
One thing for sure - there is no shortage of shows to see in Las Vegas. Home to some of the most dazzling production shows, Broadway-esque musicals and magic acts, The Strip is sure to entertain, finding something for just about anyone, including music lovers of all varieties. As the other shows go, when it comes to live music, choices also span widely from resident acts such as Donny and Marie to Celine Dion, and though fantastic shows in their own right I’d be more than hard pressed to find a more action-packed show than The Australian Bee Gees performed at Excalibur Hotel and Casino.
One of the most outstanding tribute shows ever assembled, this outfit does the Bee Gees right. In fact, Barry Gibbs’ own mother quoted her son as saying the AGB is the best in the world at what they do. And who can really argue with that? After watching their show I sure can’t.
Set in an intimate theatre that probably holds less than three hundred people, fans are able to get an up close and personal experience to the music of the Brothers Gibb. Barry, Maurice and Robin Gibb are wonderfully played by Matt Baldoni, Wayne Hosking, and David Scott who perpetuate the famous band’s legacy with an enormous amount of respect, talent and excitement. This engaging, hit-filled show is broken down into different periods taking on the earlier triumphs of the Bee Gees before heading to their later, and probably most influential, years when Saturday Night Live was all the rage. With a comprehensive catalog of material hitting on love ballads like “How Deep is Your Love” and “Too Much Heaven” that are nearly guaranteed to bring out the romance in everyone, the set also lets the crowd get their boogie on with popular disco faves “Stayin’ Alive”, “Tragedy”, “Jive Talkin’”, and “You Should Be Dancing”, even transforming part of the venue into a dance club for the last handful of numbers.
In their heyday, it was probably difficult to find someone who did not own an LP or 8-track of a Bee Gees album. Many of us have grown up with the band’s music that still holds a dominant place and influence in today’s world, making this show an exciting trip down nostalgia lane. And for those who did not, I envy their experience of discovering this music in such a fun and unique way. Immortalized in classic films, still played regularly in radio rotations, the music of the Bee Gees always takes us back to one of the most memorable periods of pop culture, highlighting the ever so groove-laden, bell-bottomed, big collared, gold medallion-hanging-over-open-chest disco era. Yet, we cannot overlook the incredible talent involved in writing and performing the music that made them famous, making The Australian Bee Gees show all that more impressive as they handle the vocals and instrumentation with amazing precision while infusing the perfect amount of energy and personality into their act to create this rare show opportunity. In other words, they wholeheartedly capture the spirit of the Bee Gees.
Owned and operated by David Scott, Wayne Hosking, bassist Tony Richards and Michael Clift (who also performs as Barry Gibb), The Australian Bee Gees are not only a successful Las Vegas act, as they are well into their fifth year to performing for packed houses at Excalibur, they are also a popular international touring group. How can they tour while playing six nights a week in Las Vegas? Easy, by rolling out more than one band. In fact, they even have a third outfit assembled for good measure. That said, The Australian Bee Gees success is world wide. It also helps that people from all over the world attend the band’s Las Vegas’ shows, adding to their already large amount of world-wide exposure, a segment of the show proudly paying homage to the homelands of their audience members in a uniquely fun fashion. Outside of their current Las Vegas home, the band has also had residencies in other parts of the world including a six-week run at The Broadway Playhouse in Chicago.

The band formed just over twenty years ago when “the guys” played in various cover bands and original projects throughout Australia upon realizing that no one was doing a Bee Gees tribute. Thinking it could be a challenging project and having an obvious appreciation for the music, the musicians gave it a shot and clicked immediately. Testing the waters the ABG’s booked some shows in China and after three weeks of sold out shows in Hong Kong, it was apparent they were on to something special. After their inaugural tour success, the band quickly flew back to Australia and put an entire show together based on the One Night Only concert (The Bee Gees one and only concert). Since, it has gradually snowballed into what it has become today - a fantastic tribute to an iconic band where fans around the world can relive the magic of The Bee Gees - a band that has performed in over forty-five countries.
Though their initial success caught on overseas, the band still had to conquer America. The Bee Gees certainly achieved a great level of success here and that naturally played into their favor. However, if any trepidation existed amongst the ABG members, it was unwarranted as Americans welcomed them with open arms. Wayne proved to be correct when he said, “If you can make it in Australia, you can make it anywhere”, referring to the band’s rather tough home audiences.
The band describes the Bee Gees music as universal and timeless so much so that they cannot fit enough hits into one show. In seeing the AGB’s live, it is evident the band members are not just going through the motions but rather are playing with a true love and enthusiasm for the music - something the audience feeds on rabidly.
When asked the band’s favorite song to perform they quickly agreed that they often have a special moment with the audience when playing “Words”, as fans sing along with the ballad word for word - even in countries where English is not widely spoken. Though many songs head the list of favorites, the band also explains that set lists are changed depending on where they are playing. For instance, what may be popular in Germany, may not be as popular in other parts of the world. Another example would be the popularity of Spicks and Specks, The Bee Gees breakout number one hit in Australia that, over there, compares to the popularity of Stayin’ Alive here in the States.
