
After a delay in touring due to singer Bruce Dickinson’s bout with cancer, Iron Maiden has finally returned to the Chicago area in tour of their 2015 release, The Book of Souls. Now, fully recovered, Dickinson and company performed in front of a packed crowd at Tinley Park’s Hollywood Casino Amphitheatre along with opening act Ghost.
The concert itself was a mixed bag. It was exceptional in the sense that Dickinson’s vocals were crisp, strong and delivered us to vintage Maiden-dom as only the signature sound of the collective band can possibly do. The 58-year-old Dickinson seemed in prime form vocally and even physically. Guitarists Dave Murray and Adrian Smith were riffing as though it were 1985 and madman bassist Steve Harris plucked away at his instrument while channeling the energy of an eleven-year-old kid. Nicko McBrain was still Nicko McBrain, bashing the cans with complexity and power laying down the foundation for each song along with fellow rhythm-mate Harris. Yes, the band was on. So…what was the problem?
Two things.
Janick Gers (whom I have the utmost respect for his musical ability) doesn't really fit in with an Iron Maiden progressive metal live show – at all. Joining the band in 1990 to help finish No Prayer for the Dying after Smith’s brief departure over musical differences, Gers can no doubt play the part musically, but his stage presence makes us think that we may have entered a Poison concert by mistake. While energy-filled Dickinson and Murray run around the stage, it’s just that – running around the stage from end to end, Harris’ head thrashing about and Dickinson just being the cool front man we associate with a serious metal band like Iron Maiden. Gers side-to-side hair flinging, goofy high steps, kicks (reminiscent to the band Kix), guitar spins and cheesy dance moves would have been great – if Iron Maiden was a 1980’s hair band, but they’re not. They’re Iron Maiden. (Sorry Gers fans, I know he's talented but do they even need three guitar players?)
The other issue with The Book of Souls concert (at least the one in Tinley Park) was that the set list. Though The Book of Souls sold well and gave Iron Maiden their highest boost in some time, the band’s current set list was far too dependent on their latest studio release. With six of the fifteen songs coming from The Book of Souls album, fans who went in the hopes of hearing as many Maiden classics as possible were shorted. Left to the wayside were greats such as “Two Minutes to Midnight”, “Aces High”, “Run to the Hills”, “Flight of Icarus”, “Heaven Can Wait”, “Running Free”, “Can I Play with Madness”, “The Wicker Man”, “Flash of the Blade” and so many more. Now, naturally a band that has spanned for five decades that has produced so many amazing songs cannot be expected to cram every hit into a two-hour set, but playing just two or three songs from The Book of Souls would allow for a few more greats that Iron Maiden loyals would certainly appreciate jamming along with.
So that was the disappointing. Now for the good.
As stated prior, musically Iron Maiden was on top of their game. As expected (and always hoped for), the band’s mascot Eddie made a couple appearances, one as he walked across the stage dwarfing over Murray, Smith and Harris while Gers ran between his legs eluding the creature’s grasp until Dickinson fought and defeated the beast parading his severed heart high into the air for the crowd to see, meeting his victory with bloodthirsty cheers. Later an even larger Eddie peered from behind the drums as the band went into “Iron Maiden”.
Iron Maiden classics were sprinkled in throughout the set as Dickinson donned a British coat from the Revolutionary war while waving the flag of his homeland during “The Trooper”. The singer also surveyed the crowd to see how many fans were born after 1982, the year “Children of the Damned” was released, nearly half the hands in attendance being raised as the band went into the song.
Dickinson also made a heartfelt tribute to late actor Adam West, who he called a childhood hero and an inspiration.
Iron Maiden finished strong with a three-encore power play starting off with “The Number of the Beast” before going into “Blood Brothers” and delivering the knockout blow with “Wasted Years”.
Make no mistake. Iron Maiden still rocks and can deliver a fully entertaining arena show infused with enough metal to satisfy the most hard core of fans. Hopefully, the band’s set will have more songs that truly define Iron Maiden as most know their next time around. And there will be a next time around, as Dickinson altered the lyrics in “Number of the Beast” to “We will return (Chicago)!”.
