Displaying items by tag: Zero Mostel

Concluding BrightSide's 14^th season will be THE PRODUCERS, the longest running Broadway musical comedy ever and the winner of 12 Tony Awards – the most ever by a single production. Mel Brooks's musical was adapted from his 1967 film of the same name that starred Zero Mostel and Gene Wilder. Like the film, the musical follows the hapless producers Max Bialystock and Leo Bloom as they attempt to make money by staging the biggest flop in history—only for their ridiculous musical, "Springtime for Hitler," to become a surprise hit. THE PRODUCERS ran on Broadway for six years, keeping audiences in stitches with its combination of visual and verbal humor, inventive and hilarious production numbers, and catchy songs. BrightSide Artistic Director Jeffrey Cass will direct, with Mary Grace Martens providing the choreography and Phil Videckis serving as Music Director. THE PRODUCERS will play from June 12-28, 2026, in The Theater at Meiley-Swallow Hall on the campus of North Central College in Naperville. 
 
Leading the cast are Scott Kelley of Schaumburg as Max Bialystock and Michael Metcalf as Leo Bloom. Kelley has been seen at BrightSide in such roles as Sidney in DEATHTRAP, The Narrator in last fall's THE ROCKY HORROR SHOW, and Nick Bottom in A MIDSUMMER NIGHT'S DREAM. Metcalf first appeared with BrightSide in JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT in 2018 and most recently was Freddie in BrightSide's CHESS IN CONCERT. Metcalf has played such leading roles around Chicago as Oliver Warbucks in ANNIE, Lord Farquaad in SHREK with Music Theater Works, and Frankie Valli in JERSEY BOYS at Mercury Theatre, for which he earned a Jeff nomination. Roger DeBris, the flamboyant director hired to stage "Springtime for Hitler," will be played by veteran actor John B. Boss of Chicago, who has been cast in that role in five previous productions, including the national tour. DeBris's assistant, Carmen Ghia, will be Michael John Lynch (also of Chicago), seen at BrightSide this season as Brad in THE ROCKY HORROR SHOW and as Jean-Claude in PHANTOM. Myles Mattsey of New Lenox, seen in BrightSide's PHANTOM this past January and last summer as Coronel Ricci in Blank Theatre Company's PASSION, will play the eccentric "Springtime for Hitler" playwright Franz Liebkind. Amelia Tam of Evanston, seen in BrightSide's THE ROCKY HORROR SHOW earlier this season, will be Bialystock and Bloom's secretary Ulla Jacobson.
 
Also in the cast are Julie Abner Donahue (of Geneva), Jax Downs-Martinez (of Oswego), Justin Dudzik (of Joliet), Chris Frewen-Peña (of Bolingbrook), Erica Harrington (of Westchester), Sydnee Howes (of Chicago), Peter Kattner III (of Chicago), Athena Kopolos, Charlie Kungl (of Elmhurst), Lauren Mathews (of Chicago), Cheryl Newman (of Naperville), and John Salomone (of Shorewood). The design team includes Ariel Mozes (Scenic Design), Cheryl Newman (Costume Design), Kurt Ottinger (Lighting Design), Delaney Kosar (Props Design). Bill Delmonico is Technical Director.

THE PRODUCERS will be performed in The Theater at Meiley-Swallow Hall, North Central College, 31 S. Ellsworth, Naperville. Tickets are $37.00 for adults and $32.00 for students and seniors and are on sale now at www.BrightSidetheatre.com or by phone at 630-447-TIXS (8497). The Saturday, June 13 2 pm performance will be ASL interpreted, thanks to the generous support of Naperville Lions Club. Special seating for this performance may be reserved with the code ASL.

THE PRODUCERS
Book by Mel Brooks and Thomas Meehan
Music & Lyrics by Mel Brooks
Directed by Jeffrey Cass
Choreography by Mary Grace Martens
Music Direction by Phil Videckis
June 12-28, 2026
Fridays and Saturdays at 7:30 pm and Saturdays and Sundays at 2 pm
No performance Friday, June 19. Additional performance Thursday, June 18.

The Theater at Meiley-Swallow Hall
North Central College, 31 S. Ellsworth in Naperville
Tickets $32 - $37, available at www.BrightSideTheatre.com or at 630-447-TIXS (8497) 

The Saturday, June 13 2 pm performance will be ASL interpreted, thanks to the generous support of Naperville Lions Club. Special seating for this performance may be reserved with the code ASL

Get ready to laugh until it hurts with THE PRODUCERS, Mel Brooks' outrageous musical comedy about two schemers trying to stage the biggest Broadway flop of all time—only to accidentally create a smash hit! With show-stopping numbers, over-the-top characters, and non-stop laughs, this Tony Award-winning favorite is a riotous celebration of theatre itself. This side-splitting comedy will leave you roaring with laughter and applauding for more! 

MadKap Production’s A Funny Thing Happened on the Way to the Forum bursts onto the Skokie Theatre stage with rollicking energy and infectious chaos, blending sharp wit with rapid-fire comedy. Featuring the unforgettable music and lyrics of Stephen Sondheim and a book by Burt Shevelove and Larry Gelbart, this timeless gem premiered on Broadway in 1962, echoing the mischievous spirit of ancient Roman playwright Plautus.

