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After a four-year hiatus, Cirque du Soleil, the ever-inventive circus troupe, has returned to Chicagoland with its latest show, “Corteo.” Founded in Montreal in 2005, Cirque transforms ordinary circus stuff— trapeze performances, acrobatics and gymnastics—through costuming, music, and a continuing storyline into pure stage magic.

This has garnered Cirque a devoted fan base that fills the tents and now arenas in which it performs to ever growing numbers, and “Corteo”—running through June 4 at the NOW Arena in Hoffman Estates—proves the company has not lost one bit of inspiration.

Like previous shows, “Corteo” weaves together a series of interrelated vignettes that form a unified whole. The costuming and motif of “Corteo” are taken from the Italian traditions of Commedia Dell’Arte rooted in medieval times but fresh and funny as heck. The voiced dialog, which is really minimal, switches fluidly from Italian to English. It’s the body language that is most important, and the hallmark of Cirque du Soleil’s excellence.

“Corteo” portrays the clown Mauro, who envisions his sickbed, and we see concerned parties visiting. But while serious, it is not a somber setting one laced with the circus acts in which he lives his life. It has a carnival atmosphere and is attended by angels hovering on trapeze rings.

Emerging from his bed, Mauro relives scenes from his life: playing in the bedroom with a brother (mattresses are trampolines), romantic interludes (a high wire act by a youthful couple), and the many astounding circus acts that surrounded him in his life. One example is a precision performance by six men rolling around the turntable stage in perfect unison within large metal rings. Another set finds precision gymnastics, performers dressed in colorfully contrasting waistcoats, breeches and spats, and with the lighting and music it is elevated from mere acrobatics to a thing of beauty. The stage set also captures the essence of Cirque’s magical appeal, with a curtains and sheer drops converting the cavernous NOW Arena into an intimate double-fronted proscenium design.

And it’s also a circus, and scenes of comic relief serve as palate cleansers, keeping the show from becoming ponderous. One of these, a golfing scene with a living golf ball dodging the duffers, is laugh until you cry funny, reminiscent of the best of Blue Man Group bits, but even better. It is also wholesome and child friendly, operating on a level of the magical that allows us adults to re-engage the wonderful world of the imagination.

More important than the story is the spectacle. “Corteo's original music, with delightful and even moving singers against live percussionist, violinist, even concert whistling and a water glass concerto, are blended artfully with studio recordings to conjure the magical atmosphere.

Cirque du Soleil’s genius really is indescribable, and this faltering attempt at doing so is intended merely to urge you to see it before the fleeting opportunity passes by. It is not something that can be streamed, it must be experienced. Remaining performances are Saturday, June 2 at 3:30 pm and 7:30 pm, and Sunday June 4 at 1 pm at the NOW Arena (the former Poplar Creek) in Hoffman Estates, IL.