Award-winning Porchlight Music Theatre is proud to announce the cast for Porchlight in Concert production Follies, starring (in alphabetical order) Michelle Duffy (Broadway's Leap of Faith, Drury Lane's Sister Act) as "Phyllis Rogers Stone," Alexander Gemignani (Broadway's Assassins and Sweeney Todd) as "Buddy Plummer," Angela Ingersoll (Jeff Award winner for Porchlight's End of the Rainbow) as "Sally Plummer" and Anthony Rapp (Broadway's Rent and If/Then) as "Benjamin Stone," Saturday, April 25 at 7:30 p.m. and Sunday, April 26 at 2 p.m. at the Studebaker Theater, 410 S. Michigan Ave. This staged concert performance features music and lyrics by Stephen Sondheim and a book by James Goldman and is directed by Artistic Director Michael Weber and music directed by Linda Madonia. Single tickets are reserved seating and are on sale for $24 - $110 at PorchlightMusicTheatre.org or by phone with the Studebaker Theater box office at 312-753-3210. Tickets may also be purchased in-person at the Studebaker Theater, 410 S. Michigan Ave., 11 a.m. - 4 p.m. Tuesday - Sunday. 

Additional Porchlight in Concert production of Follies cast members include Anastasia Arnold (Young Sally); Dale Benson (Dmitri Weismann); John Cardone (Max Deems); John Concepcion (Roscoe); Teagan Earley (Young Phyllis);  Felicia P. Fields (Hattie Walker); James Harms (Theodore Whitman); Beck Hokanson (Kevin); Cecilia Iole (Young Heidi); Will Koski (Young Buddy); John Marshall Jr. (Young Ben); Susie McMonagle (Carlotta Campion); Lauren Miller (Heidi Schiller); Mary Robin Roth (Emily Whitman); Genevieve Thiers (Christine Donovan); Sybyl Walker (Solange LaFitte) and Honey West (Stella Deems). 

The full creative team and additional artists will be announced soon.

Porchlight in Concert debuted in 2024 with sold out performances of Sunday in the Park with George. In spring 2026, Porchlight returns to the Studebaker for a limited engagement of another Stephen Sondheim classic, Follies. 

Winner of seven Tony Awards, including Best Score, Follies is a dazzling and bittersweet exploration of love, loss and the passage of time. Set at the reunion of the legendary "Weismann Follies" company on the eve of their crumbling theater's demolition, former showgirls reunite one last time, reliving their heyday and confronting the choices that shaped their lives. With iconic songs like "Broadway Baby" "I'm Still Here" and "Losing My Mind," this Sondheim gem blends haunting nostalgia with a show-stopping score in a moving celebration of dreams and regrets.

PORCHLIGHT IN CONCERT FOLLIES SPECIAL EVENT

The Creation and History of Follies with Chris Pazdernik

March 28 -  April 18, 2026

Classes offered virtually

Fee: $200

Register at PorchlightMusicTheatre.org

As part of Porchlight's Hobbyist programming, Jeff Award-winner Christopher Pazdernik, with their "near encyclopedic knowledge of musicals" (NewCity), takes participants on a guided tour behind-the-scenes of all things Follies. This four-week class covers the creation of the show and its original production along with major revivals and concerts, including changes made for the London production, which have never again been authorized for use. Guaranteed to be a one-of-a-kind opportunity to do a deep dive into one of the most revered works in the music theatre canon.

ABOUT MICHELLE DUFFY, PHYLLIS ROGERS STONE

Michelle Duffy is delighted beyond words to have returned to her beloved Chicago (after a 30+ year hiatus!) and deeply thrilled to be a part of this concert singing one of her all-time favorite Sondheim scores. Other recent Chicagoland appearances: "Mother Superior" in Sister Act at Drury Lane Oakbrook and "Bonnie" and others in Come From Away at Paramount. Broadway: OBC of Leap of Faith (OBCast album); OQ-Broadway: Originated "Ms. Fleming/Veronica's Mom" in Heathers the Musical (Original Cast Album). Other recent regional: "Irene Adler" and others in Ms. Holmes and Ms. Watson, Apt. 2B at Arizona Theatre Company and "Mrs. Dashwood/Anne" in Sense and Sensibility at Northern Stage. She has appeared in principal roles in theatres across the country and around the world such as The Guthrie, ACT, The Old Globe, The Goodman, Milwaukee Rep, La Jolla Playhouse, Pittsburgh Public and The Barbican in London to name a few, and as a guest star in many television shows; most recently "Dark Matter," "Law and Order," "Chicago PD" and "Succession." 

ABOUT ALEXANDER GEMIGNANI, BUDDY PLUMMER

Alexander Gemignani is an actor, artistic director, music supervisor/music director, orchestrator, arranger, conductor, composer/lyricist and educator. 

As an actor on Broadway: My Fair Lady ("Doolittle"), Carousel ("Enoch Snow" - Tony, Drama Desk, Outer Critics Circle and Grammy nominations), Violet ("Father"), Chicago ("Billy"), Les Misérables ("Valjean" - Drama League nomination), Sweeney Todd (Beadle - Drama Desk nomination), Assassins ("Hinckley" - Theatre World Award), The People In The Picture ("Moishe") and Sunday in the Park With George ("Boatman/Dennis"). 

Off- Broadway: Road Show at the Public ("Addison Mizner" - Drama League nomination), Headstrong at EST ("Nick"), and Avenue Q at the Vineyard Theatre ("Brian"). Favorite Regional: Inherit the Wind ("Brady") at the Goodman,  Hamilton in Chicago ("King George III," original cast), Big Fish ("Edward Bloom") at The Marriott Lincolnshire, The Three Sisters ("Andrei") at Cincinnati Playhouse, The Boys From Syracuse ("Sergeant") at The Shakespeare Theatre of D.C. and the title character in the world premiere musical Saint-Ex at The Weston Playhouse. T.V./Film: "Étoile" (AMAZON), "Servant" (APPLE TV), "Empire" (FOX - Recurring), "Chicago Fire" (NBC), "Homeland" (SHOWTIME - Recurring), "The Good Wife" (CBS), "Empire State" (ABC pilot), the film "The Producers" (UNIVERSAL), three appearances on "The Tony Awards" (CBS) and season 5 of "The Marvelous Mrs. Maisel" as "Janusz" (AMAZON - recurring). 

Concerts: The N.Y. Philharmonic at Avery Fisher Hall, The N.Y. Pops at Carnegie Hall, The L.A. Philharmonic at The Hollywood Bowl and the American Songbook Series at Lincoln Center. His solo show, All At Once, premiered at the Kennedy Center as a part of Barbara Cook's Spotlight Series. He served as music supervisor, arranger and conductor for Here We Are, Sondheim's final musical (book by David Ives, directed by Joe Mantello). 

As a music supervisor, he was represented Off-Broadway with Fiasco Theatre's production of Merrily We Roll Along at the Roundabout (also penned new orchestrations) and also served as music supervisor/music director and conductor for the 2019/2020 revival of West Side Story. Additionally, he conducted the New York Philharmonic on New Year's Eve 2019 with the concert, Celebrating Sondheim, featuring symphonic suites, which aired on Live From Lincoln Center. 

Other projects include an upcoming new production of john & jen (music supervision and arrangements), Whiskeyland (orchestrations and arrangements) and My Ántonia (orchestrations and co-arrangements), premiering at Theatre Latté Da, spring 2026. 

As a composer/lyricist, he is developing three new musicals, Diamond Alice (music/lyrics) swingset/moon (music and co-lyrics) and Broken Eggs (lyrics) and has composed the incidental music for several plays. 

He is an associate professor of Instruction at Northwestern University and has also served on the faculty of the National Theatre Institute at The O'Neill, NYU Steinhardt and CAP21. He has been guest faculty for the University Of Michigan, Texas State University, Syracuse University (Tepper) and NYU Tisch School Of The Arts. 

He is a member of the BMI Lehman Engel Musical Theatre Writing Workshop, holds a certificate in Orchestration for Film and TV from Berklee College of Music and holds a BFA in musical theatre from The University of Michigan. 

He is a member of Actor's Equity, SAG/AFTRA and Local 802 AFM. 2018 marked the beginning of his tenure as artistic director for the National Music Theater Conference at The Eugene O'Neill Theatre Center, where he has helped shepherd over 30 new musicals. He is also the artistic director of the National Music Theater Institute at the O'Neill, a semester-long intensive Music Theatre performance training program. 

His greatest joys are his incredible wife, Erin Ortman, and their beautiful daughter.

