Bryar Barborka (Dramaturg), Patrick Zakem (Creative Producer), Tom Pearl (Producing Director), JC Clementz, CSA (Casting), Michelle Medvin (Production Stage Manager) and Kathleen Barrett (Assistant Stage Manager). For full cast and creative team bios, click here.

Production Details:

Title: Windfall
Playwright: ensemble member Tarell Alvin McCraney
Director: Awoye Timpo
Cast: ensemble members Alana Arenas (First Lady, Second Wife, Miss Second, The Last One) Glenn Davis (Marcus), Jon Michael Hill (Nurse, Cori) and Namir Smallwood (Officer, Brother 1) with Esco Jouléy (Eli) and Michael Potts (Henri 'Mr. Mano' Tamaño).

Location: Steppenwolf's Ensemble Theater, 1646 N. Halsted St., Chicago

Dates: Previews: Thursday, April 9 – Saturday, April 18, 2026
Opening: Sunday, April 19, 2026 at 6 pm
Regular run: Tuesday, April 21 – Sunday, May 31, 2026

Curtain Times: Tuesdays, Wednesdays, Thursdays and Fridays at 7:30 pm; Saturdays at 3 pm & 7:30 pm; and Sundays at 3 pm. Please note: there will not be 7:30 pm performances on Tuesday, April 14, Wednesday, April 22, Tuesday, April 28, Tuesday, May 5, Saturday, May 9 (Steppenwolf Gala) and Tuesday, May 26; there will not be at 3 pm performance on Saturday, May 9 (Steppenwolf Gala);; there will be an added 2 pm matinee on Wednesday, May 20.

Tickets: Single tickets for Windfall ($20 – $148.50*) are now on sale at steppenwolf.org and the Box Office at (312) 335-1650. Steppenwolf Flex Memberships are currently on sale at steppenwolf.org/memberships: Black Card Memberships with six tickets for use any time for any production and RED Card Memberships for theatergoers under 30. *Pricing includes an $8.50 handling fee

Steppenwolf offers 20 tickets for $20 (no added fees) for each performance of every membership series production. Use promo code 20FOR20 to redeem this offer online, available in advance until they're sold out for every main series show. Limit 2 tickets per person. You can also purchase by phone at (312) 335-1650 on the day-of show at 12 pm for main series performances. Limit 2 tickets per person.

Accessible Performance Dates:

Audio-Described and Touch Tour:  Sunday, May 24 at 3 pm (1:30 pm Touch Tour)
Open-Captioned: Saturday, May 16 at 3 pm & Thursday, May 21 at 7:30 pm
ASL-Interpreted: Friday, May 29 at 7:30 pm

Education and Engagement:

Throughout the 2025/26 season, Steppenwolf continues its commitment to the next generation of theatre learners, makers and appreciators with robust education and engagement programming. Programming includes dedicated student matinee performances during four of the five Membership Series productions including Mr. Wolf, Amadeus, The Dance of Death and Windfall, in-school residencies in partnership with Chicago Public schools, workshops, panels and events specifically geared towards teens, as well as professional development trainings and resources for educators. Additionally, Steppenwolf is reimagining their community engagement and will pilot new public programming, continue accessibility programming and offer opportunities for deeper explorations for audiences throughout the season. For additional information about Steppenwolf's Education and Engagement programming and to register your school for a field trip visit steppenwolf.org/education-and-engagement/steppenwolf-field-trip-series.

