When I remember John Denver, it’s hard not to think about crisp country air, clean rivers, pristine mountains and, well, just a healthy planet. John loved nature. It was abundantly clear in his music. His life was cut short at just 53 years old when a plane he was piloting crashed into Monterey Bay, but the folk and country singer left quite an impression on the world in his four decades with not only the music he wrote and performed but also his work as an activist and humanitarian.
In Almost Heaven, a musical revue created by Harold Thau, the singer’s longtime manager, John Denver’s life and music are celebrated in brilliant fashion. Currently being performed at nearby Theatre at the Center in Munster, Indiana, Artistic Director Linda Fortunato skillfully directs this wonderful tribute as William Underwood lends his special touch as the productions’ Music Director to bring Denver’s most memorable songs to life.
(left to right) Actors Steven Romero Schaffer, Tommy Malouf, Sara Geist and Andrew Mueller - Photo by Guy Rhodes
While telling the story of Denver’s life from the start of his music career in the 1960’s through his untimely death in 1997, the musically gifted cast takes turns singing and playing songs that include fan favorites “Rocky Mountain High,” “Annie’s Song,”, “Sunshine on My Shoulders” and, of course, “Take Me Home, Country Roads”. The often-moving story touches on Denver’s anti-war stance despite growing up in a military family, his meteoric rise in becoming a household name, his marriage, his love for a rich, clean environment and the impact his music had on so many people. A particularly touching moment occurs when a letter is read from a young fan in China who shares what a positive effect Denver has left on her and her music teacher – even at a time when it was illegal to listen to his music in their country. We are also made privy to Denver’s shortcomings in his later years, since he, too, is after all human.
A rotating cast commands the three-quarter round theater. Steven Romero Schaeffer, Shannon McEldowney, Andrew Mueller, Sara Geist and Tommy Malouf each deliver strong solo and group performances, beautiful harmonies filling the venue as the five also impress on stringed instruments playing along with the Underwood-led band that also features musicians Malcolm Ruhl and Alison Tatum.
Almost Heaven is a well-crafted musical work that flows at the perfect pace while grabbing its audience from the very beginning - and it never lets go. Whether a fan of John Denver’s already or for those that have been recently introduced to his work, this production is sure to entertain and touch hearts.
Highly recommended.
Almost Heaven is being performed at Theatre at the Center through March 22nd. For tickets and/or more information visit www.TheatreAtTheCenter.com.
I am from Miami, Florida and after moving to Chicago there was a time when I genuinely looked forward to the first snow of the year. I’d also wish for snowfall each year to bring us a white Christmas here in Chicago and this lovely production of ‘White Christmas’ at Theatre at the Center brought that joy back into my mind for the first time in years.
The story is about two servicemen, Bob (Matt Edmonds) and Phil (Justin Brill), who become big time entertainers after their army days. From performing in USO shows for fellow military troops during World War II to becoming a featured act on the Ed Sullivan show, the two pals are now looking for a "sister act". It isn’t long before the two stumble upon Judy and Betty (both played wonderfully by Casiena Raether and Erica Stephan) and wind up not only finding two talented women to perform with but also finding true love. The tale is a timeless one thanks to Irving Berlin's classic music – and this cast does the book and lyrics of Berlin justice.
When Bob and Phil run across their old General, Henry Waverly (Neil Friedman), they happily offer to help out by lending their star presence by performing at his lodge in the hopes of attracting more guests. The retired General is on hard times having sunk his entire life saving into the lodge. Thankfully he has been keeping his head just above water thanks to the help he receives from his ever-loyal lodge hand Martha Watson (brilliantly played by Glory Kissel). It isn’t long before Bob and Phil enlist Judy and Betty and a host of fantastic dancers to put on the show of a lifetime at the General’s lodge. It is nothing short of touching to see the dedication Bob and Phil have towards General Henry Waverly.
I would totally see this production twice just to hear the everlastingly touching “How Deep is The Ocean”:
"How much do I love you? I'll tell you no lie
How deep is the ocean? How high is the sky?
How many times a day do I think of you?
How many roses are sprinkled with dew?
How far would I travel to be where you are?
How far is the journey from here to a star?
And if I ever lost you, how much would I cry?
How deep is the ocean? How high is the sky?"
“Blue Skies” was another showstopper with the entire cast tapping in blue and white to Irving Berlin's classic song about the very real exciting effects of new love taking place on the loving new couples:
"Never saw the sun shining so bright
Never saw things going so right
Noticing the days hurrying by
When you're in love, my how they fly
Blue days
All of them gone
Nothing but blue skies
From now on!"
(from lerft) Erica Stephan as Betty and Casiena Raether as Judy. Photo by Guy Rhodes
There was a palpable chemistry in the humorous courtship between the wry, dry Phil and slightly uptight and business-oriented Betty, which the whole audience picked up on and really enjoyed watching develop scene by scene.
Director Linda Fortunato is wisely able to draw out the fun in her own unique way from each song and also includes a few numbers cut from the motion picture, like "Falling Out of Love Can be Fun,” sung by Martha, Betty and Judy. The song gives the thoroughly modern advice, way ahead of it's time, that if you are heartbroken by one man you can pick yourself up and try again without shame.
"When you've find your lover has gone
Get your second wind and go on
There's an old affair that is there for renewing
In your grief, do you know what you're doing?
