Theatre in Review

Try to remember a time before the Internet, before dating sites, before personal ads and instant cameras and you will eventually discover the age-old path of finding love and dating for men and women called "Lonely Hearts Clubs". 

 

In Marriott Theatre’s “She Loves Me", a musical with a book by Joe Masteroff, lyrics by Sheldon Harnick, and music by Jerry Bock, two co-workers at the quaint Maraczek’s Parfumerie shop have unwittingly fallen in love with each other by the “Dear Friend” letters they have sent and received through their lonely hearts club connection. Though Georg and Amalia have not seen even a single photo of the other they each are certain by the written words of the other that they are truly in love and are ready to finally meet. 

 

Alex Goodrich’s Georg, the male half of this love match starts out as a bit of a jerk. Goodrich, who puts forth a very strong performance, makes Georg very sympathetic, albeit a bit of a boor though he is likable to his co-workers. He is earnestly content with his fifteen-year-plus job at the store. Although he has lots of girls who are real friends, it turns out Georg is completely insecure and out of touch with his feelings towards the opposite sex when it comes to romance. 

 

When Elizabeth Telford enters the store as Amalia (who is both seeking employment and unsuspectingly the other half of the lonely hearts club love letters), Georg is utterly irritated by her natural instinct for sales. Georg treats her with disdain even though she is cute and eminently qualified for the job she gets from the boss after selling a new product, a musical cigarette box, in record time. 

 

Both Goodrich and Telford endear you to their stubborn characters over the course of the show. As delivery boy, Arpad, played with youthful cheer, by Grant Kilian says to another clerk at the store with wonder, "Do they like each other?” The other clerk says, " Yes, they like each other very much," to which Arpad says, "Well shouldn't someone tell them?"  

 

Elizabeth Telford really knocks it put of the park emotionally and vocally with the number “Will He Like Me?", as she muses about all the different qualities he may or may not find attractive about her once they finally meet. Also, her genuinely joyous and girlish rendition of "Vanilla Ice Cream" lifts the audience to believe in true love again as Georg, who has already stood her up once, breaking her heart so badly that she cannot return to work that day, delivers a pint of Amalias' favorite vanilla ice cream. The thoughtful gesture makes her happy at his consideration in a way that begins to dimly realize what might be real love despite his earlier disdainful and brutish treatment of her feelings at work.  

 

Yes, it's like a period piece version of " You've Got Mail" that plays with a very modern feel as couples STILL face these challenges trying to find their mate today despite the Internet dating revolution. 

 

(Above) Jessica Naimy as "Ilona" and Jame Earl Jones II as "Sipos"

Jessica Naimy as Ilona steals the show with two of her numbers as the sexy, single gal at the Parfumerie who lets her desire for Mr. Right get in the way of finding her Mr. Right. In “I Resolve”, Naimy sings with genuine force and power that she resolves to let go of her destructive purely sexual relationship with the lothario of the drugstore and rather stand up for the truly lovable and deserving-of-respect woman she really is. In the number “Trip to the Library", Ilona seems to unconsciously know that a trip to a place of higher learning for the evening instead of to the local drinking hole will eventually lead to her meeting a man of substance and intelligence who loves her the way she was meant to be loved. 

 

James Earl Jones II as Sipos, the clerk with a family who will kiss anyone's butt to save his boring but dependable job, delivers a very funny, dry performance and his singing voice is both comical and deeply resounding. Great job!  And David Schlumpf as Steven Kodaly, the womanizing and insensitive clerk who'll sleep with anyone, really makes you want to slap him in the face, but his number “Grand Knowing You" shows the audience his sexist honesty is what finally pushes Ilona over the brink to find her own self-respect again, even if it means being alone for a while. 

 

Shop owner Mr. Maraczek is also well played by Terry Hamilton, as he is able to finely capture both the character’s storminess as that of a demanding boss and the good heartedness that hides beneath his exterior. 

 

The slicked back hair and black tails of The Headwaiter who serves Georg and Amalia at their very first meeting at a "romantic hideaway" is hysterically portrayed by Steven Strafford who has great physical comedy skills with his spot on facial expressions and timing. 

 

Directed and choreographed by Artistic Director Aaron Thielen, “She Loves Me” is a cute love story that features many charming characters and fun numbers including the adorable “Thank You, Madam” a goodbye the store employees sing together whenever a customer leaves the shop.

