Displaying items by tag: LilliAnne Brown

Katori Hall is an acclaimed American playwright, screenwriter, and director, known for her vivid portrayal of African American experiences and social issues. Her notable works include "The Mountaintop," which won an Olivier Award, "Hurt Village," and "Pussy Valley," which she adapted into the successful TV series "P-Valley." Hall's "The Hot Wing King" won the 2021 Pulitzer Prize for Drama. A graduate of Columbia University, Harvard University, and Juilliard School, Hall's storytelling is celebrated for its authenticity and depth. Her work continues to shape contemporary theater and television, earning her a prominent place in the arts.

The Chicago premiere of "The Hot Wing King," directed by Lilli-Anne Brown, is a dramedy that serves up a heaping helping of laughter, family drama, and Black excellence – all sizzling with the promise of a fiery wing competition. Set in Memphis, Tennessee, the play follows Chef Cordell Crutchfield (Breon Arzell) and his boyfriend Dwayne (Jos A. Banks) as they prepare for the annual "Hot Wang Festival." Joined by their friends, the hilarious Isom (Joseph Anthony Byrd) and the stoic Big Charles (Thee Ricky Harris), their kitchen becomes a battleground of culinary creativity and personal challenges, both personal and relational.

Lilli-Anne Brown is an acclaimed director celebrated for her contributions to theater. She has directed numerous productions, including "Passing Strange," "The Color Purple," and "The Nacirema Society." Brown's work has been recognized with multiple awards, including the Joseph Jefferson Award for Best Director. A Chicago native, she has made significant impacts in regional theaters. Brown is celebrated for her commitment to diversity and her ability to bring complex, underrepresented stories to life on stage.

The play's greatest strength lies in its characters. Arzell embodies Cordell with a nuanced charm, capturing his self-doubt and his yearning to reconnect with his estranged sons. Banks provides a grounding presence as Dwayne, the supportive partner grappling with his own family drama involving his troubled nephew, Everett. Kevin Tre'von Patterson as TJ, Everett's father, brings a raw vulnerability to the character. The standout, however, is Jarbari Khaliq as Everett. Khaliq delivers a heartfelt performance as the teenager burdened by grief and resentment, looking for stability in an ever-changing world.  

The production itself is a feast for the senses. Lauren M. Nichols' scenic design transforms the stage into a believable and vibrant middle-class Memphis home, an open-floor plan kitchen/living room with overflowing spice racks and countertops. On the second level is a comfortable guest bedroom. There’s a patio next to the kitchen with a barbecue pit and basketball court.  Yvonne Miranda's costumes are equally evocative, reflecting the characters' personalities and the play's Memphis setting. Jason Lynch's lighting design seamlessly transitions between the jovial kitchen banter and moments of tender introspection, while Willow James' sound design adds a layer of authenticity with the sizzle of frying wings and the pulsating beat of soul music. There is even the smell of barbecue sauce wafting through the air.

However, the production is not without its shortcomings. While Isom undoubtedly provides comic relief with his flamboyant personality and penchant for flamboyant outfits, his portrayal occasionally veers into the realm of stereotypes. Isom's sole function seems to be the "outlandish gay friend," a tired trope that robs him of the complexity that other characters possess. More thought should have been given to this characterization. This reliance on stereotype undermines the play's attempt to celebrate Black LGBTQIA+ experiences, it undermines the story and feels like a missed opportunity for richer representation.

The plot itself, while heartwarming, occasionally feels predictable. The looming wing competition serves as a clear metaphor for Cordell's personal struggles, and the play's resolution, while satisfying, lacks the kind of surprise that would elevate the experience. While the humor is well-executed, some of the jokes rely on familiar tropes, leaving the audience wanting a bit more originality.

Despite these shortcomings, ‘The Hot Wing King’ remains an enjoyable and ultimately uplifting theatrical experience. The strong central performances, combined with the vibrant production design, create a world that is both humorous and relatable. The play’s exploration of family and brotherhood, masculinity and identity, and the importance of community creates a rich and layered exploration of contemporary life and relationships, one that is sure to resonate with audiences.

"The Hot Wing King" delivers a heartwarming dramedy that celebrates Black joy and resilience. It shines with its strong central performances and vibrant production design, creating a fun and relatable world.  Audiences seeking a feel-good story with a touch of Southern charm are sure to enjoy "The Hot Wing King."

Recommended

When: Through July 21
Where: Writers Theater, 325 Tudor Ct., Glencoe
Tickets: $35-$90
Info: writerstheatre.org
Running time: 2 hours and 15 minutes with one intermission