Theatre

Buzz News Chicago

Buzz News Chicago

The CHICAGO ONE-MINUTE PLAY FESTIVAL (#1MPF) returns to The Den Theatre for its seventh year – this time exploring America and Chicago in 2017 in the wake of the Presidential election. The marathon evening of one-minute plays by more than 60 of Chicago’s established and emerging playwrights and directors is presented two nights only, Tuesday, February 21 and Wednesday, February 22, 2017 at The Den Theatre, 1333 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Tickets, priced at $18, are currently available at brownpapertickets.com.

 

The 2017 CHICAGO ONE-MINUTE PLAY FESTIVAL: America Is…. will feature brand new one-minute plays by Axel Arth, Andrew Bailes, Manny Buckley, Rachel Claff, Whitney LaMora Currier, EJC Calvert, Dan Caffrey, MT Cozzola, Randall Colbrun, Lonnie Carter, Spenser Davis, Bilal Dardai, Reginald Edmond, Kimberly D. Furganson, Genevra Gallo-Bayaites, Addison Heimann, Nick Hart, Skye Robinson Hillis, Kate Healy, Reeny Hofrichter, Scott Hermes, Jeewon Kim, David Kodeski, Genevieve Locksley, Jenni Lamb, Patrick McLean, Arlene Malinowski, Mark Mason, Jonathan Mastro, Laura Nessler, Coya Paz, Kristi Parker-Barnhart, Tania Richard, Tanise Robnett, Elaine Romero, Cassandra Rose, Jennifer Rumberger, Edgar Sanchez, Jessy Lauren Smith, Jenny Seidelman, Sheridan Singleton, Jon Steinhagen, Steve Spencer, Tiffani Swalley, Leean Kim Torske, Robert Tenges, Eileen Tull, Aaron Weissman, Tony Werner, Adam Webster, Larissa Zageris and Joe Zarrow.

 

Directors include Wardell Clark, Spenser Davis, Rose Freeman, Jess Hutchinson, Charlie McGrath, Andrew Peters, Samuel Roberson, Alyssa Vera Ramos, Lee Stark, Lexi Saunders, Anna Trachtman and Jacob Watson

 

“We are thrilled to celebrate seven years of #1MPF in Chicago and we are proud to see our programing and the reach of our work diversifying – between the festival of women-identified artists, The Every 28 Hours Plays and the traditional 1MPF work that we are using to investigate what America and Chicago in 2017 post-election America looks like, comments Artists Director Dominic D’Andrea. “The opportunity to gather the community of artists, activists and citizens and focus on ways that we might begin to design the world we want to live in is a beautiful and necessary action. I'm proud of the community, our partners at the Den and the stunning nuance of the work we've generated together.” 

 

EVENT DETAILS

 

Title: CHICAGO ONE-MINUTE PLAY FESTIVAL: America Is…

Dates: Tuesday, February 21 and Wednesday, February 22, 2017

Times: 8 pm

Tickets: $18. Tickets are currently available at brownpapertickets.com.

 

About THE ONE-MINUTE PLAY FESTIVAL

 

THE ONE-MINUTE PLAY FESTIVAL (#1MPF) is America’s largest and longest running grass roots theatre company, founded by Producing Artistic Director, Dominic D’Andrea . #1MPF is a social barometer project, which investigates the zeitgeist of different communities through dialogue, consensus building and a performance of 50-100 short moments generated by each community. #1MPF works in partnership with theatres and/or social organizations sharing playwright, educational or community-specific missions across the country. The aim is to create locally sourced playwright-focused community events, with the goal of promoting the spirit of radical inclusion. #1MPF represents playwrights of different age, gender, race, cultures, and points of career. The work attempts to reflect the theatrical landscape of local artistic communities by creating a dialogue between the collective conscious and the individual voice.

 

In each city, #1MPF works with partnering organizations to identify programs or initiatives in each community to support with the proceeds from ticket sales. The goal is to find ways give directly back to the artists in each community. Supported programs have ranged from educational programming, youth poetry projects, theatre program in prisons, playwright residencies and memberships, playwrights salaried commissions, community access projects, arts workshops and other social and artistic initiatives.

 

Annual partnerships have been created with theaters in over 20 cities including: New York, Los Angeles, San Francisco, Chicago, Trenton, Atlanta, Philadelphia, Washington, D.C., Baltimore, Boston, Miami, Minneapolis, New York, Seattle, Dallas, Austin, Indianapolis, Anchorage, Honolulu, St. Louis and more, with partnering institutions including Primary Stages, Oregon Shakespeare Festival, New Georges at New York City Center, Z-Space, A.C.T., Trinity Rep, Victory Gardens Theater, Cornerstone Theatre Company, The Playwrights Foundation, Boston Playwrights Theatre, Actor’s Express, InterAct Theatre, Mixed Blood, Walking Shadow Theatre, Passage Theatre, Phoenix Theatre, Kitchen Dog Theatre, Salvage Vanguard & ScriptWorks,  ACT Seattle, Perseverance Theatre, Round House Theatre, Honolulu Theatre For Youth and others.   

 

Notable #1MPF contributors have included: David Henry Hwang, Lynn Nottage, Neil LaBute, Tina Howe, Donald Margulies, Nilaja Sun, Tarell Alvin McCraney, Robert Schenkkan, Lydia Diamond, Phillip Kan Gotanda, Kristoffer Diaz, Rajiv Joseph, Samuel D. Hunter, Karen Hartman, Robert Askins, Colman Domingo, José Rivera, Craig Lucas, Mike Daisey, Greg Kotis, Michael John Garcés and over to 1400 celebrated, emerging, and midcareer playwrights.  For more information visit: www.oneminuteplayfestival.com

 

Due to popular demand, Greenhouse Theater Center is pleased to present the return of Cathy Schenkelberg’s hit one-woman show SQUEEZE MY CANS, directed by Shirley Anderson, playing February 16 – March 12, 2017 at The Greenhouse Theater Center, 2257 N. Lincoln Ave. in Chicago. Schenkelberg’s evocative and humorous account of life as a Scientologist returns for a full run following a limited engagement last summer during the Greenhouse’s popular Solo Celebration! Series. Tickets for SQUEEZE MY CANS are currently available at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. The press opening is Thursday, February 16 at 7:30 pm.

 

Have you ever wondered if Bozo was a suppressive person? Have you ever considered what it might be like to audition to be Tom Cruise’s girlfriend? What would you do if the carrot of spiritual freedom was dangled in front of you, waiting to be seized? Writer/performer Cathy Schenkelberg decided to chase it and what she found was Scientology: America’s foremost intergalactic theology. After years of studying and searching, she found herself blowing alien life forms off her body, farther than ever from who she had hoped to be. Now, she returns to share that story in this no-holds-barred cautionary tale of how she survived the pseudoscience.

 

SQUEEZE MY CANS returns to Chicago following sold-out runs in 2016 at Outdoor Voices festival and Sacred Fools Theater/Hollywood Fringe Festival in Los Angeles and Dunes Summer Theatre in Michigan City, Indiana.

 

"Our audiences were profoundly affected by Cathy's humorous and shocking retelling of her brave journey through Scientology when we hosted her as part of the Solo Celebration! Series," comments Greenhouse Artistic Director Jacob Harvey. "Cathy manages to turn her nearly 20-year experience with America's most prominent alien religion into a fearless, hilarious and heartbreaking performance. We are proud to have her back as she continues to tell her story of survival and the power of perseverance."

The production team for SQUEEZE MY CANS includes: Brandon Baruch (lighting design), Victorio (Toy) Deiorio (sound and projection design) and Ron Rude (production manager)

PRODUCTION DETAILS:

 

Title: SQUEEZE MY CANS

Written and performed by: Cathy Schenkelberg

Directed by: Shirley Anderson

 

Location The Greenhouse Theater Center, 2257 N. Lincoln Ave, Chicago

Dates: Press Performance: Thursday, February 16 at 7:30 pm

Regular run: Friday, February 17 – Sunday, March 12, 2017

Curtain times: Thursdays and Friday at 7:30 pm; Saturdays at 7:30 pm & 10 pm; Sundays at 2 pm

Tickets: $25. Students $20.

Tickets are currently available at greenhousetheater.org, in person at the box office or by calling (773) 404-7336.

