Theatre in Review

Buzz News Chicago

Buzz News Chicago

The New Colony is pleased to announce its full 2017 Season, featuring four world premiere productions by four Chicago playwrights. The season kicks off this winter with ensemble member Sean Kelly’s fantasy adventure PSYCHONAUT LIBRARIANS, directed by Krissy Vanderwarker. In the spring, TNC presents Connor McNamara’s political thriller SCAPEGOAT; OR (WHY THE DEVIL ALWAYS LOVED US), directed by Kristina Valada-Viars followed by a summer production of Beth Kander’s Kentucky-lore saga THE BLUE, directed by Tony Horne. The season concludes next fall with Michael Allen Harris’ prison drama PUNK, directed by Diana Raiselis. The full 2017 season will be presented at The New Colony’s resident home The Den Theatre, 1333 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Tickets will go on sale at a later date. For additional information, visit www.thenewcolony.org. 

 

Comments The New Colony Co-Artistic Director Evan Linder, “We are thrilled that this season kicks off with the newest creation by ensemble member Sean Kelly. We are equally excited that our other three 2017 playwrights and all four of our directors will be making their New Colony debuts this year. These extraordinary creative teams are filling our ninth season with four world premieres that remind us why The New Colony exists in the first place: New Art, New Artists, New Audiences.”

 

The New Colony’s 2017 Season includes:

 

January 11 – February 11, 2017

PSYCHONAUT LIBRARIANS – World Premiere!

Written by Sean Kelly

Directed by Krissy Vanderwarker

 

The library is closed. The curtains are drawn. A Bunsen burner flicks on in the dark. The librarians sip their glowing elixir and the room spins with color and light. One more time. One last fight at the barrier between realiy... and the anyverse.

 

April 5 – May 7, 2017

SCAPEGOAT; OR (WHY THE DEVIL ALWAYS LOVED US) – World Premiere!

Written by Connor McNamara

Directed by Kristina Valada-Viars

 

When a story leaks revealing he is secretly a Satanist, an idealistic Senator perched for a Judicial Appointment grapples with his family, The Christian Right, and his daughter-in-law (supposedly) returned from the dead, in order to save his life and his legacy.

 

July 12 – August 13, 2017

THE BLUE – World Premiere!

Written by Beth Kander

Directed by Tony Horne

 

The Alexander sisters of Worried Creek, Kentucky, have it rough. The eldest, April, a pregnant prize-fighter, refuses to reveal the identity of her unborn baby's father; the youngest, May, is dead (though a very talkative ghost); and the brilliant middle sister June was born with the family curse: bright blue skin. But June hasn't abandoned hope. She writes daily to a plastic surgeon in Los Angeles, a man she believes can cure her... but when he shows up at their doorstep, each of the sisters’ lives (and deaths) take unexpected turns.

 

October 4 – November 5, 2017

PUNK – World Premiere!

Written by Michael Allen Harris

Directed by Diana Raiselis

 

Set in a maximum-security prison in present day America, Punk is the story of a group of inmates who are protected and housed in a special unit for gay, bisexual and transgender inmates. Tensions rise when Travis, a young man sentenced to life in prison for the murder of a gay man, requests to transfer into the unit. Fear and suspicion hover over the inmates who call this unit home.  Currently in development in The New Colony's Associate Company Intensive Program, Punk will receive a two-week workshop production in December of 2016 before its world premiere in the fall of 2017.

 

About The Playwrights & Directors

 

Sean Kelly (Playwright, Psychonaut Librarians) is a Chicago-born writer and director. He is currently leading a collaboration of nearly 50 artists in the creation 100 new stories – deep stories told in silly ways. He has written and directed at Porchlight Music Theatre, Victory Gardens, Collaboraction, The Old Town School of Folk Music and his home, The New Colony.