ABOUT ANGELA INGERSOLL, SALLY DURANT PLUMMER 

Angela Ingersoll is an Emmy-nominated and multi-award-winning actress, singer, producer, director and writer. She received an Emmy Award nomination for the PBS broadcast of her national concert tour "Get Happy: Angela Ingersoll Sings Judy Garland." She also won acclaim starring as Judy Garland in several productions of "End of the Rainbow," receiving Chicago's Jeff Award, a BroadwayWorld Award and Los Angeles Times Woman of the Year in Theatre. Also: How to Succeed in Business ... ("Hedy," Jeff nomination), The Mistress Cycle ("Anais Nin," Jeff nomination), The Secret Garden ("Martha," Jeff nomination), South Pacific ("Nellie"), Carousel ("Julie"), Jekyll and Hyde ("Lucy," Ostrander Award), Disney's Beauty and the Beast ("Belle," Ostrander Award), Man of La Mancha ("Aldonza," Ostrander nomination), Ragtime ("Evelyn Nesbit," Ostrander nomination), Macbeth ("Lady Macbeth," Ostrander Award), Much Ado About Nothing ("Beatrice"), Richard III ("Lady Anne"), The Wizard of Oz ("Dorothy") and The Second City (Chicago and Hollywood). Other television: "Chicago PD." Other concerts include her one-woman show "The 12 Dames of Christmas" and appearances alongside her husband, entertainer and producer Michael Ingersoll. Ingersoll is the artistic director of Artists Lounge Live, a Chicago-based production company presenting concerts nationwide.  She writes and directs many of their offerings.

ABOUT ANTHONY RAPP, BENJAMIN STONE

Anthony Rapp is thrilled to return to live and work in the city of his birth. Chicago is also where he earned his Equity card 45 years ago, when he was nine years old. He has since appeared on Broadway, Off-Broadway, in National Tours, at Regional Theatres and in films and on television. But his proudest work these days is as the father, with his husband Ken, of their two sons, Rai (aged 3) and Keony (aged 2).

ABOUT MICHAEL WEBER, director 

Michael Weber is a nationally recognized, award-winning director, producer, actor and educator. Previous Porchlight productions include Sunday in the Park with George, Anything Goes, Cabaret, Sunset Boulevard, Gypsy and Merrily We Roll Along. He recently directed the Off-Broadway and European premieres of both Shake it Away: The Ann Miller Story and Call Me Elizabeth, written by and starring Kayla Boye. Under his artistic leadership, Porchlight Music Theatre was awarded Chicago's Jeff Award for "Best Production" six times. He previously served as artistic director for the inaugural season of Chicago's Drury Lane Theatre Water Tower Place (now Broadway in Chicago's Broadway Playhouse) and at Theatre at the Center in Munster, Indiana. The recipient of two Joseph Jefferson Awards, he has been nominated for nine awards and he wrote and directed 14 Joseph Jefferson Awards ceremonies (2006-2018). Weber's regional acting credits include The Merry Widow (starring Renée Fleming) at Lyric Opera, Annie Get Your Gun and Gypsy (both starring Patti LuPone) at Ravinia Festival, The Winter's Tale and Henry V at Chicago Shakespeare Theatre and more. A board member of The League of Chicago Theatres, he is author of the play WAR of the WELLeS (about Orson Welles' infamous radio broadcast) and he is a longtime pledge host for PBS station WTTW channel 11.

ABOUT LINDA MADONIA, music director

Linda Madonia is thrilled to be back at Porchlight where she recently music directed the ICONS Gala Celebrating Leslie Uggams and previously worked on Titanique, Broadway in your Backyard, Anything Goes, Cabaret and A Chorus Line. Other recent projects include Legally Blonde: The Musical, Shrek the Musical, Mamma Mia! and Camelot at Music Theater Works and Jersey Boys, Rock of Ages and Sister Act at Mercury Theater Chicago. Linda also serves as the contractor for the Chicago Federation of Musicians for Porchlight Music Theatre, Music Theater Works and Teatro Zinzanni. She is the vocal coach for the master's degree program in music theatre pedagogy at Carthage College and owns American Eagle Productions, which has been at the forefront of theatre education in the Chicago area for the past 35 years.

ABOUT PORCHLIGHT MUSIC THEATRE

Porchlight Music Theatre, now in its 31st season, is the award-winning center for music theatre in Chicago. Through live performance, youth education and community outreach, we impact thousands of lives each season, bringing the magic of musicals to our theatre home at the Ruth Page Center for the Arts in the Gold Coast and to neighborhoods across the city. Porchlight has built a national reputation for boldly reimagining classic musicals, supporting new works and young performers, and showcasing Chicago's most notable music theatre artists, all through the intimate and powerful theatrical lens of the "Chicago Style." 

Porchlight's history over nearly three decades includes more than 70 mainstage works with 15 Chicago premieres and five world premieres. 

Porchlight's education and outreach programs serve schools, youth of all ages and skill levels and community organizations. Porchlight annually awards dozens of full scholarships and hundreds of free tickets to ensure accessibility and real engagement with this uniquely American art form. 

The company's many honors include 178 Joseph Jefferson Award (Jeff) nominations and 49 Jeff awards, as well as 44 Black Theatre Alliance (BTA) nominations and 15 BTA awards. In 2019, Porchlight graduated to the Large Theatre tier of the Equity Jeff Awards and has been honored with seven awards in this tier to date including Best Ensemble for Duke Ellington's Sophisticated Ladies (2019) and Best Production-Revue for Blues in the Night (2022). 

Through the global pandemic, Porchlight emerged as one of Chicago's leaders in virtual programming, quickly launching a host of free offerings like Sondheim @ 90 Roundtables, Movie Musical Mondays, Porchlight by Request: Command Performances and WPMT: Classic Musicals from the Golden Age of Radio. In 2021, Porchlight launched its annual summer series, Broadway in your Backyard, performing at parks and venues throughout the city which continues this summer. 

Award-winning Porchlight Music Theatre is proud to announce the cast for Porchlight in Concert production Follies, starring (in alphabetical order) Michelle Duffy (Broadway's Leap of Faith, Drury Lane's Sister Act) as "Phyllis Rogers Stone," Alexander Gemignani (Broadway's Assassins and Sweeney Todd) as "Buddy Plummer," Angela Ingersoll (Jeff Award winner for Porchlight's End of the Rainbow) as "Sally Plummer" and Anthony Rapp (Broadway's Rent and If/Then) as "Benjamin Stone," Saturday, April 25 at 7:30 p.m. and Sunday, April 26 at 2 p.m. at the Studebaker Theater, 410 S. Michigan Ave. This staged concert performance features music and lyrics by Stephen Sondheim and a book by James Goldman and is directed by Artistic Director Michael Weber and music directed by Linda Madonia. Single tickets are reserved seating and are on sale for $24 - $110 at PorchlightMusicTheatre.org or by phone with the Studebaker Theater box office at 312-753-3210. Tickets may also be purchased in-person at the Studebaker Theater, 410 S. Michigan Ave., 11 a.m. - 4 p.m. Tuesday - Sunday. 

Additional Porchlight in Concert production of Follies cast members include Anastasia Arnold (Young Sally); Dale Benson (Dmitri Weismann); John Cardone (Max Deems); John Concepcion (Roscoe); Teagan Earley (Young Phyllis);  Felicia P. Fields (Hattie Walker); James Harms (Theodore Whitman); Beck Hokanson (Kevin); Cecilia Iole (Young Heidi); Will Koski (Young Buddy); John Marshall Jr. (Young Ben); Susie McMonagle (Carlotta Campion); Lauren Miller (Heidi Schiller); Mary Robin Roth (Emily Whitman); Genevieve Thiers (Christine Donovan); Sybyl Walker (Solange LaFitte) and Honey West (Stella Deems). 

The full creative team and additional artists will be announced soon.

Porchlight in Concert debuted in 2024 with sold out performances of Sunday in the Park with George. In spring 2026, Porchlight returns to the Studebaker for a limited engagement of another Stephen Sondheim classic, Follies. 

Winner of seven Tony Awards, including Best Score, Follies is a dazzling and bittersweet exploration of love, loss and the passage of time. Set at the reunion of the legendary "Weismann Follies" company on the eve of their crumbling theater's demolition, former showgirls reunite one last time, reliving their heyday and confronting the choices that shaped their lives. With iconic songs like "Broadway Baby" "I'm Still Here" and "Losing My Mind," this Sondheim gem blends haunting nostalgia with a show-stopping score in a moving celebration of dreams and regrets.

PORCHLIGHT IN CONCERT FOLLIES SPECIAL EVENT

The Creation and History of Follies with Chris Pazdernik

March 28 -  April 18, 2026

Classes offered virtually

Fee: $200

Register at PorchlightMusicTheatre.org

As part of Porchlight's Hobbyist programming, Jeff Award-winner Christopher Pazdernik, with their "near encyclopedic knowledge of musicals" (NewCity), takes participants on a guided tour behind-the-scenes of all things Follies. This four-week class covers the creation of the show and its original production along with major revivals and concerts, including changes made for the London production, which have never again been authorized for use. Guaranteed to be a one-of-a-kind opportunity to do a deep dive into one of the most revered works in the music theatre canon.

