Theatre in Review

“Spamilton,” the critically acclaimed parody of “Hamilton,” welcomes Chicago actor Becca Brown to the production as the new female star. Brown has performed with theater companies including The Second City and The Hypocrites, and her TV and film credits include the 2003 feature film “School of Rock” and the second season of “Easy” on Netflix. ”Spamilton” is playing an open-ended run at the Royal George Theatre (1641 N. Halsted).with tickets on sale through October 1 and new tickets added weekly. Tickets ($35 – $99) can be purchased at the Royal George Theatre’s box office online, at Ticketmaster.comor by calling 312.988.9000.
 
“Becca originally joined the ‘Spamilton’ family as our understudy in this spring, and has consistently impressed us with her comedic timing, voice and impeccable impersonations,” said ‘Spamilton’ creator and director Gerard Alessandrini. “It was undeniable that she would be the immediate choice to become the next female performer in Chicago, and she’s seamlessly blended into the show next to our talented ensemble.” 
 
Created by Tony Award honoree Alessandrini, the mastermind behind “Forbidden Broadway,” “Spamilton” officially opened in Chicago on March 12 to rave reviews, with Hedy Weiss of the Chicago Sun-Times calling “Spamilton” an “altogether brilliant, hilarious, cliché-demolishing send-up of ‘Hamilton,’” Chris Jones of Chicago Tribune noting “You really don’t want to miss ‘Spamilton,’” and Barbara Vitello of the Daily Herald exclaiming the show is “deliciously silly. The laughs come fast and furious!” The all-Chicago “Broadway ready” (Chicago Sun-Times) cast includes Donterrio Johnson, Adam LaSalle, Becca Brown, Eric Andrew Lewis, Yando Lopez and David Robbins, as well as Sydney Charles and Brandon Kinley.
 
Becca Brown is a native Chicagoan actor, comedian and musician with training from University of Illinois at Chicago, The Second City Training Center and iO Training Center. Brown has performed music and stand up all over the country and is a regular performer at The Second City, iO, Laugh Factory and Salonathon. Recent theatre credits include “American Idiot” (The Hypocrites) and the title role in “Jenna Roxy” and the “Church of Modern Love” (The Hideout). Movie fans may recognize Brown as the female bassist in the 2003 film “School of Rock,” and she can be seen in the upcoming second season of “Easy” on Netflix. Brown is represented by Shirley Hamilton Talent.

“Spamilton,” which was initially scheduled in New York as an exclusive 18-performance off-Broadway engagement, has extended three times and is now playing its fourteenth smash month of an open engagement at the 47th Street Theatre in the heart of New York’s Theatre District. The New York production earned rave reviews across-the-board, with Ben Brantley of The New York Times calling it “smart, silly and convulsively funny!” and Lin-Manuel Miranda exclaiming “I laughed my brains out!” In its Chicago premiere, the local cast received additional acclaim, with critics hailing the production “endlessly entertaining” (Performink), “A Must-See!” (BroadwayWorld.com), and “razor sharp and filled with wit and humor” (Chicago Theatre Review). On opening night, cast members from the Chicago production of “Hamilton” were in the audience, and following the performance Wayne Brady called the production “Amazing! It’s the perfect blend of funny and parody. Go see ‘Spamilton!’
 
In addition to Alessandrini, the creative team includes Gerry McIntyre (Choreography), Dustin Cross (Costume Design), Milo Blue (Scenic Design), Andy Kloubec (Lighting Design), Matt Reich (Sound Design), Jamie Karas (Prop Design), Leah Munsey-Konops (Wig Design), Fred Barton (Musical Director), and Richard Danley and Fred Barton (Musical Arrangements).
 
“Spamilton” is produced in Chicago by John Freedson, David Zippel, Gerard Alessandrini, Margaret Cotter and Liberty Theatricals, in association with JAM Theatricals. 
 
The performance schedule for “Spamilton” is as follows: Tuesdays through Fridays at 7:30 p.m., Saturdays at 5 p.m. and 8 p.m. and Sundays at 2 p.m. and 7 p.m. For additional details, visit Ticketmaster.com or TheRoyalGeorgeTheatre.com. For more information, visit Spamilton.com.

Published in Upcoming Theatre

Fun! Funny! Funnier! If you are fan of The Golden Girls TV show, then run, don't walk, to see Hell in a Handbag’s The Golden Girls: The Lost Episodes at Mary's Attic before its special, recently extended, run is over. The show opens with a heart lifting, hug your best friend singalong of the sitcom’s famed theme song, "Thank you for being a Friend" - in its fantastic entirety! 