 

Thank you, madam. 

Please call again. 

Do call again, 

Madam

 

I highly recommend this heartwarming, fresh and fun production which is brought to life by Jeffrey D. Kmiec’s sets, Jesse Klug’s soft and lovely period lighting and especially Sally Dolembo’s really delicious, color-rich costumes for both the leads and the wonderful ensemble of players who portray shoppers in the store. Altogether with this superb cast, "She Loves Me" brings the art of lovemaking in this long past period to life in a delightful modern way. 

 

“She Loves Me” is being performed at Marriott Theatre in Lincolnshire through June 18th. For tickets and show information click here

 

Published in Theatre in Review

Lincolnshire, IL – The global phenomenon seen by over 60 million people all around the world and one of Broadway’s longest running hits, MAMMA MIA!, kicks off Marriott Theatre's 2017 Season, running February 8 through April 2, 2017 with a press opening on February 15 at 10 Marriott Drive, Lincolnshire. Multi Jeff Award Winner Rachel Rockwell (World Premiere of October Sky and 42nd Street at Marriott Theatre; Ride the Cyclone at Chicago Shakespeare Theatre and MCC Theatre, New York; and Brigadoon at Goodman Theatre), returns to direct the much-loved  piece, with music and lyrics by Benny Andersson and Björn Ulvaeus of ABBA, and book by Catherine Johnson.Rockwell, who has an extensive history with the show, having performed it many times including on Broadway, joins forces with longtime collaborators Set Designer Scott Davis, who will re-imagine the signature theatre-in-the-round space, and Costume Designer Theresa Ham who returns to the Marriott following the success of October Sky, along with Choreographer Ericka Mac and Musical Director Ryan T. Nelson.

 

“I’m really excited to put my spin on this exuberant celebration of music and friendship,” says Rockwell. “The show is a story of the enduring female relationships in our lives – mothers and daughters, women supporting each other. Paired with these songs that we all love, it brings such joy. It truly is a love letter to that ABBA sound."

 

MAMMA MIA!is the story of the dynamic relationship between independent and carefree mother, Donna Sheridan, and her spirited daughter, Sophie, who she has raised alone on an idyllic Greek island. While Donna invites her two best friends to her daughter's wedding, practical and no-nonsense Rosie and wealthy, multi-divorcee Tanya, Sophie has plans of her own up her sleeve. On a quest to find the identity of her father to walk her down the aisle, she brings back three men from Donna’s past to the Mediterranean paradise they visited 20 years earlier, hoping to build a bond with the father she’s never known. Chaos ensues over the next 24 hours as new love blooms and old flames are rekindled on this lush island full of possibilities. Fusing explosive dance numbers with timeless songs, including “Dancing Queen”, “S.O.S.”, “Money, Money, Money” and “Take a Chance on Me,” MAMMA MIA! will have audiences singing along to all the classic favorites in this feel-good story full of laughs, love, family and friendship.

 

MAMMA MIA! stars Danni Smith as “Donna Sheridan” (The Marriott Theatre: Man of La Mancha and City of Angels; Paramount: A Christmas Story; Porchlight: Chess), Meghan Murphy as “Tanya” (The Marriott Theatre: City of Angels; Drury Lane Oakbrook: Smokey Joe’s Café), Cassie Slater as “Rosie” (The Marriott Theatre: Man of La Mancha and City of Angels), Tiffany Tatreauas “Sophie Sheridan” (The Marriott Theatre: Sister Act and Spring Awakening; Chicago Shakespeare Theater/MCC: Ride the Cyclone), Peter Saide as “Sam Carmichael” (Chicago Shakespeare/Old Globe: Sense and Sensibility; Paramount: Oklahoma!; Las Vegas: Jersey Boys), Karl Sean Hamilton as “Harry Bright” (The Marriott Theatre: For the Boys and The Full Monty; Goodman Theatre: Wonderful Town; Chicago Shakespeare Theater/MCC: Ride the Cyclone), Derek Hasenstab as “Bill Austin” (The Marriott Theatre: How To Succeed…, Spring Awakening, October Sky; Lookingglass Theatre Company: Eastland), Russell Mernagh as “Sky” (The Marriott Theatre: Evita; Chicago Shakespeare Theater: Ride the Cyclone; The Mercury Theatre: The Man Who Murdered Sherlock Holmes), Kayla Kennedy as “Ali,”Lillian Castillo as “Lisa,” Liam Quealy as “Pepper,” and Gerard Salvador as “Eddie.” Also featuring Ari Aaron, William Carlos Angulo, Aramie, Julie Baird, Nathaniel Braga, Colte Julian, Tommy Lucas, Ericka Mac, John Marshall, Jr., Zoe Nadal, Hanah Rose Nardone, Laura Savage, Colette Todd and Kylah Williams.