ABOUT MICHELLE DUFFY, PHYLLIS ROGERS STONE

Michelle Duffy is delighted beyond words to have returned to her beloved Chicago (after a 30+ year hiatus!) and deeply thrilled to be a part of this concert singing one of her all-time favorite Sondheim scores. Other recent Chicagoland appearances: "Mother Superior" in Sister Act at Drury Lane Oakbrook and "Bonnie" and others in Come From Away at Paramount. Broadway: OBC of Leap of Faith (OBCast album); OQ-Broadway: Originated "Ms. Fleming/Veronica's Mom" in Heathers the Musical (Original Cast Album). Other recent regional: "Irene Adler" and others in Ms. Holmes and Ms. Watson, Apt. 2B at Arizona Theatre Company and "Mrs. Dashwood/Anne" in Sense and Sensibility at Northern Stage. She has appeared in principal roles in theatres across the country and around the world such as The Guthrie, ACT, The Old Globe, The Goodman, Milwaukee Rep, La Jolla Playhouse, Pittsburgh Public and The Barbican in London to name a few, and as a guest star in many television shows; most recently "Dark Matter," "Law and Order," "Chicago PD" and "Succession." 

ABOUT ALEXANDER GEMIGNANI, BUDDY PLUMMER

Alexander Gemignani is an actor, artistic director, music supervisor/music director, orchestrator, arranger, conductor, composer/lyricist and educator. 

As an actor on Broadway: My Fair Lady ("Doolittle"), Carousel ("Enoch Snow" - Tony, Drama Desk, Outer Critics Circle and Grammy nominations), Violet ("Father"), Chicago ("Billy"), Les Misérables ("Valjean" - Drama League nomination), Sweeney Todd (Beadle - Drama Desk nomination), Assassins ("Hinckley" - Theatre World Award), The People In The Picture ("Moishe") and Sunday in the Park With George ("Boatman/Dennis"). 

Off- Broadway: Road Show at the Public ("Addison Mizner" - Drama League nomination), Headstrong at EST ("Nick"), and Avenue Q at the Vineyard Theatre ("Brian"). Favorite Regional: Inherit the Wind ("Brady") at the Goodman,  Hamilton in Chicago ("King George III," original cast), Big Fish ("Edward Bloom") at The Marriott Lincolnshire, The Three Sisters ("Andrei") at Cincinnati Playhouse, The Boys From Syracuse ("Sergeant") at The Shakespeare Theatre of D.C. and the title character in the world premiere musical Saint-Ex at The Weston Playhouse. T.V./Film: "Étoile" (AMAZON), "Servant" (APPLE TV), "Empire" (FOX - Recurring), "Chicago Fire" (NBC), "Homeland" (SHOWTIME - Recurring), "The Good Wife" (CBS), "Empire State" (ABC pilot), the film "The Producers" (UNIVERSAL), three appearances on "The Tony Awards" (CBS) and season 5 of "The Marvelous Mrs. Maisel" as "Janusz" (AMAZON - recurring). 

Concerts: The N.Y. Philharmonic at Avery Fisher Hall, The N.Y. Pops at Carnegie Hall, The L.A. Philharmonic at The Hollywood Bowl and the American Songbook Series at Lincoln Center. His solo show, All At Once, premiered at the Kennedy Center as a part of Barbara Cook's Spotlight Series. He served as music supervisor, arranger and conductor for Here We Are, Sondheim's final musical (book by David Ives, directed by Joe Mantello). 

As a music supervisor, he was represented Off-Broadway with Fiasco Theatre's production of Merrily We Roll Along at the Roundabout (also penned new orchestrations) and also served as music supervisor/music director and conductor for the 2019/2020 revival of West Side Story. Additionally, he conducted the New York Philharmonic on New Year's Eve 2019 with the concert, Celebrating Sondheim, featuring symphonic suites, which aired on Live From Lincoln Center. 

Other projects include an upcoming new production of john & jen (music supervision and arrangements), Whiskeyland (orchestrations and arrangements) and My Ántonia (orchestrations and co-arrangements), premiering at Theatre Latté Da, spring 2026. 

As a composer/lyricist, he is developing three new musicals, Diamond Alice (music/lyrics) swingset/moon (music and co-lyrics) and Broken Eggs (lyrics) and has composed the incidental music for several plays. 

He is an associate professor of Instruction at Northwestern University and has also served on the faculty of the National Theatre Institute at The O'Neill, NYU Steinhardt and CAP21. He has been guest faculty for the University Of Michigan, Texas State University, Syracuse University (Tepper) and NYU Tisch School Of The Arts. 

He is a member of the BMI Lehman Engel Musical Theatre Writing Workshop, holds a certificate in Orchestration for Film and TV from Berklee College of Music and holds a BFA in musical theatre from The University of Michigan. 

He is a member of Actor's Equity, SAG/AFTRA and Local 802 AFM. 2018 marked the beginning of his tenure as artistic director for the National Music Theater Conference at The Eugene O'Neill Theatre Center, where he has helped shepherd over 30 new musicals. He is also the artistic director of the National Music Theater Institute at the O'Neill, a semester-long intensive Music Theatre performance training program. 

His greatest joys are his incredible wife, Erin Ortman, and their beautiful daughter.

ABOUT ANGELA INGERSOLL, SALLY DURANT PLUMMER 

Angela Ingersoll is an Emmy-nominated and multi-award-winning actress, singer, producer, director and writer. She received an Emmy Award nomination for the PBS broadcast of her national concert tour "Get Happy: Angela Ingersoll Sings Judy Garland." She also won acclaim starring as Judy Garland in several productions of "End of the Rainbow," receiving Chicago's Jeff Award, a BroadwayWorld Award and Los Angeles Times Woman of the Year in Theatre. Also: How to Succeed in Business ... ("Hedy," Jeff nomination), The Mistress Cycle ("Anais Nin," Jeff nomination), The Secret Garden ("Martha," Jeff nomination), South Pacific ("Nellie"), Carousel ("Julie"), Jekyll and Hyde ("Lucy," Ostrander Award), Disney's Beauty and the Beast ("Belle," Ostrander Award), Man of La Mancha ("Aldonza," Ostrander nomination), Ragtime ("Evelyn Nesbit," Ostrander nomination), Macbeth ("Lady Macbeth," Ostrander Award), Much Ado About Nothing ("Beatrice"), Richard III ("Lady Anne"), The Wizard of Oz ("Dorothy") and The Second City (Chicago and Hollywood). Other television: "Chicago PD." Other concerts include her one-woman show "The 12 Dames of Christmas" and appearances alongside her husband, entertainer and producer Michael Ingersoll. Ingersoll is the artistic director of Artists Lounge Live, a Chicago-based production company presenting concerts nationwide.  She writes and directs many of their offerings.

ABOUT ANTHONY RAPP, BENJAMIN STONE

Anthony Rapp is thrilled to return to live and work in the city of his birth. Chicago is also where he earned his Equity card 45 years ago, when he was nine years old. He has since appeared on Broadway, Off-Broadway, in National Tours, at Regional Theatres and in films and on television. But his proudest work these days is as the father, with his husband Ken, of their two sons, Rai (aged 3) and Keony (aged 2).

ABOUT MICHAEL WEBER, director 

Michael Weber is a nationally recognized, award-winning director, producer, actor and educator. Previous Porchlight productions include Sunday in the Park with George, Anything Goes, Cabaret, Sunset Boulevard, Gypsy and Merrily We Roll Along. He recently directed the Off-Broadway and European premieres of both Shake it Away: The Ann Miller Story and Call Me Elizabeth, written by and starring Kayla Boye. Under his artistic leadership, Porchlight Music Theatre was awarded Chicago's Jeff Award for "Best Production" six times. He previously served as artistic director for the inaugural season of Chicago's Drury Lane Theatre Water Tower Place (now Broadway in Chicago's Broadway Playhouse) and at Theatre at the Center in Munster, Indiana. The recipient of two Joseph Jefferson Awards, he has been nominated for nine awards and he wrote and directed 14 Joseph Jefferson Awards ceremonies (2006-2018). Weber's regional acting credits include The Merry Widow (starring Renée Fleming) at Lyric Opera, Annie Get Your Gun and Gypsy (both starring Patti LuPone) at Ravinia Festival, The Winter's Tale and Henry V at Chicago Shakespeare Theatre and more. A board member of The League of Chicago Theatres, he is author of the play WAR of the WELLeS (about Orson Welles' infamous radio broadcast) and he is a longtime pledge host for PBS station WTTW channel 11.

ABOUT LINDA MADONIA, music director

Linda Madonia is thrilled to be back at Porchlight where she recently music directed the ICONS Gala Celebrating Leslie Uggams and previously worked on Titanique, Broadway in your Backyard, Anything Goes, Cabaret and A Chorus Line. Other recent projects include Legally Blonde: The Musical, Shrek the Musical, Mamma Mia! and Camelot at Music Theater Works and Jersey Boys, Rock of Ages and Sister Act at Mercury Theater Chicago. Linda also serves as the contractor for the Chicago Federation of Musicians for Porchlight Music Theatre, Music Theater Works and Teatro Zinzanni. She is the vocal coach for the master's degree program in music theatre pedagogy at Carthage College and owns American Eagle Productions, which has been at the forefront of theatre education in the Chicago area for the past 35 years.

