Theatre in Review

Set in the 18th century French countryside, First Folio Theatre vividly brings to life Joseph Zettelmaier’s “The Man-Beast”, a romantic, yet frightening, tale just in time for the Halloween season. The final installment of Zettelmaier’s horror trilogy, “The Man-Beast” follows first works “The Gravedigger” and “Dr. Seward’s Dracula” and, staying true to form, steadily builds in suspense from its first scene to the story’s climactic ending. Staged ever so appropriately inside the Mayslake Peabody Estate in Oakbrook, theatre goers are in for a spooky treat that is as sexy as it is haunting.

When a werewolf ravages the countryside, no one is safe. A trail of blood leaves local villagers dead along with an escalating amount of livestock. It is then that King Louis XVI puts a bounty on the beast in the hopes the threat can be eliminated once and for all. The villagers believe the beast to be Loup-Garou, the legendary werewolf who has terrorized the countryside in the past.

The story begins when trapper Jean Chastel bangs on the door of Virginia Allard. He is hurt having suffered a bite from the beast that he believes he has killed, though the animal seems to have vanished. Allard lives alone in the forest, her house decorated with dead animals that she herself had stuffed, her kitchen shelves cluttered with bottles of herbs, wood burns in her fireplace creating a flickering glow throughout the room. The “Witch of the Woods” as she jokingly calls herself is not one to take chances as she carries a large hunting knife on her person.

After Allard tends to Chastel’s wounds we see a tumultuous relationship between the two develop, as well as a plan to cash in on the large reward. But both are cautious and struggle to trust each other, having been betrayed in the past. We wonder if either will hold true to their word.

Filled with mystery, suspense and mounting sexual tension, “The Man-Beast” works well thanks to its powerful cast of two, Elizabeth Laidlaw as Virginia Allard and Aaron Christensen as Jean Chastel. Laidlaw, whose theatre credits include Steppenwolf, The Goodman and many others, is nothing short of sensational offering several scenes filled with an electricity that would be hard to match. Laidlaw’s counterpart, Christensen, also puts forth a fierce performance and the chemistry between the two is undeniable. Hayley Rice skillfully directs this classic piece, strategically getting the most in the play’s finishing touches from a talented artistic team that includes Angela Weber Miller (Scenic Design), Christopher Kriz (Sound Design), Rachel Lambert (Costume Design) Vivian Knouse (Properties Design), Rachel Flesher (Violence Design) and Julia Zayas-Melendez (Stage Manager).

Played with much ferocity and passion, the performances we get from Laidlaw and Christensen are alone well worth the price of admission. When you add a story that is sure to engage even the most casual of horror fans from beginning to end and a creative set that visually takes us miles away and so easily nudges our imagination in just the right way, we are presented with a production that has all the ingredients needed to promise a thoroughly entertaining theatrical Halloween event.

Highly recommended. *Parental discretion is advised due to a handful of racy scenes.

First Folio’s “The Man-Beast” is being performed at Mayslake Peabody Estate in Oakbrook through November 5th. For tickets and/or more production information, visit www.firstfolio.org.

 

Published in Theatre in Review

First Folio Theatre (Mayslake Peabody Estate, 31st St. & Rt. 83.) is thrilled to present the World Premiere of Joseph Zettelmaier’s THE MAN-BEAST, previewing October 4-6, opening October 7 and running through November 5, 2017. A tale like none other, THE MAN-BEAST gives audiences the chance to fall back in time and experience the history and horror of French monsters and fear in a timely production perfect for the crisp, shadowed nights of a Midwestern fall.
 
From the playwright who wrote The Gravedigger and Dr. Seward’s Dracula, comes the final installment of his classic horror trilogy, a werewolf tale straight out of history. A dangerously romantic werewolf tale set in the 18th century French countryside, THE MAN-BEAST tells the tale of a mysterious wild animal ravaging the livestock and citizenry, leaving behind a trail of blood and death. When Louis XVI puts a bounty on the animal, the mystery and horror only deepen. No one has been able to trap the perpetrator, but the citizens have seen the gory results of its savage attacks and suspect that it’s a Loup-Garou, the savage werewolf of French legend.
 
THE MAN-BEAST, written by Joseph Zettelmaier and directed by Hayley Rice, features Elizabeth Laidlaw as Virginie Allard and Aaron Christensen as Jean Chastel. The artistic team includes Scenic Design by Angela Weber Miller, Lighting Design by Michael McNamara, Original Music and Sound Design by Christopher Kriz, Costume Design by Rachel Lambert, Properties Design by Vivian Knouse, Violence Design by Rachel Flesher, and Julia Zayas-Melendez as Stage Manager.
 
Opening on October 7, 2017, THE MAN-BEAST runs through November 5, 2017, with special Preview Performances on October 4, 5, and 6. All performances will take place at the Mayslake Peabody Estate, located at 1717 W 31st St., off Rt. 83, in Oak Brook. First Folio is easy to get to from the East-West Tollway (I-88) or the Stevenson Expressway (I-55). Free parking is available on the grounds. Preview tickets are $25. Regular priced tickets are $34 Wednesdays and Thursdays (seniors and students are $29), and $44 on Fridays through Sundays (seniors and students are $39). Three and four show subscriptions are available for $63-$115. Season subscriptions and individual tickets may be purchased by calling the box office at 630.986.8067 or online at www.firstfolio.org.