Iron Maiden set list at Hollywood Casino Amphitheatre in Tinley Park June 15th 2017
If Eternity Should Fail
Speed of Light
Wrathchild
Children of the Damned
Death or Glory
The Red and the Black
The Trooper
Powerslave
The Great Unknown
The Book of Souls
Fear of the Dark
Iron Maiden
Encore:
The Number of the Beast
Blood Brothers
Wasted Years
Get ready - those phones are about to explode, and Sam is already spinning like a top trying to catch…
It was the flippant statement heard round the humanities. An errant comment, a sweeping generalization, and another dismissive remark towards…
The Grelley Duvall Show returns with the world premiere of Grelley Duvall Best Actress, written and conceived by Alex Grelle with Jesse Morgan Young, directed by Kasey…
Larkspur Productions is pleased to announce the world premiere of The Posthumous Trial of Giulia Tofana. Directed by Cheryl Snodgrass, The Posthumous Trial of Giulia Tofana will…
With stage adaptation of Mitch Albom's powerful New York Times Bestseller, Overshadowed Theatrical Productions will present Tuesdays with Morrie, a stage…
Chicago's Fine Arts Building is excited to bring the legendary comedians and improvisers of Bluebird Improv to the historic Studebaker Theater (410 S. Michigan Avenue) for…
Chicago theatre is firing on all cylinders right now, and this weekend lines up three productions that each showcase a…
Identity Performing Arts presents “Effervescent” with two original dance premieres: “Enthralled" created by Artistic Director, Ginny Ching Yin Lo, and…
Steppenwolf Theatre Company, the nation’s premier ensemble theater company, and Teatro Vista Productions are pleased to announce the world premiere…
Idle Muse Theatre Company launches its 20th anniversary season with The Three Musketeers, March 26 - April 25, written by…
Physical Theater Festival Chicago is proud to announce the full lineup for its 13th anniversary celebration, June 1 - 7. The Festival…
Wackadoo! Following a highly successful global tour, Bluey, Bingo, Mum and Dad are bringing Bluey’s Big Play The Stage Show back to…
Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, proudly announces its inaugural…
The year is 1952. Television is rapidly gaining popularity over radio, to the delight of some and the disgust of…
In “Two Sisters and a Piano” written by Nilo Cruz and directed by Lisa Portes, we soon learn these two…
Nearly 30 years after its box-office-record-setting 1997 Chicago premiere production, August Wilson's Ma Rainey's Black Bottom returns to The Goodman, helmed by Chicago…
Open Space Arts has announced casting for its Chicago premiere of A THIRD WAY, a sharply funny, deeply compassionate new play…
The Driehaus Museum announces the Spring activation dates for Brendan Fernandes: In the Round. As the Museum's first artist-in-residence, Fernandes transforms the Museum's 1926 Murphy Auditorium…
[producingbody] is pleased to announce the Chicago premiere of Spaceman, by Leegrid Stevens and directed by Eric Slater, May 19 - June 13, at The Edge Off-Broadway, 1133…
Andrew Lloyd Webber’s Cats remains one of musical theatre’s most distinctive creations - a sung‑through, dance‑driven spectacle that swaps traditional…
Due to overwhelming demand, The Lord of the Rings: The Fellowship of the Ring — In Concert has added a third performance…
It’s been more than a decade since Chicago Children’s Theatre presented Goodnight Moon, the popular musical about a bunny who doesn’t…
Asian American Arts Chicago (AAAC) announces the Festival schedule and that tickets are now on sale for EVOLUTION: Asian American Arts Festival, Saturday, May 2 from 12…
Filament Theatre, the Northwest Side's premier theater for young audiences, is delighted to present the world premiere of Farewell Opportunity from May 2-17,…
TimeLine Theatre Company is thrilled to announce its 2026–27 Inaugural Season in the company’s first permanent home at 5035 N. Broadway…
Her Story Theatre has announced the World Premiere of Kurt McGinnis Brown's two-hander THE OFFICIAL BIOGRAPHY, to play March 28 –…
Walkabout Theater Company returns to producing in Chicago with the production that launched the company in 1999, Poor Poor Lear,…
Steppenwolf Theatre Company, under the leadership of Artistic Directors Glenn Davis and Audrey Francis and Executive Director E. Brooke Flanagan, today announced its 2026/27 Season, marking the…
Chicago theatre‑goers have one of those rare, golden weekends where three very different companies are all firing at full power—each…
Tin Drum Theatre Company is proud to announce the cast and creative team for the Chicago premiere of Southern Rapture at Theater Wit,…
Reservation Mayhem, One Man, Forty Voices: Mike Newquist Ignites 'Fully Committed' at The Den
Grelley Duvall Best Actress - The Chopin Theatre - Through April 12th
Larkspur Productions Opens World Premiere of The Posthumous Trial of Giulia Tofana March 20th- April 5th at The Den Theatre
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.