 

About The Artists

 

Cathy Schenkelberg (Performer/Playwright) is a Nebraska native and Chicago/LA-based actress, singer and voiceover talent who has voiced campaigns for clients such as Sears, Kohl’s, Applebee’s and SC Johnson. Early on in Chicago, she’s had roles in Jacque Brel, Working, Little Shop of Horrors, Noises Off and Moms the Word, to name a few. Cathy was also Chrissy in the Midwest Tour of Hair and Pepper the Clown on WGN’s Bozo Show. She has worked as a dancer/singer at clubs and cruise ships - even impersonating Dolly Parton, Madonna and Marilyn Monroe (all at the same time). In her recent return to the stage, she had the good fortune to play Madame Thenardier in Les Miz, Violet, Zuzu and Ma Hatch in It’s A Wonderful Life, Sue Ellen in Honky Tonk Angels and the Mother in A Christmas Story at Sierra Repertory Theatre in Sonora CA as well as Veronica in God of Carnage at American Stage in St Pete FL. But it has been her spoken-word pieces at such venues as Write Club LA, Spark off Rose, Rant N’ Rave and Louder then a Mom, where her one woman show, Squeeze My Cans, was conceived. Visit www.squeezemycans.com for more information. 

 

Shirley Anderson (Director) is a Northwestern alum who spent the ‘90s in Chicago, adapting, producing and performing a solo adaptation of Dorothy Parker's short story Big Blonde at the Red Lion Pub, then in jazz clubs, colleges and theaters in Chicago, Edinburgh and Los Angeles. Anderson has written and performed as a solo performer ever since in Chicago and Los Angeles. In 1993, Anderson collaborated with Molly McNett on Sculpture in Vitro: Growing Up Female in the Age of Liposuction at Live Bait Theater after premiering the work in cooperation with Lookingglass Theatre and before touring the show to high schools and colleges. She has collaborated with Lookingglass Theatre Company, Plasticene and Studio 108 in Chicago and Sacred Fools, Theater Movement Bazaar, Zoo District, Son of Semele and Theater of NOTE in Los Angeles, where she currently lives and directs business operations for Blum & Poe art gallery.

 

About the Greenhouse Theater Center

The Greenhouse Theater Center is a nonprofit performance venue located at 2257 N. Lincoln Ave. in Chicago’s Lincoln Park neighborhood. Our complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, an in-house rehearsal room and Chicago’s only dedicated used theatre book store. 

Our mission at the Greenhouse is first and foremost to grow local theatre. We strive to cultivate a fertile environment for local artists, from individual renters to our bevy of resident companies, to develop and produce their work. In 2014 alone, The Greenhouse Theater Center provided space for almost 1,000 ticketed performances, serving more than 54,000 patrons. Among these events were at least 30 productions by our resident companies, including the celebrated American Blues Theater and Remy Bumppo Theatre Company. Through our Trellis Program, we offer the community affordable access to our work by housing Chicago’s only dedicated used theatre bookstore, located on the second floor of our complex, as well as offering a free reading series each Tuesday night where local artists workshop their latest scripts. Additionally, we also continue to play an active role in cultivating and nurturing our community through continued partnerships with the League of Chicago Theaters and local Chambers of Commerce. 

As of 2016, the Greenhouse Theater Center embraced the true spirit of growth and launched its producing entity. With the announcement of our eight month long Solo Celebration! Series, helmed by Artistic Director Jacob Harvey, we will produce 12 solo plays from June 2016 to February 2017. Through this inaugural effort, we hope to expand the solo play cannon while also cultivating a larger conversation about the possibilities of the one-person play. 

With new ideas always incubating, the Greenhouse Theater Center is flourishing. Come grow with us! 

 

American Blues Theater, under the continued leadership of Producing Artistic Director Gwendolyn Whiteside, announces the lineup for its 2017 – 2018 Season, “The Beat Goes On.” American Blues’ 32nd Season will include the World Premiere of Six Corners by Keith Huff, directed by Gary Griffin; the Chicago Premiere of Beauty’s Daughter by Dael Orlandersmith, directed by Ron OJ Parson; the 16th annual production of It’s a Wonderful Life: Live in Chicago! from Frank Capra’s film, directed by Gwendolyn Whiteside; and Buddy – the Buddy Holly Story by Alan Janes, directed by Lili-Anne Brown with musical direction by Ensemble member Michael Mahler. All performances in the 2017-2018 Season will take place at Stage 773, located at 1225 W Belmont Ave, Chicago.

 

“From the lyric beats of a poet, the heartbeat of a family man, the patrol beat of a Chicago cop, to the inimitable beat of Buddy Holly & the Crickets, we’re thrilled with the rich and varied stories offered for our audiences,” notes Producing Artistic Director Gwendolyn Whiteside. “We’re honored to have such extraordinary talent on the American Blues stage.”

 

The 2017-18 American Blues Theater Season up close:

 

The Chicago Premiere of

Beauty’s Daughter

by Dael Orlandersmith

directed by Ron OJ Parson

July 7 – August 5, 2017

Press Opening: July 13, 2017 at 7:30 p.m.

This Obie Award-winning play by Dael Orlandersmith depicts one woman’s journey through life’s obstacles in an East Harlem neighborhood. Artistic Affiliate Wandachristine takes on 6 different characters during the course of this solo play—some broken, some on the way down, but all memorable.

 

16th Anniversary Production of

It’s a Wonderful Life: Live in Chicago!

from Frank Capra’s film

directed by Producing Artistic Director Gwendolyn Whiteside

November 17 – December 30, 2017

Press Opening: November 19, 2017 at 2:30 p.m.

For 16 years, the American Blues Ensemble has treated Chicago audiences to a live 1940s radio broadcast of holiday favorite It’s a Wonderful Life. The incredible cast recreates the entire town of Bedford Falls with Foley sound effects, an original score and holiday carols. The Bedford Falls “residents” extend their hospitality after every performance when audiences are treated to milk and cookies served by the cast.

 

The World Premiere of

Six Corners

by Keith Huff

directed by Gary Griffin

February 16 – March 25, 2018

Press Opening: February 22, 2018 at 7:30 p.m.

Late one night, two burnt-out violent crimes unit detectives try their damnedest to close the puzzling murder of a CTA employee.  What should be a simple open-and-shut case, however, evolves into a horrifying mystery and unearths a legacy of violence stretching back years.

 

The Chicago Revival of

Buddy – the Buddy Holly Story

by Alan Janes

directed by Lili-Anne Brown

musical direction by Ensemble member Michael Mahler

April 27 – May 26, 2018

Press Opening: May 3, 2018 at 7:30 p.m.

Before the Beatles or the Rolling Stones ever played a note, rock & roll was forever changed by the bespectacled kid from Texas. BUDDY tells the true story of Buddy Holly through his short yet spectacular career and features the classic songs "That’ll be the Day", "Peggy Sue",  The Big Bopper’s  "Chantilly Lace", Ritchie Valens' "La Bamba" plus many more.

 

Additional 2017-2018 Programming

Ripped Festival: Edition 16

Spring 2018

Written and direction by various Chicago artists

 

Since 2009, American Blues Theater has produced 135 short plays in the RIPPED: the Living Newspaper series. Based on the 1930’s WPA era program that brought Orson Welles, Arthur Miller, Richard Wright and Clifford Odets into public attention, playwrights use inspiration ripped from today’s headlines to create stories performed live on stage.

 

Arts Education in Chicago Public Schools

The Lincoln Project

Conceived and Adapted by Producing Artistic Director Gwendolyn Whiteside from Artistic Affiliate James Still’s Pulitzer-nominated The Heavens Are Hung in Black

 

American Blues Theater’s innovative and adaptive program aligns with Illinois Learning Standards to engage 5th-10th graders about the life of Abraham Lincoln, specifically the events surrounding the Emancipation Proclamation.  Students watch scenes performed by professional actors, participate in discussions, and most importantly, write their own plays. Since the program’s launch in 2013, over 5,500 students have participated in the program.

 

Subscriptions

All main stage performances take place at Stage 773, 1225 W. Belmont Ave. The Blue Card – the most affording ticketing offer  the 2017-2018 season are available now at www.AmericanBluesTheater.com or by calling 773.654.3103.

 

About American Blues Theater

Winner of the American Theatre Wing’s prestigious 2016 National Theatre Company Award, American Blues Theater is a premier arts organization with an intimate environment that patrons, artists, and all Chicagoans call home.  American Blues Theater explores the American identity through the plays it produces and communities it serves.

 

The diverse and multi-generational artists have established the second-oldest professional Equity Ensemble theater in Chicago.  The 37-member Ensemble has 530+ combined years of collaboration on stage. As of 2016, the theater and artists received 186 Joseph Jefferson Awards and nominations that celebrate excellence in Chicago theater and over 31 Black Theatre Alliance Awards. The artists are honored with Pulitzer Prize nominations, Academy Awards, Golden Globe Awards, Emmy Awards and numerous other accolades.  

