Displaying items by tag: Kai Edgar

Beloved children’s author Roald Dahl’s timeless story of the quirky and mysterious candy-maker looking for his heir apparent comes to life in an energetic and magical performance in the Theatre for Young Audiences’ musical adaptation of Charlie and the Chocolate Factory now on stage at the Marriott Theatre in Lincolnshire.

The 70-minute-long performance is a wonderful mix of old and new. Older members of the audience appreciated the familiar tunes from the 1971 film starring Gene Wilder, such as the iconic “The Candy Man,” “I’ve Got a Golden Ticket,” and “Pure Imagination” while the younger audience was captivated with the “Queen of Pop” (and next “It Girl”), Violet Beauregarde, Mike Teavee’s all-things techno obsession, and the very spoiled and demanding antics of Veruca Salt.

Upon entering the theatre, with the centerstage bathed in cool purple lighting and musical tributes featuring candy playing in the background, the audience is immediately transported to another place and time, where “pure imagination” reigns. The magic continues as the show opens with a flash news report from “Cherry Sunday” (Megan Long) about the famed candy-maker’s search for a suitable replacement to take over his workshop.

A delightful chorus of Oompa-Loompas, bedecked in colorful multi-patterned coats, jaunty bowler hats, and oversized sunglasses, appear in every aisle, allowing the young audience to feel part of the show, as they introduce us to the main man himself. Willy Wonka, wonderfully played by George Keating, brings just the right amount of quirkiness, charm, and empathy to his character.

The story continues as Mr. Wonka announces a worldwide contest, hiding five golden tickets in his chocolate bars. The lucky “finders” will be invited to visit his famed factory and be eligible for the grand prize. We meet young Charlie Bucket, played by the very talented Kai Edgar, who lives for Willy Wonka chocolate bars and dreams about winning a ticket. But his family is so poor that they can only afford to buy Charlie one candy bar on his birthday.

Charlie shares his dreams for helping his family and writes a letter to Mr. Wonka, telling him about the many wonderful candy confections he would invent for each family member, then sends it sailing out into the world, knowing there is little chance that he would ever win.

And, as the four golden tickets are quickly won by an assortment of spoiled, ill-mannered kids from around the world – the sausage-consuming Augustus Gloop (Elias Totleben), the foot-stomping demanding Veruca Salt (Elin Joy Seiler), the gum-chewing social-media queen Violet Beauregarde (Avelyn Lena Choi), and the techno-obsessed Mike Teavee (Gordon Henry Heisler) -- Charlie’s hopes dim. And when he, at last, does receive a Wonka bar, alas, no golden ticket. Charlie is distraught.

Yet, the kindly candy-story shopkeeper, who is unbeknownst to Charlie is Mr. Wonka himself, drops a dollar bill, and with it, Charlie buys the very last Wonka bar in the world. To his amazement, Charlie wins the last golden ticket. The audience broke into delighted applause as Charlie and his grandfather cavort around the stage in celebration.

Under the skillful direction of Amber Mak, who also choreographed the show, the magical world of Willy Wonka’s mysterious chocolate factory comes to life through a combination of artful staging, colorful costumes, and confectionary props that looks almost good enough to eat. Throw in some bubbles and the clever use of large lighting panels that surround the stage and enhance the action on stage, and voilà – your imagination takes you right into the very heart of Wonka’s enchanted workshop.

The audience squealed in part dismay, part approval, as one by one the obnoxious cadre of children, brilliantly played by Totleben, Seiler, Choi, and Heisler, were eliminated from the competition because they crossed the line and broke the rules. And yes, thanks to an ingenious costume design, the gum-chomping Violet Beauregarde, does turn into a blueberry to the wonder of the crowd.

Finally, Charlie and his grandfather are the only ones left, and Mr. Wonka invites them into his sacred workshop where all the delicious designs are born. Leaving his book of creations behind, with a warning not to look inside it, Mr. Wonka and the grandfather go off to sign some papers for awarding the grand prize. As Charlie walks toward the forbidden book, the audience yelled at him to stop, but of course, he cannot help himself and opens the book.

When he discovered there were empty pages in the notebook, Charlie begins to sing again of his own dreams and visions for confectionary creations. When Mr. Wonka returns, rather than banishing Charlie from the factory as he did the other children for disobeying his rules, he tells Charlie that he indeed has won the grand prize because of his good heart and his pure imagination. Charlie is now the next “Candy Man” and inherits the factory.

As the young crowd applauded its approval and left the theatre thoroughly satisfied and entertained, the words to “The Candy Man” came back to me, “Who can take tomorrow and dip it in a dream?” The Candy Man can, and for one magical hour, the accomplished cast of the Marriott’s Charlie and the Chocolate Factory did as well.