Plenty of fans arrive in costume to see the show and in between the hysterically funny, bawdy, R-Rated "Lost Episodes” theatre goers are entertained by Golden Girls trivia contests with fun prizes, so live it up. 

Hell in a Handbag Artistic Director David Cerda wrote the show which parodies the famed 1980’s sitcom where four women who share a home in a Miami Senior Community are not ready to stop living life to the fullest. Cerda is fantastic as the deadpan Dorothy even with the use of just one syllable – “Mah!" David, who recently won a well-deserved special Jeff Award (Congrats!) for all of his amazing contributions to theatre in Chicago with his much beloved production company Hell in a Handbag, evokes laughs with every shoulder-padded shrug and anchors the show with his dead-on funny accuracy in the role of Dorothy that actress Bea Arthur made famous. 

I don't know how he does it but every single show David writes is unique, displays every cast members talents superbly, heartfelt and funnier than the last. In this show, he takes the iconic TV show and brings it to a new level, creating hysterically campy “lost episodes” that one could only wish took to the air during the series’ heyday.  

Blanche is played with true southern sex appeal by A. J. Wright. Wright is mind-blowingly accurate in his portrayal of the flirty man-eater. Wright is so convincing, I had to occasionally close my eyes and just listen with delight, because I really felt he was a woman channeling Rue Clanahan, not a man in drag. The razor-sharp tongued Sophia played by Adrian Hadlock is also right on the mark with his dry as a martini, machine gun-like delivery of every single one-liner.

Ed Jones rounds out this fearsomely funny foursome with his always gentle, never forced portrayal of the delicate and ditzy, Rose, often forced to do and say indelicate things! Handbag favorite Ed Jones is - as ever, roaringly funny and true to Betty White's every gesture, even to her dazed and confused looks of naivety. As in all of Handbag’s productions, Golden Girls is equipped with a stellar ensemble, this show including hilarious performances by Chazie Bly, Kristopher Bottrall, Grant Drager, Lori Lee, David Lipschutz, Terry McCarthy, Michael S. Miller and Robert Williams.

Not ignoring the other fine touches that make this such a fun experience, Myron Elliot’s costumes and Keith Ryan's wigs and makeup are a laugh riot in themselves and really help each actor achieve the eerie accuracy that makes this a true golden fest for fans of the show. 

David Cerda and I have some kind of strange psychic connection in that his shows always seem to coincide in some synchronistic way with things going on in my life and family, and Golden Girls was just what I needed to see. My mother and I lived in Miami Florida throughout my whole young adult life and the week I saw this production of Golden Girls (one of my mom's favorite shows to watch with me) she was in the hospital and I was extremely stressed and worried about losing her. When David says as Dorothy about her mother Sophia, "She's probably thinking back to her youth in the fields of Sicily," and then sighs, "God, I'd wish she'd just die," I had to let out a cathartic laugh because it was just such a perfectly funny, subtext of compassion coupled with frustration of the statement of all mother/daughter love when stretched to its limits. I loved it. Naturally, I don’t wish such a thing, but Cerda’s writing has a way of somehow finding love and humor in even such a statement.  

I didn't stop laughing or smiling from start to finish of this uproariously funny take on the Golden Girls that no fan should miss. Even if you are not familiar with the show, it’s worth checking out. Don't worry, you’ll pick it up quickly. And like many Hell in a Handbag shows, there is an intermission long enough to stretch, grab a drink and use the restroom which allows you to really allow the funniness of the first act to sink in. Increasingly I find myself enduring 90-minute or longer shows with no intermission as if the audience is trapped in some kind of marathon endurance test of our concentration and bladders! But not at Hell in a Handbag shows, which proves yet again that David Cerda is in tune with everything a Golden Girl needs to truly enjoy a laugh packed night out with your best friends. Much Thanks to David Cerda for "being a friend!”

Golden Girls: The Lost Episodes is being performed at Mary’s Attic in Andersonville on Wednesday and Thursdays at 7:30 p.m now extended through September 16th. Saturday dates have been added for August. Tickets are $20, but are just $16 if purchased in advance. To purchase tickets or to find out more about this hilarious show wonderfully directed by Shade Murray, visit handbagproductions.org.

Published in Theatre in Review

 

 

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