Artist Biographies:

Tarell Alvin McCraney (Playwright, he/him) is Artistic Director of Geffen Playhouse. In this role, he is responsible for identifying, developing and programming new works and re-envisioned classics. He sets the strategic artistic course for the Geffen's Gil Cates and Audrey Skirball Kenis Theaters. McCraney is an award-winning writer, producer and educator, best known for his acclaimed trilogy, The Brother/Sister Plays. His script In Moonlight Black Boys Look Blue is the basis for the Oscar–winning film Moonlight directed by Barry Jenkins, for which McCraney and Jenkins also won a Best Adapted Screenplay Oscar. He is an ensemble member at Steppenwolf Theatre and a member of Teo Castellanos D-Projects in Miami, a graduate of New World School of the Arts, The Theatre School at DePaul University and the David Geffen School of Drama at Yale. He received an honorary doctorate from the University of Warwick. He was recently Co-Chair of Playwriting at the David Geffen School of Drama, where he remains on faculty. He is an associate at the Royal Shakespeare Company, London, and a member of the Academy of Motion Picture Arts and Sciences (Writers Branch).

Awoye Timpo (Director) is a Brooklyn-based Director and Producer. She recently directed Ngozi Anyanwu's Leroy & Lucy at Steppenwolf. Her recent New York credits include The Swamp Dwellers by Wole Soyinka (TFANA), Syncing Ink by NSangou Njikam (Apollo Theater), Elyria by Deepa Purohit (Atlantic Theater), Wedding Band by Alice Childress (Theatre for a New Audience), In Old Age by Mfoniso Udofia (New York Theatre Workshop), Carnaval by Nikkole Salter (National Black Theatre), Good Grief by Ngozi Anyanwu (Vineyard Theatre and Audible) and The Homecoming Queen by Ngozi Anyanwu (Atlantic Theater Company). Regionally she has directed at the Huntington, Studio Theatre, Paradise Blue, Actors Theatre of Louisville, Berkeley Rep, Marin Theatre Company. Other projects include concert performances for independent artists as well as for the NBA, Ndebele Funeral (59E59, Edinburgh, South African Tour), "Black Picture Show" (Artists Space/Metrograph), and Bluebird Memories (Audible). Awoye is a Creative Arts Consultant for the African American Policy Forum and the Founding Producer of Classix, a collective of 5 artists created to explode the classical canon through an exploration of dramatic works by Black writers and Black performance history, theclassix.org .

Alana Arenas (First Lady, Second Wife, Miss Second, The Last One) joined the Steppenwolf Theatre Company ensemble in 2007. She most recently appeared in Steppenwolf's world premiere of Purpose by Branden Jacobs-Jenkins in Chicago and on Broadway (Tony Award – Best Play). Alana also created the role of Pecola Breedlove for the Steppenwolf for Young Adults production of The Bluest Eye, which also played at the New Victory Theater Off-Broadway. Recent Steppenwolf appearances include: the Steppenwolf for Young Adults production of Monster, The Fundamentals, Marie Antoinette, Tribes, Belleville, Head of Passes, Good People, Three Sisters, The March, Man in Love, Middletown, The Hot L Baltimore, The Etiquette of Vigilance, The Brother/Sister Plays, The Tempest, The Crucible, Spare Change and The Sparrow Project. Broadway: Purpose. Other theatre credits include Disgraced (American Theater Company), The Arabian Nights (Lookingglass Theatre Company, Berkeley Repertory Theatre and Kansas City Repertory Theatre), Eyes (eta Creative Arts), SOST (MPAACT), WVON (Black Ensemble Theater) and Hecuba (Chicago Shakespeare Theater). Television and film credits include David Makes Man, Canal Street, Crisis, Boss, The Beast, Kabuku Rides and Lioness of Lisabi. She is originally from Miami, Florida, where she began her training at the New World School of the Arts. Alana holds a BFA from The Theatre School at DePaul University.