 

The production will feature set design by Scott Davis, costume design by Theresa Ham, lighting design by Jesse Klug, sound design by Bob Gilmartin, properties design by Sally Weiss, musical supervision and orchestra conducted by Patti Garwood.

 

The performance schedule for MAMMA MIA!is Wednesdays at 1:00 p.m. and 8:00 p.m., Thursdays and Fridays at 8:00 p.m., Saturdays at 4:30 p.m. and 8:00 p.m., Sundays at 1:00 p.m. and 5:00 p.m., with select Thursday 1:00 p.m. shows. Ticket prices range from $50 to $60, including tax and handling fees. Call for student, senior and military discounts. On Wednesday and Thursday evenings there are a limited number of FREE dinners available with the purchase of a full-priced theatre ticket, which can only be purchased through the Marriott Theatre Box Office. To make a restaurant reservation, please call 847.634.0100. Free parking is available at all performances. To reserve tickets, please call The Marriott Theatre Box Office at 847.634.0200 or go to www.ticketmaster.com. Visit www.MarriottTheatre.com for more information.

 

Published in Buzz Extra

One of the world’s most popular musicals has found a temporary home at Marriott Theatre in Lincolnshire. And you should see it! Celebrating five Tony Awards, including Best Musical, the 1964 hit takes on a most interesting chapter in the life of Don Quixote while spending time in prison as he awaits a hearing with the Spanish Inquisition. Based on one of 17th century Spanish writer Miguel de Cervantes’ most famed characters the 1959 teleplay I, Don Quixote set the stage for what has become one of the most successful musicals to date. Often referred to as a play within a play, Man of La Mancha focuses on Quixote, an imprisoned writer who has turned away from the harsh realities of the world such as battle, crime and poverty and decides rather to view the world as he wants to see it where a prostitute, Aldonza, can instead be a his beloved Dulcinea, a battered cane can be a mighty sword or a cooking pot can be a prized helmet – a victorious trophy. 

 

Music Director Ryan T. Nelson and six-time Jeff Award director Nick Bowling take on this long-time prolific musical, splendidly piecing together a production that engages throughout and profoundly touches the heart. It is together with the powerhouse acting performance of Nathaniel Stampley, that this production goes over and beyond, becoming an instant Marriott classic and a show that will long be remembered for its superb acting and gripping storytelling. Stampley brilliantly seizes the lead role, which is really two leading roles, as the passionate writer who has defied the Spanish Inquisition along with the imaginary knight he has become in his imagination. 

  

Stampley is an actor you can easily root for. Magnetic and captivating, Stampley is a tour de force, capturing the character’s subtleties while becoming a dominating presence when called for, particularly during his breathtaking rendition of the production’s famed song “The Impossible Dream”, which led to a much deserved extended applause that only escalated to a higher volume every time the cheers began to die down.  

 

Stampley gets solid support from actress Danni Smith who delivers a memorable performance of her own, the two skillfully playing off each other to generate the much needed connection to make this show work. Richard Ruiz is also excellent as Quixote's trusty sidekick, Sancho. As all Marriott shows go, we are treated to a very gifted ensemble, as well. 

 

Director Nick Bowling does add a twist to the original by having the story take place in modern times. Simply said, it works. As Bowling explains, “We put the story in modern day with the notion that there are inquiries still going today and there will always be inquisitions.” Bowling’s underlying tones are powerful and serve as a wake up call for some while everyone can still enjoy a masterful musical that can be as heartwarming as it can sad and often humorous in just the right spots. 

 

Wonderfully acted with a slew of talented vocal performances, Man of La Mancha is a sure summer hit that is sure to make theatre goers cheer, feel and emphasize with and for a man who dares to dream the impossible dream and fight the unbeatable foe. 

