"Faust" is revered as the world's most popular opera. It was the first opera performed at the Met in New York in 1863. This iconic French opera took Charles Gounod several years and several drafts to complete. Since its debut in Paris in 1859, "Faust" has continued to seduce audiences. Lyric Opera continues the tradition with a thrilling new production by Kevin Newberry.
From the poem by Goethe, "Faust" tells the story of an old man who wakes one morning with nothing left to live for. His youth is gone and the pleasures of life no longer interest him. Faust tries suicide but is rescued by Mephistopheles (the devil), who offers him eternal youth in exchange for his soul. Mephistopheles is sung by Christian Van Horn. He's got the youthful energy and allure of the devil as he pounces about in a very orange suit.
Faust is promised a beautiful maiden, Marguerite (Ailyn Perez). She's crippled and her brother Valentin worries for her as he heads off to a vague battle (there is almost always a distant war in an opera). Faust instantly falls in love with Margueite who is exquisitely sung by Ailyn Perez, she is making her full Lyric debut in this production. French singer Benjamin Bernheim eloquently sings the title character. He brings a necessary sex appeal to the young Faust role. After the relationship is consumated, Faust splits. Drama ensues.
Gounod's brilliant music soars in this highly stylized production. David Adam Moore's unsettling projections throughout have an eerie Tim Burton quality to them. The convention really works here. Along with Gounod's cinematic score, there's an added sensory detail that never fails to captivate.
"Faust" is above all things, an incredibly accessible opera. The contract between mortal and devil is always intriguing. Gounod's music is as relevant as today as it was in the 1860s. You can hear traces of it in film scores and musical theater orchestras. There's a little something here for everyone, it's a cheeky horror story, a love story, a story of redemption, a musical and a little je ne said quoi.
Staging like this brings "Faust" into the twenty-first century, which is essential to the survival of opera in the modern era. Never a dull moment in the nearly four hour run time. Opera has a way of lulling even the most ardent enthusiast to sleep after a glass of chardonnay during the intermission. "Faust" is riveting in all five acts. Those familiar with the classic work will be impressed by the new lens with which Kevin Newberry shows it through.
Through March 19 at Lyric Opera Chicago. 20 N Upper Wacker Drive. 312-332-2244
