In 2023, “iconic” is a word often used hyperbolically. It is flippantly used to describe and categorize an incredible movie, a famous influencer clap back, a beautiful piece of fashion, or even used to describe a viral TikTok video. When we overuse or misuse a word enough it loses its meaning. In 2023 I submit we reclaim the word and apply it to those in life that truly exemplify to word, where all generations can come together and for a fleeting moment bask in the glow and apt use of the word. Because there is only one word that can describe the biopic of the often revered Queen of Rock and Roll, only one word that can encapsulate her lifetime, her career, and her legacy that will live in the new musical medium of her life. Tina Turner. Iconic.

Much like the artist’s life, TINA-The Tina Turner Musical is a hard-hitting, fast-paced, exhilarating rollercoaster chronically Tina Turner’s extraordinary life and career. Spanning from her childhood days in Nutbush, Tennessee, her early career as the lead singer of the Ike & Tina Turner Revue, her turbulent marriage to Ike Turner, and her incredible comeback as a solo performer which has often been hailed as the greatest comeback in music history. 

TINA- The Tina Turner Musical follows a similar style to some other blockbuster bio picks and plays such as Rocket Man (Elton John) and Mamma Mia (Abba), though it blows all other musical biopics out of the water. Tina’s catalog is sequenced into a timeline to tell her life’s story; “Nutbush City Limits”, released in 1973, opens up Act One of the musical where we meet Tina, born Anne Mae Bullock, who sings too loud for her 1940’s choir, “River Deep Mountain High,” released in 1966, is performed in lockstep to her storyline as she records the track with Phil Spector at the height of her career with Ike Turner, and “I Don’t Wanna Fight,” released in 1993, closes Act One as Tina is making up her mind to leave Ike after 16 years of marital abuse. Tina Turner’s catalog is filled with soulful, emotional, and powerful songs that provide the soundtrack to her life.

The audience is guided through the decades of Tina’s life through seamless stage transitions and beautiful costume design. A shuttered wooden door and simple cloth dresses for the 1940s, the big hair and glittering sequence against a tinsled 1970s Vegas stage backdrop, a microphone and desk in Phil Spector’s studio, bigger hair, a synthesizer, and a denim jacket for the 1980s. 

Zurin Villanueva and Garrett Turner, and cast, in the Broadway tour of "Tina - The Tina Turner Musical" at Nederlander Theatre. Photo by MurphyMade / Handout.

TINA arrives to Chicago and the theater circuit at a pivotal moment. Recent years have been tumultuous for women from the Me Too movement and recent infringement on bodily autonomy. The iconic Turner herself lived through horrid abuse at the hands of a man, and that abuse is still pervasive today. Skinny trends are threatening to plague women and further rollback the body positivity movement. Millennial women are equally too young to have a voice and not old enough to sit at the table despite having children of our own.As we look for hope or simple escapism in 2023, we can draw inspiration from Tina Turner’s remarkable career. She overcame segregation and performed in the Jim Crow south, facing rampant and often unchecked racism, sexism, and physical abuse. Women in Tina’s life loved and supported her as best they could at a time when women had little to no power or belief in their stories. Tina Turner still battled racism during a European resurgence during her work with her Australian manager, Roger Davies, and battled ageism at 45 being told she’s over the hill.As the bevy of female Oscar winners this year will show, the narrative that women’s lives are over at a certain age is patriarchal  nonsense. Without the fighting supportive and uplifting strength of women, Tina Turner would not have prevailed in her career and the world would be all the more dim without her light.

TINA- The Tina Turner Musical is the broadway musical we need to get us out of our seats and singing as Proud as Mary. The musical runs through April 2nd at the James M Nederlander Theater (24 W Randolph St), tickets are available at Broadway In Chicago, get your tickets today before this show rolls on down the river.