ABOUT PORCHLIGHT MUSIC THEATRE

Porchlight Music Theatre, now in its 31st season, is the award-winning center for music theatre in Chicago. Through live performance, youth education and community outreach, we impact thousands of lives each season, bringing the magic of musicals to our theatre home at the Ruth Page Center for the Arts in the Gold Coast and to neighborhoods across the city. Porchlight has built a national reputation for boldly reimagining classic musicals, supporting new works and young performers, and showcasing Chicago's most notable music theatre artists, all through the intimate and powerful theatrical lens of the "Chicago Style." 

Porchlight's history over nearly three decades includes more than 70 mainstage works with 15 Chicago premieres and five world premieres. 

Porchlight's education and outreach programs serve schools, youth of all ages and skill levels and community organizations. Porchlight annually awards dozens of full scholarships and hundreds of free tickets to ensure accessibility and real engagement with this uniquely American art form. 

The company's many honors include 178 Joseph Jefferson Award (Jeff) nominations and 49 Jeff awards, as well as 44 Black Theatre Alliance (BTA) nominations and 15 BTA awards. In 2019, Porchlight graduated to the Large Theatre tier of the Equity Jeff Awards and has been honored with seven awards in this tier to date including Best Ensemble for Duke Ellington's Sophisticated Ladies (2019) and Best Production-Revue for Blues in the Night (2022). 

Through the global pandemic, Porchlight emerged as one of Chicago's leaders in virtual programming, quickly launching a host of free offerings like Sondheim @ 90 Roundtables, Movie Musical Mondays, Porchlight by Request: Command Performances and WPMT: Classic Musicals from the Golden Age of Radio. In 2021, Porchlight launched its annual summer series, Broadway in your Backyard, performing at parks and venues throughout the city which continues this summer. 

Steppenwolf's LookOut Series launches into 2026 with a bold line-up featuring vital work from Chicago's dance, cabaret and music artists. With eight distinct programs over the course of two months, the breadth and diversity of this city's artistic communities is on full display this winter in the intimate 1700 Theater.

Highlights include a collaboration between celebrated dance artists Shalaka Kulkarni and Rika Lin; the return of The Uncanny Attic, an episodic tribute to the macabre work of Edward Gorey; and the premiere of Fold, a new solo piece by multidisciplinary artist Isabella Limosnero.

Creative Producer Patrick Zakem comments, "Every year, Steppenwolf is honored to host and showcase a cross-section of Chicago's dance and performance art communities as a part of our LookOut Series. Kicking off 2026, we've got a truly eclectic mix of work from familiar faces and new friends; we can't wait to see what these artists have been creating."

All LookOut performances take place in Steppenwolf's 1700 Theater, an intimate and flexible venue nestled behind Front Bar, 1700 N. Halsted St. in Chicago. Tickets, which range in price from $23 – $43*, are now on sale by visiting steppenwolf.org/lookout or by calling the Box Office at (312) 335-1650. *Pricing includes a $3 fee

The full LookOut Spring 2026 Season (in chronological order):

The Uncanny Attic: Chapters E-H
A Beautifully Gruesome Production
Dates: Thursday, January 15 – Saturday, January 17 at 7:30 pm; Saturday, January 17 at 3 pm.
Ticket Price: $43
Description: The camp macabre world of Edward Gorey returns to Steppenwolf in the second installment of this absurdist dark comedy anthology told through puppetry, clowning, dance, live music, song, animation and an unhealthy dose of death.

TightUs Presents:
FLUIDITY 
By Taji Elemah
Featuring Jarqueze Simmons, Brandon Cox and Q. Shunté
Dates: Friday, January 23 & Saturday, January 24 at 7:30 pm
Ticket Price: $28
Description: Fluidity follows the story of three dancers, stuck in detention, who share more in common than is first apparent. This piece synthesizes various genres of dance in an immersive experience featuring an electric trio of performers.

Cristal Sabbagh Presents:
Freedom From and Freedom To 
Dates: Friday, January 30 & Saturday, January 31 at 7:30 pm
Ticket Price: $23
Description: Movement and sound improvisors from all around Chicago gather in front of a live audience and are grouped by chance in this exploration and celebration of artistic circumstance. Each performance features a different group of performers who fuse diverse artistic practices to create unique and fleeting worlds.

Fold
By Isabella Limosnero 
with Max Lazarus, Indigo and Carmani Edwards
Dates: Friday, February 13 & Saturday, February 14 at 7:30 pm
Ticket Price: $23
Description: Multidisciplinary artist Isabella Limosnero combines physical storytelling, choreographed movement and live music in this piece examining how ancestral stories are stored in the body.

Project Bound Dance Presents:
Smoking Meat
Dates: Friday, February 20 & Saturday, February 21 at 7:30 pm; Sunday, February 22 at 3 pm.
Ticket Price: $33
Description: Under the direction of Ashley Deran and Emily Loar, Project Bound Dance is a Chicago-based modern dance group rooted in the practice of collaboration. Interweaving partnering and choreography inspired by epic fantasy worldbuilding, Smoking Meat deliciously questions what we give up of ourselves in the pursuit of physical and social safety.

Red Velvet Riot and Ellis Centric Present:
HERE: in our bodies 
Dates: Thursday, February 26 – Saturday February 28 at 7:30 pm
Ticket Price: $43
Description: This interdisciplinary cabaret production combines puppetry, performance art, drag and burlesque to explore the unique relationships we have to our bodies — as a whole or in parts — and to ourselves.

flights for future generations
Devised and performed by Lindsey Barlag Thornton
Dates: Friday, March 6 & Saturday, March 7 at 7:30 pm
Ticket Price: $23

Description: In this solo work from prolific performance artist Lindsey Barlag Thornton, movement, text, sound and imagery are overlaid in an exploration of the history of women aviators and spiritualists. By interweaving stories of flight with mysterious encounters in a type of séance-lecture, flights for future generations navigates our fragile course between faith and uncertainty.

MUDRA
By Shalaka Kulkarni 
with Yoshinojo Fujima (aka Rika Lin)
Dates: Friday, March 13 & Saturday, March 14 at 7:30 pm
Ticket Price: $23
Description: Interdisciplinary Asian-American dance artist Shalaka Kulkarni creates experiences that bridge the ancient and contemporary. In this piece featuring guest artist Yoshinojo Fujima (aka Rika Lin), Kulkarni illuminates a dance-theatre journey through sand, water and the language of gestures.

Accessibility:

Steppenwolf's 1700 Theater is equipped with an induction hearing loop and assistive listening devices (ALDs) are available upon request. Our building features wheelchair-accessible seating and restrooms, push-button entrances, a courtesy wheelchair, and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/plan-your-visit/accessibility or e-mail This email address is being protected from spambots. You need JavaScript enabled to view it..

Sponsor Information: 

The LookOut Series is supported in part by the Walder Foundation. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Crown Family Philanthropies, Caroline and Keating Crown, Julius Frankel Foundation, Lefkofsky Family Foundation, Northern Trust, Anne and Don Phillips, John Hart and Carol Prins, Shubert Foundation, Inc, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors Anonymous, Andrew and Amy Bluhm, Michael and Cathy Brennan, Ann and Richard Carr, Chicago Community Trust, Steven and Nancy Crown, Conagra Brands Foundation, Rich and Margery Feitler, FROST CHICAGO, Joyce Foundation, Harold and Mimi Steinberg Charitable Trust, The Orlebeke Foundation, Polk Bros. Foundation, Bryan Traubert and Penny Pritzker, Sacks Family Foundation, Smart Family Foundation of Illinois, Thoma Bravo, and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council and the Department of Cultural Affairs and Special Events. 

About Steppenwolf Theatre Company:

Steppenwolf Theatre Company is the nation's premier Ensemble Theater with 49 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions have made this theatre legendary. From the 1980 phenomenon of Balm in Gilead, to The Grapes of Wrath, August: Osage County, Downstate, The Brother/Sister Plays, and now, the 2025 Pulitzer Prize and Tony Award-winning Purpose, Steppenwolf Theatre has had a long-running and undeniable impact on American Theater and Chicago's cultural landscape. Founded in 1976, Steppenwolf started as a group of teens performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre,

whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 14 Tony Awards, two Pulitzer Prize-winning commissions and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director Brooke Flanagan and Board of Trustees Chair Keating Crown — Steppenwolf continually redefines the boundaries of live theater and pushes the limits of acting and performance.