 

The American Blues Theater Ensemble includes all four Founders Ed Blatchford, Rick Cleveland, James Leaming, and William Payne with Dawn Bach, Matthew Brumlow, Manny Buckley, Kate Buddeke, Sarah Burnham, Dara Cameron, Casey Campbell, Darren Canady, Brian Claggett, Dennis Cockrum, Austin Cook, Laura Coover, Ian Paul Custer, Lauri Dahl, Joe Foust, Cheryl Graeff, Marty Higginbotham, Jaclyn Holsey, Lindsay Jones, Nambi E. Kelley, Kevin R. Kelly, Steve Key, Ed Kross, Warren Levon, Michael Mahler, Heather Meyers, John Mohrlein, Christopher J. Neville, Suzanne Petri, Carmen Roman, Editha Rosario, Sarah E. Ross, and Gwendolyn Whiteside.

 

American Blues Theater programs and activities are made possible, in part by funding by The MacArthur Funds for Arts & Culture at Prince, the Shubert Foundation, The Chicago Community Trust, SMART Growth Grant, Gaylord & Dorothy Donnelley Foundation, the Illinois Arts Council Agency, Anixter Foundation, Actors’ Equity Foundation, and the Chip Pringle Fund. ComEd is the Season Lighting Sponsor.

 

Hell in a Handbag Productions is thrilled to kick-off 2017 with the announcement of its 15th season. Comments Artistic Director David Cerda, “We really want to thank our audiences for keeping us going for the past 15 years with their love and support, so we are doing a mix of new, old and most requested from our audience for our audience.” 

 

The 2017 season launches in the spring with the world premiere of VALLEY!, a rollicking unauthorized musical parody of the camp classic film and best-selling book Valley of the Dolls. Written by David Cerda, Handbag tells the tale through the lens and life of its legendary author, Jacqueline Susann. Expect lots of booze, pills and (gasp) pre-marital sex!

 

For Halloween, Handbag definitely offers up a treat with the world premiere of BEWILDERED, a musical parody of the classic TV sitcom Bewitched, with book by Ron Weaver, lyrics and music by Ron Weaver and Aaron Benham and directed by Brigitte Ditmars. The spellbinding throwback is told from the point of view of Gladys Kravitz, the poor, misunderstood neighbor who keeps seeing crazy things at the home of Samantha Stephens, a beautiful witch, and her ‘ordinary family.’ Gladys’ husband Abner has had enough and is about to take drastic measures. Can Gladys prove her visions are real without destroying the Stephens family – or is she doomed to a life of pills and institutions? BEWILDERED will feature ensemble members Caitlin Jackson as Gladys Kravitz, Ed Jones as Uncle Arthur and David Cerda as Endora.

 

Finally, Handbag celebrates the holidays by bringing back its most popular show ever, RUDOLPH THE RED-HOSED REINDEER 2017 by David Cerda and directed by AJ Wright. A parody of the 1967 Rankin Bass television special, Rudolph has become a subversive Chicago classic that celebrates the MISFITS of the world. Chicago’s favorite transvestite reindeer celebrates his 21st anniversary this year – and Cerda always adjusts the show to fit the current social climate. 

 

In addition to its mainstage shows, Handbag is also pleased to present THE GOLDEN GIRLS – THE LOST EPISODES. Join Dorothy, Rose, Blanche and Sophia on the lanai at Mary’s Attic this summer for some episodes that didn’t quite make it on the air. Plus, Handbag’s very own celebrity Rip Nelson’s long lost talk show has finally surfaced in Rip Nelson, AFTER DARK. The original tapes were thought to be destroyed in a grease fire at Dom Deluise’s annual legendary Hawaiian themed Labor Day pig roast – but now they’ve been restored for Handbag audiences to enjoy late night at Stage 773

 

Handbag’s 15th Anniversary Season will be staged at Mary’s Attic (5400 N. Clark St., Chicago) and Stage 773 (1225 W. Belmont Ave., Chicago). Season subscriptions and single tickets are currently available at www.handbagproductions.org. 

 

Hell in a Handbag Productions’ 15th Anniversary Season includes:

 

April 27 – June 10, 2017

VALLEY! – World Premiere!

An Unauthorized Musical Parody 

By David Cerda

at Mary’s Attic, 5400 N. Clark St., Chicago

 

Handbag presents a musical parody of the cult camp classic Valley of the Dolls like only they could. Join aspiring model/actress Ann Wells Fargo, the talented and self-destructive Needy Mascara, and the beautiful but doomed Jennifer South for an evening of fame, fashion, sex and dolls…so many dolls…

 

June 6 – July 12, 2017

THE GOLDEN GIRLS – THE LOST EPISODES

By David Cerda, Directed by Shade Murray

at Mary’s Attic, 5400 N. Clark St., Chicago

 

Handbag’s way of thanking you for being a friend this summer! Enjoy lost, never-before-seen episodes of The Golden Girls featuring Dorothy, Rose, Blanche, Sophia and all of the siblings, daughters, sons, and rare diseases that were mentioned once, but never again. There will be Golden Girls trivia and costume contests to help fully embrace the Miami experience. 

 

September 27 – November 11, 2017

BEWILDERED – World Premiere!

Book by Ron Weaver, Music and Lyrics by Ron Weaver and Aaron Benham

Directed by Brigitte Ditmars

Featuring ensemble members David Cerda (Endora), Caitlin Jackson (Gladys Kravitz) and Ed Jones (Uncle Arthur)

at Stage 773, 1225 W. Belmont Ave., Chicago

 

A reimagining of the beloved ‘60s and ‘70s television sitcom Bewitched, as seen through the eyes of Gladys Kravitz, Samantha Stephens’ iconic nosy neighbor. Poor Gladys knows what she sees next door is real, but can she prove it in time to save herself from being committed? Gladys finally gets her due in this fun and magical musical parody.

 

October 14, 2017 – November 11, 2017 

RIP, AFTER DARK

By David Cerda

Featuring ensemble member Ed Jones

at Stage 773, 1225 W. Belmont Ave., Chicago

 

Ed Jones returns as Handbag’s favorite faux D-list celebrity – and this time he’s a late, late night talk show host with a bevy of C-list celebrities. Come see Rip Nelson in his little known talk show with some of the most intriguing mix of actors, singers and comedians of the time. Relive the smoke-filled gabfests of long ago with your favorite long lost entertainers in an intimate setting.

 

November 25 – December 30, 2017

RUDOLPH THE RED-HOSED REINDEER 2017

at Mary’s Attic, 5400 N. Clark St., Chicago

 

Chicago’s favorite cross-dressing reindeer is back and he’s 21 years old! Hell in a Handbag closes its season with its most popular show ever. RUDOLPH THE RED-HOSED REINDEER, a parody of the classic children’s television special had its first reading in 1996 and has evolved into one of Chicago’s best anti-holiday, holiday shows. Join Rudolph and all of his misfit friends as they struggle with fitting in and being ‘normal’ in an increasingly abnormal world. 

 

About Hell in a Handbag Productions

 

Hell in a Handbag is dedicated to the preservation, exploration, and celebration of works ingrained in the realm of popular culture via theatrical productions through parody, music and homage. Handbag is a 501(c)(3) Not for Profit.

 

CHICAGO – The watch must finally come to an end for “Thrones! The Musical Parody,” announcing today the fourth and final extension at Apollo Theater (2540 N. Lincoln Ave). The “Game of Thrones” send-up will close March 19, 2017 after an eight-month run at the Lincoln Park theater. Hailed as “a robust comical homage” (Chicago Sun-Times) and a show that has “the audience falling off their chairs” (Chicago Reader), “Thrones!” is written by the team behind “Baby Wants Candy,” “Shamilton: The Improvised Musical” and “50 Shades! The Musical Parody.” A cast of six Chicago actors recount plot highlights throughout all six seasons, complete with more than 40 characters and 21 original songs ranging in style from hip hop to traditional Broadway. Tickets ($36 - $59) for performances beginning February 16 through March 19 go on sale Monday, January 23 at 10 a.m. and can be purchased at the Apollo Theater Box Office by calling 773.935.6100 or visiting Ticketmaster.com.