Family-friendly, edgy and brilliantly performed, this is a show that can be enjoyed over and over again. Catch the fever - the Saturday Night Fever - and pass it on - it’s contagious.
As a heads up, here are a few things one might expect at an Australian Bee Gees show - lots of toe tapping, hand clapping, dancing (whether at your seat or a few feet over at “Club Mo”), humor, the likeness and sound of The Bee Gees remarkably revisited and and all around experience where you will leave knowing that you just attended one of the most energetic and memorable shows on The Strip. Tickets are priced at an ultra reasonable $49.95-$59.95, making this not just one of the more affordable Las Vegas shows but one of the best overall values.
Goodman Theatre’s Iceboy! arrives as a gleefully off the rails musical that blends Broadway glamour, Neanderthal chaos, and theatrical myth…
Is there anything more alluring than a summer night in Chicago? The lakefront beaches, the meandering pathways, the festivals and…
Opera Festival of Chicago continues its season with two mainstage productions - La Bohème and Adriana Lecouvreur - each featuring…
Marriott Theatre’s in‑the‑round intimacy turns A Little Night Music - which premiered on Broadway in 1973 and later became a 1977…
Giordano Dance Chicago (GDC), America's original jazz dance company, has announced its 2026-2027 "untamed passion" season. Highlights of the season include a November…
The musical Water for Elephants, presented by Broadway In Chicago and based on Sara Gruen’s 2006 novel, is the rare touring…
Overshadowed Theatrical Productions announced their 2026-2027 season entitled “Ordinary People, Extraordinary Moments,” which includes five main stage productions and special…
Kokandy Productions is pleased to announce full casting for its revival of Stephen Sondheim's stunning masterpiece Sunday in the Park with George, playing August 13 –…
Goodman's Centennial 25/26 Season concludes on a high note, with programming for all ages, interests and neighborhoods. The theater announces…
Anton Chekhov, a Russian playwright who was also a doctor, can claim a level of regard few writers achieve and…
Couch Penny Ensemble, in association with Theatre Arcana, presents the ambitious and experimental An Oak Tree, a raw, unconventional approach…
An extraordinary eight-person ensemble fuels the sweeping storytelling of A People - a production presented collaboratively by Arts Judaica and…
Lookingglass Theatre Company continues its tradition of staging visually inventive and thought-provoking world premieres with its latest production, Untitled Vampire…
What would you do if you found out your heritage wasn’t what you thought it was? In Tom Stoppard’s case,…
One of the things I have always thought that concerts and other live events had over theatre is the energy…
Following its recent winter production of Sister Act, Drury Lane Theatre returns to the convent with Nunsense, a light-hearted musical…
The League of Chicago Theatres announces the return of the "Thank You 5" summer promotion, running from June 18-July 3, 2026. "Thank You 5"…
You know him from “The Neighborhood,” “The Last O.G.,” “The Proud Family” and much more. Don’t miss your chance to…
Northlight Theatre's Board of Directors proudly presents Northlight Theatre's Grand Opening Gala, "Celebrating our Past, Building our Future," marking the culmination of the company's 50th Anniversary…
A Red Orchid Theatre is thrilled to announce a remount of its critically-acclaimed, father-daughter drama Birds of North America, returning for a limited…
Following an acclaimed extended run at Raven Theatre, Dave Malloy's "unique, ravishing and resplendent" (Chicago Theatre Review) a cappella musical Octet transfers to…
“Southern Rapture” quickly elicits loud guffaws from the audience, a heartening circumstancve, as it means playwright Eric Coble’s script is…
Marriott Theatre, Chicagoland's longest-running musical theatre, presents A Little Night Music, a Tony Award-winning musical from Stephen Sondheim and Hugh Wheeler that explores…
Mia Chung’s Catch as Catch Can, which premiered with Page 73 in New York in 2018, arrives at Steppenwolf Theatre…
Join the fun this summer as PlayMakers Laboratory (PML) celebrates a major milestone at That's Weird, Grandma's 25th Birthday, marking a quarter century of the…
Nate Bargatze’s Big Dumb Eyes tour made its stop at the Allstate Arena in Rosemont with the steady, understated presence…
BrightSide Theatre’s The Producers storms into Meiley Swallow Hall with the kind of swagger only Mel Brooks can inspire: brash,…
Those familiar with the Factory Theater space might feel themselves do a double take upon entering the theater for Two…
Tim Rhoze, Fleetwood-Jourdain's Producing Artistic Director, today announced the cast and production team for the company's upcoming production of IN THE…
Elmhurst Art Museum’s two new exhibitions feature a pair of artists with Midwestern roots whose outlooks and perceptions of the…
Goodman’s Iceboy! Is a Full‑Tilt Blast of Comic Mayhem
Opera Festival of Chicago Delivers an Assured, Full‑Hearted La Bohème
A Quietly Ravishing Night: Marriott’s A Little Night Music
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.