 

Krissy Vanderwarker (Director, Psychonaut Librarians) is a freelance director most recently of Thaddeus & Slocum: A Vaudeville Adventure at Lookingglass. She is also the Co-Artistic Director of Dog & Pony Theatre Co. D&P directing credits include: Breach, Counterfeiters, The Dinner Party Project, God’s Ear, As Told by the Vivian Girls, Mr. Marmalade, Ape, Osama the Hero, Crumble (Lay Me Down, Justin Timberlake) and As Much As You Can. Other professional directing credits include: Harry & The Thief (Pavement Group), The Grown-Up (Shattered Globe), CLEAR (About Face Theatre), What Once We Felt (About Face Theatre) and As Much As You Can (Hendel Productions West). She graduated with her MFA in Directing from The Theatre School at DePaul University and is on faculty there now. krissyvanderwarker.com 

 

Connor McNamara (Playwright, Scapegoat; or (Why The Devil Always Loved Us) Originally from Youngstown, Ohio, Connor has lived and worked in Chicago for the past five years. His stage work was most-recently seen during the Chicago Home Theatre Festival; his prose published in ink&coda Magazine, as well as shortlisted for The Aeon Award. As an actor, Connor has worked with The Griffin Theatre, Marry-Arrchie Theatre Co., Step Up Productions, among others. He is a graduate of Kent State University and The School at Steppenwolf. 

 

Kristina Valada-Viars  (Director, Scapegoat; or (Why The Devil Always Loved Us) appeared in a benefit reading of The Warriors with The New Colony. Scapegoat will be her Chicago directing debut. She has worked on new play development projects with New Dramatists in New York and workshop productions with American Theatre Company, About Face, Goodman Theater and others.  Chicago acting credits include The (Curious Case of the) Watson Intelligence (Theater Wit), The Diary of Anne Frank (Writers Theatre); The Great God Pan (Next Theatre); Completeness (Theater Wit) and Pony (About Face Theatre). She also served as Assistant Director on The Matchmaker (Goodman Theatre) and Seven Homeless Mammoths Wander New England (Theater Wit). Ms. Valada-Viars’ other New York credits include original productions of Monstrosity (13P); Love Drunk (Abingdon Theatre Company); The Music Teacher (New Group) and 516 (New York International Fringe Festival). Her film and television credits include Molly's Girl (Best Actress in a Feature, Iris Prize Film Festival), Written Off (Amazon Prime) The Door in the Floor, BlackBox, Shameless, Law & Order: CI and Animal Husbandry. Upcoming: The Burials at Steppenwolf. She is also currently working in the field of Audience Design and Artist/Audience Engagement with Theater Wit.

 

Beth Kander (Playwright, The Blue) is a Chicago-based writer with Southern and Midwestern roots. Recent playwriting awards and activities include Ashland New Plays Festival (2016 & 2015), The Ruckus’ 2016 summer festival, BechdelFest 2016, The Kilroys List (Honorable Mentions 2016 & 2015), The Writers Room at The New Colony, Leapfest 2015, Downstage Left Residency, Charles M. Getchell New Play Award and three Eudora Welty New Play Awards. She has scripts represented by Stage Rights in Los Angeles and Chicago Dramaworks. In addition to playwriting, Kander writes novels, screenplays and children's literature. She is finishing her MFA in Creative Writing at Mississippi University for Women, and has degrees from Brandeis University and the University of Michigan www.facebook.com/bybethkander

 

Tony Horne (Director, The Blue) A proud native of Memphis, Tony is currently freelance stage director and an Associate Professor/Head of Musical Theatre at the University of Wisconsin – Milwaukee.  His work encompasses theatre education, arts management, performance, direction and choreography. Tony’s directing credits include both plays and musicals. Career highlights include directing Once on This Island (the inaugural production for the new Hattiloo Theatre building in Memphis), the world premiere of the Theatre for Young Audiences version of The Wiz (First Stage, Milwaukee, WI), winning Ostrander Awards (Memphis Theatre Award) for Direction of a Musical for The Color Purple (Playhouse on the Square, Memphis, TN) and The Wiz (Hattiloo Theatre, Memphis, TN), and directing the Mid-South regional premieres of August Wilson’s Gem of the Ocean (Playhouse on the Square, Memphis, TN), Katori Hall’s The Mountaintop (Hattiloo Theatre/Circuit Playhouse, Memphis, TN) and Lee Breuer & Bob Telson’s The Gospel at Colonus (Playhouse on the Square, Memphis, TN). Tony holds a BFA in Musical Theatre Dance from the United States International University (now Alliant International), an MBA in Arts Management from UCLA and an MFA in Directing from the University of Memphis.