 

A second production of “Thrones! The Musical Parody” continues its West Coast run at Hudson Theater Mainstage (6539 Santa Monica Blvd, Los Angeles), through February 26, 2017. The LA premiere has been hailed as “comic gold” (Broadway World), “witty and riotous” (Discover Hollywood) and “a parody of epic proportions” (LA Post Examiner). For more information and tickets for the West Coast run, visit ThronesMusical.com.

 

“After workshopping this production in July, opening in September and now playing through spring, we are thrilled that “Thrones!” continues to make our audiences laugh night after night,” said Executive Producer Rob Kolson. “While all good things must come to an end, ‘Thrones!’ has been an incredible production for the Apollo, and we are sure of its continued success around the country as the television show thrives.”

 

As Spencer, Brad, Hayden, Ross, Kelly and Tom gather for the season finale of “Game of Thrones,” they soon discover the ultimate travesty: that Brad does not watch the show. Over the course of 90 minutes, the group bands together to act out all six seasons (read: spoilers) for Brad, including dashing men battling White Walkers, ravishing women riding fire-breathing dragons, and the infamous “Walk of Shame.” “Thrones! The Musical Parody” debuted to completely sold-out performances at the 2015 Edinburgh Fringe Festival and was hailed as “darkly humorous and beautifully vulgar” (Edinburgh Festival Magazine) and “a resounding success!” (Sunday Times), followed by a sold-out, limited run at London’s Leicester Square Theatre. In its run in here in Chicago, “Thrones!” is a “hilarious ride that never slows down” (BuzzNews Chicago) and “unfailingly witty and deliciously irreverent” (Performink). The cast of “Thrones! The Musical Parody” includes Caitlyn Cerza, Dan Gold, Madeline Lauzon, Beau Nolen, Victoria Olivier and Christopher Ratliff.

 

“Thrones! The Musical Parody” is written by Chris Grace, Zach Reino, Al Samuels and Dan Wessels. The production is directed by Hannah Todd, choreographed by Tyler Sawyer Smith and produced by Emily Dorezas, Rob Kolson and Al Samuels. The creative team includes Thomas O. Mackey III (Set Designer), Eric Backus (Sound Designer), Amanda Gladu (Costume Designer), Patrick Ham (Prop Designer), Clare Sangster (Light Designer) and R&D Choreography (Violence Design). Dakota Hughes and Mike Danovich are the production understudies.

 

The performance schedule is as follows: Thursdays and Fridays at 7:30 p.m., Saturdays at 6 p.m. and 9:30 p.m. and Sundays at 4 p.m. For ticket inquiries for groups of 10 or more, call Group Theater Tix at 312.423.6612. To learn more about “Thrones!” visit the website, and follow along on Facebook, Twitter and Instagram.

 

About Baby Wants Candy

“Baby Wants Candy” has performed more than 2,000 completely improvised musicals to thousands of fans from Chicago to New York to Singapore to Scotland. Currently, “Baby Wants Candy” runs in Chicago at the Apollo Theater, in Los Angeles at UCB Sunset and tours internationally.  A cutting edge theatrical experience, the performance features a revolving cast of A-list comedic performers and a full band.

 

“Baby Wants Candy” begins with the cast asking the audience for a suggestion of a musical that has never been performed before. Accompanied by a full band, the first title that the group hears becomes the title and theme for that evening’s 60-minute show, featuring a roller coaster ride of spontaneously choreographed dance numbers, rhyming verses and witty, jaw-dropping comedy.  Each performance is its own opening and closing night, and by design every show is completely unique and a once–in a lifetime premiere.

 

“Baby Wants Candy” has received rave reviews in The New York Times, The Huffington Post, The Onion, Chicago Sun-Times, TimeOut New York and more, and has received numerous awards including the winner of FringeNYC’s Outstanding Unique Theatrical Experience, Best Improv Ensemble by Chicago Magazine, the Best Visiting Comedy Ensemble by TimeOut New York, the recipient of the Ensemble of the Year Award at the Chicago Improv Festival, and a rare Sixth Star Award Edinburgh Fringe Festival.

 

“Baby Wants Candy” has included several notable performers including Peter Gwinn of “Colbert Report;” Rachel Dratch and Aidy Bryant of “Saturday Night Live;” Stephnie Weir of “MadTV;” Nicole Parker of “MadTV” and Elphaba in “Wicked” on Broadway; Jack McBrayer of “30 Rock;” Al Samuels and Kevin Fleming of “Sports Action Team;” Thomas Middleditch of “Silicon Valley;” Garry W. Tallent of Bruce Springsteen and the E Street Band; Mark Pender of The Max Weinberg 7 and Bruce Springsteen and the Seeger Sessions Band; and Johnny Pisano of the Jesse Malin Band and The Marky Ramone Band. Members of “Baby Wants Candy” have recently written the hit off-Broadway show “50 Shades! The Musical Parody” and “Shamilton: The Improvised Musical.”

 

About Apollo Theater

The Apollo Theater, located in the heart of Chicago’s Lincoln Park since 1978, has been home to many of the city’s biggest hits including the recent “Million Dollar Quartet,” which holds the record for the longest-running Broadway musical in Chicago history. Resident companies of the Apollo Theater include Emerald City Theatre Company and “Baby Wants Candy,” and many up-and-coming companies can be seen nightly in the theater’s 50-seat downstairs studio. Recently renovated and fully accessible, the Apollo Theater’s intimate 435-seat mainstage continues to deliver world-class theater as one of the city’s premiere off-Loop houses.

 

Forum Productions is pleased to present the world premiere one-man show JESUS THE JEW As Told By His Brother James, written by William Spatz, directed by Will Rogers and featuring Steven Strafford. A modern drama interwoven with the biblical tale of Jesus of Nazareth and his brother James, JESUS THE JEW will play February 17 – March 26, 2017 at Greenhouse Theater Center (Downstairs Mainstage), 2257 N. Lincoln Ave. in Chicago. Tickets are currently available at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. 

 

Jeremy, a biblical history professor, faced with crippling fear and guilt, is mourning the tragic loss of his brother. Struggling to make sense of the present, he reaches into the ancient past to find answers – and imagines himself as James.

 

James is given a choice: renounce his brother or be killed. The problem: his brother is Jesus of Nazareth and James is the leader of all of Jesus’ followers for 30 years since the resurrection. Based on a wealth of research, JESUS THE JEW takes us back to the birth of Christianity and the transformation of Judaism, with two Jewish brothers and their four siblings growing up in Nazareth. Through memory and storytelling, James reveals his insights into Mary of Magdala, his archrival Apostle Paul and his misunderstood brother, as he faces the ultimate decision and his greatest test of faith.

James’ faith could lead to his death. Jeremy’s faith could save his life.

The production team includes: Milo Blue (scenic design), Hailey Rakowiecki (costume design), David Trudeau (lighting design), Alex Kleiner  (sound design), Ron Rude (production manager) and Sarah Knoke (stage manager). 

PRODUCTION DETAILS:

 

Title: JESUS THE JEW As Told By His Brother James

Playwright: William Spatz

Director: Will Rogers

Featuring: Steven Strafford 

 

Location The Greenhouse Theater Center (Downstairs Mainstage), 2257 N. Lincoln Ave, Chicago

Dates: Previews: Friday, February 17 at 7:30 pm, Saturday, February 18 at 2:30 pm & 7:30 pm, Sunday, February 19 at 2:30 pm and Wednesday, February 16 at 7:30 pm

Press Performance: Wednesday, February 22 at 7:30 pm

Regular run: Thursday, February 23 – Sunday, March 26, 2017

Curtain times: Wednesday at 7:30 pm, Thursday at 7:30 pm, Fridays at 7:30 pm, Saturdays at 2:30 pm & 7:30 pm, Sundays at 2:30 pm

Tickets: Previews: $20. Regular run: $30 - $35. Tickets are currently available at greenhousetheater.org, in person at the box office or by calling (773) 404-7336.

 

About The Artists

 

William (Bill) Spatz (Playwright) is a playwright, philanthropist and real estate developer in Chicago. As president of the board for the Greenhouse Theater Center, Bill has overseen the remodeling and expansion of the Greenhouse, which has for over 40 years served as an artistic home for Chicago theater companies, including the Body Politic, Victory Gardens and Remy Bumppo. Bill is the President of the Bill and Wendy Spatz Charitable Foundation. When not producing theater, Bill spends his time engrossed in historical research, traveling with his wife Wendy and supporting Chicago theater companies.