Glenn Davis (Marcus) is an actor, producer and Artistic Director of Steppenwolf Theatre Company, alongside Audrey Francis, where he has been an ensemble member since 2017. He most recently appeared in Steppenwolf's world premiere of Purpose by Branden Jacobs-Jenkins in Chicago and on Broadway (Tony Award – Best Play, Tony nomination – Best Featured Actor). Other Steppenwolf credits include Downstate, The Christians, You Got Older, The Brother/Sister Plays, Head of Passes, King James (also Mark Taper Forum), Describe the Night. Broadway credits include: Purpose; Bengal Tiger at the Baghdad Zoo (also Kirk Douglas Theatre, Mark Taper Forum). Off-Broadway credits include Transfers (MCC Theatre), Wig Out! (Vineyard Theatre), Downstate (Playwrights Horizons, Outer Critics Circle Nomination) and King James (MTC). Other regional credits include Moscow x6 (Williamstown Theatre Festival). International credits include Downstate (National Theatre, UK); Edward II, The Winter's Tale and As You Like It (Stratford Festival); Othello (The Shakespeare Company). Television credits include Billions, 24, The Unit, Jericho and The Good Wife. Glenn is an Artistic Associate at the Young Vic in London and at the Vineyard Theatre in New York. He is also a partner in Cast Iron Entertainment, a collective of artists consisting of Sterling K Brown, Brian Tyree Henry, Jon Michael Hill, Andre Holland and Tarell Alvin McCraney. Cast Iron is currently in residence at The Geffen Playhouse in Los Angeles. In 2021, Glenn founded The Chatham Grove Company along with his producing partner Tarell Alvin McCraney.

Jon Michael Hill (Nurse, Cori) joined the Steppenwolf Theatre Company ensemble in 2007. He most recently appeared in Steppenwolf's world premiere of Purpose by Branden Jacobs-Jenkins in Chicago and on Broadway (Tony Award – Best Play, Tony nomination – Lead Actor). Steppenwolf Theatre Company: Leroy and Lucy, True West (also Galway Arts Festival), Pass Over, Constellations, Head of Passes, The Hot L Baltimore, The Tempest, Kafka on the Shore, The Unmentionables. Broadway: Purpose, Superior Donuts, Pass Over. Off-Broadway: The Refuge Plays (New York Theatre Workshop) Pass Over (Lincoln Center). Film: Pass Over, Widows, In The Radiant City, No Pay, Nudity. Television: A Man in Full (Netflix), Elementary (CBS), Detroit 1-8-7 (ABC), Eastbound and Down (HBO), Law & Order: Special Victims Unit (NBC) and Person of Interest (CBS).

Esco Jouléy (Eli) won over audiences as "Sonya" in the Emmy-nominated FX series Dying for Sex, alongside Michelle Williams and Jenny Slate, and previously starred in the Sundance anthology series, State of the Union, opposite Patricia Clarkson and Brendan Gleeson. Esco recently returned to the stage for the sold-out, Off-Broadway run of Trophy Boys at MCC Theater. On stage, Esco also received rave reviews for their "magnetic" performance in New York Theater Workshop's production of Merry Me, as well as their award-winning turn in Wolf Play.

Michael Potts (Henri 'Mr. Mano' Tamaño) is an award-winning actor whose prolific career on stage and screen has resonated with audiences for over four decades. Michael starred in the Broadway production of August Wilson's The Piano Lesson (which he received an Outer Critics Circle nomination) and he then reprised his role of 'Winning Boy' to great acclaim in the Netflix adaptation, written and directed by Malcolm Washington opposite Samuel L. Jackson, Daniel Deadwyler and Corey Hawkins. Potts alongside the star studded cast were awarded the Tribute Award at the Gothams in 2024 for their cinematic artistry. Potts' long line of screen credits include: Highest 2 Lowest (Apple TV, Spike Lee, dir.), Rustin (Netflix, George C. Wolfe, dir.), Ma Rainey's Black Bottom (Netflix, Geore C. Wolfe, dir.), Change in the Air, Cicada and Here and Now. Next up on television, Potts will be seen co-starring in Courtney Kemp's Nemesis for Netflix and in the new FOX medical drama Best Medicine from Liz Tuccillo, opposite Josh Charles. His other significant roles in television include: Law & Order, East New York, The First Lady, Prodigal Son, Madam Secretary, Law & Order SVU, Show Me a Hero, Gotham, True Detective, Damages and 'Brother Mouzone' in The Wire. On stage, Michael's career spans plays and musicals that endure in the lexicon of the American theater. Those include Jitney (NY Drama Critics Circle Special Citation), Grey Gardens, The Book of Mormon, The Iceman Cometh, The Prom, 1984 and Lennon. Off-Broadway he's appeared in Richard II (Shakespeare in the Park), The America Play (Obie Award), Overtime (NY City Center), Mud River (Playwrights Horizons), Arms and the Man (Gramercy Theatre), Once Around the City (Second Stage), Twelfth Night (Shakespeare in the Park), The Mysteries (Classic Stage Company) and many more memorable turns.