Steppenwolf's Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

Join Hell in Handbag Productions for its 2025 benefit, The Handbag Follies, featuring dinner, drinks, entertainment, a raffle, silent auction and more on Sunday, December 7, 2025 from 5:30 – 9 pm at Ebenezer Lutheran Church, 1650 W. Foster Ave. in Chicago's Andersonville neighborhood. Tickets ($104 general admission, $129.75*) are available here. *Prices include processing fees.

Handbag celebrates its 24^th year with a very abbreviated production of Follies – performed Hell in a Handbag style! Watch as aging showgirls, draped in sequined desperation, reunite to belt out twisted parodies of Stephen Sondheim's most iconic numbers including "I'm Still Here," "Losing My Mind," "Broadway Baby," "Beautiful Girls" and other favorites  It'll be the hits you love and a show you'll desperately try to forget (with apologies in advance to the spirit of Mr. Sondheim).

The entertainment line-up features ensemble members David Cerda, Sydney Genco, Caitlin Jackson, Ed Jones, Lori Lee, David Lipschutz, Stevie Love, T.J. O'Brien, Michael Rashid, Danne W. Taylor and Robert Williams, along with some surprise guests.

All proceeds benefit Hell in a Handbag Productions. From camp classics to bold new works, the Handbag ensemble is committed to celebrating the city's diverse community through the lens of the ridiculous, the theatrical and the wonderfully queer.

About Hell in a Handbag Productions

Hell in a Handbag is dedicated to the preservation, exploration, and celebration of works ingrained in the realm of popular culture via theatrical productions through parody, music and homage. Handbag is a 501(c)(3) Not for Profit. For additional information, visit handbagproductions.org.

Chicago, IL — The Black Arts & Culture Alliance of Chicago (BACA) has announced the winners of the 2025 Black Excellence Awards, honoring and celebrating Chicago theatre, dance, music, film, literary, and visual artists. The 24^th annual event was held on Monday, November 3, 2025, at Black Ensemble Theater, 4450 N. Clark St. in Chicago.

Throughout the evening, Special Honor Awards were presented to: Pemon Rami (Excellence in Film); Eve L. Ewing (Excellence in Literature); and Professor Roxanne Stevenson (Excellence in Music and Music Education).

The complete list of 2025 Black Excellence Awards winners is as follows:

Dance

• Outstanding Achievement in Dance – Overall Performance: Praize Productions - Complexions
• Outstanding Achievement in Dance – Choreographer: Rasheida Smith, Love Jones - Move Me Soul

Literature

• Excellence in Community Engagement – Literature: The Underground Bookstore

Music

• Outstanding Achievement in Music – Male Performer: Gregory Gibbs
• Outstanding Achievement in Music – Female Performer: Lucy Smith

Theater

• Outstanding Achievement in Theater – Production: If You Think You're Lonely Now - Theater 47
• Outstanding Achievement in Theater – Director: Daryl D. Brooks, That's What Friends Are For: Gladys, Dionne, and Patti - Black Ensemble Theater
• Outstanding Achievement in Theater – Male Performer: Ronald L. Conner, Fat Ham - Definition Theatre
• Outstanding Achievement in Theater – Female Performer: Rhonda Preston, Blue Eyed Soul Song by Brown Eyed People - Black Ensemble Theater
• Special Recognition Theater – Director: Malika Stampley, Primary Trust - Goodman Theatre
• Special Recognition Theater – Performer: Gregory Fenner, Topdog/Underdog - The Gift Theatre

Visual Arts

• Outstanding Achievement in Visual Arts – Artist: Dayo Layo - "Watercolors"
• Outstanding Achievement in Visual Arts – Gallery Exhibition: Faie African Art Gallery

Special Honor Awards:

• Special Recognition Excellence in Literature – Fiction: Eve L. Ewing
• Special Recognition Excellence in Film: Pemon Rami
• Special Recognition for Excellence as a Music Director and Jazz Educator: Professor Roxanne Stevenson

About The Black Arts & Culture Alliance of Chicago

The mission of the Black Arts & Culture Alliance of Chicago is to collectively advance excellence in the work of the Black arts and culture sector. The Alliance works to increase interaction, communication and development of black arts organizations and artists, while delivering programs that increase their visibility, marketability, stability, and sustainability.

Founded in 1997 as the African American Arts Alliance of Chicago and rebranded the

Black Arts & Cultural Alliance of Chicago (BACA) in 2023, BACA offers a diverse range of events and programs that celebrate the rich heritage of the Black arts community in Chicago. Events and programs are designed to engage, educate, and inspire individuals (artists and patrons) who are passionate about Chicago's Black arts and culture.

With new leadership in November 2024, the organization has been reorganized and revitalized, including a return to its original mission and a new focus in building the Board and programming, increasing membership, and creating websites that appropriately support BACA's mission and purpose.

BACA is going strong after 28 years, with a full slate of events and programs celebrating the rich heritage of the Black arts community in Chicago.

In August 2025, BACA launched the Black Arts Directory of Chicago to serve as a vibrant online hub for African American and minority performing arts and culture in Chicago and beyond. The directory spotlights theatre, dance, music, and cultural events to celebrate rich artistic traditions. BACA prioritizes connecting audiences with diverse cultural experiences, showcasing the talents of Black and Brown artists that showcase the dynamic ingenuity and creativity of Chicago's Black artists and organizations. It celebrates the rich narratives, historical relevance and artistic expressions that define African American and minority performing arts.

To find out more and view the Black Arts Directory visit https://www.blackartsdirectory.org/. The Black Arts Directory is made possible by an Arts Recovery Program grant from the City of Chicago Department of Cultural Affairs and Special Events.

The BACA staff is Executive Director Luther Goins, Grants Writer & Development Manager Ilesa Duncan, and PR, Marketing & Design Director Doc Wheeler. The Board of Directors includes President Jackie Taylor, Vice President Sydney Chatman, and members Cheryl Lynn Bruce, Troy O. Pryor, Portia McFarland, William Gill, Ericka Ratcliff, Shawn Wallace, Daryl D. Brooks, and Roxanna Conner.

Upcoming BACA Events and Programs include:

Martin Luther King Celebration: The Black Arts & Culture Town Hall

January 19, 2026

This celebration and panel discussion honors the life and legacy of Dr. Martin Luther King Jr. and discusses the challenges and commonalities faced by Black artists and arts organizations and will launch the 2026 Black to Black Workshop Series.

Black to Black Series: Entertainment Business for the Black Artist

March 2026

Workshops

Black to Black Series: Working & Thriving in Chicago

May 2026

Panel Discussion

Cookout In The Blackyard Summer Networking Event

August 2026

Join BACA for an amazing networking opportunity featuring barbecue, drink, music, and fun.

Black to Black Series: History & Fundamentals of Black Organizations

October 2026

Workshops & Auditions

Black Excellence Awards

November 2026

Black Arts Hall of Fame 2026

November 2026

About Black Arts & Culture Alliance of Chicago (BACA)
The mission of the Black Arts & Culture Alliance of Chicago is to collectively advance excellence in the work of the Black arts and culture sector. The Alliance works to increase interaction, communication and development of black arts organizations and artists, while delivering programs that increase their visibility, marketability, stability, and sustainability.

For tickets, event updates, and more information about the Black Arts and Culture Alliance of Chicago, visit https://www.bacachi.org/.

Goodman Theatre announced today that its highly-anticipated presentation of Theater of the Mind, by Academy, Grammy and Tony Award-winning artist David Byrne (Broadway’s Here Lies Love with Fatboy Slim, American Utopia and the renowned group Talking Heads) with writer Mala Gaonkar, will make its Chicago debut March 11 – May 31, 2026 (opening night is March 25, 2026) at the Reid Murdoch Building, 333 N. LaSalle. Tickets ($66-$96, subject to change) will be available for sale starting Friday, November 7 at 10 am, at the Goodman Theatre Box Office (170 N. Dearborn), by calling 312.443.3800 or by purchasing online at TheaterOfTheMindChicago.com. The Goodman is grateful for the support of the Alfred P. Sloan Foundation, Illinois Office of Tourism, Northern Trust, and Friedman Properties.

“The Goodman is thrilled to introduce Theater of the Mind to Chicago audiences and to showcase the singular creativity of David Byrne and Mala Gaonkar,” said Goodman Theatre Walter Artistic Director Susan V. Booth. “Our Centennial Season welcomes audiences to experience all of the ‘feels’ and Theater of the Mind engages all of the senses, making it a perfect addition to our landmark season. We hope for this production to be an ongoing attraction that sparks joy, conversation and community.”

A one-of-a-kind theatrical experience audiences will see, feel, taste, and hear, this intimate and immersive journey of how we perceive and create our worlds is inspired by both historical and current neuroscience research. Under Director Andrew Scoville and Technology Director Heidi Boisvert, PhD, Theater of the Mind is a 15,000-square-foot immersive experience taking just sixteen audience members at a time through a 75-minute journey of self-reflection, discovery, and imagination, inspired by and grounded in neuroscience.