 

Man of La Mancha is being performed at Marriott Theatre through August 14th. Tickets range from $50-$55. For more show information visit www.marriotttheatre.com.               

 

Published in Theatre Reviews
Saturday, 31 October 2015 01:39

Big Christmas fun - "Elf" at Marriott Theatre

Here we go again. Wow, this year went by fast! Christmas is again just around the corner, which means it’s time to bring on the holiday plays! This year one of the funniest Christmas shows of the season will certainly be “Elf”, now playing at Marriott Theatre in Lincolnshire. Based on the hilarious 2003 film of the same name starring Will Ferrell, the play deviates a bit from its original script but carries the same overall story-line and still pushes its simple message – to spread Christmas cheer.

For anyone to pull of this production, it all really comes down to who plays Ferrell’s character as the ever naïve and loveable elf, Buddy. Fortunately, Alex Goodrich was cast in the role. Though, he has some big curly shoes to fill, Goodrich quickly wins over the crowd - maybe not the the point of "Ferrell who?" (who can?), but he certainly does a fantastic job. Goodrich’s precise comic timing and ability to be believable as a fun-loving, child-like adult who is ever so innocent of this world makes this show a big winner.   

“Elf” is the story of Buddy, a human who is raised as an elf after he accidentally crawls into Santa’s sack during one of his stops at an orphanage. Despite the size difference between Buddy and the elves and his lack of toy making aptitude, it isn’t until he is a full on adult at thirty years old before he figures out that he is human. It’s at that time Santa sends Buddy out into the world – New York to be exact – to find his real father. From there, as one might imagine, is a story of a fish out of water in the biggest way.

Full of silly holiday songs that may not stick in one’s head ten minutes after the show, “Elf” is pretty much a laugh fest from beginning to end. And that’s okay since one does not see “Elf” because of its music, we see it because we want to laugh and get into the Christmas spirit. In this fun holiday treat, Goodrich finds himself surrounded by a strong cast, especially in Kevin Gudahl who plays Roy Hobbs, Buddy’s true dad, and Roger Mueller as a Santa Claus who actually weighs in on the “cool” scale. James Earl Jones II also delivers an enjoyable performance as the manager at Macy’s.

The point of the story is simple and clearly delivered – to get people in the Christmas mindset of selflessness and giving despite all the daily issues and problems we might be facing. And what’s even better is that we can have some good laughs while getting there.

 

“Elf” is a thoroughly amusing production that the entire family can share. Playing at Marriott Theatre through December 31st, it is the perfect way to get a jump start and primed up for the holidays. For tickets and/or more show information, visit www.MarriottTheatre.com.      

Published in Theatre Reviews

“City of Angels”, which won several Tony awards back in 1990 is really two stories in one. One is the black and white sexy film noir plot that author Stine (played sympathetically by actor Rob Thomas) is writing about private dick Stone for a sleazy Hollywood producer and the other story revolves around his real life. Stone is played with nice masculine swagger by Kevin Earley. Director Nick Bowling has done a great job of bringing this very complex and sometimes confusing musical to life in the round space at Marriott Lincolnshire.

The women in this show really took the reins and each had some dynamite moments. Summer Naomi Smart is lovely to look at as the classic film noir femme fatale and has her best number dressed in tennis whites as she wittily seduces her newly hired detective into her employ. 

Erin McGrath as her missing step daughter Mallory has a very sexy number wrapped only in a bed sheet also trying to seduce the detective into taking her side in the romantic number "Lost and Found".

I just adored Megan Murphy's entire dual performance. She plays both Stone’s secretary, Oolie, and Stine’s mistress, Donna. Murphy had the entire audience laughing with her number "You Can Always Count on Me". 

I've been "the other woman" since my puberty began
I crashed the junior prom
And met the only married man
One joe who swore he's single
Got me sorta crocked, the beast
I woke up only slightly shocked that I’d defrocked a priest
Or else I attract 
The guys who are longing to do my hair
You can always count on me

Murphy has a really solid, terrific singing voice and her whole character really resonated with a sense of grounded humorous reality in both worlds of this show. Buddy Fidler, the sleazy yet success making producer was adorably played by the talented Gene Weygandt.