Namir Smallwood (Officer, Brother 1) joined the Steppenwolf Theatre Company ensemble in 2017. He is currently starring in ensemble member Tracy Letts's Bug on Broadway opposite ensemble member Carrie Coon. Steppenwolf: Mr. Wolf, You Will Get Sick, The Book of Grace, Seagull, Bug, True West, BLKS, Monster, Man In Love, The Hot L Baltimore, Last Night and the Night Before. Broadway: Pass Over, Bug. Off Broadway: Pipeline, Pass Over (Lincoln Center). Chicago: The Lost Boys of Sudan (Victory Gardens Theater); Charm (Northlight Theatre); The Grapes of Wrath (The Gift Theatre); East Texas Hot Links (Writers Theatre). Regional: Marin Theatre Company, Pillsbury House Theatre, Ten Thousand Things, Guthrie Theater. International: True West (Galway International Arts Festival). Television: Chicago Fire, Betrayal, Elementary, American Rust (Showtime/FreeVee); Power Book IV: Force (STARZ). Film: Rounding.

Accessibility:

As a commitment to make the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each STC production. Assistive listening devices (ALDs), large-print programs and braille programs are available for every performance and all our spaces are equipped with an induction hearing loop. Our building features wheelchair accessible seating and restrooms, push-button entrances, a courtesy wheelchair and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/access or e-mail This email address is being protected from spambots. You need JavaScript enabled to view it..

Sponsor Information:

Windfall is supported in part by Conagra Brands Foundation, Laurents/Hatcher Foundation, and CNA. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Bloomberg Philanthropies, Crown Family Philanthropies, Caroline and Keating Crown, Julius Frankel Foundation, Lefkofsky Family Foundation, Northern Trust, Anne and Don Phillips, John Hart and Carol Prins, Shubert Foundation, Inc, Walder Foundation, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors Anonymous, Andrew and Amy Bluhm, Michael and Cathy Brennan, Ann and Richard Carr, Chicago Community Trust, Conagra Brands Foundation, Rich and Margery Feitler, FROST CHICAGO, John D. and Catherine T. MacArthur Foundation, The Orlebeke Foundation, Polk Bros. Foundation, Sacks Family Foundation, Harold and Mimi Steinberg Charitable Trust, Thoma Bravo, Bryan Traubert and Penny Pritzker, and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council and the City of Chicago Department of Cultural Affairs and Special Events.

About Steppenwolf Theatre Company:

Steppenwolf Theatre Company is the nation's premier Ensemble Theater with 50 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions have made this theatre legendary. From the 1980 phenomenon of Balm in Gilead, to The Grapes of Wrath, August: Osage County, Downstate, The Brother/Sister Plays, and now, the 2025 Pulitzer Prize and Tony Award-winning Purpose, Steppenwolf Theatre has had a long-running and undeniable impact on American Theatre and Chicago's cultural landscape. Founded in 1975 by Terry Kinney, Jeff Perry and Gary Sinise, Steppenwolf started as a group of young people in their teens and early 20s performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 14 Tony Awards, two Pulitzer Prize-winning commissions and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director E. Brooke Flanagan and Board of Trustees Chair Keating Crown — Steppenwolf continually redefines the boundaries of live theater and pushes the limits of acting and performance.

Steppenwolf's Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.