"Mala and I have long been fascinated by the science behind these experiences; though reading about the phenomena involved is exciting, it’s quite something else to actually experience it,” said co-creator David Byrne. “It’s a different level of understanding, a different kind of knowledge—visceral, immediate, and profound. The film and theater adage ‘show, don’t tell’ became a guiding principle in discovering a way to include these experiences in an entertaining and engaging show. A show in which the audience makes many of the inferences for themselves, without being told by us what it means. For me, the broader implications that these phenomena have in our lives, our sense of the world, and our sense of self is key.”

“For a few years, David and I partnered with several cognitive neuroscience labs to see how some of the most basic human intuitions determine how humans react," said co-creator Mala Gaonkar. "What we concluded was that the experiments and ideas of the labs we partnered with, several of which we embedded in our narrative, seemed as engaging as any piece of theater. We began referring to this project as a ‘Neuro Funhouse,’ but as we worked on it, we came to realize that it was evolving to be something more than that. It has made us rethink some of our own beliefs and assumptions, to see ourselves and the world in a different way. We hope that it might have a similar effect on our audience—and think of science and theater in a new way."

Led by a Guide whose stories are inspired from the creators' lives, audiences will explore how they perceive the world through sensory experiments that reveal the inner mysteries of the brain. Casting for the multiple roles of the Guide will be announced after the new year.

Caution: the brain may wander! Side effects may include a distrust of your own senses, a disorientation of self, and a mild to severely good time. You may not be who you think you are. But we're all in it together.

Theater of the Mind had its World Premiere on August 31, 2022, at the Denver Center for the Performing Arts.

PERFORMANCE SCHEDULE

Starting March 11, Theater of the Mind will be staged Tuesday evenings starting at 6 pm; Wednesday afternoons starting at 2 pm and evenings starting at 6 pm; Thursday evenings starting at 6 pm; Friday evenings starting at 5 pm; Saturday afternoons starting at noon and evenings at 6 pm; and Sunday afternoons starting at 12:30 pm. Performances begin every 15 minutes, and each includes 16 audience members. A complete schedule can be found at theaterofthemindchicago.com.

ABOUT THE CREATORS

David Byrne (Co-Creator) is a musician, performer, writer, and multidisciplinary artist whose creative ventures have captivated audiences since 1975, when he co-founded the renowned group Talking Heads. In addition to Theater of the Mind, recent works include Here Lies Love, a musical with music by Byrne and Fatboy Slim (2023), SOCIAL! at The Park Avenue Armory, the Broadway production of Byrne’s American Utopia (2019) as well as the Spike Lee-directed film version (2020), the launch of his Reasons to be Cheerful online magazine (2019), and the solo album American Utopia (2018). To date, Byrne has published five books including How Music Works (2012).

Mala Gaonkar (Co-Creator) has more than 20 years of experience investing behind technology trends. She was a founding partner of the investment management firm Lone Pine Capital in 1998. In 2022, Gaonkar launched her own firm, SurgoCap Partners, focused on the disruptive effects of technology within broad industry categories. Gaonkar’s focus is on multi-disciplinary thinking, including using the tools of data science, artificial intelligence, and behavioral science to solve problems.  She has embraced this approach both through her investing career as well as through Surgo Ventures, a foundation that she co-founded in 2015. Gaonkar is a graduate of Harvard University and Harvard Business School.

ABOUT THE DIRECTORS

Andrew Scoville (Director), a native of west suburban Elmhurst, is a New York-based theater director specializing in immersive layouts, technological landscapes, and hybrid-genre theater-making with an emphasis on integrating science ideas into theatrical experiences. Credits include The Brobot Johnson Experience (Bushwick Starr, The New York Times Critics' Pick), Escape the Planet (NY Hall of Science commission with astronomer Moiya McTier),  People Doing Math podcast and, as Associate director: Here Lies Love (dir. Alex Timbers, Public Theater, National Theater UK, Seattle Rep), Sweeney Todd (dir Bill Buckhurst, Barrow Street Theater), Bloody Bloody Andrew Jackson (dir Alex Timbers, Broadway).

Heidi Boisvert, PhD (Technology Director) is an interdisciplinary artist, experience designer, creative technologist, and researcher investigating the neurobiological and socio-cultural impacts of media and technology. Her work focuses on how the body, senses, and emotions influence perception and social change. She is currently mapping the world’s first media genome with careful attention to its ethical implications. She founded future Perfect lab, a creative agency and think tank that works with social justice organizations to design playful emerging media campaigns to transform the public imagination. She also co-founded XTH, a company developing novel forms of expression through biotechnology and the human body.

ABOUT GOODMAN THEATRE

As previously announced, Theater of the Mind makes its Midwest debut during The Goodman’s Centennial 25/26 Season. Since 1925, The Goodman has been a theatrical home for artists and a gathering space for community. It’s where stories come to life—bold in artistry and rich in history, deeply rooted in the city it serves. Led by Walter Artistic Director Susan V. Booth and Executive Director John Collins, The Goodman sparks conversation, connection, and change through new plays, reimagined classics, and large-scale musicals. With distinctions including world and American premieres, Pulitzer Prizes, Tony Awards, and Joseph Jefferson Awards, The Goodman is proud to be the first theater to produce all 10 plays of August Wilson’s “American Century Cycle.” But The Goodman believes a more empathetic, more connected Chicago is created one story at a time and counts as its greatest legacy the community it’s built. The Goodman was founded by William O. Goodman and his family to honor the memory of Kenneth Sawyer Goodman—a visionary playwright whose bold ideas helped shape Chicago’s early cultural renaissance. That spirit of creativity and generosity endures today.

Remy Bumppo Theatre Company’s 30th anniversary season continues with Hedda Gabler, adapted by Christopher Shinn, based on the literal translation by Anne-Charlotte Hanes Harvey and directed by Artistic Director Marti Lyons, February 5 - March 8, 2026, at Theater Wit, 1229 W. Belmont Ave. Previews are Thursday, Feb. 5 through Saturday, Feb. 7 at 7:30 p.m. and Sunday, Feb. 8 at 2:30 p.m.. Regular performances are Thursdays and Fridays at 7:30 p.m., Saturdays at 7:30 p.m. and Sundays at 2:30 p.m. with additional matinees on Thursday, Feb. 12 at 2:30 p.m., Saturday, Feb. 21 at 2:30 p.m., Thursday, Feb. 26 at 2:30 p.m. and Saturday, Mar. 7 at 2:30 p.m. There will be an audio described performance with a touch tour on Thursday, Feb. 12 at 1 p.m. with the 2:30 p.m. performance and an open captioned performance on Saturday, Feb. 21 at 2:30 p.m. Remy Bumppo’s Between the Lines offering, which includes a pre-show lecture and a post-show talkback, will occur on Sunday, Feb. 22 at 2:30 p.m. Single tickets are now on sale at RemyBumppo.org. Groups of 10 or more may call the Theater Wit Box Office at 773.975.8150 to receive group discounts and make reservations. 

This Broadway adaptation of Ibsen’s timeless drama presents a powerful Hedda Gabler as she desires to escape from a loveless, ordinary existence. Beginning with the return from her honeymoon, Hedda finds herself bored of her husband, and longing for the days when she was free to exercise her wild and independent whims. With the return of an old flame and a proposition from an amorous judge, she begins a dangerous game, amusing herself by manipulating and destroying everyone around her in an attempt to regain control of her life.

“Hedda Gabler is a hauntingly timely play. In Christopher Shinn’s taut adaptation, Ibsen’s examination of temptation, power, and agency is given a riveting new life,” said Lyons. “Our production will feature a magnificent ensemble of Remy Bumppo artists and esteemed collaborators. This production continues our celebration of 30 years of Remy Bumppo.” 

The cast of Hedda Gabler includes includes Aurora Real de Asua*+ (she/her, Mrs. Hedda Tesman), Greg Matthew Anderson* (he/him, Judge Brack), Annabel Armour*+ (she/her, Miss Juliane Tesman), Eduardo Curley*+ (he/him, Jorgen Tesman), Linda Gillum*+ (she/her, Berte), Travis Knight* (he/him, Ejlert Lovborg) and Gloria Imseih Petrelli (she/they, Mrs. Thea Elvsted).

The creative and production team for Hedda Gabler includes Marti Lyons~ (she/her, director/artistic director), Devon Hayakawa (any with respect, asst. director), Adelina Feldman-Schultz, Tertulia Creative Solutions (casting director), Katie Galetti (casting consultant), Alison Dornheggen (she/her, violence designer), Joe Schermoly^ (scenic designer), Amanda Herrmann^ (they/them, properties designer), Max Grano De Oro (he/him, lighting designer), Chelsea Strebe (asst. lighting designer), Christopher Kriz^ (he/him, composer/ sound designer), Kotryna Hilko^ (she/her, costume designer), Johnnie Schleyer (he/him, production manager), Jean E. Compton*^ (she/her, stage manager); Macy Mateer (asst. stage manager), Nick Chamernik (lighting supervisor), Gabriela Carrillo (wardrobe supervisor), Margaret McCloskey (she/her, executive director), Christina Casano (she/her, creative producer), Missy Preston (they/them, development manager), John Craig (they/he, operation manager) and Emily Szymanski (she/her, patron services & communications coordinator).

