Upcoming Theatre

Rehearsals have begun for Steppenwolf Theatre Company’s highly anticipated world premiere of The Minutes by Pulitzer Prize and Tony Award winning ensemble member Tracy Letts. Under the direction of Artistic Director Anna D. Shapiro, the cast features the return of six ensemble members Kevin Anderson (Mr. Breeding), Ian Barford (Mr. Carp), Francis Guinan (Mr. Oldfield), James Vincent Meredith (Mr. Blake), Sally Murphy (Ms. Matz) and William Petersen (Mayor Superba). Completing the cast of this 90-minute political comedy are Brittany Burch (Ms. Johnson), Cliff Chamberlain (Mr. Peel), Danny McCarthy (Mr. Hanratty), Penny Slusher (Ms. Innes) and Jeff Still (Mr. Assalone).

Tracy Letts, the writer of Linda Vista and August: Osage County, debuts a scathing new comedy about small-town politics and real-world power that exposes the ugliness behind some of our most closely-held American narratives while asking each of us what we would do to keep from becoming history’s losers.

Previews for The Minutes begin November 9; opening is November 19 and the show runs through December 31, 2017 in Steppenwolf’s Downstairs Theatre, 1650 N Halsted St.  Single tickets to The Minutes ($20-$99, subject to change) are available through Audience Services at 312-335-1650 or steppenwolf.org. Classic and Flex Memberships are still available and offer discounted prices and flexibility; more information at steppenwolf.org/memberships.

"The Minutes explores how we define history and the stories that we tell ourselves. Many of our ensemble members have returned to dig into Tracy's funny and surprising new work. Being in the Steppenwolf rehearsal room is one of my favorite places to be, and surrounded by the incredible cast and so many ensemble members—it's simply the best environment a director could ask for," shares Artistic Director Anna D. Shapiro.

This play marks the fifth collaboration between Anna D. Shapiro and Tracy Letts and the seventh play by Letts to premiere at Steppenwolf. This season is also the 10th anniversary of the internationally acclaimed production of Steppenwolf’s August: Osage County by Letts and directed by Shapiro, which also featured ensemble members Ian Barford, Francis Guinan and Sally Murphy who all reunite for The Minutes.

WATCH trailer here >> https://www.youtube.com/watch?v=u3F7_pXVEpE

 

Tickets & Membership Info

Single tickets ($20-$99) are available through Audience Services at 312-335-1650 or steppenwolf.org. Previews: $20 – $54 and Regular Run: $20 – $99. Prices subject to change.
Rush Tickets: half-price rush tickets are available one hour before each show.

Student Discounts: a limited number of $15 student tickets are available online. Limit 2 tickets per student; must present a valid student ID for each ticket; steppenwolf.org/students.
Group Tickets: all groups of 10 or more receive a discounted rate for any performance throughout the season; steppenwolf.org/groups.

Classic Subscription Memberships offer 7-Play Packages securing dates and seats for the full Steppenwolf experience, as well as Create-Your-Own Packages with 5 or 6 plays. Perks include discount prices, easy and free exchanges and more.

Black Card Memberships are for audiences interested in extreme flexibility with six tickets for use any time for any production. Black Card ticket credits are valid for one year with the option to add additional tickets as needed. Perks include easy and free exchanges, access to seats before the general public, savings on single ticket prices and bar and restaurant discounts for pre- and post-show socializing.

Red Card memberships are available for theatergoers under 30.  To purchase a Card Membership, visit Audience Services at 1650 N Halsted St, call 312-335-1650 or visit steppenwolf.org.

Published in Upcoming Theatre
Tuesday, 23 February 2016 17:12

Review: The Flick at Steppenwolf Theatre

It's hard to make popcorn look unappetizing, but "The Flick" succeeds. Annie Baker's Pulitzer Prize winning play, begs the question, are you actually friends with the people you work with? Under the direction of Dexter Bullard, The Steppenwolf Theatre confronts this challenging new play. 

 

The play begins in the dark with a grand overture like in the epic films of yore. The Flick is a rundown, single showing room, movie theater in a small New England town. When twenty-year-old Avery takes a job at The Flick, he unknowingly disrupts the dynamic between the lifer employees: Sam and Rose. Avery is a young man struggling with depression. In almost annoyingly repetitive scenes steeped in film trivia, he opens up to his co-workers who he hopes are his friends. 

 

With the prevalence of multiplexes, independent movie houses have been forced to retire 35 mm film in favor of digital projectors. Instead of the bulky reels, movie theaters are basically just pushing play on a DVD. Avery is appalled at the idea of digital film and the future of the art form. Baker argues an intriguing point about the future of movies and in a way, the future of the world.

 

Baker also seems intimately familiar with the struggles of working class America. She's careful not to satirize it, or let her characters off too easy. The most bittersweet moments of her lengthy script occur while the characters perform menial tasks. There's a great deal of comfort in consistency, and it's in these long hours that people reach out to whoever is around them. Often the working world is disappointing, and there's really nothing more depressing than listening to someone complain about work. "The Flick" asks if we're more loyal to our paychecks than our co-workers. 

 

Like "Gone with the Wind" this play takes a great deal of patience. The plot slowly unfolds in scenes lengthened by silence. While some may find this pacing difficult, it's in the stilted lines and long pauses that the emotional honesty of this script lives. Baker spends a lot of time exploring her character's life philosophies. 

 

Performances are strong in this small cast. Caroline Neff as the alt-chic Rose is hilarious and heartbreaking. Danny McCarthy as middle-aged Sam, plays the everyman with such likable charm, that the nihilist ending sneaks up on you. "The Flick" is a play you'll spend a lot of time with both in and out of the theater.  

Published in Theatre Reviews

 

 

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