 

Will Rogers (Director) is a creative producer and director who focuses on the development of interdisciplinary work. Most recently, Will’s work centers on the collision of culinary and performing arts as Artistic Director of Plateful Company. With Plateful collaborators Alex Kliner and Sarah Beth Tanner, Will has developed the dinner party musical A Place Called Plenty, the musical cooking show Biscuit Broads and several other in-home events. Will worked as Associate Producer for Chicago’s Victory Gardens Theater for seven years, during which time he also served as Casting Director as well as curator of the alternative programming series, Fresh Squeezed. As a director, his work has been seen at Ragdale, Victory Gardens, Hell in a Handbag Productions, Chicago Dramatists, 16th Street Theater, Pavement Group, Savage Vanguard Theater (Austin) and the Dublin Gay Theatre Festival, among others. Will has been on the faculty of Perry-Mansfield Performing Arts Camp in Steamboat  Springs, Colorado and is the creator of Mixtape, a showcase of new musical theater. He is an alum of the Lincoln Center Directors Lab and a graduate of Savannah College of Art and Design. Will is excited to return to the Ragdale High School Intensive for a second year.  

 

Steven Strafford (Performer) was most recently seen as Chick Clark in Wonderful Town at The Goodman last fall. He has toured in Spamalot, Peter Pan, Cinderella and Grease. In Chicago, he was also seen as Jesus and Stephen Hawking in End Days. He has performed regionally at Sacramento Music Circus, Cape Playhouse, Portland Stage Company, Cardinal Stage and many others. His one man show, Methtacular! was nominated for a Jeff Award in 2014. It has had productions here in Chicago, NYC, Maine, California and most recently a two-night stint at Steppenwolf’s 1700 Theatre. His new play, Small Jokes About Monsters, is in development and production around the country. 

 

Forum Productions (Producer) has produced or co-produced 17 plays since its founding in 2014. Previous productions include the highly-acclaimed Churchill (Producer: Chicago, 2014; Producer: Off-Broadway, 2015) and the Greenhouse Theater Center's much-lauded Solo Celebration! Series (Producer), which concludes in February of 2017. In 2017 and 2018, Forum productions will be producing a series of solo performances in Florida, as well as continuing to produce in Chicago.

 

Chicago, IL–Lookingglass Theatre Company announces casting for the final two shows of its 2016-2017 season, including the U.S. Premiere of Beyond Caring, written and directed by Beyond Caring in association with Dark Harbor Stories, a company led by Ensemble Member David Schwimmer and Tom Hodges, as well as the remount of the Jeff Award-winning Moby Dick, adapted from the novel by Herman Melvilleand directed by Ensemble Member David Catlin. Single tickets for Beyond Caring and Moby Dick will go on sale on Tuesday, January 17 at Noon and may be purchased through the box office at (312) 337-0665 or lookingglasstheatre.org.

 

The cast of the U.S. Premiere of Beyond Caring includes Ensemble Member J. Nicole Brooks (Becky), Edwin Lee Gibson (Phil), Wendy Mateo (Susan), Caren Blackmore (Grace) and Keith Gallagher (Ian).

 

The creative team for Beyond Caring includes Ensemble Member Daniel Ostling (scenic and lighting design), Ensemble Member Mara Blumenfeld (costume design), Josh Anio Grigg (sound design and composition) and Amanda Herman (props design). Tess Golden is the Production Stage Manager.

 

The cast of Moby Dick includes Ensemble Members Kareem Bandealy, Anthony Fleming III and Raymond Fox who return to reprise their roles as Starbuck, Queequeg and Stubb from the critically-acclaimed 2015 production. Also returning to the production is Artistic Associate Kasey Foster (Fate 2), along with Jamie Abelson (Ishmael) and Micah Figueroa (Cabaco). Joining the cast are Kelley Abell (Fate 3), Cordelia Dewdney (Fate 1) and Nathan Hosner (Ahab).

 

The creative team for Moby Dick includes Courtney O'Neill (scenic design), Sully Ratke (costume design), William C. Kirkman (lighting design), Artistic Associate Rick Sims (sound design), Isaac Schoepp (rigging design), Amanda Herrmann (props design) and Artistic Associate Sylvia Hernandez-Distasi (choreography).

 

About Beyond Caring and Moby Dick:

The U.S. Premiere of

Beyond Caring

March 22–May 7, 2017

Press opening:  Saturday, April 1 at 7:30 pm

Written and Directed by Alexander Zeldin

In Association with Dark Harbor Stories

Featuring Ensemble Member J. Nicole Brooks (Becky), Edwin Lee Gibson (Phil), Wendy Mateo (Susan), Caren Blackmore (Grace) and Keith Gallagher (Ian).

 

Unseen. Unheard. Unknown.

 

At the margins of society, on the knife-edge of survival, they work for low wages, in harsh conditions. No safety net. No insurance or protections. No guarantee of work tomorrow.

 

This critically-acclaimed piece, most recently produced at the UK’s National Theatre and re-imagined for Chicago by writer/director Alexander Zeldin, is a gritty portrait of those who cling precariously to the bottom rung of the ladder. Full of life, humor, and tenderness, it sheds light on America’s shadow economy and shines an unflinching spotlight on the incendiary intersection of race and class.

 

Beyond Caring will be produced in association with Dark Harbor Stories. Dark Harbor Stories is a company led by David Schwimmer and Tom Hodges dedicated to producing original stories with a social conscience in theatre, television and film. Lookingglass Ensemble Member David Schwimmer brought this project to Lookingglass, and is working closely with writer/director Alexander Zeldin on the production, and collaborating with Lookingglass to develop the necessary attention and funds for this exciting project.

 

ALEXANDER ZELDIN (Writer/Director)is a writer and director for theatre. He trained on the Jerwood Young Directors course at The Old Vic and has taken part in residencies at the Egyptian Centre for Culture and Art and at Studio Emad Eddin in Cairo. His critically-acclaimed play, Beyond Caring, which examined the effects of zero hours contracts had its World Premiere at The Yard Theatre in Hackney in 2014, before transferring to the Temporary Theatre at the National Theatre in London in 2015. In 2015, Alex was the recipient of The Quercus Trust Award and was appointed as Associate Director at The Birmingham Repertory Theatre. Beyond Caring toured the UK in 2016 and his new play LOVE just opened at the National Theatre in London.

CAREN BLACKMORE (Grace) is making her Lookingglass debut with Beyond Caring. She was last seen in Court Theatre's production of Electra. Her Chicago theatre credits include: a one woman show, The MLK Project: The Fight For Civil Rights (Writers Theatre), Spill (TimeLine Theatre), Jitney! (Court Theatre), The Joe Tex Story (Black Ensemble Theater), and she has also worked with Pegasus Players, Stockyards Theatre Project, Theater Wit, The Loop Players, Congo Square Theatre Company, eta Creative Arts Foundation and MPAACT. Caren has attended New Freedom Theatre in Philadelphia and is a graduate of Oberlin College and the Eugene O'Neill National Theater Institute

J. NICOLE BROOKS (Becky/Lookingglass Ensemble Member) is an actor, wordsmith, and director. Recent stage credits include the acclaimed comedy Immediate Family directed by Phylicia Rashad (Goodman Theatre; Mark Taper Forum), and Lucas Hnath’s Death Tax (Lookingglass Theatre). She is author of Black Diamond: The Years the Locusts Have Eaten (published by Methuen), Fedra Queen of Haiti (published University of Illinois Press) and has several plays in development. Directing credits include Thaddeus & Slocum: A Vaudeville Adventure, Black Diamond, and Mr. Rickey Calls a Meeting (Lookingglass Theatre). Prized ribbons: TCG Fox Foundation Resident Actor Fellowship, National Endowment for the Arts, LA Ovations, African American Theatre Alliance of Chicago, Jeff Award Nominations, and Black Theater Alliance Awards.

 

KEITH D. GALLAGHER (Ian) is making his Lookingglass debut. Chicago: Mary Page Marlowe, Marie Antoinette (Steppenwolf Theatre Company); The Gospel of Franklin, Man in Love (Steppenwolf First Look); Awake and Sing, The Lieutenant of Inishmore (Northlight Theatre); Shining City (Goodman Theatre); Tracks (TUTA Chicago); Arcadia (Court Theatre); The Real Thing (Remy Bumppo Theatre Company). Regional: A Raisin in the Sun (Geva Theatre Center); The Gospel According to James (Indiana Repertory Theatre); The Lieutenant of Inishmore (The Repertory Theatre of St. Louis); Shining City (Huntington Theatre Company). TV: Chicago Fire; Chicago P.D.; Detroit 187.