~ denotes member of Stage Directors and Choreographers Society

+ denotes Core Ensemble Member

^ denotes Associate Artist 

* denotes member of Actors Equity Association 

Cast and creative team members are subject to change. 

ABOUT CHRISTOPHER SHINN, adaptor

Christopher Shinn is a playwright who lives in New York. Several of his plays have premiered at the Royal Court: Four, Other People, Where Do We Live (2005 Obie Award for Playwriting), Dying City (2008 Pulitzer Prize for Drama finalist) and Now or Later (shortlisted for the Evening Standard Theatre Award, Best Play). Other plays include The Narcissist (Chichester Festival Theatre), Against (Almeida Theatre), Teddy Ferrara (Goodman Theatre and Donmar Warehouse), An Opening in Time (Hartford Stage), Picked (Vineyard Theatre), On the Mountain (South Coast Rep), What Didn’t Happen (Playwrights Horizons) and The Coming World (Soho Theatre).

His adaptation of Hedda Gabler premiered on Broadway in 2009 and his adaptation of Judgment Day premiered at Park Avenue Armory in 2019 and was nominated for a 2020 Drama Desk Award for Outstanding Adaptation. He was a Guggenheim Fellow in 2005, a Radcliffe Fellow at Harvard in 2019-2020, a Cullman Fellow at New York Public Library in 2020-2021, a MacDowell Fellow in 2023 and a Hawthornden Fellow in 2024.

ABOUT MARTI LYONS, director

Marti Lyons most recently directed the Jeff-nominated ‘ART’ by Yasmina Reza, Love Song by John Kolvenbach and Galileo’s Daughter by Jessica Dickey at Remy Bumppo Theatre Company. Lyons also directed Georgiana and Kitty: Christmas at Pemberley at Northlight Theatre, Wife of a Salesman by Eleanor Burgess at Milwaukee Rep, Sense and Sensibility adapted by Jessica Swale at American Players Theatre and the world-premiere of John Proctor is the Villain by Kimberly Belflower at Studio Theatre in Washington, D.C. Selected other credits include: The Niceties by Eleanor Burgess at Writers Theatre; Cymbeline at American Players Theatre; The Wolves by Sarah DeLappe and Kings by Sarah Burgess at Studio Theatre; the world-premiere of How to Defend Yourself by Liliana Padilla, a Victory Gardens and Actors Theatre of Louisville co-production; Cambodian Rock Band by Lauren Yee at Victory Gardens and City Theatre; Witch by Jen Silverman at Geffen Playhouse and Writers Theatre (LA Drama Critics Circle Award for Best Direction); Native Gardens by Karen Zacarías at Victory Gardens; Botticelli in the Fire by Jordan Tannahill at Woolly Mammoth Theatre Company; I, Banquo at Chicago Shakespeare Theater; Title and Deed by Will Eno at Lookingglass Theatre Company and Laura Marks’ Bethany and Mine at The Gift Theatre. Lyons is also an ensemble member at The Gift Theatre and a member of Stage Directors and Choreographers Society.

MORE FROM REMY BUMPPO THEATRE COMPANY

Readings on Ravenswood 

Spring 2026

Remy Bumppo Rehearsal Room, 1751 W. Grace St.

Complete list of plays, actors, directors and dates to be announced in 2026. 

Readings on Ravenswood returns for its third season with more plays featuring favorite playwrights and Core Ensemble members. Each reading includes a conversation with audience members immediately following that night’s selected play. 

Dates and other information shared are subject to change. 

ABOUT REMY BUMPPO THEATRE COMPANY

Remy Bumppo Theatre Company expands and enriches their community’s view of the world, and their own, by producing both the great plays of the past and the important plays of today. As an ensemble-driven theater company, Remy Bumppo authors a more humane culture that listens to, and seeks to understand, the voices, the ideas and the stories of one another. 

Since its inception in 1996, Remy Bumppo has produced a blend of modern classics and complex contemporary works, presented in an intimate setting with clarity, wit and passion. We invite audiences to engage directly with the art through conversation with the artists.

PRODUCTION DETAILS:

Hedda Gabler

Adapted by: Christopher Shinn

Based on the literal translation by: Anne-Charlotte Hanes Harvey

Directed by: Artistic Director Marti Lyons (she/her/hers)

Website link: RemyBumppo.org

Location: Theater Wit, 1229 W. Belmont Ave., Chicago, IL 60657

Previews: Thursday, Feb. 5 - Saturday, Feb. 7 at 7:30 p.m. and Sunday, Feb. 8 at 2:30 p.m.

Press/Opening Performance: Monday, Feb. 9 at 7 p.m.

Regular Run: Thursdays through Saturdays at 7:30 p.m. and Sundays at 2:30 p.m. with additional matinees on Thursday, Feb. 12 at 2:30 p.m., Saturday, Feb. 21 at 2:30 p.m., Thursday, Feb. 26 at 2:30 p.m. and Saturday, Mar. 7 at 2:30 p.m.

Run Time: 90 minutes with no intermission

Additional Matinee Performances: Thursday, Feb. 12 at 2:30 p.m., Saturday, Feb. 21 at 2:30 p.m., Thursday, Feb. 26 at 2:30 p.m. and Saturday, Mar. 7 at 2:30 p.m.

Remy Bumppo’s Between the Lines: Sunday, Feb. 22 at 2:30 p.m. Pre-show Lecture at 1:15 p.m.

Remy Bumppo’s Between the Lines performances include a pre-show lecture led by a Chicago luminary who will discuss the themes of the play, the performance, and a post show talkback with the artists.

ACCESS PERFORMANCES:

Audio Description/Touch Tour Performance: Thursday, Feb. 12 at 1 p.m., performance at 2:30 p.m. 

Listeners will hear a description of actions, body language, lights, costumes, scenery and other aspects of the production not conveyed by voices and sounds from the stage.This service allows blind and visually- impaired patrons to hear a description of the visual elements taking place on stage. 

Touch Tours are 45 minute artistic conversations and tactile explorations of costumes, props and set pieces for patrons who are blind or low-vision

Open Caption Performance: Saturday, Feb. 21 at 2:30 p.m.

At the Open-Captioned performance, a TV monitor will present dialogue and sounds in text that is in sync with the performance. 

Previews: $32.00 - $36.00

Regular Run: $36.00 - $55.00

Industry Tickets: $20.00, available for Thursday and Friday performances using

code INDUSTRY

Student Tickets: $15.00, available for all performances

Group Discounts: For groups of 10 or more, call the Theater Wit Box Office at

773-975-8150.

The Roald Dahl Story Company today announces its first production in Chicago, the wickedly funny, family musical based on Roald Dahl's The Enormous Crocodile.  Following the all-ages, smash-hit productions in the UK, Minneapolis and Los Angeles, the production runs at historic Studebaker Theater in the Fine Arts Building, 410 S. Michigan Ave, in partnership with the Chicago International Puppet Theater Festival, from January 29 to February 21, 2026.

Tickets, $20-$54 for children and $30-$68 for adults, are currently on pre-sale and will go on sale to the public on October 6, 2025. Kicking off the Chicago premiere during the final week of the Chicago International Puppet Theatre Festival, tickets for the first week of performances, January 29- February 1, 2026, will be available through the festival box office at https://chicagopuppetfest.org/event/the-enormous-crocodile/. The production will continue through February 21, and those tickets will be available at  enormouscrocodilemusical.com/chicago

Tuesday-Thursday morning performances, reserved entirely for student audiences, are available at a subsidized ticket price. Requests can be submitted here: https://bit.ly/CrocodileStudents or at This email address is being protected from spambots. You need JavaScript enabled to view it.

Group discounts for all performances are available by contacting This email address is being protected from spambots. You need JavaScript enabled to view it.

'For my lunch today I would like... a nice juicy little child!'

The Enormous Crocodile is weaving his way through the jungle with his tummy rumbling ... Only the other jungle creatures can foil his secret plans and clever tricks, but they're going to have to find a large amount of courage to stop this greedy brute. From Trunky the Elephant to Muggle-Wump the Monkey, get to know the menagerie of creative puppets in the U.S. premiere tour of this smash U.K.-hit production. You'll go from the jungle into outer space and back again, just in time for a wild dance party! 

This mischievous musical based on Roald Dahl's snappy book has toe-tapping tunes by Ahmed Abdullahi Gallab, a rib-tickling book and lyrics by Suhayla El-Bushra, and additional music and lyrics by Tom Brady. Developed and directed by Emily Lim, it features a menagerie of puppets by co-director and puppetry designer Toby Olié, with set and costume design by Fly Davis, puppetry co-designed and supervised by Daisy Beattie, casting by Annelie Powell, choreography by Vicki Igbokwe-Ozoagu, lighting by Jessica Hung Han Yun and sound by Tom Gibbons.

