Displaying items by tag: Joseph Stearns

In tradition of the Halloween season, First Folio Theatre keeps with its ongoing classic horror theme, this time presenting the world premiere of “Dr. Seward’s Dracula” in line with past productions “Frankenstein” and “The Madness of Edgar Allan Poe”. Finely adapted by Joseph Zettelmaier and cleverly directed by Jeff Award nominee Alison C. Vesely, a terrific tale is spun that is as dark as it is suspenseful.

The setting is perfect. Performed at the Mayslake Peabody Estate in Brookfield, viewers get a taste of nostalgia, easily associated with that of a classic horror film, the moment they enter the aged mansion. 

The story revolves around Dr. Seward, a former practitioner at an asylum who has since left due to a string of tortuous events including the death of his wife and an attack that left him stabbed in the stomach with the jagged leg of a wooden stool. Set in Seward’s home, he is constantly visited by his past wife and shoots morphine on a regular basis to curb the chronic pain he suffers from his stomach wound. Visited regularly by editor and close friend, Bram Stoker, a series of brutal murders piles up and suspicions leading to Seward as a suspect gradually become stronger. When Inspector Louis Carlyse enters the scene, things only get stranger, suspicions pointing more and more to Dr. Seward who is now questioning his own sanity. Seward claims a blood drinking monster named “Dracula” is responsible for the horrific murders, a story not so easily believed.

Though fine acting is present from the play’s beginning, Act One moves along at a slow pace, the opportunity of dramatic moments lacking in heavy suspense, leaving something to be desired to the mid-act crescendos that were most likely intended. However, Act Two comes on strong, providing the intriguement and excitement horror fans would have expected, completely redeeming the show and putting it on the must do list for Halloween activities. 

Christian Gray is thoroughly gripping as Dr. Seward, capturing the audience for good in just the play’s first scene. He never let’s go of that grip. One of the finest actors in the Chicagoland theatre scene, Gray is able to tackle such a role in a way that most cannot. Already performing in over twenty shows for First Folio, the gifted actor has already made his mark in such productions as the “Jeeves” series, “The Madness of Edgar Allan Poe”, “Romeo and Juliet” and “A Moon for the Misbegotten”. Now Gray can confidently add another knock out performance to his resume. 

The play rounds out with a handful of strong supporting performances with Craig Spidle as the Inspector, Joseph Stearns as Bram Stoker, Elizabeth Stenholt as Seward’s lost love Emily Covington and most notably Ted Kitterman as The Strange Man.

Gray’s performance is reason alone to see this play. However, it’s building story, ominous looking set and well-played roles of its assorted interesting characters add even more justification to see this frightfully tasty Halloween treat. 

First Folio’s “Dr. Seward’s Dracula” is being performed at the Mayslake Peabody Estate in Oakbrook through November 6th. For more show information visit www.FirstFolio.org.

Signal Ensemble Theatre presents the United States premiere of Nicolas Billon’s “Butcher”, a thrilling mystery of revenge and dark secrets. Directed by Signal Ensemble Member Bries Vannon, “Butcher” is a gripping nail-biter and will definitely keep you on the edge of your seat. 

On a rainy Christmas Eve in Toronto, an old man decked out in a military uniform and a Santa hat is left at the front door of a police station. A meat hook hangs around the man’s neck with a note attached - “Arrest Me”. Christmas Eve seems to last forever, as a lawyer, a police officer, and a translator search for answers. 

The Signal Ensemble Theatre has a small stage with limited seating, and a small cast in this production. But that is overshadowed by the brilliant playwright and director, the powerful stage presence, and the intimacy of the play. “Butcher” is electric, dramatic, and horrific. Completely engrossing. 

Playwright, Nicolas Billon, wrote an exciting, thrilling script. A script which could easily be filmed and turned into a series on Netflix. The blackouts during the performance were the passing of episodes as the audience binged-watched the entire series in one evening. 

Todd Frugia gives the most passionate performance as the energetic inspector– and that is not taking anything away from the rest of this talented cast. The officer cracks lighthearted jokes mixed with playful sarcasm at the beginning of the play, and as the plot thickened, Frugia’s heart spills onto the stage. When he is in pain, the audience is in pain. 

