Cameron Mackintosh is delighted to announce that a revitalized new production of Andrew Lloyd Webber’s legendary musical, THE PHANTOM OF THE OPERA, will play Broadway In Chicago’s Cadillac Palace Theatre December 11, 2025 – February 1, 2026, as part of a new multi-year North American Tour. Featuring Maria Björnson’s brilliant original design, this production of THE PHANTOM OF THE OPERA was rapturously received by London critics when it reopened at its birthplace His Majesty’s Theatre in 2021. Both the acclaimed new London production and the forthcoming North American Tour are directed by Seth Sklar-Heyn , based on the celebrated original direction by Harold Prince with choreography by Gillian Lynne, recreated and adapted by Chrissie Cartwright.
Individual tickets will go on sale at a later date. THE PHANTOM OF THE OPERA delivers a theatrical experience unlike any other—one that Chicago theatergoers won’t want to miss—and can be added on to the next Broadway In Chicago season package, on sale this April. Groups (10+) are available now by calling (312) 977-1710 or emailing This email address is being protected from spambots. You need JavaScript enabled to view it. . For more details, visit BroadwayInChicago.com.
"PHANTOM HAS NEVER LOOKED MORE SPECTACULAR" - Sunday Express
"THE SHOW HAS ONLY GROWN IN ITS ARTISTIC POWER" - Sunday Times
Cameron Mackintosh said, "I'm really delighted to bring Andrew Lloyd Webber's PHANTOM OF THE OPERA back to thrill American audiences once again after its phenomenal record-breaking run on Broadway. When I unveiled this new production in London after the pandemic many of our brilliant original creative team, including Hal Prince, Gillian Lynne and Maria Björnson, were sadly no longer with us. Our exciting new team, inspired by their predecessors’ glorious work, updated certain aspects of the production that resulted in a dazzlingly fresh version of the much-loved original, which was rapturously received by audiences and critics alike. So, in just a year’s time, when we raise our even more sensational chandelier, you can once again thrill to Andrew’s soaring music of the night and be swept away by a revitalized PHANTOM in all its glory!”
Andrew Lloyd Webber said, “The Phantom made it very clear that it would not be long before his legend would, once again, be told in America. While Hal, Gillie and Maria are, sadly, no longer with us, they live on in the show we all created together. Love, passion and live theatre are what THE PHANTOM OF THE OPERA is all about. I still get goosebumps every time that chandelier comes alive and infuses the theatre with something that only happens when design, direction and music are completely at one. I am absolutely delighted that we are bringing this very special production back to audiences across North America.”
THE PHANTOM OF THE OPERA is widely considered one of the most beautiful and spectacular productions in history, playing to over 160 million people in 47 territories and 195 cities in 21 languages. Andrew Lloyd Webber’s romantic, haunting, and soaring score includes “The Music of the Night,” “All I Ask of You,” “Wishing You Were Somehow Here Again,” “Masquerade,” and the iconic title song. It tells the tale of a disfigured musical genius known only as ‘The Phantom’ who haunts the depths of the Paris Opera House. Mesmerized by the talents and beauty of a young soprano, Christine, The Phantom lures her as his protégé and falls fiercely in love with her. Unaware of Christine’s love for Raoul, The Phantom’s obsession sets the scene for a dramatic turn of events where jealousy, madness, and passions collide.
Andrew Lloyd Webber’s THE PHANTOM OF THE OPERA, originally produced by Cameron Mackintosh and The Really Useful Group, has become one of the most successful shows in the world. The original London stage production is now the second longest-running musical ever. It opened on Broadway on January 26, 1988, directed by Harold Prince. It won seven 1988 Tony Awards, including Best Musical, and reigned as the longest-running show in Broadway history since January 9, 2006, when it surpassed Andrew Lloyd Webber’s Cats , also produced by Cameron Mackintosh. The New York production played a staggering nearly 13,981 performances, been seen by 20 million people and grossed over $1.4 billion. After an unprecedented 35 record-breaking years, the Broadway production played its final performance on April 16, 2023.
There have been three U.S. National Tours based on the original Broadway production. The First National Tour played Los Angeles and San Francisco for a combined total run of almost 10 years, playing 3,902 performances to 6.6 million people. The Second National Tour had an 8.5-year run playing 3,364 performances to 7.5 million people. The Third National Tour had an 18-year run, playing 7,284 performances to 16.7 million people. The three U.S. national tours played 216 engagements in 77 cities for an unprecedented total of 36.5 years and over 14,500 performances to 31 million people – making it the most successful and longest-running touring show in U.S. history.
