Upcoming Theatre

First Folio Theatre (Mayslake Peabody Estate, 31st St. & Rt. 83.) is thrilled to present the World Premiere of Joseph Zettelmaier’s THE MAN-BEAST, previewing October 4-6, opening October 7 and running through November 5, 2017. A tale like none other, THE MAN-BEAST gives audiences the chance to fall back in time and experience the history and horror of French monsters and fear in a timely production perfect for the crisp, shadowed nights of a Midwestern fall.
 
From the playwright who wrote The Gravedigger and Dr. Seward’s Dracula, comes the final installment of his classic horror trilogy, a werewolf tale straight out of history. A dangerously romantic werewolf tale set in the 18th century French countryside, THE MAN-BEAST tells the tale of a mysterious wild animal ravaging the livestock and citizenry, leaving behind a trail of blood and death. When Louis XVI puts a bounty on the animal, the mystery and horror only deepen. No one has been able to trap the perpetrator, but the citizens have seen the gory results of its savage attacks and suspect that it’s a Loup-Garou, the savage werewolf of French legend.
 
THE MAN-BEAST, written by Joseph Zettelmaier and directed by Hayley Rice, features Elizabeth Laidlaw as Virginie Allard and Aaron Christensen as Jean Chastel. The artistic team includes Scenic Design by Angela Weber Miller, Lighting Design by Michael McNamara, Original Music and Sound Design by Christopher Kriz, Costume Design by Rachel Lambert, Properties Design by Vivian Knouse, Violence Design by Rachel Flesher, and Julia Zayas-Melendez as Stage Manager.
 
Opening on October 7, 2017, THE MAN-BEAST runs through November 5, 2017, with special Preview Performances on October 4, 5, and 6. All performances will take place at the Mayslake Peabody Estate, located at 1717 W 31st St., off Rt. 83, in Oak Brook. First Folio is easy to get to from the East-West Tollway (I-88) or the Stevenson Expressway (I-55). Free parking is available on the grounds. Preview tickets are $25. Regular priced tickets are $34 Wednesdays and Thursdays (seniors and students are $29), and $44 on Fridays through Sundays (seniors and students are $39). Three and four show subscriptions are available for $63-$115. Season subscriptions and individual tickets may be purchased by calling the box office at 630.986.8067 or online at www.firstfolio.org.

 

Published in Upcoming Theatre

In the action-packed world premiere of Captain Blood, First Folio Executive Producer David Rice along with his wife, Artistic Director Alison C. Vesely, have collaborated on a swashbuckling adventure that is sure to be long remembered for its choreographed swordfights, enthralling story and witty comicality. Sadly, Alison recently lost a two-year battle with cancer and passed away just two months before Captain Blood’s debut. But her final collaboration with her husband will undoubtedly leave its mark on those who see it, as it is sure to be rooted in the minds of audience members thanks to Rice’s skilled writing, a talented cast and a strong directing effort. A fitting tribute to Alison C. Vesley, Captain Blood is stamped with Rice’s humor and is engulfed with a subtle warm-heartedness throughout and not-so-subtle theme of love that can only exist in a project of true passion.  

Adapted from Rafeal Sabatini’s 1922 classic novel Captain Blood (later turned into a film in 1935), theatre goers are regaled to the captivating high seas exploit of Peter Blood, a 17th century British physician, imprisoned by his own country for treating enemy Spanish soldiers. Blood is soon sold to a plantation on a Caribbean island for ten pounds where he becomes a slave. It’s not long after his enslavement that Blood falls in love with the niece of the plantation’s owner, Arabella Bishop. But after a daring escape, Blood soon takes to the waters, this time as a Caribbean pirate captain, whose favorite pastime is robbing Spanish ships. Throughout his pillaging, we wonder if Captain Blood will once again cross paths with his love, Arabella. 

Wonderfully directed by Janice L. Blixt, Captain Blood is a thrilling story of romance and freedom. Though a fast-paced pirate adventure, Blixt does a fantastic job of implementing a strong leitmotif of love as the play’s underlying driving force. 

Nick Sandys (Artistic Director of Remy Bumppo) leads this gifted cast as Captain Blood, a role that Rice immediately envisioned for the dashing actor five years ago during the project’s inception. Not only does Sandys deliver a picture-perfect performance as the charming, yet dynamic captain, he is also the contributing force behind the choreography of the play’s many dazzling swordfights and action scenes.  Sandys is joined by Heather Chrisler as his subject of love, Arebella Bishop. Some might remember Chrisler for her compelling portrayal of Virginia Poe in Rice’s brilliant work, The Madness of Edgar Allan Poe. Though not as challenging a role as Virginia Poe, Chrisler is as flawless as can be as Arebella, giving Sandys a believable counterpart to whom we can truly relate. 

The play also gets a boost from veteran actor Kevin McKillip whose previous work includes First Folio’s The Madness of Edgar Allan Poe and The Winter’s Tale. McKillip takes on dual roles as both Hagthorpe, a ship crew member who helps narrate the play, and Don Alan, a Spanish sea captain. It is McKillip who draws the biggest laughs due to his delicious comic timing and hilarious delivery of a Castilian Spanish accent. Other nods go to Christopher W. Jones as Wolverton, Sam Krey as Lord Julian and Aaron Christensen as Colonel Bishop/Harper.

With its many characters donning costumes to the likeness of the era and a vast set that is often used as a nautical vessel complete with trapdoors and projections of the Caribbean seascape, it is easy to get lost into this classic story. 

Captain Blood is an adventurous production that is sure to capture the hearts and imagination of all those who are seeking high seas fun, action and love. Recommended as a show the entire family can enjoy, Captain Blood will be performed at the Mayslake Peabody Estate in Oakbrook through February 26th. For tickets and/or more information on this beautifully adapted for stage production of the definitive novel, click here

 

Published in Theatre in Review

 

 

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