 

Michael Allen Harris (Playwright, Punk) As a playwright, Michael has collaborated with Chicago theatre companies such as Broken Nose Theatre, Jackalope Theatre, Arc Theatre, Stage 773, Fine Print Theatre, Chicago Home Theater Festival and The New Colony. His play, Rocky Road, received its world premiere at the New Studio Theatre of Columbia College Chicago in March of 2013. It was the first production featured in the Main Stage season that was authored by an alumnus. His play, The Velvet Tabernacle, was featured in a development series on behalf of Fine Print Theatre. His most recent play, Kingdom, is currently involved in a season-long development on behalf of Broken Nose Theatre and received its first stage reading at Victory Gardens Richard Christiansen Theater. In February 2016, he was part of The New Colony’s Writer’s Room and completed the first draft of his full-length play Ascension. His short plays include: House of Samurai, They Let Him Bleed, Project Agatha and The Woman Who Stared into the Eyes of The Red Horseman. As an actor, Michael worked with Adventure Stage, Eclipse Theatre, Gift Theatre, Teatro Vista, The-Massive, Stone Soup Theatre Project, Infusion Theatre, Broken Nose Theatre and Cold Basement Dramatics. He was nominated for a BTAA for his performance as Fortune in Eclipse Theatre’s Jeff-nominated production of Ruined. He is a proud ensemble member of Eclipse Theatre Company and proudly represented by Lily’s Talent. 

 

Diana Raiselis (Director, Punk) is a Chicago-based director and community event producer.  Recent directing projects include Resolution (Pride Films & Plays), Punk (workshop production, The New Colony), THIRST: a climate change theater action (Jackalope) and festival premieres with Collaboraction, Jackalope, Prologue and Buzz22 Chicago. As a producer, she co-curates Slaymaker Loft's occasional new-work series party/theater/party, and has served on producing teams for events at Pritzker Pavilion, the Steppenwolf Garage and site-specific locations around Chicago. Proud alumna of Northwestern University and the Steppenwolf Professional Leadership Program. www.dianaraiselis.com

 

About The New Colony

 

The New Colony develops New Art and New Artists in order to educate and build New Audiences.

 

Founded in 2008, The New Colony has already established itself as “one of Chicago’s essential off-Loop companies” (Chicago Tribune). Through the premiere of over twenty-five world premiere plays and musicals, The New Colony has cultivated a diverse audience of theatergoers eager to have a voice in the storytelling. Conversation, collaboration and innovation remain at the heart of everything they produce. The New Colony’s work has been honored with four Non-Equity Jeff Awards, Broadway in Chicago’s 2011 Emerging Theatre Award and Best Overall Production at the 2012 New York International Fringe Festival. The New Colony’s 2017 Season marks their third year as a resident company in the Upstairs Mainstage of The Den Theatre in Wicker Park.

 

Dennis Začek and Grippo Stage Co., Inc., will present Confessions of a P.I.M.P., written and performed by André De Shields, and directed by Samuel G. Roberson and Dennis Začek. The cast also includes Kimberly Lawson and Donica Lynn. Confessions of a P.I.M.P. runs August 26, 27 at 8pm and August 28 at 7:30pm at Victory Gardens Theater, located at 2433 N. Lincoln Ave.

 

Tickets are $25 and can be purchased at www.victorygardens.org or by calling the box office at 773-871-3000.

