Displaying items by tag: Victor Moris
‘Meditations on Being’ an uplifting, healing experience
Chicago Danztheatre Ensemble (CDE) in collaboration with Duncan Dance Chicago has put together a production that undoubtedly will tap into one’s inner most feelings by way of a stunning presentation of interpretive dance, storytelling and art exhibition. Meditations on Being, performed at Danztheatre’s home in the Auditorium at Ebenezer Lutheran Church is, according to the Executive Director and Founder Ellyzabeth Adler, inspired by the difficulty the arts community has faced over the last four year but focuses on reflection, and reconnecting – rebuilding a sense of community. Meditations is a stunning collection of eight pieces that also include contributions by author and playwright Timothy David Rey and fellow artist/performer Courtney Reid Harris who has worked with Adler on past projects The Wasteland and This Is Not a Pipe.
Chicago Danztheatre Ensemble opens the show with “Meditations on Nature: Birth, Decay and Renewal,” a segment co-created/performed by Wannapa P. Eubanks, that paces us nicely for what is to come after Adler sets the tone with heartfelt poetry that touches on the many frustrations we face in today’s society while offering a suggestion to reset by relinking with others to focus a peaceful mindset that revolves around the often overlooked, gift of the moment.
The production moves gracefully from one scene into the next. I was very touched by the two-woman dance piece by Duncan Dance Chicago titled “Street Salvation” with music by Chopin. The choreography was originally designed by company namesake Isadora Duncan. Duncan herself was simple and expressive. Artistic Director and Jennifer Sprowl performs beautifully as does Lila Rubin who portrays a young girl, down and out laying in the street, when an angel comes and tries to help her blossom and open up in the end. The angel walks towards Heaven and the young street girl finally able to get up and follow her.
“Confluence” created by Siwei Xu and Daria Jin is a lovely piece danced in complete silence. A beautiful girl is trapped in a maze of red velvet ropes suspended from the ceiling and her lover tries desperately to pull her out, so close at times yet so out of reach until the two are finally united.
Of the many poignant pieces the production delivers, “Elyse” created, and performed by Eileen Tull may have resonated with me the most. “Elyse” was a very well written monologue with interpretive dance about a young friend of hers who recently died of a heart attack. Tull’s delivery is compelling and her words, beautifully said in this lovely tribute to her dear friend, ever so moving. Connected to this piece, as part of the show’s visual art demonstration, one corner of the church space displays an art exhibit created by Tull, entitled “The Grieving Corner”. At one point in the piece, Tull asks the audience to call out the name of a person they were mourning, which I felt was very touching and effective.
“RIA” with choreographer and performer Anniela Huibobro and production by Gabriel Mercado with music by Victor Moris, Collen and Mercado is a stunning piece of modern dance while “Meditations on Walden” by CDE with text by Henry David Thoreau is a delightful and intriguing play on words and life. The act is summed up in the song “Who Knows Where the Time Goes” charmingly performed by Courtney Reid Harris to ensemble members Kerry Valentine Taylor, Jen Benjamin and Peyton Hooks.
The final presentation ends the show with expressive imagery that effectively sums up the program creator’s destined vision. “Meditations on Nature” includes beautiful video along with projected images of flowers and plants growing and unfolding while blossoming, as a woman donned in a wedding gown with a forty-foot train slowly walks up into the nature scenes. Her train becomes the final touch to the structure that houses a community rebuilt and reconnected.
Meditations on Being presents a powerful message thanks to inspired direction and its talented group of performers, writers and choreographers. I really enjoyed the way Chicago Danztheatre Ensemble employs so many different styles of dance from Isadora Duncan to modern along with the art installations that are available to look at during the intermission. This is a very lovely and touching, politically affecting night of entertainment and art. I highly recommended this production for audiences of all ages.
Mediations of Being is performed at Auditorium at Ebenezer Lutheran Church, 1650 W. Foster Ave through March 9th. Tickets are a suggested $10-$20 donation and running time is about one-hour and forty minutes, which includes a ten-minute intermission. For tickets and/or more information on this production, click here.
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