
Jeeves has returned and the ever-loyal valet is just waiting to get wealthy Londoner Bertie Wooster out of trouble – again. Quick-witted, reliable and extremely resourceful, Jeeves first order of business is always to keep a close eye on his charming and oft adventurous employer, Bertie, but in First Folio’s current production ‘Jeeves Saves the Day,’ he is tested to the fullest when Aunt Agatha and Cousin Egbert Bakewell enter the mix.
In the fifth play adapted by playwright Margaret Raether based on the ‘Jeeves’ stories created by P.G. Wodehouse (which began in 1915), chaos is afoot when Bertie desperately wants out of a marriage commitment. Rigid and stubborn Aunt Agatha will hear nothing or the sort. It’s going to take a small miracle for Bertie to get out of this one since the haughty Sir Roderick Glossip is the father of the bride to be. It doesn’t help that Cousin Egbert, loveable as he may be, is a handful of trouble and is hiding at Bertie’s home despite the family sending him to South Africa. Egbert is love-stricken after all, when a night out before his expected departure instead has him fawning over the sexy club singer Red Hot Maisie Dawson. He has no plans of going abroad now. It’s a frenzied mess and Jeeves is the only hope in restoring order to the family.
Jim McCance is a pleasure to watch as our hero, Jeeves. McCance’s droll and deadpan approach serves the character perfectly and he is a strong presence on the stage – a picture of stability amongst the disarray. Bertie is played by veteran actor and Chicago favorite Christian Gray. Gray is as dependable as it gets and delivers a remarkable performance once again. This is McCance and Gray’s fifth time performing together as the comical pair and their chemistry couldn’t be better. The two polished actors anchor a fantastic cast that includes Lucinda Johnston as Aunt Agatha, Sean Sinitski as Sir Roderick Glossop and Almanya Narula as Red Hot Maisie Dawson. Dan Klarer makes his First Folio debut as Egbert Bakewell and -wowza - does he leave an impression! Klarer’s hysterical portrayal of Egbert is something to behold. A throwback to The Marx Brothers, Three Stooges and the likes of Oliver Hardy, Klarer steals scenes throughout the entire production with one funny antic after another. Klarer not only gets to display his well-timed, comedic line delivery but coupled with a genuine knack for physical comedy, he is a force to be reckoned with. No shortage of talent here with this superb cast.
With an arsenal of such talent at his disposal, Director Joe Foust impeccably places all the pieces together to give us an engaging production that is entertaining from the word “Go”. Performed at the impressive Mayslake Peabody Estate, ‘Jeeves Saves the Day’ is a splendid stage presentation that everyone can enjoy.
‘Jeeves Saves the Day’ is being performed at Mayslake Peabody Estate in Oakbrook through March 1st. For tickets and/or more information, visit www.firstfolio.org.
It’s the big day. The most celebrated parade in the country, Macy’s Thanksgiving Parade, is about to set sail down 34th Street, of course passing Macy’s flagship store along the way. When a man who just happens to be named Kris Kringle (Neil Friedman) notices that the hired Santa for Macy’s is intoxicated he brings the matter to the attention of event director Doris Walker (Courtney Jones). But Santa is the grand finale of the parade! What to do? Thanks to a bit of quick thinking, and the fact that the complainant bears a striking resemblance to Santa Claus, Doris convinces Mr. Kringle to handle the role for the day who does so well he is later persuaded to take on the seasonal position as the store’s holiday attraction. Kringle’s a bit quirky. He actually believes he’s Santa Claus. But since he does so well with the hoards of children that come see him each day, the store is willing to overlook the fact that he might have a screw loose. After all, he’s harmless and her really has a way with children. He even speaks Dutch to a girl who does not speak English. Sensational.
Sound familiar? It should. It’s the story of Miracle on 34th Street and Theater at the Center has brought the 1947 film classic to life for the holiday season. An Academy Award winning film and a hit on Broadway since 1963, Theater at the Center brilliantly tackles the classic story with well-rounded cast that boasts an immense amount of talent.
The story revolves around the question – is Santa Claus real. Doris Walker’s daughter Susan (Stella Rose Hoyt) sure seems to thinks so, despite the fact that her mother has raised her not to partake in such silly beliefs. Doris’ friend and soon to be love interest, Fred (Christopher Kale Jones), is no help. He helps perpetuate Susan’s belief in Santa asking in so many words, “Why couldn’t he be real?”
When a disgruntled Macy’s in-house Doctor of Psychology deems Mr. Kringle insane and asks for him to be institutionalized, people rally for the self-proclaimed Santa and the matter is taken to court. The case is extremely publicized. Is Kris Kringle Santa Claus or just a delusional elderly man? Fred, himself, volunteers to represent Santa as his legal counsel in what becomes a well-paced, climactic ending.
Neil Friedman is perfectly cast as Kris Kringle. He brings a warm charm and playfulness to the role to give us a convincing character that we can’t help but root for from his very first scene. Courtney Jones gives us a strong Doris who is believable as the no-nonsense, protective mother that is withholding of a heart that so desperately wants to believe in holiday magic. And while Stella Rose Hoyt does a superb job as Susan and Christopher Kale Jones delivers a bit more of an aggressive and cocky Fred than movie buffs might be used to, we also get an ensemble that holds up to the best of 'em. But when it comes to the show’s most humorous scenes, it’s Dan Klarer’s outstanding portrayal of store manager, Marvin Shellhammer, that really delivers the laugh out loud moments.