The quartet of singers playing the 'Greek chorus" that move the story along were reminiscent of group The Manhattan Transfer and their marvelous harmonies were a delight to listen to in each scene. 

Gabriel Ruiz shows a real star turn in his smaller role as Officer Munoz his number was sung with perfect comic timing in “All You Have to Do is Wait,” referring to what he thinks is  Stone’s upcoming  gas chamber execution.

Elizabeth-Lanza-Cassie-Slat

This production definitely had more seductive bite than others I have seen at Marriott Theatre and I always enjoy the way the intimate theater in the round is used to keep the audience alert and involved as actors are constantly making their entrances and exits seamlessly right through the crowd without mishap. 

Though their productions are always top notch, the only bug that regularly occurs at The Marriott Theatre is that there are not enough service areas during intermission so you have to chug whatever you do get to purchase before returning to your seat. Also drinks, even bottled water, are not allowed in the theater. This is a real problem given that if you have a cough attack or other emergency during the show because you really cannot leave the theater discretely without literally running into characters in the show. This minor discomfort could easily be solved with a few more bartenders and a water allowed policy. 

I highly recommend this lively, seductive and funny production of the Tony Award winning “City of Angels" for young and old alike. It has the sexy humor adults will appreciate and the great music and action young people will be entertained by. “City of Angels” is being performed at The Marriott Theatre through August 2nd. For more information about the show, visit www.marriotttheatre.com

Published in Theatre Reviews

I truly adore anything with Cole Porter’s amazing music performed as well as the cast at The Marriott Theatre. Porter’s songs “I Get a Kick Out of You”, “You’re the Top”, “Easy to Love” and “Blow, Gabriel, Blow” are lovingly performed and choreographed to perfection.

“Anything Goes” is the still fresh and funny tale of a group of passengers setting sail for romance and adventure on a spectacular ocean liner from New York to London. When some of the passengers complain to the Captain there are not enough celebrities on board, the Captain realizes that even criminal celebrities are exciting enough to qualify and invites the two “infamous crooks” on board to dine at his table to appease the rest of the guests hunger for drama and notoriety.

Stephanie Binetti (who plays the siren Reno Sweeney) is absolutely sensational in this role. I loved that she was more glamorous than strident, less Ethel Merman and more Liza Minelli, as it were.

Jameson Cooper as Billy Crocker started out a little bit lukewarm in my eyes but after he warmed up and performed his beautiful, heartfelt rendition of “So Easy to Love”, he really won me over. One could certainly see how Cooper as Billy Crocker can so easily charm Hope Harcourt, played by the lovely Summer Naomi Smart, with his genuinely romantic and earthy interpretation of these classic lyrics.

I never get tired of the dynamic and original staging in the round at The Marriott Theatre in Lincolnshire. This makes the big dance numbers (which there are plenty of) especially rich. Having the large cast move up and down the aisles throughout the show makes every single seat in this intimate playhouse a great seat!

Moonface Martin is played with amazing comic timing by Ross Lehman.  At the same time, Moonface’s blonde bombshell moll, Erma, played by Alexandra E. Palkovic, adds just the right of amount of real old time sex appeal to this show.

I highly recommend this fun, soaring production of one of Broadways’ most beloved shows for the entire family, especially for young people who have never been exposed to the wonder and magic of well done theater in the round!

“Anything Goes” is being performed at The Marriott Theatre in Lincolnshire through May 31st. For tickets and/or more show information, visit http://www.marriotttheatre.com/show/anything-goes

Published in Theatre Reviews
Friday, 06 February 2015 00:00

La Cage aux Folles Fabulously Fantastic!

Get ready for men dressed lavishly in drag, big laughs and plenty of high-flying dance action. Kicking off their 40th season in fabulous fashion, Marriott Theatre presents the smash hit musical La Cage aux Folles, a comedy that can be as touching as it is glamorous.