 

EDWIN LEE GIBSON (Phil) is making his Lookingglass debut. Off Broadway: Love and Information, U.S. premiere (The Minetta Lane Theatre/New York Theatre Workshop); The Seven (New York Theatre Workshop); The Bellagio Fountain Has Been Known To Make Me Cry (Concrete Temple Theatre, NYC); Turquoise (Dixon Place, NYC); The Death of Bessie Smith (New Brooklyn Theatre); The Diary of Black Men (Fairfield Halls, London). Chicago credits: The Royale (American Theater Company); St. James Infirmary (Congo Square Theatre Company). Awards: OBIE Award - Outstanding Performance. TV: recurring role as Orton Freeman on Law and Order: SVU (NBC); Shameless (Showtime). Film: Mom and Dad (Armory Films/Brian Taylor); Marshall (Chestnut Ridge Prods/ Reginald Hudlin); Blood First (NaRa Films).

WENDY MATEO (Susan) returns to the Lookingglass after last appearing as “Mother-in-Law” in Blood Wedding (2016) and “Maria” in Big Lake Big City (2013). Other Chicago credits include Tumbao: The Misadventures of la Familia Pilón at Steppenwolf Theatre Company’s 1700 Theatre and Don Chipotle produced by The Playground Theater. Wendy can also be seen on the many comedy stages around Chicago and at Mas Mejor online with the comedy duo, Dominizuelan. TV credits include: Shameless (Showtime), Chicago P.D. (NBC), and The Exorcist (FOX).

Moby Dick

June 7–September 3, 2017

Press Opening: Saturday, June 17 at 7:30 pm

Adapted and Directed by Ensemble Member David Catlin

 

From the book by Herman Melville

 

In Association with The Actors Gymnasium

 

Featuring Ensemble Members Kareem Bandealy as Starbuck, Anthony Fleming III as Queequeg (2015 Jeff Award for Best Actor in a Supporting Role) and Raymond Fox as Stubb, and Artistic Associate Kasey Foster (Fate 2), with Jamie Abelson (Ishmael), Micah Figueroa (Cabaco), Kelley Abell (Fate 3), Cordelia Dewdney (Fate 1) and Nathan Hosner (Ahab).

 

Winner of four Jeff Awards, including Best Production, fresh off a national tour to the Alliance Theatre, Arena Stage and South Coast Repertory, the critically-acclaimed Moby Dick returns to the Lookingglass stage in this harrowing and intoxicating exploration of revenge, obsession, and destiny.

 

Madness rages like the angry sea when man pits himself against leviathan in Herman Melville’s epic and poetic tale, furiously reimagined by director David Catlin (Lookingglass Alice).

 

Climb aboard the Pequod with Ishmael, Starbuck, and the intrepid crew on a voyage into the darkest reaches of the human psyche with an insatiably driven Captain Ahab at the helm in reckless pursuit of the legendary white whale.

 

David Catlin(Adaptor/Director/Ensemble Member) Lookingglass directing credits include: Lookingglass Alice and The Little Prince. Other regional directing credits include: McCarter Theatre (Princeton, NJ), Arden Theatre (Philadelphia), New Victory Theater (NYC), Syracuse Stage, Actors Theatre of Louisville, Alliance Theatre (Atlanta) and The Getty Villa (Los Angeles). Other recent directing credits include: The Phantom Tollbooth (DePaul) and Moby Dick (Northwestern University). David teaches acting with Northwestern University’s theatre department.

 

KELLEY ABELL (Fate/Innkeeper) returns to Lookingglass after previous appearances in Peter Pan (A Play) and Moby Dick. Other credits include: Moby Dick (Arena Stage, South Coast Repertory Theatre, and Alliance Theatre); 42nd Street and Fiddler on the Roof (Paramount Theatre); Mr. Burns: A Post Electric Play (Theater Wit); Dorian (The House Theatre of Chicago); Bat Boy: The Musical and Titanic (Griffin Theatre). She has also worked with Goodman Theatre, The Marriott Theatre, and Chicago Children’s Theatre, and is a graduate of Northwestern University.

 

JAMIE ABELSON (Ishmael) previously appeared at Lookingglass in the initial run of Moby Dick, as well as Peter Pan (A Play) and Treasure Island (Understudy). Other recent projects include Red Kite Treasure Adventure and Red Kite Blue Sky (Chicago Children’s Theatre); The Lieutenant of Inishmore (Northlight Theatre); Eurydice (Victory Gardens Theater); Scenes from the Big Picture (Irish Theatre of Chicago); As Told by the Vivian Girls (Dog and Pony Theatre Co.); columbinus (Raven Theatre); and Hope Springs Infernal & Dorian (The House Theatre of Chicago). Regional credits include Moby Dick (Alliance Theatre, Arena Stage, South Coast Repertory). Jamie holds a BFA in Drama from the Tisch School of the Arts at NYU. 

 

KAREEM BANDEALY (Starbuck/Ensemble Member)has previously been seen at Lookingglass in Blood Wedding, Moby Dick, The Little Prince, Big Lake Big City, Bengal Tiger at the Baghdad Zoo, The Last Act of Lilka Kadison, and Peter Pan. Select Chicago credits: A Christmas Carol, Rock ‘N’ Roll, Gas For Less, King Lear (Goodman Theatre); The Wheel (Steppenwolf Theatre Company); Oklahoma! (Paramount Theatre); The Good Book, The Illusion (Court Theatre); Julius Caesar, Hamlet, The Caretaker, Heartbreak House (Writers Theatre); A Midsummer Night’s Dream, Edward II, Romeo and Juliet (Chicago Shakespeare Theater); A Disappearing Number, Blood and Gifts (TimeLine Theatre); Othello (The Gift Theatre). Regional: The Merry Wives of Windsor, The Three Musketeers, The Tempest (Illinois Shakespeare Festival); Love’s Labours Lost (Notre Dame Shakespeare Festival); Julius Caesar, Stuff Happens (PICT Classic Theatre), and four seasons at Orlando Shakespeare Theater. Film: several credits including The Merry Gentleman (dir. Michael Keaton). TV: Chicago Fire (NBC). Kareem is a recipient of the 2011 3Arts Artist Award.

 

CORDELIA DEWDNEY (Fate) returns to Lookingglass with Moby Dick after the National Tour this past year to Alliance Theatre, Arena Stage, and South Coast Repertory). Last summer she appeared on Chicago Med. Cordelia is a graduate of Northwestern University with degrees in Theatre and English and a proud alum of the British American Dramatic Academy.

 

MICAH FIGUEROA (Cabaco/Captain of New Bedford Whaling Ship) returns to Lookingglass after appearing in the original production of Moby Dick in 2015, and in Lookingglass Alice. Chicago theatre credits include: Tall Girl and the Lightning Parade (Walkabout Theater); The Winter Pageant (Redmoon Theater); Distance to the Moon (First Floor Theater). Regional theatre credits include: Moby Dick (Alliance Theatre, Arena Stage, South Coast Repertory); In the Beginning, Henry IV (Dallas Theater Center); The Farnsworth Invention, Wild Oats (Theatre Three); Coriolanus, Cyrano de Bergerac, Macbeth (Shakespeare Dallas); Titus Andronicus (Kitchen Dog Theater); Sense and Sensibility (Stolen Shakespeare Guild). He earned a BFA from Southern Methodist University and the British American Drama Academy.

 

Anthony Fleming III(Queequeg/Ensemble Member) was last seen at Lookingglass in Moby Dick in 2015 and Lookingglass Alice in 2014, which marked his tenth production of the show and where he completed 555 total performances. Other Lookingglass productions include Big Lake, Big City, Mr. Rickey Calls a Meeting, Arabian Nights, 1984, Icarus, Fedra and Race. Select regional theater credits: Ma Rainey with Milwaukee Repertory Theater and Clybourne Park with Arizona Theatre Company. Anthony is a Chicagoan who has been working since 1997 on Chicago stages, including Victory Gardens Theater, Steppenwolf Theatre Company, Goodman Theatre, Court Theatre, Chicago Theater Company, and Piven Theatre Workshop. 

 

KASEY FOSTER (Fate/Artistic Associate) has been performing, producing, and directing in Chicago since 2004. She recently returned to Chicago after performing in the National Tour of Moby Dick and was newly named an Artistic Associate with Lookingglass. Kasey has appeared regionally at Arena Stage (Washington, D.C.), Alliance Theatre (Atlanta), Berkeley Repertory Theatre (CA), and most recently in Chicago with Lookingglass' Treasure Island, and Manual Cinema's Mementos Mori. She sings with Chicago bands: Grood, Babe-alon 5, Old Timey, and This Must be the Band. She has directed/choreographed over thirty original works, and produces an annual series called Dance Tribute. 