 

Published in Upcoming Theatre

In its 22nd season, First Folio Theatre (Mayslake Peabody Estate, 31st St. & Rt. 83.) is delighted to present a chilling, humorous and thought-provoking 2017-2018 season, beginning with the World Premiere of THE MAN-BEAST, which previews October 4-6, opens October 7 and runs through November 5, 2017, followed by the Chicago premiere of WOMEN IN JEOPARDY, which previews in January 24-26, opens January 27 and runs through February 25, 2018. The charming and emotional MARY’S WEDDING previews March 28-30, opens March 31 and runs through April 29, 2018 and the World Premiere musical, based on the classic “The Taming of the Shrew”, SHREW’D, is the featured production for the Shakespeare Under the Stars summer series, previewing July 11-13, opens July 14 and runs through August 19, 2018.
 
A dangerously romantic werewolf tale based on real events, THE MAN-BEAST starts the season, directed by Hayley Rice. From the playwright who wrote The Gravedigger and Dr. Seward’s Dracula, comes the final installment of his classic horror trilogy, a werewolf tale straight out of history. In the 18th century French countryside, a mysterious wild-animal is ravaging the livestock and citizenry, leaving behind a trail of blood and death. When Louis XVI puts a bounty on the animal, the mystery and horror only deepen. No one has seen the perpetrator, but the citizens have seen the gory results of its savage attacks and suspect that it’s a Loup-Garou, the savage werewolf of French legend. THE MAN-BEAST is a must-see show crafted by Joseph Zettelmaier, who is described as having “a gift for creating easily digested but emotionally resonant portraits of essential truth,” by The Chicago Tribune and noted for how he “creates tantalizing stories,” by The Sun-Times News Group. THE MAN-BEAST previews October 4-6, opens October 7 and runs through November 5, 2017.
 
WOMEN IN JEOPARDY is the comedy that results when Thelma and Louise meets The First Wives Club. When your best friend is dating a serial killer, do you tell her if she seems happy? Divorcees Mary, Jo, and Liz are best friends, always looking out for each other. So when Mary and Jo begin to suspect that Liz’s new boyfriend is a serial killer, they begin an investigation to prove it to her and save her life. Things go from humorously tricky to hilariously complex when Liz’s daughter Amanda and her boyfriend Trenner get involved. WOMEN IN JEOPARDY is written by Wendy MacLeod, author of The House of Yes (Miramax Films starring Parker Posey), Schoolgirl Figure (World Premiere at The Goodman) and Things Being What They Are (Steppenwolf), and features Artistic Associates Lydia Berger Gray, Melanie Keller and Joe Foust, with Gail Rastorfer. Boston Stages calls WOMEN IN JEOPARDY “pitch-perfect… a comedy romp,” and according to The Boston Globe, “the laughs come fast and furious… modern, lively, and loads of fun!”The show will begin previews January 24-26, open January 27 and run through February 25, 2018.
 
MARY’S WEDDING is an epic, unforgettable story of love, hope, and survival. In honor of the 100th Anniversary of the end of World War I, First Folio presents a tale of the price that must be paid when innocence and youth collide on the eve of war. Written by Stephen Massicotte, the production will be directed by Melanie Keller and feature Artistic Associate Heather Chrisler. When Mary and Charlie fall in love one summer’s day, little do they know that they are already in the center of a collapsing, brutal world. Together they attempt to hide their love, galloping through the fields for a place and time where the tumultuous uncertainties of battle can’t find them. Variety says the show "weaves a theatrical spell of hope, regret and memory.” MARY’S WEDDING will begin to preview March 28-30, open March 31 and run through April 29, 2018.

This summer, First Folio Theatre presents the musical SHREW’D: Shakespeare’s Bawdiest Comedy… with a Modern Twist, marking the theatre’s 22nd summer of presenting Shakespeare Under the Stars. Adapted by David Rice from one of Shakespeare’s hilarious “The Taming of the Shrew,” SHREW’D, directed by Johanna McKenzie Miller, turns Shakespeare’s comic battle of the sexes on its head. SHREW’D, set in 1930’s jazz-infused Chicago with lyrics by David Rice and music by Michael Keefe, offers a Kate who is Petruchio’s equal, and makes him happy to discover it. From the team that brought the 2013, double Jeff-Award winning hit musical Cymbeline: A Musical Folktale, SHREW’D will preview July 11-13, open July 14 and run through August 19, 2018.
 
All performances take place at the Mayslake Peabody Estate, located at 1717 W 31st St., off Rt. 83, in Oak Brook. First Folio is easy to get to from via the East-West Tollway (I-88) or the Stevenson Expressway (I-55). Free parking is available on the grounds. Preview tickets are $25. Regular priced tickets are $34 Wednesdays and Thursdays (seniors and students are $29), and $44 on Fridays through Sundays (seniors and students are $39). Three and four show subscriptions are available for $63-$115. During the summer show, a special pricing of $10 will also be offered for children age 14 and under who are accompanied by a parent. Season subscriptions and individual tickets go on sale on June 1, 2017 and may be purchased by calling the box office at 630.986.8067 or online at www.firstfolio.org.

 

Published in Upcoming Theatre

 

 

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