 

From the heat of urban insurrection in Baltimore, Maryland to the incandescent glare of New York’s Great White Way, “Jelly Belly” has many stories to tell. Through song, dance, and spoken word, join Victory Gardens Theater’s Fox Foundation Resident Actor Fellow André De Shields in this riveting performance as we follow this adventure from inner city impoverishment to self-actualization.

 

The creative team for Confessions of a P.I.M.P. includes Doug Peck (musical direction), Jake Ruppert (sound design) and Charles Smith (dramaturg). The band includes Tony Mhoon (bass) and Robert Reddrick (percussion). Tina Jach is the stage manager.

 

Confessions of a P.I.M.P. originally premiered as part of Victory Gardens’ 2015 IGNITION Festival of New Plays.

 

About the Artists

André De Shields in a career spanning forty-six years, André De Shields has distinguished himself as an unparalleled actor, director, choreographer and educator.  He is the recipient of three Jeff Awards, one as Director for Victory Gardens’ 1987 production of The Colored Museum, and two as Featured Performer in a Musical for the Goodman Theatre productions of Play On! (1998) and Mary Zimmerman’s The Jungle Book (2013).  In fact, André’s professional career began at Chicago’s Shubert Theatre, now the Bank of America Theatre, in the 1969 production of Hair.  From there he moved on to The Me Nobody Knows at the Civic Opera House, and ultimately became a member of The Organic Theatre Company, where he created the role of Xander the Unconquerable, Ruler of the Sixth Dimension in the cult sensation Warp. A multiple Tony Award nominee, he is best known for his show-stopping performances in four legendary Broadway musicals: The Wiz, Ain’t Misbehavin’, Play On! and The Full Monty. His numerous accolades include an Emmy Award for the NBC Special based on Ain’t Misbehavin’, the National Black Theatre Festival’s Living Legend Award, the Village Voice OBIE Award for Sustained Excellence of Performance and two Doctor of Fine Arts degrees honoris causa one each from the University of Wisconsin-Madison and the State University of New York-College at Buffalo. A triple Capricorn, Mr. De Shields is the ninth of eleven children born and reared in Baltimore, Maryland. Ubuntu. 

 

Kimberly Lawson appeared in Confessions of a P.I.M.P. during the 2015 IGNITION Festival of New Plays. A current board member of Chicago Cabaret Professionals, her cabaret shows include WOZ: A Rock Cabaret, Why Can't a Woman: A Feminist Perspective of Broadway, Fancy Meeting You Here andLife, Love, and Faith: A Tribute to Faith Prince. She is currently a student of Nadine Gomes of the Chicago College of Performing Arts and Tony Award Winner Faith Prince. In her non-performing life, Kimberly is the Audience Services Manager at Lookingglass Theatre.

 

Donica Lynn was most recently seen on stage in Porchlight Music Theatre’s Dreamgirls! Previous PMT credits include: Chicago Sings Motown, Chicago Sings Disney and Off the Porch’s Gatecrashers. Chicago credits include: Confessions of P.I.M.P with Tony nominee Andre De Shields (Victory Gardens); The Color Purple, Barnum (Mercury Theater); Thoroughly Modern Millie, Hairspray, Aida (Drury Lane Oakbrook); Once On This Island and Seussical (Marriott Lincolnshire); Lady in Denmark, Crowns and Ain’t Misbehavin’ (Goodman Theatre); as well as works with Paramount, Court, Congo Square, Theatre at the Center and ETA Creative Arts. Film/TV credits include: Chicago Fire. She is also a featured vocalist on albums by Ramsay Lewis, Calvin Bridges, Justin Roberts and Cory Goodrich. Donica is a two-time Black Theater Alliance Award nominee, a Black Excellence Award nominee, an alumna of Soul Children of Chicago, proud AEA & AGMA member and represented by Stewart Talent.

 

 

 

         17 Years and counting!

Register

     

Latest Articles

Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it.

*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.