 

RAYMOND FOX (Mr. Stubb/Captain Boomer/Captain Gardiner/Ensemble Member) last appeared at Lookingglass in Thaddeus and Slocum: A Vaudeville Adventure. Off-Broadway/Broadway: Metamorphoses (Second Stage Theatre, Circle in the Square Theatre). Regional Credits: Goodman Theatre, Seattle Repertory Theatre, Berkeley Repertory Theatre, Arena Stage, Arden Theatre, South Coast Repertory Theatre, Remy Bumppo Theatre Company, Route 66 Theatre, Hartford Stage, American Repertory Theatre, Indiana Repertory Theatre, Alliance Theatre, Meadow Brook Theatre, The House Theatre of Chicago, Mark Taper Forum, Court Theatre, McCarter Theatre, Kansas City Repertory Theatre, First Folio Theatre, Canada’s Stratford Festival and TimeLine Theatre (Blood and Gifts, 2013 Equity Jeff Award for Supporting Actor). Education: Northwestern University and the A.R.T. Institute at Harvard University.

 

NATHAN HOSNER (Captain Ahab) makes his Lookingglass debut. He recently played Lord Aster in the first national tour of Peter and the Starcatcher. Chicago credits include productions with Writers Theatre, Chicago Shakespeare Theater, Court Theatre, Goodman Theatre, Paramount Theatre, About Face Theatre, and First Folio Theatre. Regional credits include productions with American Players Theatre, Alabama Shakespeare Festival, Indiana Repertory Theatre, New Theatre, Illinois Shakespeare Festival, Arkansas Shakespeare Theatre, Door Shakespeare, and The BoarsHead Theater. Nathan is a graduate of The Royal Academy of Dramatic Art. 

 

About Lookingglass Theatre Company

Inventive. Collaborative. Transformative. Lookingglass Theatre Company, recipient of the 2011 Regional Theatre Tony Award, was founded in 1988 by eight Northwestern University students. Now in its 29th season, Lookingglass is home to a multi-disciplined ensemble of artists who create story-centered theatrical work that is physical, aurally rich and visually metaphoric. The Company has staged 66 world premieres, received 116 Joseph Jefferson awards and nominations, and work premiered at Lookingglass has been produced in New York City, Los Angeles, Seattle, Berkeley, Philadelphia, Princeton, Hartford, Kansas City, Washington D.C., and St. Louis. Lookingglass original scripts have been produced across the United States. In 2016, Lookingglass received the MacArthur Award for Creative and Effective Institutions.

 

The Lookingglass Theatre in Chicago's landmark Water Tower Water Works opened in June 2003. In addition to developing and presenting ensemble work, Lookingglass Education and Community programs encourage creativity, teamwork and confidence with thousands of community members each year.

 

Lookingglass Theatre Company continues to expand its artistic, financial and institutional boundaries under the guidance of Artistic Director Heidi Stillman, Executive Director Rachel Kraft, Producing Director Philip R. Smith, Connectivity and Engagement Director Andrew White, General Manager Michele Anderson, a 25 member artistic ensemble, 23 artistic associates, an administrative staff and a dedicated board of directors led by Chairman John McGowan of CTC| myCFO (a part of BMO Financial Group) and President Nancy Timmers, civic leader and philanthropist. For more information, visit lookingglasstheatre.org.

 

On March 10th, 2017, Sub Pop will release the remixed and expanded reissue of Soundgarden’s Ultramega OK, a long-planned “correction” of the legendary band’s GRAMMY®-nominated debut full-length. The album was originally recorded and released in 1988 on SST Records. While the band enjoyed working with the original producer, Drew Canulette, they soon realized they weren’t quite happy with the final mix. Thus, shortly after the album’s release, the band decided to remix the album for subsequent pressings. However, success intervened: the band rapidly scored a deal with A&M and began work on their major-label debut, Louder Than Love, and the Ultramega OKremix project fell by the wayside as Soundgarden climbed their way to (ultra)mega-stardom. 

 

In 2016, after worldwide success, a hiatus, and many albums and tours, the band finally acquired the original multi-track tapes to Ultramega OK and carved out time to dig into the remix. They handed the tapes over to longtime friend and engineer Jack Endino (Nirvana, Mudhoney, Screaming Trees, Skin Yard), who worked with the band to create a fresh mix of the album that, for the band, ties up this persistent loose end and remedies the sound of their debut full-length. 

 

While they were at it, the band dug out six early versions of tracks that wound up on Ultramega OK. The songs were recorded in 1987 on 8-track tape by Jack Endino and Chris Hanzsek at Reciprocal Recording in Seattle, and mixed by Jack Endino in 2016. These versions feature the band in raw, powerful form – sonically closer to the band’s Endino-recorded six-song debut,Screaming Life – and provide a fascinating window into the development of songs that eventually became staples of the band’s set. The six songs comprise what the band refers to asUltramega EP, and they are included in this reissue. 

 

Ultramega OK is available for preorder available now on CD / 2xLP / DL / CASS from Sub Pop and soundgardenworld.com. The album comes packaged in a foil-stamped gatefold with custom dust sleeves, features liner notes from Kim Thayil and Jack Endino, and includes a previously unseen photo from renowned photographer Charles Peterson. Preorders of the LP from megamart.subpop.com, soundgardenworld.com, and select independent retailers will receive the Loser edition on marble blue and maroon vinyl (while supplies last). 

 

Hailed as grunge innovators, Soundgarden redefined rock music for a generation. In the late ‘80s, the band – singer Chris Cornell, guitarist Kim Thayil, bassist Hiro Yamamoto, and drummer Matt Cameron – combined a punk ethos, brutal metal soundscapes, and Cornell’s ravenous roar to capture the attention of the masses. Jagged and ferocious, their music was deeply at odds with the synth-pop and hair metal which dominated the ‘80s airwaves. Early indie releases, including seminal Screaming Lifeand Ultramega OK, quickly led to a dedicated indie following as the band toured on both sides of the Atlantic. Subsequent albums, including Badmotorfinger, Superunknown, and Down on the Upside, achieved multi-platinum sales and launched the band to international fame. 

 

Chicago, IL– American Blues Theater, Chicago’s second oldest Equity Ensemble, under the continued leadership of Producing Artistic Director Gwendolyn Whiteside, has named Idris Goodwin the winner of the 2017 National Blue Ink Playwriting Award. Goodwin’s play, HYPE MAN, was selected from a pool 543 submissions. As part of the award, Goodwin receives a $1,000 cash prize and the opportunity to further develop his script with American Blues Theater.

“I am of course honored and grateful, but mostly I am charged up,” said Idris Goodwin.  “I want to use the theatre as a venue to wrestle with our national sicknesses but also a place to nod heads in unison, as we collectively imagine towards liberation. HYPE MAN, this latest entry into my break beat plays series, exemplifies this desire. I can’t wait to further refine the play with the indomitable American Blues Theater, in one of the greatest cities for art.”

“We’re honored to announce Idris Goodwin’s script as the 2017 winner,” notes Producing Artistic Director Gwendolyn Whiteside. “Idris’s script is both heartbreaking and humorous with characters impossible to forget. The themes resonate empathy and a call to action. We’re thrilled to further develop HYPE MAN with Idris.

HYPE MAN is a story about a controversial police shooting inflaming tensions between an interracial hip hop trio. It is a rhythmically woven drama exploring race, representation, fame and friendship.

About Idris Goodwin

Idris Goodwin is a playwright, poet/performer and essayist. His play How We Got On developed at the O’Neill National Playwrights Conference, premiered in Actors Theatre’s 2012 Humana Festival, and is being produced at theatres across the country. It is the first in his “break beat play” series which includes The REALNESS and HYPE MAN. Other plays include Blackademics, This Is Modern Art co-written with Kevin Coval, And in This Corner: Cassius Clay, Bars and Measures, and The Raid. Goodwin is one of seven playwrights featured in the widely presented HANDS UP!, an anthology commissioned by The New Black Fest and published by Samuel French. His one act Black Flag was produced Off Broadway in Summer Shorts Festival at 59E59 Theatre. He’s received support from the NEA and Ford Foundation, and awarded Oregon Shakespeare’s American History Cycle Commission, and InterAct Theater’s 20/20 Prize. He's had work produced and/or commissioned/developed with Steppenwolf Theatre, The Kennedy Center, Berkeley Rep's Ground Floor Program, La Jolla Playhouse, The Lark Playwriting Center, The Playwrights' Center and New Harmony Project. These Are The Breaks (Write Bloody, 2011), his debut collection of essays and poetry, was nominated for a Pushcart Prize. Goodwin’s poetry has featured on HBO, The Discovery Channel, Sesame Street and National Public Radio.  Goodwin is an assistant professor in The Department of Theatre and Dance at Colorado College. Find him at www.idrisgoodwin.com

 

About the Blue Ink Playwriting Award

The annual Blue Ink Playwriting Award was created in 2010 to support new work. Since inception, American Blues Theater has named 7 Award winners, 35 finalists, and 59 semi-finalists. American Blues awarded more than $5,000 in cash and prizes for 2017.  The full list of 2017 Blue Ink Playwriting Award winners can be found at AmericanBluesTheater.com.