In this musical that debuted on Broadway in 1983, longtime life partners Georges and Albin run the glitzy St. Tropez nightclub where dazzling all male revues are regularly performed. Georges is the club’s master of ceremonies while his “wife” Albin is the star performer “Zaza”. But when Georges’ son Jean-Michel surprisingly announces that he plans to marry the daughter of an ultra-conservative politician bent on shutting down the so-called “filth” in his district, their lives take a hectic turn – and the chaos begins. In Jean-Michel’s efforts to impress his fiancé’s visiting parents, he requests for Albin to make himself scarce and proceeds to “un-gay” his father’s home in order to also appear conservative. Naturally, this is upsetting and hurtful to Albin though a reluctant Georges insists it is just for one night and that it will be something they can laugh over for years to come. However, once Jean-Michel’s fiancé arrives with her parents nothing goes as planned and the pandemonium really begins.     

Throughout this very funny theatre-in-the-round production we encounter numerous song and dance numbers superbly choreographed by Melissa Zaremba, most notably its big opener “We Are What We Are” where the audience gets blitzed with drag dancers pulling off a series of colorful costume changes. We meet a variety of characters including a take charge whip-wielding diva and can only be impressed with the St. Tropez dancers’ precision and flexibility. However, while we enjoy stunning costumes, overdone makeup and overly exaggerated female characteristics, at times we wonder if women are celebrated or parodied.

David Hess as Georges and Gene Weygandt as Albin truly light up the stage. The chemistry between the two is dynamic and projects a real sense of love and admiration for one another. Their closeness can easily be envied by so many, displaying a sincerity that is truthfully touching, uplifting and lasting. Hess and Weygandt stalwartly captain the helm of this humorous but moving story that tells us to never be ashamed of who we are.     

Brian Bohr puts out an adequate performance as Jean-Michel but the show’s real support comes from Joseph Anthony Byrd who is charming as Jacob, the couple’s butler who wants to be recognized as the maid and also desires a spot in La Cage. Always a pleasure to see Larry Adams perform, the Chicago acting veteran is entertaining as ever in this time a limited role as waiter M. Renaud.

La Cage aux Folles is a well-directed show that is as fun yet tender and should not be missed. La Cage is being performed at Marriott Theatre in Lincolnshire through March 22nd. For tickets and/or more information visit www.MarriottTheatre.com.  

Published in Theatre Reviews

Every time I think the talented cast of players and directors performing at Marriott Theatre’s intimate theatre in the round have done the very best they can, they top themselves again.

This production of the deliciously classic Rodgers and Hammerstein musical about a spunky, intelligent teacher who is recruited from England to teach the children of an arrogant but struggling King of Siam directed with precision and compassion by Nick Bowles was hands down the finest, most soaring yet intimate production of “The King and I” that I have seen in years.

Heidi Kettenring as the show’s star in Anna has more than a fine singing voice for the piece. Kettenring infuses the character with humor, strength, compassion and a feminist fury which reaches its peak of expression in the hilarious and still modern song, “Shall I Tell You What I Think of You?”

“All 
to remind you of your royalty,
I find a most disgusting exhibition.
I wouldn't ask a Siamese cat
to demonstrate his loyalty
by taking this ridiculous position
how would you like it if you were a man
playing the part of a toad.
Crawling around on your elbows and knees.
Eating the dust of the road!...”

king-and-iNew York actor Andrew Ramcharan Guilarte, does a wonderful, sexy and layered performance as the King, never falling into predictable caricature.  Guillarte is a little bit younger than the King is normally played and it makes perfect sense that his character is both falling in love with the educated and mature teacher Anna and also confused by his growing sense of bewilderment at her grasp of political situations that improve the destiny of his own family and finally, his entire Kingdom.

The romantic and sexual chemistry between Kettenring and Guillarte is absolutely dynamite and had the entire audience breathlessly watching each explosive scene between this talented pair.

There is a very funny, yet revealing scene where the King is insisting that Anna’s head never be higher than his own. The King asks Anna to take dictation for an important letter to a visiting dignitary and sits down on the floor. When Anna finally sits down on the floor, the King moves to recline on one elbow and so forth till they are both completely reclining on the floor. Although, it is really a nonsensical demonstration of his manly power, Kettenring and Guillarte manage to make it a funny and sexy “shades of gray” type dance between two people who are each unaware they are falling in love with the other.

I am happy to see that almost all of the roles for the children and wives and concubines of Siam were filled by actors with a variety of different ethnicities. The children in this production are completely delightful to watch from beginning to end. Matthew Uzarraga, who plays the boy who would be King, does a fantastic job bringing his little tyrannical boy to life and when at the end of the show he pronounces that “excessive bowing to the King like a toad” is now forbidden, you really believe this child has learned something major from his now beloved teacher and friend Anna.