Charlie and the Chocolate Factory Theatre for Young Audiences is running through March 28 at the Marriott Theatre, located at 10 Marriott Drive in Lincolnshire. Performances take place on most Wednesdays through Sundays at 10 am with select 12:30 pm performances. Visit www.marriotttheatre.com or call 847.634.0200 for the exact schedule, as show times and dates may vary.

This review is proudly shared with our friends at www.TheatreInChicago.com.

For anyone familiar with children’s literature, Roald Dahl is a household name. Since the 1960s, Dahl has entertained and enchanted his young readers with fantastical tales of witches, giants, talking animals, magical chocolate factories, and yes, even a giant peach.

So, it is more than appropriate that the Marriott Theatre in Lincolnshire has added to its children’s theatre repertoire for the 2023-2024 season a lively and imaginative adaptation of Dahl’s classic James and the Giant Peach. During the 70-minute run time – perfectly suited for the younger audience – the gifted and energetic ensemble bring to life the magical adventures of James Henry Trotter and his intrepid insect friends – Earthworm, Green Grasshopper, Centipede, Spider, and Ladybug.

In this adaptation of the musical, which premiered in 2010, with a score composed by the Tony Award-nominated team of Benj Pasek and Justin Paul (La La Land, Dear Evan Hansen, The Greatest Showman) and book by award-winning playwright Timothy Allen McDonald (who also adapted Dahl’s most well-known work, Willy Wonka), the charm and quirky characters of Dahl’s James and the Giant Peach are introduced once again to a new generation of fans.

The audience is guided through James’ adventure under the skillful musical narration of Ladahlord, a mysterious magical man, capably played by Chicago theatre veteran, Alex Goodrich. As he informs the audience, magic is going to unfold “Right Before Your Eyes” in the opening number. And then it does, as spiders, earthworms, grasshoppers, ladybugs, centipedes, charging rhinos, ravenous sharks, and comical seagulls all come brilliantly to life through the creative combination of puppets and actors and innovations of costume and wig designers Amanda Vander Byl and Ray Sanchez and gifted props master Leo Bassow.

For those unfamiliar with the story, James becomes an orphan after his parents are eaten by a rhino (see above!) who has escaped the London Zoo. He falls into the hands of his wicked aunts, Aunts Sponge and Spiker. After being given a magical potion of crocodile tongues by Ladahlord, James trips and scatters the potion before he can use its power. What does result, however, is a gigantic peach!

While the aunts try to make money off charging people to see the giant peach, James enters the peach itself, finding himself in the company of human-sized insects. After the peach drops from the tree and rolls into the ocean, James and his companions use their wits and abilities to battle sharks and other obstacles to voyage across the ocean. Eventually the peach lands on the Empire State Building. When it drops to the ground, it crushes the two wicked aunts who have followed the peach across the ocean, and James and his newfound family are home at last.

From the beginning, the audience is captivated by the music, puppets, and the talented cast. James is wonderfully played by 12-year-old Kai Edgar, who made his acting debut at age 8 in the title role of Oliver at the Marriott Theatre. Edgar brings an energy and poise to his performance that is well beyond his age. His amazing performance alone is reason enough to see the show.

He is joined onstage by an equally experienced and gifted ensemble. The dour and doubting Centipede is brilliantly played by Garrett Lutz, who has appeared on numerous Chicago stages, including numerous Marriott productions. Andrés Enriquez also returns to the Marriott stage and delights as the near-sighted and fearful Earthworm. Enriquez shines in his number “Plumb and Juicy,” one of the show’s more memorable tunes, as he breaks from his reserve and fears to help save his companions.

The ensemble is rounded out by veteran actor Christopher Kale Jones, who plays the wise and steady Green Grasshopper and undeniable leader of the group, with an understated elegance and humor. He is joined by Elizabeth Telford, as the kind and motherly Ladybug, who brings a sweetness and tenderness to her role. Juwon Tyrel Perry, who most recently appeared in Marriott Theatre in its Carole King tribute musical, Beautiful, who plays Spider, with a hip and stylish vibe.

And of course, no Roald Dahl story is complete without its villains, which are wonderfully played by Lucy Godinez and Leah Morrow, as the delightfully wicked aunts, Sponge and Spiker, respectively. The pair’s oversized personalities and outlandish antics are crowd favorites, but that doesn’t stop the audience from cheering when their evil designs are finally crushed after the peach drops on them.

Under the direction of Tommy Rapley, who also choreographs the performance, Dahl’s classic tale entertains and captivates the audience with its fast-paced action, nonstop comedy, and innovative set. Marriott’s signature theatre is the perfect venue and James and the Giant Peach is the perfect production to introduce your children and grandchildren to the wonderful world of theatre.

You can catch James and the Giant Peach at the Marriott through March 30th.