 

Each year American Blues Theater accepts worldwide submissions of original, unpublished full-length plays. The winning play is selected by Producing Artistic Director Gwendolyn Whiteside and the theater’s Ensemble. The playwright receives a monetary prize of $1,000 and a developmental workshop or staged reading at American Blues Theater in Chicago.  Finalists and semi-finalists are also awarded a cash prize.

 

Submissions for the 2018 Blue Ink Playwriting Award open July 1, 2017. All submissions must be received by American Blues Theater by August 31, 2017 at 11:59pm. Playwrights may only submit one (1) manuscript each year for consideration.

 

About American Blues Theater

Winner of the American Theatre Wing’s prestigious 2016 National Theatre Company Award, American Blues Theater is a premier arts organization with an intimate environment that patrons, artists, and all Chicagoans call home.  American Blues Theater explores the American identity through the plays it produces and communities it serves.

 

The diverse and multi-generational artists have established the second-oldest professional Equity Ensemble theater in Chicago.  The 37-member Ensemble has 530+ combined years of collaboration on stage. As of 2016, the theater and artists received 186 Joseph Jefferson Awards and nominations that celebrate excellence in Chicago theater and over 31 Black Theatre Alliance Awards. The artists are honored with Pulitzer Prize nominations, Academy Awards, Golden Globe Awards, Emmy Awards and numerous other accolades.  

 

The American Blues Theater Ensemble includes all four Founders Ed Blatchford, Rick Cleveland, James Leaming, and William Payne with Dawn Bach, Matthew Brumlow, Manny Buckley, Kate Buddeke, Sarah Burnham, Dara Cameron, Casey Campbell, Darren Canady, Brian Claggett, Dennis Cockrum, Austin Cook, Laura Coover, Ian Paul Custer, Lauri Dahl, Joe Foust, Cheryl Graeff, Marty Higginbotham, Jaclyn Holsey, Lindsay Jones, Nambi E. Kelley, Kevin R. Kelly, Steve Key, Ed Kross, Warren Levon, Michael Mahler, Heather Meyers, John Mohrlein, Christopher J. Neville, Suzanne Petri, Carmen Roman, Editha Rosario, Sarah E. Ross, and Gwendolyn Whiteside.

 

 

 

Melissa Thodos was just six years old when she found her passion. 

 

On a walk with her mother and siblings in Evanston, she passed a building under construction. "What are they building? What will that be?" she wondered. 

 

Her mother told her they were building a dance school, and Thodos immediately felt the desire for movement.

 

"This is it," Thodos realized. "This is what I want to do."

 

In 1992, after eight years as a professional dancer, Thodos fulfilled her vision with the founding of Thodos Dance Chicago. The company was created to be a hub where dancers could grow as performers and creative artists, giving them space to create and promote contemporary dance. 

 

Since then, Thodos Dance Chicago has danced and conducted residency work across 27 states and four continents, sharing the company's vision of dance that is beautiful, refreshing, innovative, and unique with communities throughout the world. 

 

Here are just a few highlights:

 

 

1992

Melissa Thodos debuts her solo Reaching There at the College of DuPage Arts Center. (pictured above).

 

1992

Thodos Dance Chicago (then Melissa Thodos & Dancers) makes its debut at the very first Dance for Life (benefiting AIDS research) and the Ruth Page Dance Series.

 

1997

The company has its first full evening concert at the Pritzker Theater at the Harold Washington Library.

 

1999

The company has its first international performance in Edinburgh Scotland at the Fringe Festival

 

 

2001

The company presents its first annual New Dances concert at the Ruth Page Center for the Arts, encouraging emerging choreographers to create new works. Since the program's inception, over 25 works from New Dances have been incorporated into the company repertory.

 

2002

Thodos Dance Chicago performs at international dance festivals in Istanbul and Ankara Turkey.

 

 

2003

Thodos Dance Chicago establishes residency at The Drucker Center/Menomonee Club for Boys & Girls. After daily rehearsal, company members lead youth dance classes, teaching children from over 30 schools in the Chicago area.

 

 

2004

Ann Reinking sets her work Caution, Side Effects on the company beginning a collaborative relationship that lasts to this day.

 

2005

The Ravinia Festival commissions several Chicago dance companies to create works with water (H20) as the universal theme for all invited artists. Melissa creates a world premiere dance titled Cascade set to the music of Ravel's Jeux d'eau.

 

2006

Thodos Dance Chicago collaborates with The Chicago Symphony Orchestra, setting a premiere choreographed by Melissa Thodos to Igor Stravinsky's The Soldier's Tale at Orchestra Hall.

 

 

2007

Thodos Dance Chicago and Fulcrum Point New Music Project, under the leadership of Stephen Burns, begin a collaboration that has spanned over a decade, with original choreography set to Pulitzer Prize winning Shulamit Ran's Eastwind and performed live by flutist Mary Stolper as their first endeavor.

 

2008

The company collaborates with the Loyola University Museum of Art and Andy Warhol's Silver Clouds to create two site specific original works as part of this special exhibit. The City of Chicago also commissions Thodos Dance Chicago to create and perform a premiere site specific work titled Endymion as part of the dedication and opening of Chicago's Millennium Park.

 

  

2009

The company receives a National Endowment for the Arts Dance Masterpiece Award to restage early Bob Fosse work, only ever seen on film, to perform live for the first time. The company also performs in Busan International Dance Festival in South Korea and makes its debut at the renowned Jacob's Pillow Dance Festival.

 

 

2011

Thodos Dance Chicago's first dance/theater piece: The White City, Chicago's Columbian Exposition of 1893 is created in collaboration with Tony Award-winning Ann Reinking and Melissa Thodos. The work is named "Best Dance in Chicago" by the Chicago Sun Times for the year.

 

2012

Thodos Dance Chicago hosts west coast choreographer KT Nelsen of San Francisco's ODC, bringing the creative spirit of the west to the Midwest.

 

 

2013

Thodos Dance Chicago premieres its second dance/theater piece in collaboration with Ann Reinking, A Light in the Dark, the story of Helen Keller and Anne Sullivan, with an original score by composer Bruce Wolosoff.  This work has been performed in over a dozen states across the U.S.  Thodos Dance Chicago is also commissioned by the Auditorium Theatre to create a new work titled Sentient set to the music of Fritz Kreisler performed live.

 

 

2014

Thodos Dance Chicago celebrates the Auditorium Theatre's 125th anniversary with a full-length evening performance.  The program includes Changes of Phase created in collaboration with Jeanne Gang and Studio Gang Architects.  This highly innovative work brings concepts of architecture, dance and physics together onstage and explores the concept of "jamming," the process in which a material becomes rigid with increased density and how this process reverses.

 

 

  

2015

Thodos Dance Chicago premieres its third dance/theater piece Sono's Journey, a dance story conceived and choreographed by Melissa Thodos.  This work embraces the unprecedented path of Sono Osato, from her roots as a young girl with her family in Chicago, to her defining audition at the Auditorium Theatre with the Ballet Russse at the age of 14, to her position today as one of the most inspirational barrier-breaking artists ever in American dance.

 

2016

Thodos Dance Chicago collaborates with Yoko Ono, whose first sculpture in the Americas is installed in Chicago's Jackson Park. The company participates in the unveiling of the outdoor sculpture, titled Skylanding, with a world premiere dance set to Yoko Ono's original score Rising I played live by the Mayumi Project Band.

 

2017

Thodos Dance Chicago celebrates its Silver Anniversary with the program
FULL CIRCLE Saturday, March 11 at 7:30 p.m. at the Auditorium Theatre.

 

For more information about the history of Thodos Dance Chicago, visitthodosdancechicago.org/thodos-history.

 

 

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