Vincent Londergan, who plays the mysterious old man, actually learned Lavinian. This new language was created by Dr. Christina Kramer and Dragana Obradović. Billon had asked Kramer to create a Slavic language to use in his play. He named the new language after Lavinia, a character in Shakespeare’s Titus Andronicus. The cast learned this new language, and training paid off, as their accents are very convincing.

“Butcher”, also starring Joseph Stearns and Simone Roos, is a suspenseful thriller with all the right ingredients – powerful acting performances and an engaging plot with just the right amount of twists and turns.  

Where: Signal Ensemble Theatre, 1802 W. Berenice Ave. 

When: September 17 - October 24. Performances are Thursday - Saturday at 8 p.m. and Sunday at 3 p.m.

Ticket Sales: Prices are $23 for single tickets, $15 for industry/students/seniors/groups.

Contact Info: Tickets may be purchased by calling 773.698.7389 or by visiting www.signalensemble.com 

Travel Info: Street parking is available on Ravenswood and Berenice (runs one way going west) CTA Brown line EL stops Irving Park and Addison. CTA busses #80-Irving Park, #152-Addison, #50-Damen, #11-Lincoln. The Theatre is handicapped accessible.

In Irish Theatre of Chicago’s newest production “The White Road”, performed at The Den Theatre in Wicker Park, we get exactly what we are hoping for – an intense adventure that pits man against nature at its most vicious form. Based on the true heroics of Irish-born polar explorer Ernest Shackleton, “The White Road” tells the story of yet another incredible undertaking where all hope lies solely in one’s will to survive.

Setting sail from South Georgia on December 5^th, 1914, Shackleton’s Trans-Antarctica expedition triumphantly leaves shore aboard The Endurance with a crew of twenty-eight with the intent on crossing the Antarctica continent from one coast to the other by way of the South Pole. Hopes are high and excitement is in the air as the crew embarks on a journey never before accomplished.  

Said Shackleton beforehand, "After the conquest of the South Pole by [Roald] Amundsen who, by a narrow margin of days only, was in advance of the British Expedition under [Robert Falcon] Scott, there remained but one great main object of Antarctic journeying - the crossing of the South Polar continent from sea to sea". 

As history tells, it was a plight that was never meant to be.

Upon approaching Antarctica they are met with pack ice that surrounds their sea vessel threatening to sink it. Completely alone and hundreds of miles away from any form of civilization, this is where one of the greatest tales of survival begins.  

In the two-hour-plus play, we meet a variety of characters that make up this memorable crew – and we like them all. From a nature photographer who keeps the camera rolling at all costs to life and limb, to an enthusiastic stowaway boy starved for adventure, to a whaler/banjo-plucker who lifts the men's spirits with song, we don’t just see a nameless crew, instead we really get to know a unique and diverse lot of individuals. Piven ensemble member Paul Dunckel’s performance of the fearless expedition leader makes Shackleton highly likeable, as the wise and self-sacrificing explorer. Dunckel leads this talented cast with the constitution and perseverance one would associate with an expedition leader, whereas he can convincingly make the tough decisions whilst his loyal troops still rally behind him.

Along with Dunckel, Irish Theatre Company ensemble members Kevin Theis and Matthew Isler are accompanied by Nicholas Bailey, Steve Herson, Neal Starbird, Michael McKeogh, Joseph Stearns, Stephen Walker and Gage Wallace, comprising this fine cast that generates a whirlwind of strong performances.   

Making this play even more entertaining is the way the set is used to put us aboard The Endurance smack dab in the middle of the frozen, glacier-filled waters. Sound effects are strategically used in tandem with projections to successfully create storm effects while creative choreography takes us on a deadly hike through icy mountains.

This is one of those true incredible adventure stories that are long forgotten by most that, thanks to storytellers like The Irish Theatre of Chicago, we now get to experience and share in the surprisingly unbelievable depth of human spirit brought on by fantastic circumstances.

I should note that though this is a wonderful story taken from the pages of early 20th century history, if you are thinking of bring a young adult, be aware that there is a scene containing as a crew member streaks across the deck of the ship. 

Fittingly directed by ensemble member Robert Kauzlaric and written by Karen Tarjan, the world premiere run of “The White Road” is being performed at The Den Theatre through June 13^th. For tickets and/or more information visit www.irishtheatreofchicago.org.