
Underscore Theatre Company is in the midst of their second annual Chicago Musical Theatre Festival at The Den Theatre where it is host to thirteen brand new musicals submitted by a slew of local theatre companies. Though some musicals presented come from theatre companies more polished than others, the event is a fantastic passage for the development of new, creative theatre productions in the Chicago area. A handful of submitted plays are production-ready while some are completed works. Some of the theatre companies involved include the New American Folk Theatre (“Dirty Girl”), American Demigods (“Fanatical”), Duplicity Ensemble (“Marble, GA”).
Day two of the Chicago Musical Theatre Festival introduced “One Thousand Words”, a musical with the book and lyrics by Michael Braud and music by Curran Latas. When a reporter, Richard Hanks, is assigned to write a thousand words about two men in love during World War II, he is at first disappointed because he’d rather be in Pakistan covering the current tension in the area. After his editor dangles a carrot in front of the horse-drawn carriage by semi-promising she would send him on the overseas assignment once he successfully handles the task at hand, Hanks decides to write the story of the year and delves into the lives of these two men whose story comes from an intimate photo of the two while in World War II. After tracking down Warren, now eighty-years-old, he is taken back to the 1940s where he hears the story of two men who hid their love for each other before, during and after wartime and the circumstances and obstacles that they had to face. Hanks becomes transfixed by Warren’s story and possibly affected much more than he expected.
The story is simple enough. It flows well without confusion and the dialogue is fairly engaging. Its songs are not likely to be remembered afterwards for their melody though they did strengthen certain points in the show by capturing the appropriate tone of the moment despite singing that is best described as hit or miss. The set is as minimalistic as they come furnished with only a couple crates, leaving much to the imagination, as the space it used for each and every production in the festival and requires a quick turnaround.
Joe Hornberger does give a strong performance as “Warren” and is one of the better singers in the cast, while Justin Stevens pairs up with him nicely as “Daniel”, his lover. At first one might think the two a bit miscast and unlikely as lovers, but the pair begins to make more and more sense as the story progresses and become quite believable. One needs to keep in mind that thirteen musicals are sharing the same space for multiple performances in a few weeks’ time, so there might be missed spotlight marks, minor production tweaking per show and somewhat barren sets. The main purpose is for Chicagoans to experience and support local theatre in development and hopefully be entertained while doing so. One Thousand Words contains enough positives to keep it interesting.
One Thousand Words can be seen at The Den Theatre:
Tuesday, July 07, 2015 9:30 PM
Saturday, July 11, 2015 2:00 PM
Thursday, July 16, 2015 8:00 PM
Saturday, July 18, 2015 5:30 PM
For more information on the Chicago Musical Theatre Festival, visit www.cmtf.org.
With Halloween creeping closer, there’s something fitting about revisiting one of opera’s earliest flirtations with macabre horror - especially in…
Avalanche Theatre announces the world premiere production of They Broke Up by Chicago playwright Skyler Tarnas, November 6–22, 2026. Opening…
Grab your party hats — Broadway In Chicago ’s Cadillac Palace and James M. Nederlander Theatres are turning 100! The…
Oil Lamp Theater is proud to announce the cast and creative team for its next production and the final production…
Christmas Day is in our grasp. Why the vodka? Glad you asked! Who's Holiday! brings R-rated Cindy-Lou Who back to…
The Sarah Siddons Society is pleased to present its 2026 Award to actress and director Victoria Clark, who recently starred…
At fifteen, the world can feel like a television show you haven't quite figured out how to turn off. For…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with the world premiere of…
Hell in a Handbag Productions is thrilled to announce its 25th Anniversary Season, featuring three "camptacular" shows guaranteed to delight lovers of…
Chicago’s Theater Wit is now offering new, state-of-the-art closed captioning service, marking a dramatic improvement in making live theater more…
“God bless us, everyone,” because there’s a fresh, new, reimagined version of Charles Dickens’ classic tale A Christmas Carol debuting…
Following last year's critically acclaimed, sell-out engagement, Steppenwolf Theatre Company is pleased to announce the return of John C. Reilly…
The Saint Sebastian Players open their 45th season of travels to different places with A Murder is Announced, a classic Miss Marple mystery…
Today, Goodman Theatre raises the curtain on its future as leadership and artists share a vision for its next century…
Two Edge Theater, a reincarnation of the Edge Theater Company that enjoyed eight successful seasons in the Denver, Colorado area,…
Chicago's historic Fine Arts Building and Studebaker Theater are thrilled to announce their Halloween co-production of Manual Cinema's acclaimed Frankenstein…
Jonathan James Productions presents the world premiere of The Years Between Us, a new play by Liana Sonenclar, directed by…
Oil Lamp Theater, currently presenting the highly recommended Dial M for Murder, through November 1, is proud to announce its…
As a lifelong Hitchcock fan, Dial M for Murder has always been one of my comfort film thrillers - the…
Artemisia Theatre is proud to announce the return of the WeWomen Play Festival, its annual celebration of new feminist work.…
In the 2019 film Yesterday, a struggling musician wakes up in a world where The Beatles never existed. A similar…
Red Bike is an intimate, movement‑driven play that follows a young person navigating a town transforming faster than they can…
Red Theater is thrilled to announce the cast and production team of the world premiere of Church Hurt by Brynne…
The Auditorium (Chicago's landmark stage at 50 E. Ida B. Wells Drive) continues its 2026-27 Dance Season titled North American…
A Red Orchid Theatre is pleased open its 34th Season, exploring the theme of "world on fire," with the Chicago…
Lookingglass Theatre Company today announced a new leadership structure that brings together four longtime members of its acclaimed ensemble and…
Susan-Lori Parks’ Topdog/Underdog, the Pulitzer Prize-winning masterpiece, is the kind of play that changes depending on when—and how many times—you…
Broadway In Chicago is excited to announce two fan-favorite shows are returning to our stages this year: MAMMA MIA! and…
Mud Life, a world premiere drama by Chicago writing duo G. Riley Mills and Willie Round, drawn from Round’s life…
Here’s a play that should be really good, based on its reputation alone. Written by Chicago comedy writer Samantha Hurley,…
Avalanche Theatre stages the world premiere of They Broke Up by Skyler Tarnas November 6–22, 2026
Celebrate 100 Years of the Cadillac Palace and James M. Nederlander Theatres
Oil Lamp Theater Announces the cast and creative team for the return of IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY, Nov. 20 - Dec. 27
Adults-only holiday fun: Who's Holiday! brings R-rated Cindy-Lou Who back to Theater Wit for her sixth year, Nov. 27-Dec. 27
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.