Theatre in Review

Wednesday, 22 April 2026 14:35

safronia soars at Lyric Opera

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safronia at Lyric Opera of Chicago emerges as a deeply personal story of the Great Migration - one that resists grandiosity in favor of something more intimate, more lived-in, and ultimately more affecting. Drawn from the family history of Chicago’s inaugural Poet Laureate avery r. young, the work feels less…
Steppenwolf Theatre Company’s, Windfall arrives with all the promise its pedigree suggests. Written by Academy Award–winning ensemble member Tarell Alvin McCraney and directed by Awoye Timpo, the production aspires to be a pulsing, lyrical meditation on grief, justice, and the uneasy intersection of activism and capitalism. What unfolds instead is…
From the moment BOTH starts, the play demands attention. Flashing lights, sirens, and the sounds of heavy breathing build as Xochi (Paloma Nozicka) locks herself inside, trying to shut out the world. She just lost her twin brother, and nothing will be the same. Co-presented by Teatro Vista Productions and…
Screwball comedy went the way of the dinosaur after the 1940s, but Northlight Theatre attempts to revive it with The Angel Next Door. For those unfamiliar, screwball was a film subgenre that mixed romance, slapstick, and banter, like Mentos and Coke, and watched them explode to great effect. Stars like…
The 1950s is easy to idealize. Men styled tailored suits, women dazzled in pleated dresses, and everything glimmered like it was in a commercial. Life’s troubles were solved with a talk from pop or a hug from mom – or that’s how it seemed. Drury Lane Theatre’s Father of the…
Theresa Rebeck’s Poor Behavior at Oil Lamp Theatre, directed by Lauren Katz, opens with the easy warmth of old friends reconnecting - only to reveal how quickly a shared history can curdle. Within minutes, the play exposes the messy, magnetic dynamics that will drive the evening off the rails. Peter…
Saturday, 11 April 2026 12:13

BrightSide's Private Lives Bring Public Laughs

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You don’t know what you’ve got until it’s gone and married someone else – that’s how Noel Coward’s Private Lives sees it. For those unfamiliar with Coward, his scripts have bite and humor that were ahead of its time when they first hit the stage in the 1930s. Today, the…
Shakespeare’s comedies share a familiar architecture: mistaken identity, disguises, intersecting plotlines, a generous helping of prose, and language that delights in wordplay and double entendre. They are also, crucially, driven by sharp, intelligent women who often see more clearly than the men around them. With that foundation in mind, Chicago…
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*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.