Falling out of love can be fun
Soon, you'll be swinging in a hammock on a porch
One arm wrapped around someone else
The other arm carrying a torch
Love can give a lady a clout
And she may be down but not out
Get yourself a date, don't you wait for the count of ten, then
Falling out of love can be fun!"
Talented Artistic Director Linda Fortunato wears multiple hats not only directing this production but providing its dazzling choreography. William Underwood gives this show its musical direction.
Special kudos must go to Glory Kissel as the rowdy Senior hotel concierge for her entire performance and especially the showstopper "Let me Sing, I'm Happy." Kissel shows the youngsters in the cast just how it's done with her amazing dance and superb physical comedy skills while singing out about the pure Joy of being alive and happy.
The super talented ensemble blows everyone away with one fantastic tap or dance number after another.
It is truly thrilling to watch all those tapping feet moving in perfect unison. Other great numbers include “Heat Wave,” “I Love a Piano” and of course, the title song “White Christmas”, a song that Matt Edmonds sings to perfection as he captures the period so well with both his singing and acting.
I can't recommend this production highly enough for audiences of all ages who are looking for a happy, fun-filled and joyous celebration of LOVE and of course SNOW, during this cold and oft-strenuous Holiday season.
‘White Christmas’ is being performed at Theatre at the Center in nearby Munster, IN through December 22nd. For more information visit www.theatreatthecenter.com.
“Every Brilliant Thing,” places unusual demands on its lead character, Narrator. Jessie Fisher delivers a carefully calibrated performance from a…
Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, continues its 2024–2025 season with Louisa May Alcott's…
Music Theater Works is proud to announce the cast and creative team for the final production of its 2024 season, Legally Blonde:…
After pausing its operations last year to reorganize and create a new business model, Chicago's Tony-Award winning Lookingglass Theatre Company, in association…
BrightSide Theatre has announced that it will perform the long-running hit Broadway musical JEKYLL AND HYDE in a concert presentation…
Hell in a Handbag Productions is pleased to open its 2024/25 Season with the 25th anniversary edition of Artistic Director David Cerda's* holiday classic Rudolph…
Sometimes history has a way of repeating itself and it’s not always for the better. Try as we might to…
Throughout our busy lives we often seek out the new. It is easy to see the allure. Beginnings offer a…
I've always had a deep fondness for the two timeless films Holiday Inn and White Christmas. These movies feature outstanding…
Due to popular demand, Steppenwolf Theatre is pleased to announce Jane Lynch's A SWINGIN' LITTLE CHRISTMAS has added a sixth and final performance to its nearly sold-out…
The Joffrey Ballet's critically acclaimed reimagined classic, The Nutcracker by two-time Tony Award®-winning choreographer Christopher Wheeldon, returns to the Lyric Opera House, 20 North…
Lifeline Theatre brings their first MainStage production of the 2024-25 season to the stage with Jacob Marley's Christmas Carol. Tom Mula's holiday tale…
Individual tickets for SHUCKED, the Tony Award® winning musical comedy The Wall Street Journal calls "flat out hilarious," will go on sale on…
Invictus Theatre Company’s latest production of The Tragedy of Macbeth, adapted and directed by Sarafina Vecchio, delivers a potent, intense…
Ngozi Anyanwu’s Leroy and Lucy, in its electrifying world premiere at Steppenwolf Theatre, takes the legendary tale of Robert Johnson’s…
I’ve delighted in Babes with Blades since they began in 1997, and they are never more delightful than when slashing…
Chicago Tap Allstars, a collective of Tap dance artists and organizations brought together by M.A.D.D. Rhythms and Chicago Tap Theatre, is proud to…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 49th season with the world premiere of Ngozi…
I’ll admit it: I knew little about “Into the Woods” before seeing the new production at Chicago’s Chopin Theatre. I’m…
Music Theatre Works’ Little Shop of Horrors, featuring music by Howard Ashman and a book and lyrics by Alan Menken,…
I’m actually not a dance critic. I don’t know enough about dance; I‘m not fluent in the language of dance;…
IDENTITY PERFORMING ARTS Presents Fall Concert “Embrace” World Premiere in Chicago for Two Performances Location: Ann Barzel Theater Visceral Dance Center,…
American Blues Theater announces its 23rd Annual Production of It's a Wonderful Life: Live in Chicago! from Frank Capra's film and directed by Executive Artistic…
Chicago Tap Theatre (CTT) has recently returned from a successful European Tour and is pleased to announce its 2024-2025 season and…
They do abuse the king that flatter him For flattery is the bellows that blows up sin These days, fireplace…
Teatro ZinZanni, Chicago's wildly entertaining cabaret and cirque show, will open up their vintage circus tent, the Spiegeltent, to present The LiV…
Marriott Theatre has added a second matinee performance of the concert CHRISTMAS WITH THE KING: BRANDON BENNETT SINGS ELVIS PRESLEY…
In the midst of the bustle and busyness of several stunning song-and-dance routines in Some Like It Hot, beautifully directed…
Lifeline Theatre presents the 28th Annual Fillet of Solo Festival, a vibrant celebration of Chicago's premiere storytelling and live lit scene. The…
The Chicago International Puppet Theater Festival is pulling strings to raise funds this fall, offering three exclusive sneak peeks of…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.