Kristen Choi as Lady Thiang knocks it out of the park with her stunning rendition of “Something Wonderful” and Joseph Anthony Foranda is a wise, organic presence. Shirtless like the King, he pulls off the role with quiet sensuality and power as the aging prime minister to the King Kralahome.


Nancy Missimi went all out with the costumes in this piece and I most enjoyed her costumes on the wives, children and concubines of the King. Their dance numbers were wonderfully choreographed by Tommy Rapley and together with Ms. Missimi’s costumes and Tom Ryan's royally glowing set design, the dance numbers reminded me of barefoot dancing flowers, like multicolored orchids and floating water lilies come to life onstage.

I get totally spoiled when seeing a well performed Rodgers and Hammerstein musical because the lyrics for every song are so unique and memorable. “We Kiss in a Shadow” was beautifully sung by Megan Masako Haley as the King’s unwilling young captive, Tuptim, who is in love with another.


“To kiss in the sunlight
and say to the sky:
"Behold and believe what you see!
Behold how my lover loves me!"

And Devin Law as Lun Tha , Tuptim’s secret lover, also performed the classic “I Have Dreamed” to perfection.

“I have dreamed that your arms are lovely
I have dreamed what a joy you'll be
I have dreamed every word you whisper

When you're close, close to me
how you look in the glow of evening
I have dreamed and enjoyed the view

In these dreams, I've loved you so
That by now I think, I know
what it's like to be loved by you
I will love being loved by you”

I can’t speak highly enough about how all of the elements in this production came together to create such an educational, yet romantic,  touching and funny evening of pure  theatrical delight, including the  fantastic, organic choreography by Tommy Rapley and Ryan T. Nelson’s exquisitely detailed musical direction.

Take your children and your grandparents, or even your first date to ‘The King and I” at The Marriott Theatre in Lincolnshire with confidence that you will all equally enjoy a magical night of classic entertainment performed at peak quality for modern times.

For more show information, visit www.marriotttheatre.com.

Published in Theatre Reviews

The romantic and richly textured tale of East versus West, THE KING AND I,comes toThe Marriott Theatre, 10 Marriott Drive, Lincolnshire, IL., previewing October 22, opening October 29, and running through January 4, 2015. Nick Bowling (Juno and The Normal Heart at Timeline Theatre) makes his Marriott Theatre directorial debut with a fresh take on this Rodgers and Hammerstein musical, merging history and romance with today’s social and political issues. THE KING AND Itakes audiences on an uplifting journey of the power of education as characters transform from instructor to students themselves, learning from one another in the process. In consultation with the Thai Cultural and Fine Arts Institute of Chicago, Bowling and Choreographer Tommy Rapley will explore ancient Siamese customs, dance and traditions, and bring them to life on stage.

Set against a dazzling and exotic backdrop of 19th century Siam, THE KING AND I follows the tumultuous relationship of the strong-willed British Governess Anna (Jeff Award-nominee Heidi Kettenring) and the larger than life King of Siam (Andrew Ramcharan Guilarte), as they try to find common ground between Siamese and British traditions. In an attempt to modernize his country, the King seeks Anna’s assistance in teaching his children and wives about Western culture. Conflicts arise, however, as both refuse to give up their respective traditions and values.  As the story unfolds, Anna and the King grow to understand and respect one another, and ultimately, fall in love in a truly unique romance. THE KING AND I takes audiences through a captivating journey of music, dance and enchantment with timeless Rodgers and Hammerstein classics “Getting to Know You,” “I Whistle a Happy Tune,” and “Shall We Dance?”