At the center of the story is Pseudolus (Ed Rutherford), a crafty Roman slave with one goal: to earn his freedom. His scheme? Help his lovestruck young master, Hero (Tyler Lord), win over Philia (Emily Lewis) - a sweet but scatterbrained courtesan. But things get complicated fast when Philia is revealed to be promised to the bombastic soldier Miles Gloriosus (Max Perkel), unleashing a torrent of mix-ups, slapstick mayhem, and frenzied farce that barrels forward with dizzying speed.

The musical opens with the vibrant anthem “Comedy Tonight,” setting a lively tone of vaudevillian mischief and fast-paced fun. What follows is a cavalcade of quirky characters—nervous Hysterium (Andrew Buel), domineering Domina (Erin Renee Baumrucker), and perpetually lost Erronius (Gayle Starr) - each fueling the frantic, farcical momentum with their own brand of comic mayhem.

The show’s lasting popularity has sparked numerous revivals and a 1966 film adaptation featuring Zero Mostel, reprising his iconic role as Pseudolus. Decades later, the musical continues to charm audiences, treasured for its clever humor, classic slapstick, and vibrant theatricality – and now here we are at Skokie Theatre. Afterall, Forum is considered by many as one of the funniest farces ever written.

Though A Funny Thing Happened on the Way to the Forum doesn’t wear its politics on its sleeve, it’s laced with sly irony that lampoons authority and societal conventions. Drawing from Roman farce and vaudeville traditions, the musical uses exaggerated characters and absurd scenarios to expose the folly of rigid hierarchies and cultural norms.

Despite its ancient Roman setting, the musical cleverly reflects the quirks of modern life - its historical backdrop offering just enough distance to satirize familiar themes like corruption, vanity, and societal nonsense without striking too close to home. The production perhaps strikes a different chord with today’s audiences than it did in the 1960s, when it was embraced as a bold and playful revival of Vaudevillian farce. Back then, its irreverent humor and exaggerated characters were celebrated largely for their entertainment value, with little pushback on the underlying themes.

While the show is clearly satirical in nature, modern viewers are more likely attuned to the implications behind its comedic treatment of slavery and the commodification of women. These elements, once played simply for laughs, are now seen through a more critical lens informed by evolving cultural conversations around representation, consent, and power dynamics.

As a result, portrayals of enslaved characters and, in this case, the Courtesans dealt by Marcus Lycus (Daniel Leahy), often prompt deeper discussions about historical context and theatrical intent. This contemporary production tends to lean into the satire rather than soften it, using exaggerated staging and bold casting choices to spotlight the absurdity of outdated social norms.

By doing so, Director Wayne Mell reframes the humor as subversive rather than regressive - honoring the show’s chaotic spirit while acknowledging its problematic aspects. This approach allows Forum to remain a vibrant piece of theatrical history while adapting to the sensibilities of modern audiences.

Skillfully directed, this production masterfully bridges generations of comedy. Mell guides a youthful cast in capturing the sharp, vaudeville-inspired humor that defined the original in the 1960s and ’70s, making it feel fresh and relevant for audiences in 2025. The result? A flat-out hilarious production that hits every sardonic beat envisioned by its creators over six decades ago.

Kudos to Wayne Mell and Producer Wendy Kaplan for breathing new life into this theatrical gem and bringing its timeless wit back to a Chicago stage.

Ed Rutherford is a standout as Pseudolus, delivering rapid-fire humor and showcasing sharp comedic instincts that keep the audience laughing throughout. His portrayal of the fast-talking, quick-thinking slave is both dynamic and crowd-pleasing and he sets the pace well. Paired with Andrew Buel, the two form a well-matched scheming duo, adapting on the fly as their ever-evolving plan meets one hilarious obstacle after another. Their chemistry drives much of the show’s momentum and mischief. Tyler Lord also has his moment in the sun with a beautiful rendition of “Love, I Hear.”

Among a cast filled with talented actors, the trio of Aidan Espinosa, Owen Espinosa, and Mitchell Shaw steal the spotlight with their uproarious turns as eunuchs and Roman soldiers. Their sharp timing, outrageous antics, and expertly executed physical comedy keep the audience in stitches, consistently igniting laughter and applause throughout. They don’t just land their jokes - they launch them.

MadKap Productions really enjoys bringing back the classics (as they did so well with last season’s South Pacific). Look for later popular hits from yesteryear to hit the stage later this season like Pippin, Deathtrap and Company – and why not, they bring them to life so well. 

With plenty of hilarious moments and big song numbers like “Free,” “That Dirty Old Man,” “That’ll Show Him” and “Love, I Hear,’ I highly recommend this theatrical event as a great way to enjoy a “comedy tonight - and speak of tragedy tomorrow” as a soaring musical sure to tickle your funny bone.

MadKap’s A Funny Thing Happened on the Way to the Forum is playing at Skokie Theatre through August 3^rd. For tickets and/or more show information, click here. 

*This review is also featured on https://www.theatreinchicago.com/!