Theatre in Review

Displaying items by tag: Leslie Ann Sheppard

“The Legend of Georgia McBride” written by Matthew Lopez, is an adorable and entertaining piece brought to sexy, vibrant life by an exquisitely multi-talented cast of characters. 

The play is set in a dusty part of the Florida panhandle at a run-down club called Cleo's owned by Eddie played with great irony by character actor Keith Kupferer. 

After night in and night out with an unsuccessful Elvis act, Eddie has allowed his cousin "Miss Tracy Mills" (Sean Blake) to bring her two man/woman drag show to the club in the hopes of salvaging his nightclub income. 

Sean Blake is amazing and seems born to play this role. Blake gets the most laughs and the most oohs and aahs with each stunning costume change or drag number and absolutely steals the show.  Miss mills also brings with her another drag queen of the highest order but one with a serious drinking problem named Rexy. 

Rexy played by Jeff Kurysz is hysterically funny in this role and does double time as Casey’s landlord and friend, a straight married man with children. Kurysz did so well in this transformation, it took me halfway through the play to realize this was the same person playing tow completely opposite roles and that was only because I thought I saw just a hint of blue eye shadow left over during his quick change from drag queen to local roofer!

The lead role of Casey is played with real charisma and fantastic dance abilities by Nate Santana. Casey has been trying to eke out a living doing his Elvis impersonation at the club but do to waning interest in his act has been demoted to bartender to make room for the new drag show. His wife, Jo (Leslie Ann Sheppard) has informed him she is pregnant and must give up his dreams of playing Elvis in order to support the family. The couple works well together, presenting a believable dynamic and we are easily able to root for them.

In the end, Casey learns to become a successful drag queen (after reluctantly doing so originally when asked by Eddie after Rexy is passed out drunk just before her number) and fulfills his artistic talents in this way. Just watching Casey’s transformation from Elvis impersonator to slovenly, broken down bartender to show-stopping drag queen is worth the price of admission and Santana does so with great communicative eyes and terrific physical comedy skills. 

Is drag just performing? No it is not as Rexy later explains to Casey, who thinks it's as simple as performing a show - it is a protest. There is much more to drag than eye shadow, glitzy dresses and fake boobs. It is a way of life, something to take your lumps for and definitely something not for "pussies". 

The set which slides back and forth to become their shoddy apartment and the dressing room of the bar is a little confusing and doesn't quite give the intimacy to either environment that it deserves. However, the lighting (JR Lederle), sound (Kevin O’Donnell), amazing costumes (Rachel Laritz), fabulous wigs (Penny Lane Studios- WOW!) and funny props by Bronte DeShong and yummy choreography by Chris Carter more than make up for that distraction. 

I highly recommend this laugh a minute feel-good comedy with several smashing dance numbers about making your dreams come true "right where you are with what you've got to work with" for the whole family to enjoy. 

“The Legend of Georgia McBride” is being performed at Northlight Theatre through October 22nd. More show information can be found at www.northlight.org.

 

Published in Theatre in Review

Gentle breezes, crickets chirping (or whatever that sound is they make), and comfortably warm summer nights. We're here. And knowing it won't last forever, Chicagoans certainly relish the summer months, making the most of each balmy evening. And, you know it’s July when Shakespeare comes alive under the stars at Mayslake Peabody Estate in Oakbrook. Continuing their long run of Shakespeare classics, A Winter’s Tale and A Midsummer Nights Dream taking stage over the past two years, First Folio brings to life As You Like It, the rustic comedy that follows young Rosalind as she escapes to the Forest of Arden to avoid her uncle’s wrath. Rosalind is joined by her cousin Celia and the two, like in all great stories, meet many intriguing characters along their journey. Then there's Orlando, who also seeks refuge in the forest after being persecuted by his older brother, Oliver. But our hero, Orlando, is in love – with Rosalind whom he had briefly met after impressing her during a bout of strength, out wrestling her uncle’s champion, loving her at first glance.

Rosalind, disguised as a boy and Celia, dressed as a poor woman continue to trek through the forest, while at the same time Orlando, traveling with his elderly servant Adam who insisted to travel at his master’s side, does the same while obsessively carving poems of love on seemingly any tree he can find. It is when the Orlando and Adam run into the good Duke Sr. (ousted from the kingdom by the nefarious Duke Frederick) as their desperation for food brings them to her doorstep, that they are warmly taken in and soon realize that they have stumbled onto a hidden community that lives in harmony. Jaques, who plays somewhat of a confidant/friend to Duke Sr., gives us some of Shakespeare’s most famous lines when the forest is referred to as a theatre playing out its own story.

“All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.” 

As the play progresses, multiple relationships are revealed and created around Orlando’s search for his true love, Rosalind and, in the end, everything ties together just beautifully, as Shakespeare’s pen so often did.

The many performances in this humorous adventure are done with passion and zest. Nicholas Harizin as Orlando and Leslie Ann Sheppard as Rosalind lead the play’s talented cast with a fire-infused appetite, it’s outcome an honest, raw passion to which we can truly relate. The two as comfortable in their roles as I am in my favorite pajama pants. And it would be difficult to find an actor who does Shakespeare better than Kevin McKillip, whose seamless delivery as Jaques so effectively pulls out the humor in Shakespeare’s writing. Luke Daigle stands out as Orlando’s hate-filled brother, Oliver, while Belinda Bremner as Duke Sr. is nothing less than mesmerizing. The cast in its entirety is strong and one would be hard-pressed to find any shortcomings in any of the performances by its talented individuals. In the role of Amiens, Amanda Raquel Martinez even shows off her guitar and vocal skills in a handful of haunting numbers. Standing out as Hermia in last year’s A Midsummer Nights Dream, Sarah Wisterman returns this time as Phebe again impressing while Vahishta Vafadari is very funny as runaway cousin, Celia and Courtney Abbott shines as the highly energetic Touchstone.

Well directed by Skyler Schrempp, the play is yet another ode to the excitement of falling in love and the adventures that come with such a happening and the toils one will undertake in order to find his or her soulmate.

As You Like It comes highly recommended as one of this year’s best outdoor summer experiences.

Surrounded by trees and a beautiful landscape, As You Like It is being performed on the grounds of the Mayslake Peabody Estate in Oakbrook through August 20th. Guests are invited to bring chairs, blankets and picnic baskets. And just to add a final touch of comfort, bug spray is provided along with bug repellent candles. As You Like It has a running time of two hours and twenty-five minutes with one intermission. For tickets and/or more show information visit www.firstfolio.org. Enjoy!

Published in Theatre in Review

 

 

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