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Displaying items by tag: Ruth Page Dance Series

The month of December means one thing for ballet companies across the country: The Nutcracker. To audiences, this holiday classic brings the classic story of Clara and her Nutcracker Prince coming to life and journeying to the land of sweets. For young dancers, however, The Nutcracker is a culmination and celebration of a year of hard work; hours of work in the studio, rounds of auditions, and weeks of preparation, ending in a handful of performances amidst the glittering lights of the stage. For the Ruth Page Center for the Arts dancers, their company shined bright as they performed the holiday favorite on the NEIU stage, kicking off the holiday season with bright and burgeoning talent.

The Ruth Page Center for the Arts is a Chicago ballet company developing great artists and connects them with audiences and the community.  With a primary focus on dance as a necessary art form, its programming ensures that children and dance artists have a place to train, work and perform at the highest level of excellence. This year's performance of the Nutcracker was a full-length production choreographed by Ruth Page herself and featured the elite Ruth Page Civic Ballet Training Company along with international guest artists.

Growing up I spent most of December in the wings, watching our prima ballerinas dance The Arabian Coffee, The Mirliton, and The Waltz of the Flowers, but this December I sat next to an excited grandfather who whispered feverishly when his granddaughter took the stage as a young BonBon with Mother Ginger. His pride and excitement watching her dance was magical, and more wholesome and heartwarming than I’ve ever felt during a professional performance. The youngest dancers in the company performed as young soldiers battling with The Nutcracker against the Mouse King, while some of the elite and guest artists performed as the Sugar Plum Fairy, the thrilling Russian dance, and Spanish Hot Chocolate. The corp supported each number well with effortless performances throughout the two acts. Dancers of all ages, races, and sizes were represented in this production and audiences whooped, cheered, and applauded loudly and proudly for their stars.  I can only imagine what my own mother felt when she watched me perform when I was younger. 

Ballet is one of the hardest arts, not only for the dancer physically and mentally but also for family budgets and time commitments. The thousands of dollars a year for premier training are daunting and dancers now need to commit young to develop the requisite skills the art demands. It can be taxing on the dancer and the family for different reasons. But in the end, The Nutcracker is a challenging ballet to put on stage with planning often beginning mid-year and dancing roles auditioned in early fall. Foundational training continues with the addition of extra rehearsals to learn and understudy The Nutcracker roles. By the end of November, ballet members and staff are exhausted. But as the holiday season ushers in, and the final dress rehearsals wrap, the company takes to the stage and all the hard work, sacrifice, and dedication to this craft is brought center stage.

There are always options to see incredible companies such as The Joffrey perform this classic, but nothing brought about the holiday spirit more than the young artists of the Ruth Page Center for the Arts. Make it a part of your holiday tradition in the future to support this charming company. Now, more than ever, we owe it to our youth, to the arts, and to the ballet, to shine back the light they bring to us each holiday season. Here’s wishing The Ruth Page Center for the Arts, their dancers, and you and yours, a most magical holiday season.

For more information on the Ruth Page Center for The Arts and tickets to upcoming performances, including their Grayslake Dec 17th performance of The Nutcracker, visit http://www.ruthpage.org/.

Published in Theatre in Review

 

 

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