Originally co-produced by Roald Dahl Story Company, Regent's Park Open Air Theatre and Leeds Playhouse.

The Enormous Crocodile the Musical was developed by Roald Dahl Story Company, Emily Lim, Ahmed Abdullahi Gallab, Suhayla El-Bushra and Tom Brady.

Gabrielle Leadbeater, Producer at the Roald Dahl Story Company comments, "We couldn't think of a better place for The Enormous Crocodile's next stop on tour than Chicago. The city and Studebaker Theater are as steeped in creativity as Roald Dahl's stories, and we're proud to have this major new production amongst the world's very best puppetry at the Chicago International Puppet Festival."

"The Enormous Crocodile is a lusciously designed, family friendly jungle musical with an excellent musical score," said Blair Thomas, Founder and Artistic Director, Chicago International Puppet Theater Festival. "The wit and humor of the puppetry matches that of Roald Dahl. Don't miss it."

The creative team for The Roald Dahl Story Company's production of The Enormous Crocodile The Musical includes Suhayla El-Bushra (bookwriter and lyricist), Ahmed Abdullahi Gallab (composer and additional lyrics), Tom Brady (additional music and lyrics, orchestrations, arrangements and music supervisor), Emily Lim (direction and development), Toby Olié (co-director and puppetry designer), Fly Davis (set and costume designer), Daisy Beattie (puppetry co-designer and supervisor), Tim Blazdell (digital designer and production draughting), Vicki Igbokwe-Ozoagu (choreographer), Jessica Hung Han Yun (lighting designer), Tom Gibbons (sound designer), Phij Adams (music technology and ableton programmer), Ben Kubiak (musical director), Annelie Powell CDG (casting director), Aundrea Fudge (voice coach), Tina Thomas (singing coach), Ann Barnard (copyist), Tash Holway (associate director), Blythe Stewart (associate director), Michael Jean-Marain (associate puppetry director), Lucy Adams (associate lighting designer), Johnny Edwards (associate sound designer), Shanelle Clemenson (associate choreographer), Màth Roberts (music associate), Rebecca Gunstone (costume supervisor), Bethan Owens (wigs hair and make-up supervisor), and Gabriella Shimeld-Fenn (casting associate).

About Roald Dahl Story Company 

The Roald Dahl Story Company (RDSC) is the home of Roald Dahl's much-loved stories and characters. With over 300 million books sold globally and translated into 68 languages, our stories have entertained generations of kids and adults with their unique mix of mischief, dark humor and irreverence.

Together with our parent company Netflix, and united by our love of these great stories, we're working with some of the world's best storytellers and creative minds to bring them to life in bold new ways that will surprise and delight existing and new fans. This includes animated and live action films and series, publishing, theatre, immersive experiences, games, consumer products, brand partnerships, and more.

About the Chicago International Puppet Theater Festival 

Two weeks every January, Chicago turns into the "Puppetry Capitol of the World" when the Chicago International Puppet Theater Festival returns with its annual, 12-day winter flurry of more than 100 puppet shows and events featuring artists from around the globe.

The festival was originally founded in 2015 as a project of Artistic Director and Founder Blair Thomas's puppet theater company. Since then, the Chicago International Puppet Theater Festival has introduced audiences to artists from Belgium, Chile, China, France, Germany, India, Indonesia, Israel, Japan, Kenya, Korea, Mexico, Norway, Puerto Rico, Poland, Scotland and South Africa, as well as the U.S. and Chicago, with the goal of promoting peace, equality, and justice on a global scale. Already the largest of its kind in North America, last year's 7th Chicago Puppet Festival attracted a record 22,000+ audience members who enjoyed a wildly entertaining and eclectic array of traditional and contemporary puppet styles from around the world at dozens of theaters and community spaces throughout the city.

From January 29-February 1, The Enormous Crocodile will be one of the highlights of the 8th Chicago International Puppet Theater Festival, January 21- February 1, 2026. Stay tuned for the full 2026 Festival line-up, including even more performances by puppet artists from around the world, the U.S. and Chicago. This year's festival will also present 22 puppetry workshops, four symposium panels, three book talks, free exhibitions, late-night puppet cabarets, and the always popular Free Neighborhood Tour. Tickets go on sale later this fall. For more, visit chicagopuppetfest.org. 

Follow the festival on Facebook, Instagram or Vimeo, hashtag #ChiPuppetFest. Sign up for the Puppet Festival's e-news to receive first alerts of festival news, ticket on-sales, added special events and festival merch. 

FACT SHEET

The Roald Dahl Story Company's production of 

The Enormous Crocodile
The Musical 
Book and Lyrics by Suhayla El-Bushra 
Music by Ahmed Abdullahi Gallab 
Additional Music and Lyrics from Tom Brady 

Directed and developed by Emily Lim, it features a menagerie of puppets by co-director and puppetry designer Toby Olié, with set and costume design by Fly Davis and puppetry co-designed and supervised by Daisy Beattie.

Location: The Studebaker Theater in the Fine Arts Building, 410 S. Michigan Ave. in Chicago

Dates: January 29 to February 21, 2026.

Tickets: https://chicagopuppetfest.org/event/the-enormous-crocodile/ (for performances January 29-February 1, 2026)

enormouscrocodilemusical.com/chicago (for performances February 2-February 21, 2026)

Recommended for all ages.

Running time: 60 minutes

The Enormous Crocodile was originally co-produced by Roald Dahl Story Company, Regent's Park Open Air Theatre and Leeds Playhouse. The Enormous Crocodile musical was developed by Roald Dahl Story Company, Emily Lim, Ahmed Abdullahi Gallab, Suhayla El-Bushra, and Tom Brady.

US Tour General Management

Doreen Sayegh for Pemberley Productions

Rosie Bross-Rice, Associate

Creative Team
Bookwriter and Lyricist | Suhayla El-Bushra
Composer and Additional Lyrics | Ahmed Abdullahi Gallab
Additional Music and Lyrics, Orchestrations, Arrangements and Music Supervisor | Tom Brady
Direction and Development | Emily Lim
Co-Director and Puppetry Designer | Toby Olié
Set and Costume Designer | Fly Davis
Puppetry Co-Designer and Supervisor | Daisy Beattie
Digital Designer and Production Draughting | Tim Blazdell
Choreographer | Vicki Igbokwe-Ozoagu
Lighting Designer | Jessica Hung Han Yun
Sound Designer | Tom Gibbons
Music Technology and Ableton Programmer | Phij Adams
Musical Director | Ben Kubiak
Casting Director | Annelie Powell CDG
Voice Coach | Aundrea Fudge
Singing Coach | Tina Thomas
Copyist | Ann Barnard
Associate Director | Tash Holway
Associate Director | Blythe Stewart

Associate Puppetry Director | Michael Jean-Marain
Associate Lighting Designer | Lucy Adams
Associate Sound Designer | Johnny Edwards
Associate Choreographer | Shanelle Clemenson
Music Associate | Màth Roberts
Costume Supervisor | Rebecca Gunstone
Wigs Hair and Make-up Supervisor | Bethan Owens
Casting Associate | Gabriella Shimeld-Fenn

Follow The Enormous Crocodile at enormouscrocodilemusical.com/.

Head to The Second City for a fast, funny, one-of-a-kind night of comedy. The legendary theater announces Thank You, Goodnight, a brand-new production running October 3 – 24 at 7 p.m. in Donny's Skybox Theater. Directed and created by former Mainstage director Rob Wilson, the show combines Chicago's sharpest stand-up with world-class improv for an experience you won't find anywhere else.

Audiences will first catch killer stand-up sets from some of the city's most acclaimed comics. Sam Birru (Just For Laughs, Laugh Factory, Zanies), Kristen Toomey (Netflix is a Joke, Kevin Hart's LOL), and Kellye Howard (Comedy Central, Last Comic Standing) are among the standout performers taking the mic.

Then, The Second City's all-star improvisers jump in, spinning those sets into brand-new, never-to-be-seen-again scenes. It's the best of both worlds—stand-up and improv—rolled into one high-energy show that's fresh every single night.

Thank You, Goodnight is comedy you can't see anywhere else—because it's different every time, and it's only at The Second City.

Tickets start at $20 and are available at www.secondcity.com. Donny's Skybox Theater is located at 230 W. North Avenue. 

About The Second City
The Second City opened its doors in 1959 as a small comedy cabaret and has since grown to become the world's most influential name in improvisation and comedy. Celebrating 65 years of legendary comedy, The Second City's stages, Touring Companies, and Training Centers across North America have proudly been the launch pad and artistic home for many of the funniest performers, writers, directors, and comedic minds on the planet. For more information, visit SecondCity.com