After hosting over 10,000 wedding crashers since opening in September 2016, one of Chicago’s longest-running smash-hit shows, Tony n’ Tina’s Wedding, has announced new cast members joining the wedding party, including Concetta Rose as “Tina.” Rose has been a member of the Tony n’ Tina’s family for the past twelve years, both in New York City as well as on the National Tour. To celebrate, Chicago’s favorite soon-to-be-married couple, Tony Nunzio and Tina Vitale, are inviting the press to their wedding a second time on Sunday, May 7. Tony n’ Tina’s Wedding played an incredible 16 years during its original run in Chicago, and during that time entertained more than one million audience members of all ages.
“It’s back, and it’s a blast!” raves the Chicago Tribune. “A guaranteed good time” according to the Chicago Reader, this production of Tony n’ Tina’s Wedding is presented by the original New York producers, in conjunction with Chicago Theater Works, and directed by Paul Stroili, a cast member in the original Chicago production.
Tony n’ Tina’s Wedding is a hilariously interactive production that is guaranteed to make guests feel like they are truly friends and family of the bride and groom. The evening starts with the wedding at Resurrection Church, 3309 North Seminary Ave., and immediately following the ceremony, guests are invited to Vinnie Black’s Coliseum (Chicago Theater Works), 1113 W. Belmont Ave, for a flashback, high-energy 80’s reception.
The Tony n’ Tina’s Wedding cast stars a mix of new and familiar faces, including Mitchell Conti as “Anthony Angelo Nunzio Jr (Tony),” Concetta Rose as “Valentina Lynne Vitale (Tina),” Rob Johnson as “Barry Wheeler,” Jessica Rzucidlo as “Connie Macogni,” Rory Zacher as “Dominick Fabrizzi,” Robin M. Bousel as “Donna Marsala,” Serena Pomerantz as “Marina Gulino,” Andrew Mancini as “Joey Vitale,” Alisha Fabbi as “Sister Albert Maria aka Terry Vitale,” Tommy Taylor as “Tony Nunzio, Sr.,” Carrie Campana as “Madeline Monroe,” Billy Minshall as “Father Mark,” Jean Bonavita as “Michael Just,” Eustace Allen as “Sal Antonucci,” Brian Noonan as “Vinnie Black,” Micah Spayer as “Donny Dulce,” Jennifer Pompa as “Josephina Vitale,” Susan Gaspar as “Aunt Rose,” Laureen Siciliano as “Loretta Black,” Jack Gallagher as “Mikey Black,” Hillary Jiminez as “Nikki Black,” and Frank Ondorf as “Jimmy Black. Rounding out the cast in a variety of swing roles are Jack Gallagher and Alexis Allotta.
Tickets range from $75-$79 for the two-part event, which includes the ceremony and reception, featuring an Italian-style buffet dinner and dancing to 80’s hits. Tickets for premium seating closest to the stage and dance floor are $85. Additionally, for 2017, a new opportunity is available to sit in the VIP section with members of the family for $99 per ticket. Discounts are available for groups of 16 or more by visiting GroupTheaterTix.com or by calling 312.423.6612. Seating is limited so make your plans now. For more information or to purchase tickets visit http://tonylovestina.com/.
Flanagan is dead. Crushed by luggage, the resident roustabout has left us too early. Leaving a healthy amount of family and friends behind, we gather at a local pub in Grapplin, County Sligo, Ireland to celebrate the life of our dear Flanagan. A large, wooden crate holding the body of the recently deceased is perched in the center of the room with the words “This Side Up” printed largely on its side, the arrow facing down. Fiona Finn is in attendance, Flanagan’s fiancée of twenty-two years, along with his closest friend and fellow drinking partner Brian Ballybunion, Father Damon Fitzgerald, Mayor O’Doul, who also serves as the pub’s bartender, Mother Flanagan and a host of other assorted characters. It is time to pay our respects, share memories, enjoy a pint – and laugh.
Flanagan’s Wake is a long-running interactive comedy that turns the audience into guests that participate in the mourning, and revering, of the departed Flanagan. Wake attendees are seated at tables throughout the venue where cast members dole out name tags that add “Patrick” after the names of men and “Mary” to those of the women. In my case, I became “Ken Patrick”. After a heartfelt, and vey humorous greeting by Father Damon Fitzgerald, Fiona Finn, appropriately dressed in a black dress, makes her way to the “casket” to say a few words. As she approaches the raised platform she thanks a guest (an audience member) for “wearing their fancy denim” to her loved one’s wake.
Thick, often hilariously exaggerated, accents are used throughout the night as the cast pokes fun at one Irish stereotype after another. Father Damon Fitzgerald often recites from The Bible’s Book of Kevin, a book he insists was excluded (thanks to a conspiracy in the church) as were the books Jerry and Jared. “Death is a poor man’s doctor,” he would also preach.
In helping to create Flanagan’s backstory, the cast seeks help from show goers asking questions like, “What was your favorite memory with Flanagan?” Or, “How did you know Flanagan?” No two shows will be alike as the cast improvises from audience response piecing together a wild series of new memories, mishaps and events during each performance. In fact, the audience greatly steers the direction of the story. As funny as the interplay between the characters is with each other, the same can be said for its interaction with the audience. We are spoken to as if Flanagan was a close loved one. At one point a table of guests are asked to come forward to do that cherished Irish dance that Flanagan loved so much. “You guys are terrible,” says Father Fitzgerald. “What happened? You were so good before.”
The interactive play runs smoothly and literally churns out a laugh a minute thanks to some veteran involvement.
“We’re thrilled to have Jack Bronis, original Director, and Bonnie Shadrake, original Music Director, onboard,” says producer Bill Collins. “Their return ensures the production will have all the fun and humor that made it a huge hit in Chicago.”
Cast members are in character from the moment one walks into the banquet hall-like room and make the entire area their stage for the duration of the show – even the washrooms.
The wonderfully selected and seriously funny cast stars Steve Peebles as Father Damon Fitzgerald (who you might remember for his stellar performance in last summer's First Folio production of A Midsummer Night's Dream), Greg Dodds as Mayor O'Doul, Chase Wheaton-Werle as Brian Ballybunion, Luciana Bonifazi as Fiona Finn, Susan Wingerter as Kathleen, Alex DiVirgilio as Mickey and Derek Brummet as Mother Flanagan. It is this lively cast of skilled improv artists that so well bring back to life (or death) this classic interactive play that has been a smash hit in Chicago since 1994.
Flanagan’s Wake has taken a new home at Chicago Theater Works near Belmont and Sheffield, running in tandem with the ever-popular Tony n’ Tina’s Wedding. Its run is open-ended though performances vary due to its shared space. A full bar is available throughout the show for beverage purchases and tickets range from a highly reasonable $29-$34. To find out more about this very funny and genuinely rich experience, check its show schedule or to purchase tickets, click here.
Who ever thought a wake could be so much fun?
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