The new North American tour of THE PHANTOM OF THE OPERA will premiere at the Hippodrome Theatre in Baltimore, MD in November 2025. Casting will be announced at a later date.
THE PHANTOM OF THE OPERA is produced by Cameron Mackintosh and presented by Mackintosh and The Really Useful Group Ltd. Music by Andrew Lloyd Webber, Lyrics by Charles Hart, and Additional Lyrics by Richard Stilgoe. Book by Richard Stilgoe and Andrew Lloyd Webber, based on the novel ‘Le Fantôme de l’Opera’ by Gaston Leroux, with Orchestrations by David Cullen and Andrew Lloyd Webber. Musical Supervision is by Kristen Blodgette. The Production Design is by Maria Björnson, and the Set Design is adapted by Matt Kinley with Associate Costume Design by Jill Parker, Lighting is by Andrew Bridge with Associate Lighting Design by Warren Letton, Video Design is by George Reeve, Sound is by Mick Potter. The Musical Staging and Choreography is by Gillian Lynne, recreated and adapted by Chrissie Cartwright. Originally Directed by Harold Prince, this new production is Directed by Seth Sklar-Heyn.
Please sign up for more information on the new North American production at ThePhantomOfTheOpera.com
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The Really Useful Group has launched The Box Five Club, a hub for fans of Andrew Lloyd Webber’s musicals to explore unseen archives, behind-the-scenes moments, new videos, articles, and previews from new shows and music. Fans can sign up for free at boxfiveclub.com , which will subscribe them to the curated newsletter featuring first looks, news, articles, and video content, early access to tickets and events for all Lloyd Webber shows, including THE PHANTOM OF THE OPERA, as well as additional member benefits.
Please sign up for more information at TheBoxFiveClub.com.
ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 25 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, The Auditorium, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place .
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If you are a passionate fan of the original "Phantom of the Opera" musical, its sequel "Love Never Dies" will surely peak your curiosity and is a 'must see'.
The continuation to one of the greatest love stories of our time takes place in 1907, ten years later after the Paris Opera House fire. The Phantom fled at that time, escaping tragedy, but not before releasing Christine and Raoul, so moved by his love for her. Christine now resurfaces after receiving an invitation to travel from Paris to make her singing debut in New York and the Phantom is determined to win back her love. After so many years have gone by, we finally see a life changing reunion between the Phantom, Christine and other ghosts from the past.
Magnificently directed by Simon Phillips, the stunning musical includes a new set and costume designs by Gabriela Tylesova, choreography by 2011 Astaire Awards winner Graeme Murphy, lighting design by Nick Schlieper and sound design by Mick Potter. Together they produce what can be described no less than an enchanting theatre experience that is as haunting as it is seductive.
A handful of characters return from the first musical, including the Phantom portrayed with fierceness by Cardar Thor Cortes who was born in Iceland and is making his debut in the United States in this performance. Cardar Thor Cortes comes directly off the heels of a successful run of Love Never Dies in Hamburg, Germany. Christine is beautifully acted by Chicago native Meghan Picerno. The music and lyrics created by Andrew-Lloyd-Webber and Glenn Slater seem personally written for these two amazing singers who held the audience in awe. Other return characters were Raoul (Sean Thompson), Madame Giry (Karen Mason) and Meg Giry (Mary Patterson).
The musical number impress one after another and are in many ways as powerful than those in the original “Phantom”. "Once Upon Another Time" will touch your heart while offering meaning to the story line of this play. Meghan Picerno, (Christine) and Gardar Cortes mesmerize the audience singing beautifully together, their words enhanced by every powerful note. "Love Never Dies", without question reveals Meghan's emotionally charged and extremely talented voice.
Applause, applause and more applause...
“I have the great joy of being able to say that I think this production is probably the finest one I could ever, ever hope for,” said Andrew Lloyd Webber just minutes after seeing the musical’s first run through.
One of the play’s nice surprises was 13-year-old Casey Lyons native of Lake Forest who was a joy to watch sing and perform. Casey is a natural and has a wonderful gift of song.
The Coney Island atmosphere freed the stage up to every kind of performer singing and dancing together to present a mystical, delightful and creative wonderland. The fluid stage changes were excellently done and the orchestra gets an A-plus in every way.
Not to give the plot away, I can say the story line is unique, a little unexpected, and keeps you wondering until the very end. "Love Never Dies" is well worth attending.
“Love Never Dies” has a running time of two hours and twenty-five minutes with one intermission and is being performed at Cadillac Palace Theatre through March 4th. For tickets and/or more show information, visit www.BroadwayInChicago.com.
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