Producer Jeffrey Seller is thrilled to announce Tony Award® nominee DANIEL BREAKER will join the Chicago company of HAMILTON as Aaron Burr. He will begin performances on Tuesday, April 11 at The PrivateBank Theatre in Chicago.
Mr. Breaker received a Tony Award® nomination for his role as “Youth” in Passing Strange and was most recently seen on Broadway as “Mafala Hatimbi” in The Book of Mormon.
Mr. Breaker will join ARI AFSAR as Eliza Hamilton; MIGUEL CERVANTES as Alexander Hamilton; ALEXANDER GEMIGNANI as King George III, JONATHAN KIRKLAND as George Washington, CHRIS DE’SEAN LEE as Marquis de Lafayette/Thomas Jefferson; JOSEPH MORALES as Mr. Cervantes’ alternate; KAREN OLIVO as Angelica Schuyler, JOSÉ RAMOS as John Laurens/Phillip Hamilton; WALLACE SMITH as Hercules Mulligan/James Madison, and SAMANTHA MARIE WARE as Peggy Schuyler/Maria Reynolds.
The Chicago company also includes SAM ABERMAN, JOSÈ AMOR, AMBER ARDOLINO, REMMIE BOURGEOIS, CHLOË CAMPBELL, YOSSI CHAIKIN, CARL CLEMONS-HOPKINS, JOHN MICHAEL FIUMARA, JEAN GODSEND FLORADIN, AARON GORDON, JIN HA, HOLLY JAMES, MALIK SHABAZZ KITCHEN, COLBY LEWIS, DASHÌ MITCHELL, JUSTICE MOORE, SAMANTHA POLLINO, CANDACE QUARRELS, GABRIELLA SORRENTINO, ROBERT WALTERS and AUBIN WISE.
Daniel Breaker’s Broadway credits include The Book of Mormon, The Performers, Shrek: The Musical (Drama Desk Nomination), Passing Strange (Tony Award nomination, Drama Desk Nomination, Theatre World Award, Audelco Award)Cymbeline and Well. His Off-Broadway credits include Loves Labour’s Lost, (Shakespeare in the Park) By The Way, Meet Vera Stark (Second Stage), Passing Strange (The Public Theater), Fabulation (Playwrights Horizons) and Pericles (Red Bull, Culture Project). London credits include How to Act Around Cops (SoHo Theatre). Film & TV credits include “Sisters” (with Tina Fey and Amy Poehler), “Limitless” (with Bradley Cooper & Robert De Niro), “He’s Way More Famous Than You,” “Redhook Summer” (dir. Spike Lee), “Passing Strange” (Spike Lee), “Unbreakable Kimmy Schmidt,” “Mozart in the Jungle,” “Unforgettable” and “Law & Order: Criminal Intent.”
HAMILTON is the story of America's Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington's right-hand man during the Revolutionary War and was the new nation’s first Treasury Secretary. Featuring a score that blends hip-hop, jazz, blues, rap, R&B, and Broadway, HAMILTON is the story of America then, as told by America now.
With book, music and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler and musical supervision and orchestrations by Alex Lacamoire, HAMILTON is based on Ron Chernow’s biography of Founding Father Alexander Hamilton.
HAMILTON’s creative team previously collaborated on the 2008 Tony Award ® Winning Best Musical IN THE HEIGHTS.
HAMILTON features scenic design by David Korins, costume design by Paul Tazewell, lighting design by Howell Binkley, sound design by Nevin Steinberg, hair and wig design by Charles G. LaPointe, and casting by Telsey + Company, Bethany Knox, CSA.
The musical is produced by Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theater.
The HAMILTON Original Broadway Cast Recording – recipient of the 2016 Grammy for Best Musical Theatre Album and a regular on numerous Billboard top 10 lists – is available everywhere nationwide.
HAMILTON: The Revolution, Lin-Manuel Miranda and Jeremy McCarter’s book about the making of the musical, is on sale and has been a selection on The New York Times Best Seller List.
ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 17 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining well up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including The PrivateBank Theatre, Oriental Theatre, Cadillac Palace Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at The Auditorium Theatre of Roosevelt University.
For more information and performance schedule, visit www.BroadwayInChicago.com.
Facebook@BroadwayInChicago ● Twitter@broadwaychicago ● Instagram@broadwayinchicago ● #broadwayinchicago
Before the colonial history of New York City was hip hop-ified by outrageously talented Broadway composer/writer/actor Lin-Manuel Miranda, a small portion of the city had its own hip hop story to tell. In the Heights, which premiered on Broadway in 2008 and subsequently won the Tony for Best Musical (among four total wins) and Grammy for Best Musical Show album, features a lively ensemble who collectively share the story of their own corner of Manhattan.
It's appropriate that Chicago's Porchlight Music Theatre chose Miranda's first musical to perform through October, as it will overlap the Chicago premiere of his second musical, the cultural phenomenon Hamilton, which gets its own Loop theater at the end of the month. Like Hamilton, In the Heights is a mixture of brilliantly-crafted rap, (as well as merengue and salsa), powerful singing, and rich, often funny, dialogue.
The story, set in Manhattan's predominantly Latino neighborhood Washington Heights, centers around the neighborhood bodega where the members of the community congregate, whether to grab their morning coffee, flirt, gossip, or discuss their dreams, their conversations painting a complicated portrait of the "barrio" life. Some of them, like the willful and stubborn Vanessa, see the Heights as a prison sentence and hope for a better future, wishing to get out by any means. Others, like Abuela Claudia, immigrated to the utopian New York City when they were young and dearly love the neighborhood in which they have lived most of their lives. Meanwhile, others struggle with both love and disdain for the Heights, like college dropout Nina who wrestles with the shame of losing her scholarship and breaking the bittersweet news to her parents that she must return home.
On top of the drama, humor, romance, heartbreak, and impossible hopes passionately sung and rapped about by the various characters -- Porchlight's modest 18-person cast showcases extreme talent, the powerful female voices in particular could easily be heard on a professional Broadway stage -- the authenticity of a real New York community shines through. From the "piragua" (flavored shaved ice) seller carting through town, to the close-knit gossipy hair salon, to the shop owners chasing away graffiti artists, to the fierce Puerto Rican and Dominican pride on display, In the Heights realistically captures the essence of a colorful, cultural community. It entices and welcomes you with open arms, making you feel like you could be right at home if you found yourself at the edge of northern Manhattan getting off the A train at 181st Street.
In the Heights is playing at Stage 773 now through Sunday, October 23rd. Tickets can be purchased at Porchlight Music Theatre.
We have 97 guests and no members online