Written by George Seaton and based on a story by Valentine Davies, the 1947 film starring Maureen O’Hara, John Payne, Edmund Gwenn and Natalie Wood has become a Christmas season tradition and the memorable music and lyrics by Meredith Wilson have given us the stage as yet another outlet to take in this charming and heartfelt holiday tale. Songs like “It’s Beginning to Look a Lot Like Christmas”, “Here’s Love” (the original name of the stage production), “The Man Over there is Santa Claus” and “Love Come Take Me” are as memorable as they are enjoyable to watch as they are performed.
The perfect extra touch for the Christmas season, Miracle on 34th Street the Musical is sure to inject holiday spirit into the hearts of your family and friends.
Miracle on 34th Street the Musical is playing at Theater at the Center in nearby Munster, Indiana through December 23rd. For tickets and/or more show information, visit www.TheaterAtTheCenter.com.
Get ready - those phones are about to explode, and Sam is already spinning like a top trying to catch…
It was the flippant statement heard round the humanities. An errant comment, a sweeping generalization, and another dismissive remark towards…
The Grelley Duvall Show returns with the world premiere of Grelley Duvall Best Actress, written and conceived by Alex Grelle with Jesse Morgan Young, directed by Kasey…
Larkspur Productions is pleased to announce the world premiere of The Posthumous Trial of Giulia Tofana. Directed by Cheryl Snodgrass, The Posthumous Trial of Giulia Tofana will…
With stage adaptation of Mitch Albom's powerful New York Times Bestseller, Overshadowed Theatrical Productions will present Tuesdays with Morrie, a stage…
Chicago's Fine Arts Building is excited to bring the legendary comedians and improvisers of Bluebird Improv to the historic Studebaker Theater (410 S. Michigan Avenue) for…
Chicago theatre is firing on all cylinders right now, and this weekend lines up three productions that each showcase a…
Identity Performing Arts presents “Effervescent” with two original dance premieres: “Enthralled" created by Artistic Director, Ginny Ching Yin Lo, and…
Steppenwolf Theatre Company, the nation’s premier ensemble theater company, and Teatro Vista Productions are pleased to announce the world premiere…
Idle Muse Theatre Company launches its 20th anniversary season with The Three Musketeers, March 26 - April 25, written by…
Physical Theater Festival Chicago is proud to announce the full lineup for its 13th anniversary celebration, June 1 - 7. The Festival…
Wackadoo! Following a highly successful global tour, Bluey, Bingo, Mum and Dad are bringing Bluey’s Big Play The Stage Show back to…
Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, proudly announces its inaugural…
The year is 1952. Television is rapidly gaining popularity over radio, to the delight of some and the disgust of…
In “Two Sisters and a Piano” written by Nilo Cruz and directed by Lisa Portes, we soon learn these two…
Nearly 30 years after its box-office-record-setting 1997 Chicago premiere production, August Wilson's Ma Rainey's Black Bottom returns to The Goodman, helmed by Chicago…
Open Space Arts has announced casting for its Chicago premiere of A THIRD WAY, a sharply funny, deeply compassionate new play…
The Driehaus Museum announces the Spring activation dates for Brendan Fernandes: In the Round. As the Museum's first artist-in-residence, Fernandes transforms the Museum's 1926 Murphy Auditorium…
[producingbody] is pleased to announce the Chicago premiere of Spaceman, by Leegrid Stevens and directed by Eric Slater, May 19 - June 13, at The Edge Off-Broadway, 1133…
Andrew Lloyd Webber’s Cats remains one of musical theatre’s most distinctive creations - a sung‑through, dance‑driven spectacle that swaps traditional…
Due to overwhelming demand, The Lord of the Rings: The Fellowship of the Ring — In Concert has added a third performance…
It’s been more than a decade since Chicago Children’s Theatre presented Goodnight Moon, the popular musical about a bunny who doesn’t…
Asian American Arts Chicago (AAAC) announces the Festival schedule and that tickets are now on sale for EVOLUTION: Asian American Arts Festival, Saturday, May 2 from 12…
Filament Theatre, the Northwest Side's premier theater for young audiences, is delighted to present the world premiere of Farewell Opportunity from May 2-17,…
TimeLine Theatre Company is thrilled to announce its 2026–27 Inaugural Season in the company’s first permanent home at 5035 N. Broadway…
Her Story Theatre has announced the World Premiere of Kurt McGinnis Brown's two-hander THE OFFICIAL BIOGRAPHY, to play March 28 –…
Walkabout Theater Company returns to producing in Chicago with the production that launched the company in 1999, Poor Poor Lear,…
Steppenwolf Theatre Company, under the leadership of Artistic Directors Glenn Davis and Audrey Francis and Executive Director E. Brooke Flanagan, today announced its 2026/27 Season, marking the…
Chicago theatre‑goers have one of those rare, golden weekends where three very different companies are all firing at full power—each…
Tin Drum Theatre Company is proud to announce the cast and creative team for the Chicago premiere of Southern Rapture at Theater Wit,…
Reservation Mayhem, One Man, Forty Voices: Mike Newquist Ignites 'Fully Committed' at The Den
Grelley Duvall Best Actress - The Chopin Theatre - Through April 12th
Larkspur Productions Opens World Premiere of The Posthumous Trial of Giulia Tofana March 20th- April 5th at The Den Theatre
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.