THE KING AND Istars Heidi Kettenring as "Anna" (National Tour of Disney's Beauty and the Beast, Broadway in Chicago's Wicked, the World Premiere of Hero at the Marriott Theatre), Andrew Ramcharan Guilarte as “The King of Siam” (2G's World Premiere of Galois The MusicalMacbeth at Lincoln Center/Clarke Studio Theater; NAATCO'S Obie Award-winning production of Awake And Sing; New York and U.S. premiere of Immaculate at La Mama, World Premiere of Bunty Berman Presents at The New Group), Megan Masako Haley as “Tuptim,” Devin Ilaw as “Lun Tha,” Kristen Choi as “Lady Thiang,” Joseph Anthony Foranda as “Kralahome,”Michael Semanic as “Louis Leonowens,” Matthew Uzarraga as “Prince Chulalongkorn”, and Rod Thomas as “Sir Edward and Captain Orton.” Also starring in the production are Alexis Aponte, Audrey Billings, W. Blaine Brown, Nicholas Dantes, Jasmine Ejan, Lilly S. Fujioka, Monique Haley, Raymond Interior, Jillian Jocson, Scott Alan Jones, Dylan M. Lainez, Rika Nishikawa, Sayiga Eugene Peabody, Hanna Savella, Scott Shimizu, Yu Suzuki, Rose Le Tran, Zachary Uzarraga, Janelle Villas, and Sophia Woo.

THE KING AND Iproduction team is led by the Marriott Theatre’s Lead Artistic Director Andy Hite. Set Design is by Tom Ryan, Costume Design by Nancy Missimi, Lighting Design by Jesse Klug, Sound Design by Bob Gilmartin and Properties Design by Sally Weiss; with Dialect Coach Jill Walmsley Zager.

The performance schedule is Wednesdays at 1:00 p.m. and 8:00 p.m., Thursdays and Fridays at 8:00 p.m., Saturdays at 4:30 p.m. and 8 p.m., and Sundays at 1 p.m. and 5 p.m. Ticket prices range from $40 to $48, excluding tax and handling fees. On Wednesday and Thursday evenings, there are a limited number of Dinner and Theatre tickets available and can only be purchased through the Marriott Theatre Box Office. On Friday and Saturday evenings, dinner reservations can be made at the King’s Wharf restaurant. Additionally on Sundays, dinners in the Fairfield Inn are available. To make a reservation at either of these two restaurants, please call 847-634-0100.Free parking is available at all performances. To reserve tickets, please call The Marriott Theatre Box Office at 847.634.0200. Visit www.MarriottTheatre.com for more information.

Published in Theatre Reviews
Saturday, 23 August 2014 19:00

A Great Way to Spend a Night "On the Town"

"On the Town" with music by Leonard Bernstein; book and lyrics by Tony-winning writing partners Betty Comden and Adolph Green is about to be staged on Broadway but the Marriott Lincolnshire has beat Broadway to the punch with this thoroughly entertaining and beautifully staged rendition which has never before been staged in Chicago.

Three young sailors arrive in New York City with just one night, 24 hours to have fun and find love hopefully in the arms of one young lady named "Miss Turnstiles" for the month of June. "On the Town" really captures the frantic energy of youth and love, when every hour of your life, indeed every minute counts desperately to you as life calls you to return to work, or other duties forcing you to leave your hopes and dreams behind. 

The two young leads, Max Clayton & Alison Jantzie are both very, very talented young dancers and singers.  Alison Jantzie is lovely and is absolutely delightful in her role as "Miss Turnstiles" a struggling actress who is bullied into burlesque dancing as a way to stay afloat in the big city.

Marya Grandy and Johanna McKenzie Miller were perfectly cast as the other two female leads. Grandy and Miller are both mature actresses with great voices and superb comic timing which held the whole show together and gave it real belly laughs and heart as well.

Alex Sanchez’s choreography and director David H. Bell use the intimate space at Marriott Theatre to their full advantage filling the stage with 22 dancers and some of the most exciting and even classically erotic ballet and modern dance numbers I have seen in a long time. 

Nancy Missimi’s period costumes are so much fun to watch on the dancers. I absolutely love this period of fashion especially for the women Thomas M. Ryan’s brightly light New York City  set caught my eye even before I entered the theatre and utilizes a turntable effect to show cabs driving through the city and other action in a fun and exciting way visually.

I highly recommend seeing "On the Town" while it is here in Chicago. "On the Town” is a funny, and romantic way to end the summer and remind yourself that life goes by fast, you have to get out "On the Town" once in a while to really celebrate it!

“On the Town” is playing at Marriott Theatre in Lincolnshire through October 12th. For tickets and/or more information, visit www.marriotttheatre.com.

Published in Theatre Reviews
Page 1 of 2

 

10 Years! Fave Issue Covers

 

Register

Latest Articles